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More than 130 years ago, the city of Chicago, Illinois, seemed too grand to be real.

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This was the location of the 1893 World's Fair, also known as the Columbian Exposition.

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At the heart of this historical phenomenon was an ephemeral metropolis known as the White City.

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The fairgrounds sprawled over 600 acres, featuring more than 200 monumental structures that defied imagination.

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The manufacturers and liberal arts building alone covered nearly 32 acres.

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With the capacity to fit four of the great Roman Colosseum inside and seat 300,000 people, its vastness was almost incomprehensible.

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One of the event's most iconic images is the 65-foot golden statue of the Republic, gleaming in the sun and towering over the central lagoon of an elaborate canal system.

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Borrowing ideas from ancient Venice, visitors could cover more territory by traveling in Venetian-style gondolas through the canals that spanned most of the fairgrounds.

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Norway even sailed a full-sized replica of a Viking ship across the ocean to be put on display.

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Approximately 27 million people from around the world were introduced to foods that have since become universally recognizable,

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such as peanut butter, Hershey's chocolate, Pabst Blue Ribbon, Cracker Jacks, Juicy Fruit Gum, and Vienna sausages, to name a few.

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The integration of electrical power into nearly every aspect of our lives can, in many ways, be traced back to this event.

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Electricity lit the night, with the grounds illuminated by more than 100,000 incandescent light bulbs, a recently patented invention at the time.

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Technological marvels such as the first practical electric automobile and the first electric kitchen with an automatic dishwasher were also introduced.

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The entertainment area brought to the public the concept of amusement parks, with attractions, sideshows, international villages,

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and the first widespread use of souvenir merchandise like postcards, coins, and other memorabilia.

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Interestingly, spray paint and the concept of whitewashing can also be traced to the fair.

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The very first Ferris wheel was created for the event by bridge builder and steel magnate George Washington Gail Ferris.

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As the story goes, he sought to rival the Eiffel Tower, the highlight of the 1889 Paris Fair.

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At 264 feet tall, his wheel could accommodate 2,160 people at a time and offered panoramic views of the entire fairgrounds.

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The precursor to the electric moving sidewalk from the 1900 Paris Expo was also debuted in Chicago.

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It was constructed on the pier to save people from having to walk the 2,500-foot-length to and from their steamships.

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Much like its successor in Paris, there were multiple platforms moving at different speeds in a looping circuit.

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The first platform was for standing and moved at only 3 miles per hour, while the second, fitted with benches, moved slightly faster at 6 miles per hour.

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As we delve deeper into the world's fair events, a pattern begins to emerge, one that seems to defy the conventional history we've all been taught.

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In cities all over the world, we consistently see the same grand and ornate structures, civil engineering and infrastructure projects, being constructed on a colossal scale within an impossible time frame.

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Less than 30 years after the Civil War, we find cities like Chicago looking as if they could be part of Vatican City or anywhere else in Old World Europe.

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Yet we're told that everything was built using wood, plaster, and temporary materials, with the intention of demolishing them when the fair ended.

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However, without exception, some isolated buildings still stand today because some were constructed with permanent materials.

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Everything else got destroyed.

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But we get a glimpse of the craftsmanship involved through structures like the Art Institute of Chicago and the Museum of Science and Industry.

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In Chicago's case, the majority of the fairgrounds didn't need to be demolished because they were conveniently destroyed by fire a few months after the event ended.

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Why were certain ones constructed from permanent materials?

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And why did they so often hold the title of the world's largest building at the time?

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It raises the question, how could the world's largest buildings have been constructed using mostly temporary materials?

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Are we to believe that just over a century ago, people made a habit of building some of the largest, most magnificent, and ornate buildings ever seen, only to use them for a few months?

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Even if we disregard the buildings themselves, the earthworks involved in these projects would challenge modern capabilities and equipment under such tight timelines.

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And most importantly, why would they do all of this just to destroy it?

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Could the world's fair events have been the perfect cover to hide the remnants of a unified global system that existed before the upheaval of the Civil War and two world wars were used to reshape our world?

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The similarities between the narratives surrounding the fairs, the architecture, and the scale all seem to point to something more than coincidence.

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It suggests a carefully orchestrated erasure of a past we were never meant to remember.

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We have to ask ourselves, how much of our history has been rewritten, what has been lost, and how much has been hidden in plain sight?