1 00:00:00,000 --> 00:00:10,960 completely in one side and out the other it just disappeared it disappeared like it like a bad 2 00:00:10,960 --> 00:00:19,120 special effect the airplane did disappear like a bad special effect exactly like a bad special effect 3 00:00:24,240 --> 00:00:29,760 the plane doesn't break twist bend crumple explode or even slow down 4 00:00:30,720 --> 00:00:35,760 the building explodes from within long after the plane appears to go in 5 00:00:44,960 --> 00:00:52,480 a good special effect would have parts exploding and bouncing off and tumbling to the streets below 6 00:00:52,480 --> 00:00:59,040 i'm not sure it's even possible i certainly can't animate a realistic airplane crash 7 00:00:59,040 --> 00:01:01,760 but i can do one that's as good as hezzer connie 8 00:01:04,080 --> 00:01:11,760 the result is footage that's every bit as convincing as the original ghost plane footage which is to say 9 00:01:12,880 --> 00:01:19,840 not completely convincing in both shots we don't see any parts of the airplane breaking or bending 10 00:01:19,840 --> 00:01:26,800 or twisting another thing that was bad about the special effect in fairbanks is a blatant 11 00:01:26,800 --> 00:01:31,920 contradiction with the special effect in hezzer connie here's hezzer connie 12 00:01:31,920 --> 00:01:49,360 the plane enters the tower the engines turn into puff balls we are to believe that these are the engines 13 00:01:49,360 --> 00:01:57,120 themselves or building materials or something but whatever the puff balls are meant to represent 14 00:01:57,840 --> 00:02:02,640 notice that they are clearly underneath the wings as the engines were 15 00:02:02,640 --> 00:02:10,480 and they are now looking at the fairbanks video the location of the wing entrance can easily be marked 16 00:02:10,480 --> 00:02:15,360 and obviously the puff ball is well above the left wing 17 00:02:15,360 --> 00:02:26,960 the over under puff ball is irreconcilable with reality but has an easy explanation in video compositing 18 00:02:27,840 --> 00:02:29,760 the mask was in the wrong place 19 00:02:29,760 --> 00:02:43,760 in this 3d model two white spheres represent the location of the puff balls 20 00:02:46,160 --> 00:02:52,480 with the mask in the correct location the left wing appears to pass over the puff ball 21 00:02:52,480 --> 00:03:22,160 they didn't have time to do good special effects they needed to create airplane 22 00:03:22,160 --> 00:03:29,680 composites from a number of different camera angles rather quickly with a 3d model the airplane's 23 00:03:29,680 --> 00:03:41,840 light can easily be rendered from any camera angle 24 00:03:52,160 --> 00:04:14,160 the twin tower events each featured a bright flash right when the airplane nose appears to meet the 25 00:04:14,160 --> 00:04:20,560 tower the flashes make a very handy marker for where to place the nose of the airplane 26 00:04:20,560 --> 00:04:29,040 in both time and space on all of the prepared airplane layers there is designated a particular frame 27 00:04:29,040 --> 00:04:31,760 to be the one where the plane impacts the tower 28 00:04:32,560 --> 00:04:38,560 in the editing software the impact frame is moved to line up with the flash frame 29 00:04:38,560 --> 00:04:56,480 the key to solving 9 11 is to understand what's known as video compositing video compositing means 30 00:04:56,480 --> 00:05:01,920 taking two or more video images and putting them together so that they look like one 31 00:05:02,720 --> 00:05:12,080 with today's technology you must always always remember objects that look like they're in the shot may have 32 00:05:12,080 --> 00:05:26,160 actually been inserted 33 00:05:26,160 --> 00:05:46,620 The 9-11 airplane videos are video composites. 34 00:05:46,620 --> 00:05:52,080 We know this because of the cartoon physics and from a few mistakes that are found in 35 00:05:52,080 --> 00:05:53,080 them. 36 00:05:53,080 --> 00:05:55,640 More on the mistakes in a moment. 37 00:05:55,640 --> 00:06:02,260 Here are the basics of how compositing works. 38 00:06:02,260 --> 00:06:07,580 Compositing is done by arranging video elements in a stack of layers. 39 00:06:07,580 --> 00:06:15,400 Some part of the top layer is made transparent, revealing the next layer underneath. 