1 00:00:00,000 --> 00:00:17,540 Dear Dr. Brown, on the night that I go back in time, you will be shot by terrorists. 2 00:00:18,920 --> 00:00:22,860 Please take whatever precautions are necessary to prevent this terrible disaster. 3 00:00:22,860 --> 00:00:28,480 In the 1985 classic Back to the Future, at a scene called the Twin Pines Mall, we will 4 00:00:28,480 --> 00:00:35,480 bear witness to a sudden surprise terrorist attack, perpetrated by a group of Muslim terrorists. 5 00:00:38,020 --> 00:00:44,800 The attack is at the Twin, which is a reference to the Twin Towers. When we turn the sign upside 6 00:00:44,800 --> 00:00:51,800 down, the digits on the clock read 911 or 911. The Twin Pines are a symbolic representation 7 00:00:52,980 --> 00:00:58,460 of the Twin Towers. Before the terrorist attack, the Twins are present, but after the attack, 8 00:00:58,460 --> 00:01:04,640 the Twins are gone, replaced with a single Pine. This takes place on 911, where the Twins 9 00:01:04,640 --> 00:01:09,740 are destroyed and replaced with a single tower, the One World Trade Building. Also at this 10 00:01:09,740 --> 00:01:16,740 scene, Doc shows us two stopwatches, both of which display encoded 911s. Is this only a 11 00:01:16,740 --> 00:01:23,000 coincidence? The Pines are the Towers, and this symbol system is confirmed in Back to the Future 12 00:01:23,000 --> 00:01:29,000 Part 2, where we see the Twin Pines appear again, on a projection movie screen in Marty's future 13 00:01:29,000 --> 00:01:37,000 house. Marty's family gathers around the movie screen, and the Twin Pines actually morph into 14 00:01:37,000 --> 00:01:47,000 the Twin Towers. This is because the Twin Pines are the Twin Towers. The Pines are the Towers. Pines. Towers. 15 00:01:47,000 --> 00:01:52,000 And the Twin Pines Mall is the Twin Towers Mall, which is why all the clocks here secretly say 16 00:01:52,000 --> 00:01:57,000 9-11, and why there will be a Muslim terrorist attack resulting in the destruction of the 17 00:01:57,000 --> 00:02:03,000 Twin Pines, or the Twin Towers. But the appearance of the Towers is not a random backdrop, as we 18 00:02:03,000 --> 00:02:10,000 can see the Statue of Liberty lurking just as secretly as the Towers, making this scene a secret recreation 19 00:02:10,000 --> 00:02:17,000 of New York City, where Marty's family has gathered to stare at Ground Zero. Of these three characters 20 00:02:17,000 --> 00:02:24,000 staring at Ground Zero, one of them is completely upside down. But in the entire Back to the Future 21 00:02:24,000 --> 00:02:30,000 saga, this is the only time when an upside down character will ever appear. The hint being given 22 00:02:30,000 --> 00:02:36,000 here is to observe the scene from his perspective, by turning it upside down. But when doing so, the 23 00:02:36,000 --> 00:02:43,000 Twin Towers are clearly shown to be falling down. In the entire history of cinema, this 24 00:02:43,000 --> 00:02:49,000 scene of Back to the Future is the most literal depiction ever made showing the Twin Towers 25 00:02:49,000 --> 00:02:55,000 falling down. So how is it possible that this scene would occur in a story that already contains 26 00:02:55,000 --> 00:03:01,000 a terrorist attack by Muslims at the Twins on 9-11 where the Twins are the Twin Towers, which 27 00:03:01,000 --> 00:03:06,000 then execute Hollywood's best depiction of the Twin Towers collapse. But Back to the Future 28 00:03:06,000 --> 00:03:11,000 doesn't just portray this attack, it develops into an elaborate warning about it. 29 00:03:11,000 --> 00:03:13,000 I can just go back early and warn them. 30 00:03:13,000 --> 00:03:16,000 I have to tell you about the future! 31 00:03:16,000 --> 00:03:18,000 Talk about the future. 32 00:03:18,000 --> 00:03:23,000 You will be shot by terrorists. 33 00:03:23,000 --> 00:03:29,000 But Marty is carrying more essential information about the future. He knows the exact time and 34 00:03:29,000 --> 00:03:31,000 date that a tower will be struck. 35 00:03:31,000 --> 00:03:39,000 Save the clock tower! Save the clock tower! Don't forget to take a flyer! Save the clock tower! 36 00:03:39,000 --> 00:03:44,000 In a story we already suspect of being a 9-11 warning, how is it possible that this 37 00:03:44,000 --> 00:03:49,000 phrase appears on a flyer telling the future? Then, when the tower strike takes place, a giant 38 00:03:49,000 --> 00:03:56,000 flaming 9-11 is ignited in the street. Save the clock tower! 