1
00:00:30,000 --> 00:00:58,000
Stam circles and crop circles are romance presented by Michael Blickman.

2
00:00:58,000 --> 00:01:03,320
In this lecture, Michael takes a sadonic look at how crop circles often appear in the

3
00:01:03,320 --> 00:01:09,160
Megolithic sites and describes the similarities in geometries and hidden numbers within both

4
00:01:09,160 --> 00:01:11,560
their sense of designs.

5
00:01:11,560 --> 00:01:15,400
Recorded life at Megolithic Media Conference 2006.

6
00:01:15,400 --> 00:01:31,800
First of all, good morning and thank you for coming along.

7
00:01:31,800 --> 00:01:44,040
I was going to say thank you for coming along so early, but the projector melted.

8
00:01:44,040 --> 00:01:53,160
And many people have told me that the crop circles are fundamentally Satanic, but

9
00:01:53,160 --> 00:02:01,040
this is the first occasion on which a carousel of crop circles slides has caused a projector

10
00:02:01,040 --> 00:02:02,680
to auto-destruct.

11
00:02:02,680 --> 00:02:07,920
Hey, what's happened to the light?

12
00:02:07,920 --> 00:02:16,640
This lecture was called crop circles and stone circles, a love story and I need to explain

13
00:02:16,640 --> 00:02:17,640
that.

14
00:02:17,640 --> 00:02:28,960
I am dorted by the line-up this weekend.

15
00:02:28,960 --> 00:02:38,920
The series, the series, I love these people, as far as I am concerned, the scholars

16
00:02:38,920 --> 00:02:52,080
of breathtaking every dish and they asked me to talk and I said, it's very nice, you know,

17
00:02:52,080 --> 00:03:00,960
to be on a platform with Michelin Martino and Neil and Heath is apart from my read others,

18
00:03:00,960 --> 00:03:04,480
he's daunting and flattering.

19
00:03:04,480 --> 00:03:12,600
But I had to confess, I really know nothing about stone circles.

20
00:03:12,600 --> 00:03:14,640
And they said no, no, no, no, no.

21
00:03:14,640 --> 00:03:18,080
So I thought, well I'll do crop circles.

22
00:03:18,120 --> 00:03:24,680
I only know about crop circles, I thought I'll do crop circles and stone circles, a love story.

23
00:03:24,680 --> 00:03:38,160
And then I suddenly realized why they asked me and I'll let you in on the secret.

24
00:03:38,160 --> 00:03:45,160
We all know absolutely that the stone circles hoaxes.

25
00:03:45,160 --> 00:04:04,160
And they asked me to talk about crop circles to bring some reality into the bones.

26
00:04:04,160 --> 00:04:11,680
There is a relationship between the crop circles and the stone circles.

27
00:04:11,680 --> 00:04:14,520
And I don't honestly know what it is.

28
00:04:14,520 --> 00:04:18,560
It's not clear.

29
00:04:18,560 --> 00:04:30,280
And so I must change my title from stone circles and crop circles, a love story, to crop

30
00:04:30,320 --> 00:04:34,840
circles and stone circles, a love tation.

31
00:04:34,840 --> 00:04:43,880
I think intimacy, as they say in the police forces, has not been achieved.

32
00:04:43,880 --> 00:04:51,560
And there will be an occasion, I imagine, when we'll understand it, we can then call it a love story.

33
00:04:51,560 --> 00:04:57,960
But for the moment it's stone circles and crop circles, a flirtation.

34
00:04:58,000 --> 00:05:06,280
Now, Graham referred yesterday to symbol, which I thought was very interesting.

35
00:05:06,280 --> 00:05:17,280
I'm coming more and more to believe that the crop circles are here as part of a project,

36
00:05:17,280 --> 00:05:22,680
to enable us to return to a more symbolic life.

37
00:05:22,680 --> 00:05:25,640
We're already halfway there.