40 00:06:15,400 --> 00:06:22,560 Beginning with a stock 3D model of a Boeing 767, the plane is rotated so that it banks 41 00:06:22,560 --> 00:06:23,560 left. 42 00:06:23,560 --> 00:06:30,180 It's color corrected, motion blurred, scaled down, and animated. 43 00:06:30,180 --> 00:06:36,800 The effect of the layer is transparent, so it appears to fly in front of the tower. 44 00:06:36,800 --> 00:06:48,420 The key to this trick, and the key to solving 9-11, is something called a key. 45 00:06:48,420 --> 00:06:56,040 In video, a key is an effect that makes part of a video transparent based on some property, 46 00:06:56,040 --> 00:06:59,040 like color or brightness. 47 00:06:59,040 --> 00:07:00,660 color. 48 00:07:00,660 --> 00:07:05,660 The tower video is copied into two separate layers. 49 00:07:05,660 --> 00:07:06,660 color. 50 00:07:06,660 --> 00:07:11,280 The sky is made transparent on the top layer with luminance key. 51 00:07:11,280 --> 00:07:16,900 Anything brighter than the adjustable threshold disappears. 52 00:07:16,900 --> 00:07:22,900 Notice that when the two layers are back together, it looks identical to the original. 53 00:07:22,900 --> 00:07:27,520 Remember, it's actually two layers stacked up. 54 00:07:27,520 --> 00:07:33,520 To complete the illusion, the airplane layer is sandwiched in between the other two. 55 00:07:33,520 --> 00:07:34,520 Presto! 56 00:07:34,520 --> 00:07:42,140 If the airplane goes too far, oops, it looks like it comes out the back side. 57 00:07:42,140 --> 00:07:48,760 To prevent this from happening, a mask can be drawn on the airplane layer. 58 00:07:48,760 --> 00:07:51,760 The south tower is in the center of the frame. 59 00:07:51,760 --> 00:07:54,840 The left half of the screen is masked off. 60 00:07:54,840 --> 00:07:59,720 The airplane goes in, and we never see it again. 61 00:07:59,720 --> 00:08:05,480 Under certain conditions, faking an airplane on live TV is pretty easy. 62 00:08:05,480 --> 00:08:09,760 Under other conditions, it's impossible. 63 00:08:09,760 --> 00:08:15,440 Only three 9-11 airplane videos are confirmed to have been shown live. 64 00:08:15,440 --> 00:08:22,440 ABC Chopper 7, Fox Chopper 5, and WPIX. 65 00:08:22,440 --> 00:08:27,600 None of them actually shows an airplane hitting anything. 66 00:08:27,600 --> 00:08:36,280 With today's technology, making a live, real-time shot look like the CNN Hezerkani shot would be 67 00:08:36,280 --> 00:08:38,400 impossible. 68 00:08:38,400 --> 00:08:45,440 But remember, the first time this was shown was many hours after the event. 69 00:08:45,440 --> 00:08:52,440 It just so happens that all of the live airplane videos were taken with the shady side of the 70 00:08:52,440 --> 00:08:56,060 tower next to a very bright sky. 71 00:08:56,060 --> 00:08:59,620 This makes pulling a key very easy. 72 00:08:59,620 --> 00:09:03,720 In a different shot, keying could be impossible. 73 00:09:03,720 --> 00:09:10,120 It just so happens that the live airplane videos have a steady camera with no panning or 74 00:09:10,120 --> 00:09:12,740 tilting or zooming in. 75 00:09:12,740 --> 00:09:18,800 If any of this camera motion had occurred while the airplane was on screen, compositing would 76 00:09:18,800 --> 00:09:21,500 have been impossible. 77 00:09:21,500 --> 00:09:28,500 It just so happens that the live shots share a remarkable list of compositional characteristics 78 00:09:28,500 --> 00:09:40,500 that make live video compositing possible. 79 00:09:40,500 --> 00:09:47,500 Absent any one of these, inserting a fake airplane live in real-time becomes impossible. 80 00:09:47,500 --> 00:09:55,500 What are the odds that this occurred by chance? 81 00:09:55,500 --> 00:10:01,160 WPIX and Chopper 7 shots seem to have been put together nicely. 82 00:10:01,160 --> 00:10:04,500 The same cannot be said for Chopper 5. 83 00:10:04,500 --> 00:10:08,740 As you look at the picture from our chopper now arriving at the scene. 84 00:10:08,740 --> 00:10:12,600 What is he talking about arriving at the scene? 85 00:10:12,600 --> 00:10:19,180 The chopper is over the Hackensack River in New Jersey, five miles away. 86 00:10:19,180 --> 00:10:25,860 Why are they not headed toward what is already the news story of the year? 87 00:10:25,860 --> 00:10:26,740 Wait a minute. 88 00:10:26,740 --> 00:10:29,880 Is something missing here? 89 00:10:29,880 --> 00:10:35,800 With the camera zoomed in, now it looks like the chopper is arriving at the scene. 