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There are two different stories told about his same land, two different histories, almost

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as if there were two Egypts.

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His ancient land has always partaken of a dual nature.

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The public face of Egypt is known the world over, entalled in every history book,

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but there is another side of Egypt that is not so widely known.

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Egypt is also a land of secrets.

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I know the history of the history tells the Egypt as the inherited and deep wisdom and

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magical ability from an even earlier country.

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It is the account of the Egyptians and souls.

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This alternate history is echoed by parallel accounts from the myth and history of other ancient

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cultures as well as myriad secret societies and occult sources.

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There are multiple number of parallels in these stories, provides a unique window into this

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other Egypt.

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In this series we will take a look at the shadowy history and magical practices of this other

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Egypt. Egypt is the keeper of secrets, the land of riddles, the birthplace of magic

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and the home of the mystery schools.

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As we draw in symbolist author and Egyptologist John Anthony West for a symbolist tour of

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magical Egypt, we will explore not only the sacred sites but the ancient teachings that

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can seal there.

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We will see the ancient mysteries through a decoding limbs,

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a cipher that brings a lost magic to life and returns to humanity that teachings and magic

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of our ancestors. I think we can possibly say that Egypt regarded the entire universe as an

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active, gigantic, active magic, the transformation of consciousness into the material universe.

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Did ancient Egypt inherit its mysterious abilities from an even older culture, lost a history

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and forgotten by the modern world?

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The most tail day in the Stelves, nutrients of lost art, from a lost world,

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and beyond the veil lies another Egypt, hidden in Egypt, magical Egypt.

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The Greek Saint Romans, both acknowledge ancient Egypt as the source of great ancient wisdom.

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A mysterious land of riddles whose secrets were considered the highest prize to some of the greatest

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minds in history. Egypt was known to the ancient world as a repository of high knowledge and

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magical practices. These universal secrets were contained and kept alive in the mystery schools.

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The teachings and magical ability they imparted were held in the highest secrecy and reverence.

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Entrance to the temples that held the secrets was tightly restricted. They were the

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domain of loyalty, priests and privileged initiates.

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Four fathers of modern thought, such as by Fagoras, Plato, and others,

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tell of waiting more than 20 years preparing before acceptance into the mystery schools.

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The secret teachings were known as esoteric or occult or symbolist teachings

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and were held to contain the secrets of the universe and the keys to great magic.

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Those who were allowed to receive the mysteries often went on to join a who's who of historical

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movies and shakers. Pythagoras, Plato, Aristotle, Galileo, Copernicus, Devinci,

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Kepler, Isaac Newton, Napoleon. They were rewarded for their pursuit of the ancient wisdom

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with not just knowledge but a new way of thinking that allowed them to write their names in human history.

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Hermeticism and the writing from the hematica were held to be the western retelling of the

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wisdom from the mystery schools. They contained or be it in a degenerated form,

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strains of the ancient wisdom set to her being passed down from the gods.

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There are fragmentary hermetic texts dating from dates in dispute but dating from

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third-second first-century's AD in which the language and motive expression is ancient Greek.

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But the subject matter is, if not entirely, largely derived from or actually

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a part of the ancient Egyptian doctrine of the transformation of the soul.

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This is the basis of the hermetic belief and it can proliferate into those various disciplines.

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Rises is practiced in one form or another in throughout Islam percolates up into western Europe

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and the Italian Renaissance and then occupies much of the minds and hearts and studies of the

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major Renaissance figures up to and including Isaac Newton who actually spent much more

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time of his life studying alchemy and number of symbolism than he did studying what would now be

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modern science. This is an acknowledged fact that is seldom acknowledged by modern scientists.

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But as a matter of fact, Newton might be called not one of the last certainly but one of the most

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eminent of the hermeticists. Although today in much of the Western academic world,

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the symbolist interpretation of ancient Egypt is vigorously opposed in its ancestral form

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which was the object of great fascination and in some cases of session.

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This is some of the greatest minds and forces in human history.