38
00:05:25,680 --> 00:05:35,200
I think there is, we're in the middle of a dimensionalship, the vibrational shift,

39
00:05:35,200 --> 00:05:40,400
a comprehension shift, the consciousness shift.

40
00:05:40,400 --> 00:05:49,080
And I think what is going to emerge more and more is that the symbolic nature of things

41
00:05:49,120 --> 00:05:56,080
will be revalued.

42
00:05:56,080 --> 00:06:02,840
We live in a terrorist society.

43
00:06:02,840 --> 00:06:10,120
We're being told about the fundamentalism of our title, but of course we're all living

44
00:06:10,120 --> 00:06:17,560
very happily under a vicious fundamentalism, the fundamentalism of science,

45
00:06:17,560 --> 00:06:26,360
and tism, which has limited and reduced our ability to lead a full life.

46
00:06:26,360 --> 00:06:37,880
And I think we will find in the very near future that the inadequate, reductive ideas

47
00:06:37,880 --> 00:06:45,400
of the scientific method and Mr. Orkelman is silly razor.

48
00:06:45,440 --> 00:06:52,400
Have a lot to answer for.

49
00:06:52,400 --> 00:07:03,280
Picture yourselves back two years, who could have imagined that a major American city would

50
00:07:03,280 --> 00:07:07,040
be destroyed by a weather event.

51
00:07:07,040 --> 00:07:08,360
Right?

52
00:07:08,360 --> 00:07:14,680
Now, of course, they shrug their shoulders and say, oh, well, he's just a hurricane, you know,

53
00:07:14,760 --> 00:07:15,680
a big of nature.

54
00:07:15,680 --> 00:07:18,440
But think about it.

55
00:07:18,440 --> 00:07:25,760
The hurricane did not destroy, ultimately, or destroyed.

56
00:07:25,760 --> 00:07:29,720
It destroyed a major city on the Gulf Coast of America.

57
00:07:29,720 --> 00:07:40,960
The Gulf Coast of America is a receiving processing, expediting area for oil, oil consumption,

58
00:07:41,000 --> 00:07:45,000
forces global warming, global warming, causes hurricanes.

59
00:07:45,000 --> 00:07:52,640
There is a synchronicity there, which needs to be considered.

60
00:07:52,640 --> 00:07:56,240
We must pay attention.

61
00:07:56,240 --> 00:08:01,560
And more and more of these things are being thrown at us.

62
00:08:01,560 --> 00:08:11,880
We're being told to look, and the scientific method says no, weather.

63
00:08:11,880 --> 00:08:20,520
Who would have imagined that a whale would whim up the tembs to the centre of our capital

64
00:08:20,520 --> 00:08:25,800
city to die?

65
00:08:25,800 --> 00:08:30,640
Think of the symbolic nature of that.

66
00:08:30,680 --> 00:08:42,240
Who would have imagined that the vice president of America out hunting would have shot

67
00:08:42,240 --> 00:08:48,240
a lawyer?

68
00:08:48,240 --> 00:09:00,480
Is there any more precise and perfect metaphor for the Bush administration?

69
00:09:01,040 --> 00:09:13,920
The crop circles in a way are working, I believe, to ease our path towards the new symbolic

70
00:09:13,920 --> 00:09:18,080
life, which I wait with ease.

71
00:09:18,080 --> 00:09:25,120
Now, I'm going to be talking about the symbol of crop circles, particularly the symbolism

72
00:09:25,200 --> 00:09:33,360
of number and geometry, and I'm going to be referring to the relationship only of crop

73
00:09:33,360 --> 00:09:43,440
circles to stone hinge, obviously, and the Avery complex, which includes silver heel.

74
00:09:43,440 --> 00:09:49,000
Could we have the first slide, yes, we could if I press the first button?

75
00:09:49,080 --> 00:09:58,840
Oh, right, this is a little formation that opens cut or more in the late 80s.

76
00:09:58,840 --> 00:10:08,040
It's a type of formation known as quintuplet, a similar to a dice five spot, and it is

77
00:10:08,360 --> 00:10:20,120
perhaps arguably debatably the most common type of crop circle which has ever manifested.