39 00:03:56,000 --> 00:04:00,000 Marty knows exactly when and where this tower strike will happen because it's all written 40 00:04:00,000 --> 00:04:05,000 on this flyer and placed in his hands, but something lurks in the background overseeing 41 00:04:05,000 --> 00:04:12,000 this transaction. But why does this symbol hover while Marty is forewarned about the tower strike? 42 00:04:12,000 --> 00:04:21,000 Back to the Future was written and directed by Robert Zemeckis, first released in 1985, 43 00:04:21,000 --> 00:04:25,000 but to depict the future, Zemeckis chose October 2015. 44 00:04:25,000 --> 00:04:30,000 Alright, what's going on, huh? Where are we? When are we? 45 00:04:30,000 --> 00:04:33,000 12 and 21, 2015! 46 00:04:33,000 --> 00:04:35,000 2015? 47 00:04:35,000 --> 00:04:41,000 The Twin Towers scene takes place in October 2015 and the towers appear on a movie screen, 48 00:04:41,000 --> 00:04:47,000 meaning the McFly family is watching a secretly placed Twin Towers movie released on October 49 00:04:47,000 --> 00:04:53,000 2015, directed by Robert Zemeckis. So how could it be that now, in the real October 2015, 50 00:04:53,000 --> 00:04:59,000 a major Hollywood production is about to hit theaters worldwide and it is exclusively about 51 00:04:59,000 --> 00:05:04,000 the Twin Towers? It happens to be directed by Robert Zemeckis. The title of this new Twin Towers film is 52 00:05:04,000 --> 00:05:11,000 The Walk, and this new Twin Towers film has the exact same release date as the secret Twin Towers film 53 00:05:11,000 --> 00:05:17,000 planted in Back to the Future, which exposes the symbolism of the pines and depicts the Twin Towers collapse. 54 00:05:17,000 --> 00:05:22,000 So why would Zemeckis now draw our attention to it with a major Hollywood production? 55 00:05:22,000 --> 00:05:31,000 Back to the Future was released in 1985, The Walk in 2015, exposing this warning after 30 years. 56 00:05:31,000 --> 00:05:38,000 Marty writes this warning into a letter. He seals it shut, intending for it to remain hidden for a specific amount of time. 57 00:05:38,000 --> 00:05:40,000 What's the meaning of this? 58 00:05:40,000 --> 00:05:42,000 Find out 30 years! 59 00:05:42,000 --> 00:05:43,000 30 years! 60 00:05:43,000 --> 00:05:44,000 What's the meaning of this? 61 00:05:44,000 --> 00:05:46,000 Find out 30 years! 62 00:05:46,000 --> 00:05:53,000 The Walk is the reveal of the 9-11 warning, given to Doc while he is rigging a giant wire to the Twin Tower 63 00:05:53,000 --> 00:06:08,000 The Walk is about a plot to rig a giant wire to the Twin Towers. 64 00:06:08,000 --> 00:06:15,000 So Marty records the warning while Doc is rigging the wire to the tower. Marty tells Doc he will understand the warning in 30 years. 65 00:06:15,000 --> 00:06:17,000 Find out 30 years! 66 00:06:17,000 --> 00:06:28,000 30 years later, the director makes a movie about rigging a wire to a tower, the Twin Towers, because the warning within Marty's letter is about a terrorist attack at the Twin Towers. 67 00:06:28,000 --> 00:06:35,000 What's with the wire? What's with the wire? What's with the wire? What's with the wire? 68 00:06:35,000 --> 00:06:43,000 After rigging this wire, the tower strike takes place, and a Marty McFly from the future runs out onto the scene. 69 00:06:43,000 --> 00:06:48,000 He has just time traveled here from October 2015, the release date of The Walk. 70 00:06:48,000 --> 00:06:54,000 But in The Walk, standing on top of the Twin Towers, is Marty McFly. 71 00:06:54,000 --> 00:06:59,000 This Marty has arrived here from the exact date where this Marty is standing. 72 00:06:59,000 --> 00:07:05,000 The plot of The Walk is the tower wire rigging event that just took place at this scene. 73 00:07:05,000 --> 00:07:14,000 One Marty is standing on top of the Twin Towers, while the other Marty stands inside a giant flaming 9-11 in the wake of a tower strike. 74 00:07:14,000 --> 00:07:22,000 While simultaneously across town, another Marty witnesses a terrorist attack take place at the Twins, which are actually the Twin Towers. 75 00:07:22,000 --> 00:07:28,000 A fact we learned from the secretly placed Twin Towers movie released on October 2015. 76 00:07:28,000 --> 00:07:36,000 This movie is actually The Walk, which is why it has Marty McFly standing on top of the Twin Towers. 77 00:07:36,000 --> 00:07:44,000 What's with the wire? What's with the wire? What's with the wire? What's with the wire? 78 00:07:44,000 --> 00:07:54,000 Find out in 30 years! Find out in 30 years! Find out in 30 years! 79 00:07:54,000 --> 00:07:59,000 Doc! Doc! Doc! Doc! Doc! Doc! 80 00:07:59,000 --> 00:08:02,000 Okay, relax, Doc! It's me! It's me! It's Marty! 81 00:08:02,000 --> 00:08:04,000 No. I can't be. I just sent you back to the future. 