90 00:10:35,800 --> 00:10:39,380 It seems that we weren't supposed to see that wide shot. 91 00:10:39,380 --> 00:10:53,920 And that's because there's no plane in it. 92 00:10:53,920 --> 00:11:00,040 By adjusting the scale and position of every video frame, matching the speed of the airplane 93 00:11:00,040 --> 00:11:24,040 and working backwards, we can determine where the plane should be earlier. 94 00:11:24,040 --> 00:11:27,620 The plane should be visible for over five seconds. 95 00:11:27,620 --> 00:11:33,040 That's 340 separate images, and there is no plane. 96 00:11:33,040 --> 00:11:35,040 Hey, this is Kai Simonson. 97 00:11:35,040 --> 00:11:41,040 The camera op on board Chopper 5 was WNYW reporter Kai Simonson. 98 00:11:41,040 --> 00:11:44,040 Well, I knew that the plane was coming in because the pilot told me. 99 00:11:44,040 --> 00:11:48,040 Well, the pilot said that the guy was flying really low, and he was heading for the tower. 100 00:11:48,040 --> 00:11:54,040 The obvious thing then would be to point the camera at the airplane and follow it. 101 00:11:54,040 --> 00:12:07,040 Instead, Simonson zooms, zooms, and zooms, framing a shot of the towers. 102 00:12:07,040 --> 00:12:11,040 The airplane image enters the picture within one video frame. 103 00:12:11,040 --> 00:12:14,040 That's 1 30th of a second. 104 00:12:14,040 --> 00:12:17,040 What are the odds of that? 105 00:12:17,040 --> 00:12:22,040 By the way, Kai Simonson is not just a reporter for Fox 5. 106 00:12:22,040 --> 00:12:26,040 He also specializes in video compositing. 107 00:12:26,040 --> 00:12:38,040 In 2001, he was advertising his services of green screen compositing, helicopter videography, and an AVID system. 108 00:12:38,040 --> 00:12:44,040 Exactly the system needed to insert an airplane in real time. 109 00:12:44,040 --> 00:12:49,040 What are the odds of that? 110 00:12:49,040 --> 00:12:53,040 In any case, check out what happens next. 111 00:12:53,040 --> 00:12:58,040 The nose of the airplane appears to pop out the backside of the tower. 112 00:12:58,040 --> 00:13:02,040 Exactly the problem that could occur with live compositing. 113 00:13:06,040 --> 00:13:09,040 I offered Mr. Wright this multiple choice. 114 00:13:09,040 --> 00:13:14,040 Three of them are the nose of the airplane before it goes into the building. 115 00:13:14,040 --> 00:13:17,040 Three are the nose coming out of the building. 116 00:13:17,040 --> 00:13:30,040 Which are which? 117 00:13:30,040 --> 00:13:44,040 So how does an engine, or a landing gear, or dust, or anything else become a size and a shape that's indistinguishable from an airplane nose? 118 00:13:44,040 --> 00:13:54,040 And not just any airplane nose, but a 767 nose, the very airplane that appears to go into the other side of the tower. 119 00:13:54,040 --> 00:13:59,040 I think that the jet flying behind the building cannot be a composite. 120 00:13:59,040 --> 00:14:03,040 And the apparent nose sticking out cannot be the nose of the jet. 121 00:14:03,040 --> 00:14:05,040 It's a piece of debris. 122 00:14:05,040 --> 00:14:09,040 The fact that it has a similar shape is not important. 123 00:14:09,040 --> 00:14:12,040 The key is it's at the wrong time. 124 00:14:12,040 --> 00:14:17,040 The computer is moving my red outline along at a very constant, mathematically perfect velocity. 125 00:14:17,040 --> 00:14:22,040 It follows the airplane, and then the tracker moves to the other side of the tower, and look what happens. 126 00:14:22,040 --> 00:14:32,040 A real airplane, the nose would have popped out right here. 127 00:14:32,040 --> 00:14:36,040 It is true that the airplane image slows down inside the tower. 128 00:14:36,040 --> 00:14:43,040 But of course, animated airplanes can be made to slow down, speed up, or do whatever. 129 00:14:43,040 --> 00:14:48,040 Mr. Wright's own instructional video from his seminar begins with... 130 00:14:48,040 --> 00:14:50,040 Bang! Instant compositor. 131 00:14:50,040 --> 00:14:53,040 Of all things, a jet airplane. 