78
00:10:20,120 --> 00:10:27,960
Now, there's been some recent work done by Alan Brown, who is yet another genius.

79
00:10:28,040 --> 00:10:35,800
I'm privileged to have met many geniuses, but Alan Brown has demonstrated that

80
00:10:37,960 --> 00:10:48,440
the massive majority of these quintuplets, actually when Alan analysed square the circle,

81
00:10:48,440 --> 00:10:51,640
we'll be dealing with square angles of circle later.

82
00:10:51,640 --> 00:10:59,960
But before we come onto that, I want to go onto some semi-nal work by John Martin O. Witch,

83
00:11:01,240 --> 00:11:13,080
really lit the touch paper. This geometric analysis was absolutely crucial to have

84
00:11:13,080 --> 00:11:18,360
be one of us who were working in the geometry, because it demonstrated that a simple

85
00:11:19,240 --> 00:11:29,880
forefold geometry based on two cardinal directions, or orthogonal geometry of right angles,

86
00:11:29,880 --> 00:11:37,880
was in fact proportioned and constrained by a fivefold star.

87
00:11:38,520 --> 00:11:48,360
If a circle was drawn around the perimeter of the outriders of the satellite,

88
00:11:49,320 --> 00:11:56,760
and then the fivefold star was constructed within that circle, the arm crossing on that star

89
00:11:57,880 --> 00:12:07,320
precisely locate and sizes the central mother circle. Now, of course, none of the lines

90
00:12:08,440 --> 00:12:20,040
shown on this by pointed star existed in reality. They were what we were notion of.

91
00:12:20,040 --> 00:12:30,520
They were ideas. They were what we call these days virtual, and it took John Martin O. to place an

92
00:12:30,520 --> 00:12:39,880
precise survey on the drawing board and realise the constraints which underlay the whole

93
00:12:40,920 --> 00:12:48,040
program that the crop circles were giving us. Now, it so happens that fivefold geometry

94
00:12:48,040 --> 00:12:59,080
has a real meaning. Five is the number of life. I mean, we think of number as ways of calculating

95
00:12:59,160 --> 00:13:07,080
of that and how much petrol we getting, how many miles we getting per gallon. But in fact,

96
00:13:07,080 --> 00:13:18,120
there is another seam of symbol, underline number, and five is the number of life. We have five

97
00:13:18,440 --> 00:13:26,760
digits on the end of our limbs, and we'll be dealing again with five later.

98
00:13:28,760 --> 00:13:36,280
Here is another formation, much later, I think 97 in pubic castle. But again,

99
00:13:38,680 --> 00:13:45,240
when you stick a fivefold star on this, when you put a pentagram on it,

100
00:13:46,200 --> 00:13:50,360
you find that once again, the central circle is precisely

101
00:13:51,400 --> 00:14:04,920
sized and located. Now, here is a simple diagram of the star in question, and the angles are very

102
00:14:05,000 --> 00:14:13,560
important. There are obviously five of these triangles around it, which are, if I

103
00:14:13,560 --> 00:14:21,960
use solidly, cycles, cycles with two equal and one on equal sides. But once you get now

104
00:14:21,960 --> 00:14:33,400
solidly, triangle and you put this crucial angle there, the relationship between the long side

105
00:14:33,480 --> 00:14:42,040
and the short side is forever established. You generated a recurrent proportion. The proportion

106
00:14:42,040 --> 00:14:56,680
between the green and the red side, there is a golden section proportion. If the red side is warm

107
00:14:56,760 --> 00:15:06,680
in length, the green side is 0.618. Now, this is a proportion which occurs through our nature,

108
00:15:06,680 --> 00:15:11,400
and in fact, is central to the construction of our own brain.

109
00:15:12,120 --> 00:15:31,480
This clearly is a sixfold star, but I worked for months to try and find that this two was constrained by

110
00:15:31,800 --> 00:15:40,200
full geometry. It wasn't. It was in fact constrained as you see here by sevenfold geometry.