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The term mystery schools refers not to a specific place or time in ancient Egypt but the

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timeless teachings passed down through word of mouth encrypted into the temples concealed and

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enthrined behind a veil of higher glyphs and symbolism. What secrets were held in the mystery

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schools that made them so important? So sought after. One of the secrets was an

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alternate history of human past that is cyclical. Civilization, consciousness, understanding and

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ability, rising to incredible heights in the distant past and then falling back into

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barbers and again and again like the waves of high and low times. This story has resonance in all

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cultures and the stories of the flood or the periodic catastrophes from many ancient myths.

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In this alternative model of our past, a vast accumulation of knowledge and

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ability was inherited from previous epochs. A legacy of high wisdom from an incredibly

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distant past is the source of the mysteriously powerful and unexpained accomplishments of the ancients.

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A accomplishments which even by today's standards seem in scope and operation to be nothing short

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of feats of magic.

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Ancient Egypt wheeled a mastery over the material world that bordered on the supernatural.

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It seemed at times almost alien. It's art and architecture showing not only an understanding

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but an eerie control of the invisible forces and building blocks of our material world.

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Rightly considered powerful and dangerous tool, it was guarded with the utmost secrecy.

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Some priests accepted death before devoting the secrets to concrete Roman user Panthers.

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Where did they learn the science behind these incredible acts?

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And strange are still how could these abilities just appear seemingly complete at the very

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beginnings of Egyptian history? Where did the knowledge come from?

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The Egyptians, both the ancient and modern, remain curiously silent on this topic.

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Egypt seems to have started out at its height and gradually declined.

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I think copy or copy. Over the centuries the mysteries held a little less with each success of

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re-telling. In an attempt to guard the magic from abuse at the hands of the perfane public,

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the mystery schools went into hiding. The ancient secrets were shrouded in

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allegory and symbol and placed under the guardianship of various streams of

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initiatic societies. In time it appeared that many, if not all connections to the original

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source were severed or so diluted that the true mysteries were lost to history.

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Over the millennia the temples fell into ruin and eventually so did the teachings they enshrined.

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All hope of reconnection to the wisdom of the past seemed lost.

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When we return we look at an unusual man who returned to the modern world

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that teachings in wisdom of the ancient and mystery schools.

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The secrets of the mystery schools seemed lost to history when in 1937 a most unusual man

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again reopened a window into this culture and the magical technology that was its legacy.

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R.A. Schwalla du Lubits was a latter-day alchemist, as well as an accomplished mathematician,

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chemist or through an philosopher. Schwalla opened a window into the lost magic and

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mentality of the ancients. Through an ingenious reinterpretation of the evidence, Schwalla

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recreated a model of ancient Egypt that resurrects the ancient secrets from modern eyes.

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Understanding the mentality of the ancient world through the decoding lens of symbolism,

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Schwalla showed the Egyptians were not the superstitious savages, modern Western academic

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thought holds them to her being. Instead, he showed example after example of high wisdom and

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accomplishment not only equalling that of modern science but in some instances far surpassing modern

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abilities.

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The key that unlocked the ancient veil lie in a slight change and perspective of mindset.

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As one learns to enter the mindset of pharaohonic Egypt, the cryptic message from the

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past comes to life and allows access to previously invisible and unimaginant realms of consciousness

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understanding credibility.

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The crux of the old teachings was contained in transmitting through what Schwalla called sacred science.

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Sacred science was the original unified source of the myriad streams of modern mysticism,

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occultism, esotericism and magical disciplines that exist today.

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It is also the unified source for such diverse contemporary sciences as chemistry,

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physical science, philosophy, medicine, astronomy, geometry, architecture, music and mathematics.

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Through the lynchpin of sacred sciences, Schwalla not only showed an original unity of the

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material sciences but even shed new light on such shadowy subjects as the taro, astrology and many

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many other forms of magic.

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Schwalla spent over a decade on sighted Luxor Temple which would come to be known as the Temple of Man.

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It was here that he performed his master work.

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A lot of day Renaissance man, he was born in the 1890s, died in the early 1960s and was one of

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other things, a practicing later day alchemist and very much deeply involved in Alchemist.

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He was also thoroughly conversant with the esoteric and mystical traditions of the East and at

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the same time equally conversant and familiar with the modern developments in science, mathematics,

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physics and so on. It was Schwalla who in two decades of work in Egypt mainly at the Temple of Luxor,

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who reformulated in transnettable and accessible fashion, the wisdom of the ancients.