132 00:14:53,040 --> 00:14:56,040 Here is the motion curve for our horizontal move. 133 00:14:56,040 --> 00:14:58,040 We'll play that back now. 134 00:14:58,040 --> 00:15:01,040 There it slows down. 135 00:15:01,040 --> 00:15:05,040 Comes in quick, slows down at the end of the shot. 136 00:15:05,040 --> 00:15:09,040 Comes in quick, slows down at the end of the shot. 137 00:15:09,040 --> 00:15:16,040 Why would the composite traders make the airplane come in quick and slow down at the end of the shot? 138 00:15:16,040 --> 00:15:19,040 To make it more believable. 139 00:15:19,040 --> 00:15:30,040 A real plane could not fly through steel and concrete as fast as it flies through air. 140 00:15:30,040 --> 00:15:36,040 But wouldn't Kai Simonson have thought to mask off the left half of the screen? 141 00:15:36,040 --> 00:15:38,040 Of course he would. 142 00:15:38,040 --> 00:15:43,040 The shot was designed to have the south tower right in the middle. 143 00:15:43,040 --> 00:15:48,040 A mask on the airplane layer prevents it from ever escaping the back of the tower. 144 00:15:48,040 --> 00:15:52,040 The plane would begin to disappear behind the edge of the tower. 145 00:15:52,040 --> 00:15:55,040 And the tail would slow down somewhat. 146 00:15:55,040 --> 00:16:01,040 And we would imagine that that was because the nose and wings had impacted the wall. 147 00:16:01,040 --> 00:16:02,040 But... 148 00:16:02,040 --> 00:16:05,040 Helicopters cannot hold still. 149 00:16:05,040 --> 00:16:06,040 They drift. 150 00:16:06,040 --> 00:16:11,040 We've already seen that Chopper 5 was late getting into position. 151 00:16:11,040 --> 00:16:22,040 The shot begins okay, but the camera drifts far enough so that the back edge of the tower is now outside the mask area. 152 00:16:22,040 --> 00:16:28,040 Simonson must have realized his mistake and quickly faded the picture down to black. 153 00:16:28,040 --> 00:16:33,040 When picture fades back up, all trace of the nose is gone. 154 00:16:33,040 --> 00:16:35,040 But it was too late. 155 00:16:35,040 --> 00:16:38,040 We saw Pinocchio's nose. 156 00:16:38,040 --> 00:16:42,040 Watch how the air penetrates the building. 157 00:16:42,040 --> 00:16:46,040 Completely in one side and out the other. 158 00:16:46,040 --> 00:16:49,040 Just to be sure, there it is. 159 00:16:49,040 --> 00:16:50,040 There it is. 160 00:16:50,040 --> 00:16:55,040 The plane went right through the other tower of the World Trade Center. 161 00:16:55,040 --> 00:17:03,040 It's physically impossible for the nose of a Boeing 767 airplane to emerge intact. 162 00:17:03,040 --> 00:17:04,040 Well, how is it? 163 00:17:04,040 --> 00:17:05,040 How do you know that that's impossible? 164 00:17:05,040 --> 00:17:11,040 It's hollow, made of plastic, and not designed to withstand any sort of collision. 165 00:17:11,040 --> 00:17:17,040 That nose cone there is made of plastic, and it's very easily indebted. 166 00:17:17,040 --> 00:17:21,040 They think that a bird hit that nose cone, which again is made of plastic. 167 00:17:21,040 --> 00:17:22,040 It's hollow inside. 168 00:17:22,040 --> 00:17:26,040 It would have had to go through two sets of steel box columns. 169 00:17:26,040 --> 00:17:28,040 It's obviously possible because it happened. 170 00:17:28,040 --> 00:17:32,040 You know, whether or not it can be sufficiently explained is another issue. 171 00:17:32,040 --> 00:17:35,040 There's a lot of things in life that can't be, you know, fully explained. 172 00:17:35,040 --> 00:17:39,040 I mean, how many times have you seen a plane crash into the side of a building? 173 00:17:39,040 --> 00:17:50,040 The no plane wide shot and the nose out mistakes in Chopper 5 thrust the compositors, the compositrators, into damage control mode. 174 00:17:50,040 --> 00:17:51,040 Into. 175 00:17:51,040 --> 00:17:52,040 Oh my goodness. 176 00:17:52,040 --> 00:17:53,040 Oh God. 177 00:17:53,040 --> 00:17:59,040 A replay of Chopper 5 was attempted on CNN just a few minutes after the fact. 178 00:17:59,040 --> 00:18:04,040 But notice how everything is covered up by huge logo graphics. 179 00:18:04,040 --> 00:18:07,040 Into the crash into the other tower of the World Trade Center. 180 00:18:07,040 --> 00:18:11,040 And again, let's, uh, just to be sure, there it is. 181 00:18:11,040 --> 00:18:12,040 There it is. 182 00:18:12,040 --> 00:18:13,040 The plane went right through. 183 00:18:13,040 --> 00:18:18,040 Pinocchio's nose had to be explained away with new videos. 184 00:18:18,040 --> 00:18:25,040 Here's Gamma Press, shot from the opposite side, the east side, in the morning sunlight. 