111
00:15:40,200 --> 00:15:49,560
Now, seven really kicks us up a step. Seven is the geometry of spirit, revelation,

112
00:15:50,760 --> 00:15:58,760
the eternal feminine, and what lies behind the veil. It so happens that this formation

113
00:15:59,720 --> 00:16:09,480
all of us castle in 96 was the formation which was videoed in formation below

114
00:16:11,080 --> 00:16:20,920
two pairs of small luminosities. Of course, this was more than many people could take, and it's been

115
00:16:21,880 --> 00:16:35,880
declaimed as a hoax, just like the stone circle, but I don't believe it is, but it's ironic that

116
00:16:37,640 --> 00:16:44,200
the geometry used to constrain this formation was the geometry of revelation. It was the first

117
00:16:44,280 --> 00:16:55,560
formation that we have filmed in formation. Here is the importance of seven, and I'm going to be

118
00:16:55,560 --> 00:17:07,240
dealing specifically with just a few numbers today. 11 is terribly important, especially in relation to

119
00:17:08,200 --> 00:17:22,520
the 11 sequences, 11, 22, 33, all the way through to 77. The most number sequence refers,

120
00:17:23,720 --> 00:17:34,600
to contact with other dimensions, 11 indicates first contact, 22 is first contact, and the beginning

121
00:17:34,680 --> 00:17:41,880
of an understanding of some of the information of other dimensions. And it continues,

122
00:17:41,880 --> 00:17:54,120
23 is for it. Until you achieve 77 by which stage presumably you are a master, and you are in the

123
00:17:54,200 --> 00:17:59,560
center of master, and you are able to disembody by the gate, once you are in the room,

124
00:17:59,560 --> 00:18:10,840
or I don't know, I don't know. But it's a very important sequence. And 13 is an absolutely

125
00:18:10,840 --> 00:18:21,480
killer number, which implies transformation. Now, what is interesting about, or we had five

126
00:18:21,560 --> 00:18:32,440
forms of stars. But 11 and 13 have unfolded in a very, very sequential way. Very much as though

127
00:18:34,040 --> 00:18:46,920
we were, we were students, and we've been, it is no, the information has been delivered to us

128
00:18:46,920 --> 00:18:56,760
at a rate which we were able to accept. Now, it is true that most people don't have a clue

129
00:18:56,760 --> 00:19:04,040
what's suddenly. Most people don't have a clue that 13, you know, people say, 13, I'm like a number,

130
00:19:05,000 --> 00:19:20,440
but in some kind of way, group consciousness is responding to the signal, or this is what I would

131
00:19:20,520 --> 00:19:34,360
contend. Now, the other thing that started to be clearly important in 94 was the relationship between

132
00:19:34,360 --> 00:19:43,640
the cross circle and the idea of the laboring. This is the absolute standard Creaton laboring,

133
00:19:44,600 --> 00:19:50,520
seven rings. And this is the more elaborate larger laboring, in this case,

134
00:19:51,320 --> 00:20:01,080
charge the withdrawal, eleven rings. So, the laboring type idea, which fundamentally was the

135
00:20:01,080 --> 00:20:10,600
work, walking of a sacred path, which symbolized our passage from birth to death,

136
00:20:10,920 --> 00:20:20,840
or from materiality to spirituality or whatever. The laboring type idea, which was being played out

137
00:20:20,840 --> 00:20:28,200
massively during the Cops circle narrative, started to focus on the development of these two very

138
00:20:28,280 --> 00:20:45,400
important numbers, seven and eleven, spirit and dimensional contact. Here, we have a small and

139
00:20:45,400 --> 00:20:51,560
strange, it is technically another quintupler, there's a very specific quintupler that the

140
00:20:51,560 --> 00:20:59,160
headborn worthy. But what is interesting about this is that when you join the center of the circle,