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It is through Schwalla that we're able for the first time to actually gain access to the doctrine

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the sacred science or sacred sciences responsible for those astonishing resonating temples,

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pyramids and tombs prior to Schwalla. There was a long-standing tradition

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dating back to the Greeks themselves in which Ancient Egypt was the Fountable wisdom

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which subsequently degenerated and dispersed over time. But prior to Schwalla, it was impossible

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to actually argue from documented evidence that this wasn't indeed the case. Schwalla provides

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the documentation in impeccable form. It's there to be disproved if anyone can do so in the 50

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years since Schwalla produced the buyer's work. A number of scholars have abused him roundly,

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but none have actually offered anything resembling satisfactory, discreet or discredited to his

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extraordinary works. In its own way, the Temple of Man was a kind of Resettist stone.

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He contained a means within itself Schwalla to decode and reconstruct the les and subtleties of the

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symbolic and sacred technology of the Ancient Mysteries. Schwalla showed that the temple was not

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just a location of the teaching but was itself the teacher.

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It's hieroglyphics and harmonic proportions contained a catalogue of the occult laws,

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sacred geometry and archetypal forces that combine to make the universe and its culmination

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and living man. Through a chain of analogies, occult correspondences,

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sacred geometry and symbolism, the temple itself becomes the actual technology through which one can

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undergo the initiation process and begin to experience the mentality and magic of the Ancient

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Temple Ecos and amplifies the greater of canon as above, so below. Man and the cosmos can

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be seen to be magically analogous, governed by the same rules of sacred geometry each

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and octave as the other. After Schwalla's death, the torch was picked up by a new generation

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of cymbalists, one of the most venerated of whom is John Antony West. West brought the obscure

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French word to the public eye in the simplest classic serpent in the sky.

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West not only rekindled Schwalla's revelations but built upon the men of the acted like a

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foolcrum upsetting the stoic worlds of archaeology, theology and science. When serpent was published,

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shockwaves erupted as evidence that lay in full view of all at the very sight of the great

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things exploded. An observation by Schwalla mentioned in passing caught West's attention.

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Schwalla noticed and recorded the fact that vertical fishes cut deep into the walls of the

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sinks in closure. These vertical fishes were unmistakable signs of precipitation in

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juiced erosion. They were the telltale sign of exposure to years and years of rain. But it hasn't

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rained when you consider extinct and so hard it doesn't, since before the ice cream.

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It seems to suggest that the sinks was there prior to those catastrophic events that put the

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rest of the civilization down. West enlisted the help of geologists for overshot to present a revised

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modern-lebitreption history based on geological data, including the evidence that suggests that this

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man-made structure shows signs of exposure to weather conditions that haven't been present since

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the harsh end of the last ice age. Could this be proof that this sinks or at least this

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sinks in closure was the product of an even older civilization, predating the catastrophic

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events at the end of the last ice age? We believe that ice-thanks there are the water

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weathering of the swings, is evidence of those of that earlier civilization. And there are the bits

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and pieces of geological evidence and architectural evidence that we believe supports the theory

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of an advanced or let us say again within carefully within inverted quotes and Atlantean civilization.

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But this is the big issue whether or not there was such a civilization. We have of course

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under textual side we have played us account to the Atlantis that supposedly came to him

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from his grandfather Solon who himself got it from an Egyptian priest. This would be somewhere around

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six or seven centuries BC somewhere that kind of area. And of course we also have throughout the world

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around the world everywhere in the higher or more sophisticated civilizations as well as in the

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mythologies and legends of widely separated traditional societies. We have accounts, virtually all

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of them have accounts of a deluge. A deluge is a common place and in many of them if not in all

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there are also references to banished civilizations, banished high levels of civilization,

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gold and ages in the past and the ubiquity of these stories is enough to make I would believe

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an e-serious scholar at least hope and open mind to the possibility that these advanced civilizations

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didn't need to exist and that they did indeed go down or disappear virtually entirely

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under the catastrophic conditions prevailing for several thousands of years following the event

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whatever it may have been or events that initiated the melting of the ice and the disillusion

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of the last ice edge. As we joined West Forest Symbolist Tour of Egypt we began to glimpse the

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magic and mysteries still waiting here encoded into the ruins of a preserved seeds of a technology

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and mentality that by comparison to even modern standards are at the far edge of comprehension.