185 00:18:25,040 --> 00:18:32,040 The object is the size and shape of a 767 fuselage, like the Chopper 5 image. 186 00:18:32,040 --> 00:18:36,040 And it appears highly reflective, like it's made of metal. 187 00:18:36,040 --> 00:18:43,040 But then, a very bright flame gobbles it up in less than one second and it disappears. 188 00:18:43,040 --> 00:18:50,040 Clearly impossible behavior for any sort of metal airplane part. 189 00:18:50,040 --> 00:18:54,040 Later it was discovered that there was no exit wound. 190 00:18:54,040 --> 00:18:58,040 There are zero broken columns in this area. 191 00:18:58,040 --> 00:19:01,040 Any sort of solid object is ruled out. 192 00:19:01,040 --> 00:19:04,040 Enter the dust explosion. 193 00:19:04,040 --> 00:19:11,040 This is footage shot by the Nowday Brothers. 194 00:19:11,040 --> 00:19:16,040 It doesn't show any metallic cylinder and it looks nothing like the fuselage of an airplane. 195 00:19:16,040 --> 00:19:19,040 They've made it a dust explosion. 196 00:19:19,040 --> 00:19:26,040 And the one second that would show the fate of Pinocchio's nose has been edited out. 197 00:19:26,040 --> 00:19:33,040 Why would the Nowday Brothers remove that little piece of video? 198 00:19:33,040 --> 00:19:38,040 I've inserted black to hold the missing time in the Nowday shot 199 00:19:38,040 --> 00:19:47,040 and synchronized it with Chopper 5 and also the CNN live shot which was airing a feed of ABC Chopper 7. 200 00:19:47,040 --> 00:19:54,040 All three of these videos have blackouts or missing time within a quarter second of each other 201 00:19:54,040 --> 00:20:20,040 and it's the same time that would show the fate of Pinocchio's nose. 202 00:20:20,040 --> 00:20:29,040 What are the odds that this occurred by chance? 203 00:20:29,040 --> 00:20:35,040 The Chopper 5 fade to black cannot be any sort of signal interruption. 204 00:20:35,040 --> 00:20:39,040 Signal interruptions happen all the time from news choppers, 205 00:20:39,040 --> 00:20:42,040 but they look like this if they're analog, 206 00:20:42,040 --> 00:20:46,040 and they pixelate and freeze if they're digital. 207 00:20:46,040 --> 00:20:49,040 In video, black is a picture. 208 00:20:49,040 --> 00:20:53,040 Video sync in Chopper 5 is never lost. 209 00:20:53,040 --> 00:20:58,040 Notice that on Gamma Press and Nowday, 210 00:20:58,040 --> 00:21:04,040 Pinocchio's nose casts a very dark shadow across the face of the tower. 211 00:21:04,040 --> 00:21:07,040 But look at Chopper 5. 212 00:21:07,040 --> 00:21:16,040 There's no shadow because it's a live composite and the nose was never supposed to pop out like this. 213 00:21:16,040 --> 00:21:24,040 The Chopper 5 sequence was never replayed and has never appeared in any of the government documentaries. 214 00:21:24,040 --> 00:21:28,040 They took it and flushed it down the memory hole. 215 00:21:28,040 --> 00:21:33,040 While the Chopper 5 was a live video composite with mistakes in it, 216 00:21:33,040 --> 00:21:39,040 there were also mistakes made in the edited videos that came later. 217 00:21:39,040 --> 00:21:52,040 The clearest image of United Flight 175 going into the South Tower was allegedly shot by amateur Michael Hezarkhani and obtained by CNN. 218 00:21:52,040 --> 00:21:58,040 The Hezarkhani footage has come to be known as Ghost Plane and for good reason. 219 00:21:58,040 --> 00:22:06,040 The plane appears to pass through steel columns and the steel and concrete floors, like a ghost. 220 00:22:06,040 --> 00:22:11,040 It doesn't twist, bend, slow down, break, or explode. 221 00:22:16,040 --> 00:22:20,040 We never see any damage occur to the airplane. 222 00:22:20,040 --> 00:22:33,040 After an edit, we see a big airplane-shaped hole. 223 00:22:33,040 --> 00:22:39,040 We don't know how much time is missing in this edit, and we never see the hole forming. 224 00:22:42,040 --> 00:22:45,040 This one image gives the game away. 225 00:22:45,040 --> 00:22:51,040 The right wing of the plane has passed beyond the wall, yet no damage has occurred. 226 00:22:54,040 --> 00:23:02,040 We know there's plenty enough picture quality to see the big gaping hole if it were there because of this later shot. 227 00:23:02,040 --> 00:23:09,040 This is taken with the same camera, same zoom, and we easily see the big dark hole. 228 00:23:09,040 --> 00:23:17,040 It's like being in the fourth dimension. 