141
00:21:00,040 --> 00:21:08,360
you actually square the central circle. Now, you will have heard of the idea of squaring the circle,

142
00:21:08,360 --> 00:21:20,920
and it is probably the ultimate act of sacred geometry in which you attempt to construct without

143
00:21:21,000 --> 00:21:30,120
measurement, a square, the perimeter of which is exactly the same length as the circumference of

144
00:21:30,120 --> 00:21:43,480
a circle. The square, or it seems to be the world mechanical reality, the circle one,

145
00:21:44,440 --> 00:21:54,520
is seem to be God divinity, all that is. So, the act of squaring the circle is a gestural,

146
00:21:55,080 --> 00:22:09,800
symbolic, demonstration of the reconciliation of the material plane and the heavenly plane,

147
00:22:11,240 --> 00:22:22,440
squaring of the circle is an act of crucial importance, and it is appeared to a few of us that the

148
00:22:22,520 --> 00:22:33,880
crops are reiterating that four is becoming close to one, or the square is becoming close to the

149
00:22:33,880 --> 00:22:42,920
circle, and indeed the phrase squaring the circle is perhaps wrong, because squaring the circle implies

150
00:22:43,640 --> 00:22:52,280
the making earthly of the divine. What surely we're looking for is circling the square,

151
00:22:53,080 --> 00:23:02,120
the making divine of the world, and this was the first clue of what seemed to be going on.

152
00:23:02,200 --> 00:23:18,440
Here again, here is the great pyramid. If you draw a circle around it and then draw

153
00:23:18,440 --> 00:23:29,080
its square, draw a circle from the center to the point. You square the circle with that diagram,

154
00:23:29,080 --> 00:23:42,360
the great pyramid squared the circle, and here is the anodos diagram of the human frame in

155
00:23:42,360 --> 00:23:48,920
two separate positions, one of which defines the circle, and the other of which defines the square,

156
00:23:49,560 --> 00:24:01,320
and this diagram shows that the circle can be squared. And here we have an absolutely crucial

157
00:24:01,320 --> 00:24:12,280
little diagram which you'll remember that if the circle has a diameter 7, then is semi-circular

158
00:24:12,280 --> 00:24:21,160
arc is 11, and that of course brings us 22 over 7 pi, which will be dealing with.

159
00:24:22,200 --> 00:24:34,360
Here is a brilliant diagram by John Martino, John Michel, absolutely seminal discovery that if

160
00:24:35,320 --> 00:24:47,800
the top bit, you house the moon in a square, which is 3 by 3, and you then construct

161
00:24:47,800 --> 00:24:56,760
two simple 3, 4, 5 triangles on either side of it, you then have a baselength of 11,

162
00:24:57,240 --> 00:25:08,040
but it so happens that in proportion if the moon is 3, the earth is 11. So the when you

163
00:25:08,920 --> 00:25:17,160
put these together, if you bring the moon down to kiss the surface of the earth and you then

164
00:25:17,160 --> 00:25:22,360
place your compass there and draw a circle through the center of the moon.

165
00:25:23,080 --> 00:25:38,440
You square the circle and in this diagram the pyramid as the diagram of the pyramid has been laid over.

166
00:25:38,440 --> 00:25:44,920
So it does seem to be a reiterative concern over the ages.

167
00:25:45,880 --> 00:26:03,000
Now in 1999 we had this extraordinary formation and there were this is another 7-phone formation.

168
00:26:03,800 --> 00:26:13,240
There are seven arms of poor circle making 28, remember this is your homework.

169
00:26:15,640 --> 00:26:19,640
And there's one circle of the center making 29.

170
00:26:21,400 --> 00:26:25,720
And I thought, ah that's an interesting number. The next year,

171
00:26:29,400 --> 00:26:41,080
we had six moon stars. Once again we have the golden section triangle with I told about

172
00:26:41,640 --> 00:26:55,160
we have six small stars each with five triangles. That's 30, right? But if you look carefully,

173
00:26:57,640 --> 00:27:06,520
one has been removed 29. So I got very interested in this.