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When we return, another secret of the Egyptian mysteries.

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One of the most famous of the students of the mystery schools is the legendary Pythagoras.

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Pythagoras waited and prepared for 20 years before his initiation into this science of the invisible.

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He went on to start a revolution in thinking when he revealed to the profane world

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of another secret of the Egyptian mysteries. In the simple and irrefutable science of geometry

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by the secrets of the universe and of life itself. Pythagoras returned the lost key

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meaning to the alchemical maxim as above so below. The universe and man has the embodiment of the

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universe lived and worked by the same wounds, abroad into an outer existence by the same forces

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and are both subject to the same walls. Each can be understood using the same maps. The shapes

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and forces described by sacred geometry are the road map, perhaps even the seed of life itself.

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In the design of the Temple of Pythagoras, we observed first hand the sacred geometry

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that was the source of Pythagoras's inspiration. The invisible science of the ancients was

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preserved and at the same time veil behind the symbolism and measure of the temple.

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The temple itself was the embodiment of the ancient teaching of the mystery schools.

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It's living walls in shrine and forever teaching understanding of the deep secrets of creation.

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It's sacred geometry in shrines and mirrors the fundamental geometric laws that are

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the working schematics of the creative universe and life within it.

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The temple is consecrated to armon the invisible. The animator of form, the breath of life across

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the waters. The temple is the house of Amul. For a time it was the living body of

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Amul. Over the 500 years span of its active life, the temple lived and grew by the same

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laws of sacred geometry that govern organic life and growth. It was for a time animated by the voice of

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life. It was host to Amul. The temple incorporates an archetypal or natural geometry that lies

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behind all of life. This geometry is a result of a mysterious number pattern that occurs throughout

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nature known to the modern world as the Thibonacci series. The invisible voice of life shows

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itself in the material world through an interplay of numbers and form. These primal archetypal forms

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of the template and seeds of life. The sacred geometry expressed in the Thibonacci series

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allows us to clearly see this invisible other world that is the mysterious source of life.

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The ancient history of the Thibonacci series and organic geometry in the world around us,

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we met with Michael Schneider, author of A Beginner's Guide to Constructing the Universe.

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Michael Demonstrates the dynamic presence of the Thibonacci sequence in the living,

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growing growth. The Thibonacci numbers refers to a sequence of numbers that grow by

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continual expansion but a very special balanced growth expansion and the mathematical definition

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of them is really an archetypal pattern. Starts off with the number zero and one. Zero

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sort of acts at a seed in a sense. Zero and one and the rule is that each next term is the sum of the

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two previous terms. So zero plus one make one. One plus one make two. One plus two make three.

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Two and three make five. Three and five make eight. 13. 21. 34. 55. 89. 144. 233.

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An endless but it's an expansive pattern that shows organic growth patterns that occur

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The invisible Thibonacci spiral shows itself in the visible world in the most delicious shell,

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the sunflower and the branching of trees. This mathematical sequence

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charts nature's progress, organic spiraling growth, and self accumulation.

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The appearance of this sequence, embodied by the Thibonacci spiral or golden spiral,

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in plants, animals, or solar systems, tells us that the Thibonacci sequence and fire ratio

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underlying internal harmony, excellence, and dynamic balance during the inevitable growth and

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dissolution processes. It is the play of life itself, clothed in the four states of matter.

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These characteristics are the open secret of balance, of animal horns, seashells, plants, and

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galaxies. For example, as the chambered motorist creature grows larger, the gland that

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exudes shell material also grows, building a wideening shell. The shell's golden spiral shape

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maintains the same center of gravity at any size, so the noodle is need not to learn how to

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balance itself as it matures. The same is true for the growing horns of a ram. As the one material

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accumulates, growing larger and more massive, its golden spiral shape maintains the same center of

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gravity, thus the ram need not adjust its posture throughout life to a hole in its growing horns.

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Similarly, the treat of puts out branches and leaves and spiral staircases up and around their respective

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trunks can get enormously large, get the treat always balances, no matter how massive and complex

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it grows to be. So any kind of organic expansion will benefit from this kind of growth that

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incorporates balance, physical balance, it will pack the most seeds in the east space.