229 00:23:18,040 --> 00:23:25,040 Evan Fairbanks shot some very famous footage and appeared on ABC News the night of 9-11. 230 00:23:25,040 --> 00:23:29,040 Watch how the aircraft penetrates the building. Go ahead. 231 00:23:32,040 --> 00:23:36,040 Completely in one side and out the other. 232 00:23:36,040 --> 00:23:40,040 It just disappeared. It just disappeared like a bad special effect. 233 00:23:40,040 --> 00:23:44,040 The airplane did disappear like a bad special effect. 234 00:23:45,040 --> 00:23:47,040 Exactly like a bad special effect. 235 00:23:47,040 --> 00:23:58,040 The plane doesn't break, twist, bend, crumple, explode, or even slow down. 236 00:23:59,040 --> 00:24:04,040 The building explodes from within, long after the plane appears to go in. 237 00:24:04,040 --> 00:24:20,040 A good special effect would have parts exploding and bouncing off and tumbling to the streets below. 238 00:24:21,040 --> 00:24:23,040 I'm not sure it's even possible. 239 00:24:24,040 --> 00:24:30,040 I certainly can't animate a realistic airplane crash, but I can do one that's as good as Hezzer Connie. 240 00:24:30,040 --> 00:24:39,040 The result is footage that's every bit as convincing as the original ghost plane footage. 241 00:24:39,040 --> 00:24:43,040 Which is to say, not completely convincing. 242 00:24:44,040 --> 00:24:49,040 In both shots we don't see any parts of the airplane breaking or bending or twisting. 243 00:24:50,040 --> 00:24:58,040 Another thing that was bad about the special effect in Fairbanks is a blatant contradiction with the special effect in Hezzer Connie. 244 00:24:58,040 --> 00:25:01,040 Here's Hezzer Connie. 245 00:25:01,040 --> 00:25:02,040 Here's Hezzer Connie. 246 00:25:03,040 --> 00:25:04,040 And here's Fairbanks. 247 00:25:08,040 --> 00:25:14,040 In Hezzer Connie, as the plane enters the tower, the engines turn into puffballs. 248 00:25:15,040 --> 00:25:21,040 We are to believe that these are the engines themselves, or building materials, or something. 249 00:25:21,040 --> 00:25:31,040 But whatever the puffballs are meant to represent, notice that they are clearly underneath the wings, as the engines were. 250 00:25:32,040 --> 00:25:34,040 Now, look at the Fairbanks video. 251 00:25:35,040 --> 00:25:43,040 The location of the wing entrance can easily be marked, and obviously the puffball is well above the left wing. 252 00:25:43,040 --> 00:25:55,040 The over-under puffball is irreconcilable with reality, but has an easy explanation in video compositing. 253 00:25:56,040 --> 00:25:58,040 The mask was in the wrong place. 254 00:25:58,040 --> 00:26:12,040 In this 3D model, two white spheres represent the location of the puffballs. 255 00:26:12,040 --> 00:26:21,040 With the mask in the correct location, the left wing appears to pass over the puffball. 256 00:26:21,040 --> 00:26:34,040 Changing only the mask, the left wing now appears to pass under the puffball. 257 00:26:34,040 --> 00:26:48,040 They didn't have time to do good special effects. 258 00:26:49,040 --> 00:26:54,040 They needed to create airplane composites from a number of different camera angles rather quickly. 259 00:26:54,040 --> 00:27:01,040 With a 3D model, the airplane flight can easily be rendered from any camera angle. 260 00:27:24,040 --> 00:27:40,040 There's footage of the tower exploding. 261 00:27:41,040 --> 00:27:47,040 But how does the compositor know exactly where in time to place the airplane? 262 00:27:48,040 --> 00:27:52,040 A little too early or late would cause a discrepancy with the different angles. 263 00:27:52,040 --> 00:27:56,040 How can all the airplane overlays be synchronized? 264 00:27:57,040 --> 00:28:02,040 Have you ever wondered why they put a flash and a beep at the beginning of a show? 265 00:28:03,040 --> 00:28:06,040 Or why they use a clapper board at the beginning of a scene? 266 00:28:07,040 --> 00:28:08,040 Mark? 267 00:28:09,040 --> 00:28:10,040 It's for synchronization. 268 00:28:11,040 --> 00:28:15,040 The audio and video events are very sudden, lasting only one frame. 269 00:28:16,040 --> 00:28:19,040 So, they make for a precise time reference. 270 00:28:19,040 --> 00:28:26,040 The twin tower events each featured a bright flash right when the airplane nose appears to meet the tower. 