174
00:27:06,840 --> 00:27:18,120
And here we have this formation on both sides of this formation. We have 30 points.

175
00:27:19,720 --> 00:27:25,320
But one has been removed in the gap. So we have 20 on into a TV.

176
00:27:25,320 --> 00:27:33,400
And I thought I don't understand 29. What? What are they trying to tell us here?

177
00:27:33,480 --> 00:27:42,440
And then I noticed that the date of arrival of this crop circle was the 22nd of July.

178
00:27:43,960 --> 00:27:57,240
22 of 7. 227. 22 over 7. Pie. Now if you're laying things down in the crop circles,

179
00:27:57,240 --> 00:28:05,240
you want to say how are we going to tell these stupid earthlings that we want them to divide

180
00:28:07,480 --> 00:28:16,360
22 by 7. How do you put divide by in the circle? And they thought, hey, maybe we just had them.

181
00:28:16,360 --> 00:28:26,360
Maybe if we reiterate 29, 29, 29, 29. And we put one down on the 22nd of the 7th month.

182
00:28:26,440 --> 00:28:39,960
They'll understand. Pie. 22 over 7. A wise pie about. Pie is about, I believe,

183
00:28:40,680 --> 00:28:50,600
a reiteration of the idea, the link between circularity and squalers between spirit and material.

184
00:28:50,680 --> 00:29:09,000
And then another surprise. Look carefully in the bottom right hand corner. Pie.

185
00:29:09,240 --> 00:29:19,400
They, I mean, look, we are divine creatures of creativity, inventiveness and poetry.

186
00:29:20,200 --> 00:29:28,360
It's beyond belief. But we need things driven into us, clouds like six inch nails.

187
00:29:31,480 --> 00:29:31,880
Pie.

188
00:29:31,880 --> 00:29:46,280
And then write in front of the silver heel, a formation of 33 flame. Now I was a designer.

189
00:29:46,280 --> 00:29:52,760
You know how hard it is to design a circular element with 33 components.

190
00:29:53,320 --> 00:29:59,320
I mean, 33 is a third number of the master sequence.

191
00:30:01,320 --> 00:30:04,920
And there it is in relation to the heel at the top.

192
00:30:07,640 --> 00:30:14,120
And here was a classic eighth order equal lateral triangle, eight rows.

193
00:30:15,160 --> 00:30:21,480
And that gives one, two, three, four, five, six. That gives 36 elements.

194
00:30:23,720 --> 00:30:31,160
For reasons unknown, the three call a element to remove, giving 33.

195
00:30:33,160 --> 00:30:34,360
Where is it?

196
00:30:37,640 --> 00:30:44,680
Silver heel. Now silver heel forgive me. It's not a stone circle, but it's part of the eighth

197
00:30:44,680 --> 00:30:55,480
very complex. So I'm budging this. Now here's something else very interesting. This, there's stone

198
00:30:55,480 --> 00:31:06,920
hinge, another hoogs, um, megal. And here is a real crop circle that appeared below it.

199
00:31:07,880 --> 00:31:23,000
This crop circle had 151 circles. And it had, um, I must go this way.

200
00:31:25,720 --> 00:31:33,000
And it had is that other number, again 36. It had 36 circles that is fine.

201
00:31:33,960 --> 00:31:48,280
151 minus 36. Now, before we go on, I was very interested not only in the formation of the

202
00:31:48,280 --> 00:31:54,920
crop circles, but the way there were placed in the landscape. And there seemed recurrently to be

203
00:31:55,000 --> 00:32:04,120
something very important about this corner by the A3O3. The fence was broken there by the

204
00:32:04,120 --> 00:32:11,720
farmer to allow people in. This was the most visited crop circle ever. So I thought, if I start from

205
00:32:11,720 --> 00:32:21,160
there, what is the angle from that point encompassing? This circle, it was precisely 36 degrees.