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And whenever you find these phibonacci numbers, you also find spiral. The benefit of spiral is

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of course organic expansive growth. In a kind of a fashion that will also maximize

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all the benefits of the seed properties of some way.

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The way they show up in the plant world, the plant world is writhed with these numbers.

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For example, in this hard-a-choke flower, I will simply see.

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I'll draw a mark so we know where we started on this and I'll count this row of petals as one row.

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And one of them is count feet, numbers of parallel rows of petals. So there's one,

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two, three, four, five, six, seven, eight, and then back at the beginning. So there are eight

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rows leading this direction. But each petal plays a role in two directions. So I can also think of these as

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spiraling this way. And if I count the numbers of parallel rows here, you have to look

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count that as one, two, three, four, five, and back at the beginning. So there are eight

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in this direction, five in that direction. That's what you'll find throughout nature. Two consecutive

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phibonacci numbers are composing the same structure. And what this does, what this number pattern

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does, is it gives perfect balance to the structure at its row. Not as a static structure,

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but these phibonacci numbers and the spiral, the logarithmic, organic spiral that occurs with them,

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balances through growth, transformation, expansion. That's the beauty of this. It's balanced

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through growth and change through these numbers. It's an organic expansion from that you might say zero

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seed to as large as you like, but it's always going to have a self-resembling property. The closest,

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the logarithmic spiral is the closest definition to get to a definition of life.

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The phibonacci numbers and the sacred geometry they produce seem to be the very voice of life.

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When we return, we'll see how these numbers were employed in ancient architecture to give life to the temples.

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As House of Life, consecrated to organic growth and the living world, it is difficult to

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imagine a more perfect template for the design of carnax than those patterns governing and

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animating life itself. To further investigate the presence of the phibonacci series in the design

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of carnax, we went to UCLA campus in Los Angeles. We found a very rare print of a book containing

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architectural studies of shaco geometry and harmonic design in the temples and monolumines of ancient

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Egypt. The book is the master work of architectural historian Alexander Badaire. It shows the

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temple of carnax to be based upon the same phibonacci number series that is the very voice of life.

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As we'll end this book of harmonic design Alexander Badaire, the art historian and architectural

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historian, he's a topologist in the great temple of carnax and just about everywhere else in Egypt.

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Very sophisticated harmonic design is what's responsible for the temples and it is the harmonic

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design that is internal and responsible for the effect of these temples produce in carnax in particular

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phibonacci series is employed in a variety of sophisticated and different ways and the

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folks of the phibonacci series in particular is related to the golden section and to the

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processies of organic growth. In this temple it is consecrated to material university,

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which any animated universe, particularly significant that they may mathematical

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proportion that is found everywhere nature and they that the way that things grow from

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some plow seeds and other shells that the phibonacci series should be employed to determine

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the various proportions of the temple itself. Where those numbers here as the temple expands from

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the original seed each new stage of birth progresses according to the next increment of the phibonacci

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series. 3455 89 144 233 377 these are the

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numbers the ascending numbers of the phibonacci series.

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Specifically consecrated to a dedicated tool, the principle of the creation of the organic world

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living world and keeping the guide not only is there a sense of state of constant creation

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for the temple itself as a kind of representation of ideal even actual organic growth.

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The temple is consecrated to a more than his role of animator of form of the breakfast of the

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stirred life across the water. One of the more fluidity in the

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color of the solid sound of a valley who is an expert on a special organism in architecture.

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Worked out that the phibonacci series is the temple is the temple of the pond with this

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entire gigantic construction is based and the best of my knowledge of the

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the archaeology of the phibonacci series but they understood for well to roll the

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back place in the organization of the organic world that's something else again they know that

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then they're talking about a very high unasecred time that's what's going on here in the

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in this particular temple and the truth is it's been found that the phibonacci series

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have been found in other different constructions as well but here's the best and most

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complete expression of it exactly in the temples that is in fact consecrated to organic

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for the organic world and that's something that is in the reactivating stonchonized

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because the function of it you don't understand that it's part of a complete understanding of

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the genesis of the universe.

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Like so many things that have known in deep antiquity that particularly when we see

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phibonacci spiral associated with gigantic temple that is consecrated for the principle of

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organic growth which is a very interesting.