82 00:08:04,000 --> 00:08:10,000 Oh, I know you did send me back to the future, but I'm back. I'm back from the future. 83 00:08:10,000 --> 00:08:14,640 Let's go. 84 00:08:23,840 --> 00:08:29,560 More human minds on planet Earth observed 9-11 than any single event in human history, 85 00:08:30,000 --> 00:08:32,260 making it a massive terrestrial meditation, 86 00:08:32,660 --> 00:08:36,700 concentrating collective consciousness onto a single space-time focal point, 87 00:08:36,700 --> 00:08:41,340 making 9-11 humanity's most potent consciousness-altering Stargate. 88 00:08:41,980 --> 00:08:45,880 Zemeckis, a precogging conduit, channels the 9-11 archetype 89 00:08:45,880 --> 00:08:49,940 with his Tower Strike Twin Pines Terror Attack cinematic superimposition, 90 00:08:50,140 --> 00:08:52,700 both scenes featuring the transdimensional portal, 91 00:08:52,920 --> 00:08:56,100 pointing to 9-11 as the archetype of transcendence. 92 00:08:56,640 --> 00:09:01,320 The consciousness portal is opened by touching the 2001 monolith, the movie screen. 93 00:09:01,880 --> 00:09:06,140 As touching the two-dimensional screen dispels its three-dimensional guise, 94 00:09:06,140 --> 00:09:09,520 revealing how the images it portrayed were not actually real. 95 00:09:09,600 --> 00:09:12,140 One of those that use so many names that you forget your own. 96 00:09:12,540 --> 00:09:18,040 To touch the monolith is to be freed from the fabricated narrative portrayed on the screen or by film, 97 00:09:18,220 --> 00:09:22,600 finally seeing the illusion employed to paint audience perspective into a box. 98 00:09:23,020 --> 00:09:26,760 The screen as the 2001 monolith is present on Ground Zero, 99 00:09:27,140 --> 00:09:29,320 in the form of the Millennium Hilton Hotel, 100 00:09:29,640 --> 00:09:34,120 which was intentionally built to mimic the 2001 monolith, the movie screen. 101 00:09:34,120 --> 00:09:40,620 Humanity's mass tuning in to the 9-11 event was the collective touching of the monolith, 102 00:09:40,940 --> 00:09:45,160 where enslaved minds in mass began rejecting the narrative of their controllers. 103 00:09:45,640 --> 00:09:52,340 To tune in to 9-11 was to touch the screen and finally see the illusion opening the portal of transcendence. 104 00:09:52,720 --> 00:09:56,460 As Marty opens this portal during the 9-11 scene splice amalgamation, 105 00:09:56,460 --> 00:10:03,180 he makes contact with the illusion by touching film via the film booth at the exact moment the portal opens. 106 00:10:04,280 --> 00:10:09,740 Then by touching film via the movie theater at the exact moment the portal opens. 107 00:10:10,160 --> 00:10:16,460 Again to open the portal, Marty must touch film via the movie screen at the exact moment the portal opens, 108 00:10:17,240 --> 00:10:22,600 touching the screen dispelling the illusion opening the portal while enacting the 9-11 archetype. 109 00:10:22,600 --> 00:10:30,160 To touch the screen, finally becoming the creator of the fabricated images relinquishes the monopolization of its power, 110 00:10:30,540 --> 00:10:34,900 removing the smoke from the screen and arming the awakened with skepticism. 111 00:10:35,700 --> 00:10:39,900 This film-instigated ascension is the same as the 9-11 ascension, 112 00:10:40,200 --> 00:10:43,440 a message that discredits the medium which carries it. 113 00:10:43,440 --> 00:11:13,420 This film-instigated ascension is the same as the 9-11 archetype. 114 00:11:13,440 --> 00:11:43,420 This film-instigated ascension is the same as the 9-11 archetype. 115 00:11:43,440 --> 00:11:45,440 this film-instigated ascension, 116 00:11:45,440 --> 00:11:49,440 this film-instigated ascension is the same as the 9-11 archetype. 117 00:11:49,440 --> 00:12:04,380 What's the meaning of this? 118 00:12:04,880 --> 00:12:06,540 Find out in 30 years. 119 00:12:06,800 --> 00:12:08,620 It's about the future, isn't it? 120 00:12:09,220 --> 00:12:11,260 It's information about the future. 121 00:12:11,780 --> 00:12:13,420 I warned you about this, kid. 122 00:12:13,780 --> 00:12:16,420 The consequences could be disastrous. 123 00:12:16,420 --> 00:12:19,140 Not that's a risk you're going to have to take. 124 00:12:19,200 --> 00:12:21,420 Your life depends on it. 125 00:12:21,440 --> 00:12:21,620 No! 126 00:12:22,300 --> 00:12:25,360 I refuse to accept the responsibility. 127 00:12:26,220 --> 00:12:28,420 In that case, I'll tell you straight out. 128 00:12:32,200 --> 00:12:33,760 I'll tell you straight out. 129 00:12:34,040 --> 00:12:37,100 I refuse to accept the responsibility. 130 00:12:37,660 --> 00:12:38,340 They're here.