206
00:32:21,800 --> 00:32:31,800
And align drawn through the center circle number one, landed right at the center of circle 22.

207
00:32:33,640 --> 00:32:42,600
These are all coincidences. But let's look at the number third, let's look at the number of

208
00:32:42,600 --> 00:32:57,800
circles in the formation, 151. That clearly contains 11. One plus five plus one also contains seven,

209
00:32:59,000 --> 00:33:07,400
coincident. But there were 36 final circles. So we take those away. How many does that lead?

210
00:33:08,360 --> 00:33:14,040
151 minus 36. Come on. 155.

211
00:33:20,680 --> 00:33:22,360
155. And then?

212
00:33:22,360 --> 00:33:40,760
155. Now, this pushes coincidences of synchronistic beyond the random possibilities.

213
00:33:41,720 --> 00:33:51,400
You know, it's just take it too far. I mean, every day I confront the real possibility

214
00:33:51,400 --> 00:34:04,360
that I am a rabing with you. And this might be so, but this symbolic view of what's going on

215
00:34:04,360 --> 00:34:12,120
seems repeatedly, repeatedly, repeatedly, repeatedly to find synchronities.

216
00:34:19,240 --> 00:34:29,720
Then again, the two highest circles, topologically, were also exactly the same size.

217
00:34:30,120 --> 00:34:36,520
And there were number 16 and 17 which makes 33.

218
00:34:43,720 --> 00:34:56,120
This, that is not a UFO. But this is five minutes. You're joking. I've got another three and a half hours.

219
00:35:00,680 --> 00:35:11,480
This, this is Stonehenge built as straw. This is straw-henge built by the farmer who made a lot

220
00:35:11,480 --> 00:35:17,640
of money from the formation. So I thought I should show you that. We can do it in five minutes.

221
00:35:19,640 --> 00:35:24,600
Now, now that this is a final one, this is another formation. There's Stonehenge.

222
00:35:25,000 --> 00:35:35,800
I'm sorry, we're so limited the time, but circumstances demand. This is a formation just down the road from

223
00:35:35,800 --> 00:35:46,280
Stonehenge. Stonehenge is up to the right or east. And what is amazing about this? If you look at this,

224
00:35:46,360 --> 00:36:01,000
it's the way these ribbons unfold with such delicacy. There were three barrels on the field.

225
00:36:02,280 --> 00:36:09,080
One, look at the way that unfolds to touch and tremble in there. That unfolds to touch the

226
00:36:09,080 --> 00:36:17,240
barrel there. And that curves by that chamline there and just goes near the road there. I mean,

227
00:36:17,240 --> 00:36:29,720
it is landed with the delicacy of an oil tanker being lowered into the fougus. I mean, what a piece of

228
00:36:29,800 --> 00:36:39,640
engineering. And then if we look at this beautiful thing in more detail, we find that

229
00:36:41,800 --> 00:36:51,000
and this is unbelievable. There is only one dimension. There is only one curve in the whole thing.

230
00:36:51,880 --> 00:37:00,520
These, the straight lines at the ends, the points where like a cizzercut across a ribbon

231
00:37:01,320 --> 00:37:11,080
of 58 foot long, 58 foot is the single radius of repeated curvature. The whole thing is based on

232
00:37:11,080 --> 00:37:19,240
a single curve. How can you make something so elegant and beautiful? The centre circle,

233
00:37:19,320 --> 00:37:28,280
which seems to be smaller, is in fact like a camera aperture, still made of converging arcs of the same

234
00:37:28,280 --> 00:37:44,200
radius. But if we take this further, you'll see there in blue is the 54 radius. If we take it further

235
00:37:44,280 --> 00:37:56,600
and run a bar on there, there are 13 elements, transformation. I'd like to go on, but I'm afraid

236
00:37:56,600 --> 00:38:00,120
that's all I know.

237
00:38:14,200 --> 00:38:22,360
This has been a Megalithamania audio production. For more information visit megalithamania.co.uk