271 00:28:27,040 --> 00:28:34,040 The flashes make a very handy marker for where to place the nose of the airplane in both time and space. 272 00:28:34,040 --> 00:28:43,040 On all of the prepared airplane layers, there is designated a particular frame to be the one where the plane impacts the tower. 273 00:28:44,040 --> 00:28:50,040 In the editing software, the impact frame is moved to line up with the flash frame. 274 00:28:50,040 --> 00:29:04,040 We've seen these images in movies and we know that it's all artificial and Hollywood makes it. 275 00:29:04,040 --> 00:29:16,040 Notice that when they showed Fairbanks on ABC, there was no sound. 276 00:29:17,040 --> 00:29:24,040 In a speech to the New York Historical Society, Fairbanks blamed the FBI for removing the sound. 277 00:29:24,040 --> 00:29:42,040 However, in a later conversation with Jeff Hill, Fairbanks changed his story. 278 00:29:42,040 --> 00:29:52,040 Well, I had accidentally turned off the microphone, kind of like an operator error, because it was the first time that I had ever used that camera. 279 00:29:52,040 --> 00:29:58,040 And when the Fairbanks footage appeared in the In Memoriam DVD, we heard this. 280 00:30:03,040 --> 00:30:07,040 Sound effects make visual effects more believable. 281 00:30:10,040 --> 00:30:16,040 The History Channel website offers more Evan Fairbanks footage and they say it's unfiltered. 282 00:30:16,040 --> 00:30:19,040 It certainly appears to have sound on it. 283 00:30:21,040 --> 00:30:22,040 Brian! 284 00:30:23,040 --> 00:30:31,040 Speaking of sound effects, here's the Hezarkhani footage as it appeared on the DVD, CNN America Remembers. 285 00:30:31,040 --> 00:30:34,040 Oh my God, the plane just crashed into the building. 286 00:30:35,040 --> 00:30:36,040 I cannot believe it. 287 00:30:37,040 --> 00:30:38,040 Oh my God. 288 00:30:39,040 --> 00:30:42,040 I suppose that's Michael Hezarkhani himself talking. 289 00:30:42,040 --> 00:30:45,040 Whoever it is, sounds very close to the microphone. 290 00:30:46,040 --> 00:30:51,040 But here's the first time CNN aired the Hezarkhani footage, late on the evening of 9-11. 291 00:31:00,040 --> 00:31:02,040 We hear the same background screaming. 292 00:31:02,040 --> 00:31:04,040 But where's the guy saying, 293 00:31:04,040 --> 00:31:06,040 Oh my God, I can't believe it. 294 00:31:07,040 --> 00:31:08,040 A plane flew in the building. 295 00:31:08,040 --> 00:31:36,280 Seems like they added that to suggest we ignore the bad special effect and just think airplane. 296 00:31:38,040 --> 00:32:03,540 The compositional characteristics. No plane in the wide shot. Unstable motion. Pinocchio's nose and its missing shadow. Blackouts and suspicious editing. The over-under puffball contradiction. Magically healing columns. 297 00:32:03,540 --> 00:32:10,540 The complete lack of crash physics. 298 00:32:10,540 --> 00:32:15,540 No wake vortex. 299 00:32:15,540 --> 00:32:30,540 Understanding video compositing, both its capabilities and its limitations, goes a long way towards solving 9-11. 300 00:32:30,540 --> 00:32:37,540 It's been proven a number of ways that the Twin Towers were blown to kingdom come. 301 00:32:37,540 --> 00:32:44,540 Still, official story supporters can fool some people by waving their hands and citing government reports. 302 00:32:44,540 --> 00:32:51,540 But all of the various attempts at a collapse theory begin by assuming plane crashes. 303 00:32:51,540 --> 00:33:04,540 No planes at the World Trade Center ends the argument. 304 00:33:04,540 --> 00:33:09,540 The airplane videos that do exist all have reduced picture quality. 305 00:33:09,540 --> 00:33:21,540 And I think that's because reducing the quality is the best way to hide the messy fingerprints of the compositing process. 306 00:33:21,540 --> 00:33:30,540 Because of the live videos, we can rule out not only planes, but any real flying object, like a missile. 307 00:33:30,540 --> 00:33:38,540 To cover up an incoming missile with a fake airplane would require a process called motion tracking. 308 00:33:38,540 --> 00:33:44,540 Software identifies the position of a particular pattern frame by frame. 309 00:33:44,540 --> 00:33:48,540 The same motion can then be applied to another object. 