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entrance to the temple is flanked by a colonate of ram-headed schinksons.

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The ram is symbolically associated with omnis and a sight from its astrological implications

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is an embodiment of the phibonacci spiral in this shape of its horns.

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The sake of geometry of the phibonacci series infuse the entire temple literally brought it to life.

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The temple is the living embodiment of the numbers and patterns that are the very voice of light.

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The harmonic design acted as a kind of template affecting us, changing us

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inspiring us. The genelegal between the archetypal and physical worlds

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bringing us into the mindset appropriate to commune with the deity or netto

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which the temple was consecrated. When understood in the true meaning of netto,

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amun becomes the archetype, the embodiment of the invisible forces, laws and forms of light,

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the physical expression of the laws of nature.

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Roudar Steiner, an influential modern mister from the turn of the century,

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provides an insight into the thinking and sophistication of the ancients through a thought

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exercise. Hold a seed in one hand and stone of similar signs in the other.

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Look at them both and try to visualize how they are the same and how they are different.

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When the breakthrough occurs, we suddenly see into a higher dimension, the fourth dimension of growth.

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All living things live in an additional dimension of growth, expansion,

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an organic change over time. As the living representation of the forces of life,

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the temple of Kanag was itself alive. It existed in at least four dimensions.

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In a stunning but not isolated example of 40 architecture, the temple itself not only grew,

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but grew in accordance with natural law. It was for a time, host to amun. It was animated by the

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wave of life, continuous construction passed down through the centuries,

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like a torch from one generation to the next. The wave of life passed through it as it did the

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successive generations of those who worship within its living wars. Not only is it a

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administrative constant creation, I think the earliest extent bits of this temple go from the

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take from the middle kingdom, most of it is new kingdom, some of it is telomeg. I believe that

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every single Pharaoh has left some elements or some piece of... every single Pharaoh did something

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here, some bit of construction. That's as old as them, it's built with the Holy of Holy's,

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the sanctuary and then grows out. In this case it grows out sort of like an onion,

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in other words it's in layers, it's built continually out and out and out and out and out that all

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together, ten pylons here, I think, six this way and four that way. So it's continually expanding.

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Each one has to have a stamp on this particular temple. I don't know the fact that other

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temples are built often in one-cell swoops and then the distance is made after one of two.

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But here everything will fail, it does something that is not as old as the old Pharaoh is trying

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to revive under the years and to exercise for him. I imagine.

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Conact was a 500-year extended exercise in a high-magnet. As each generation passes the torture

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with successes ensuring the continuity of human life, each generation continued the development of

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the temple according to the universal laws of growth. The individuals would come and go

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but light itself continued. The house of life was the embodiment of this divine continuity.

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The kind of culture, what kind of mind creates a blueprint that utilizes time as a dimension of

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the structure, perhaps as a function of the structure. Time itself was a necessary dimension

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with faithful meat telling, the faithful archetypal representation of this principle. Life is growth

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and growth is a four-dimensional process. It was said that Egypt was made in the image of an

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devil, a certain time, so below. It is difficult to distinguish between witnessing a

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majesty and mystery of the temples and participating in the transformative process, one-cell.

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We're confronted by temples, by artwork, by pyramids, by structures that evoke

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in us a kind of emotion that is very hard to ascribe to mere superstition or

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emancipation or romance. These temples are based upon principles that are in fact sacred sciences.

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They are, let us say, the science, the immortality, the science of obtaining eternal life.

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When we are in the presence of one of these Egyptian temples, we are whether voluntarily or

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involuntarily put into the presence of the divinity of the principle to which that temple is

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consecrated and whether we like it or not, we respond often with all and wonder. This all and wonder

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is not, let us say, an artifact of our susceptible imagination or romanticism, an art art art,

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it's an example of the high science of the ancients, a sacred science. The sacred science,

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the timeless wisdom of the mystery schools, the keys to powerful magic are being preserved,

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enshrined behind a veil of harmony, proportion, myth and symbolism. When seen through the

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symbolist decoder, these ancient ruins suddenly spring to life, opening a window on it is

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our landscape of our claim magic working hand in hand with a science of the will of the complexity.

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The ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient

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of the ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient

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ancient ruins of the ancient ruins of the ancient ruins of the ancient ruins of the ancient