310 00:33:48,540 --> 00:33:54,540 Motion tracking works, but can generate errors that have to be corrected by hand. 311 00:33:54,540 --> 00:33:59,540 In 2001, motion tracking did not work in real time. 312 00:33:59,540 --> 00:34:10,540 Today, real time motion tracking exists, but still is not nearly reliable enough to track an incoming missile. 313 00:34:10,540 --> 00:34:19,540 One small tracking error would cause the airplane image to jump or might reveal the missile underneath. 314 00:34:19,540 --> 00:34:28,540 There's no way the composite traders would even consider trying to cover up an incoming flying object in real time. 315 00:34:28,540 --> 00:34:31,540 Hold on just a moment, we've got an explosion inside. 316 00:34:31,540 --> 00:34:35,540 The gun is exploding right now, you've got people running up the street. 317 00:34:35,540 --> 00:34:38,540 I didn't see a plane go in, that just exploded. 318 00:34:38,540 --> 00:34:40,540 I didn't see any airplane. 319 00:34:40,540 --> 00:34:43,540 Did you see it? Yes, I saw it. It just blew up, a big explosion. 320 00:34:43,540 --> 00:34:47,540 Everything I saw told me it was, it was bombs in the building. 321 00:34:47,540 --> 00:34:49,540 And then the south power just exploded. 322 00:34:49,540 --> 00:34:51,540 The second building went off. 323 00:34:51,540 --> 00:34:53,540 It just, it just blew up. 324 00:34:53,540 --> 00:34:57,540 No second flight, it was a bomb. Bomb in another building, not second flight. 325 00:34:57,540 --> 00:35:05,540 I was underneath it, I was looking at the tower, I had my camera in my hand, I heard the noise, I never saw the airplane. 326 00:35:05,540 --> 00:35:07,540 That was a bomb. Who said the second plane? 327 00:35:07,540 --> 00:35:09,540 I never saw the airplane. 328 00:35:09,540 --> 00:35:12,540 That's what we're told, the second plane, we saw it on television. 329 00:35:12,540 --> 00:35:13,540 No, what I saw everything. 330 00:35:13,540 --> 00:35:14,540 I never saw the airplane. 331 00:35:14,540 --> 00:35:15,540 I didn't see a plane. 332 00:35:15,540 --> 00:35:16,540 I didn't see any airplanes. 333 00:35:16,540 --> 00:35:17,540 It just blew up. 334 00:35:17,540 --> 00:35:18,540 I didn't even know that was a plane. 335 00:35:18,540 --> 00:35:20,540 I learned that from the news media. 336 00:35:20,540 --> 00:35:21,540 No. 337 00:35:21,540 --> 00:35:22,540 We saw it on television. 338 00:35:22,540 --> 00:35:23,540 No. 339 00:35:23,540 --> 00:35:24,540 What I saw everything. 340 00:35:24,540 --> 00:35:25,540 No. 341 00:35:25,540 --> 00:35:26,540 What I saw everything. 342 00:35:26,540 --> 00:35:27,540 We saw it on television. 343 00:35:27,540 --> 00:35:28,540 What I saw everything. 344 00:35:28,540 --> 00:35:29,540 What I saw everything. 345 00:35:29,540 --> 00:35:34,780 We know for certain that the towers were disintegrated with powerful explosives, 346 00:35:35,340 --> 00:35:39,540 that Building 7 was brought down in a classic controlled demolition, 347 00:35:39,980 --> 00:35:46,660 that to start the day off, the media inserted fake airplanes into video and called it news. 348 00:35:46,660 --> 00:35:49,260 Oh my goodness, there's another one. 349 00:35:49,500 --> 00:35:52,900 Completely in one side and out the other. 350 00:35:53,300 --> 00:35:56,900 It just disappeared, it disappeared like a bad special effect. 351 00:35:56,900 --> 00:35:59,140 This much is now proven. 352 00:35:59,940 --> 00:36:05,460 Many 9-11 mysteries have been solved, but perplexing human questions remain. 353 00:36:08,420 --> 00:36:15,460 Since there is such indisputable evidence, how did the perpetrators get away with this? 354 00:36:16,200 --> 00:36:19,860 Why do most people support the official story? 355 00:36:19,860 --> 00:36:27,220 And even within the 9-11 truth movement, why is there such venomous conflict? 356 00:36:27,720 --> 00:36:34,080 Discussion of the airplane hoax is forbidden on almost all 9-11 truth sites. 357 00:36:34,980 --> 00:36:35,920 Why? 358 00:36:35,920 --> 00:36:40,960 Why is the truth movement such a catastrophic failure? 359 00:36:40,960 --> 00:36:42,000 It's mildly encouraging. 360 00:36:42,180 --> 00:36:47,280 I believe that we're beginning to appreciate that it's in our interest that we should know the truth well. 361 00:36:47,660 --> 00:36:48,380 That is traumatic. 362 00:36:48,380 --> 00:36:49,900 Well, that was a request for correction. 363 00:36:50,440 --> 00:36:56,440 And as I was reflecting on your plane, it occurred to me a final...