1 00:00:00,000 --> 00:00:27,280 The great pyramid of Egypt is arguably the most enigmatic structure on the planet. 2 00:00:27,280 --> 00:00:33,160 Some people think it definitely is other people who have disputes about that, but it's 3 00:00:33,160 --> 00:00:39,120 certainly one of the most enigmatic structures on the planet. 4 00:00:39,120 --> 00:00:43,800 I used to travel in Egypt many, I have traveled in Egypt many times and in one particular 5 00:00:43,800 --> 00:00:52,920 time with my father, I had the opportunity to lie in the sarcophagus in the Kings 6 00:00:52,920 --> 00:00:53,920 Chamber. 7 00:00:53,920 --> 00:00:56,600 How many of you have actually been to the Great Pyramid? 8 00:00:56,600 --> 00:00:59,400 Quite a few of you. 9 00:00:59,400 --> 00:01:06,440 So those of you who have been there will know how wonderfully resonant that Chamber is. 10 00:01:06,440 --> 00:01:13,680 In fact, if you can get the the Gaffier to turn the fluorescent lighting off is so quiet 11 00:01:13,680 --> 00:01:18,480 in there that you can hear a pin drop, you can hear the sound of your own breathing, you 12 00:01:18,480 --> 00:01:23,360 can even hear the sound of the blood rushing through your ears. 13 00:01:23,360 --> 00:01:27,920 It's so wonderfully reverberant. 14 00:01:27,920 --> 00:01:34,560 Early in 1996 I had this opportunity to lie in the sarcophagus, I know it's a bit naughty, 15 00:01:34,560 --> 00:01:38,200 but anyway, I did. 16 00:01:38,200 --> 00:01:41,680 And what happened for me was quite magical. 17 00:01:41,680 --> 00:01:48,440 As a sound and acoustic engineer, I naturally wanted to know about the resonance of the 18 00:01:48,480 --> 00:01:54,880 this granite box and you know you probably heard many people who have struck the side 19 00:01:54,880 --> 00:02:00,560 of it with their fist and it makes us wonderful, deep resonant sound. 20 00:02:00,560 --> 00:02:05,080 Well I lay in the sarcophagus and I made a glissando. 21 00:02:05,080 --> 00:02:12,240 Starting at my lowest note and going up as high as I could go in my limited range, like 22 00:02:12,480 --> 00:02:16,160 this. 23 00:02:16,160 --> 00:02:21,120 Kind of a smooth, unstepped, anunciation of a tone. 24 00:02:21,120 --> 00:02:23,120 Why did I do that? 25 00:02:23,120 --> 00:02:30,160 Well, because when you create a sound like that, one particular frequency will leap back 26 00:02:30,160 --> 00:02:37,200 at you and this particular frequency is known as the prime resonant frequency of that particular 27 00:02:37,200 --> 00:02:38,680 space. 28 00:02:38,720 --> 00:02:39,680 Why? 29 00:02:39,680 --> 00:02:44,400 Just because not going all the technical details, but the sound happens to fit within the 30 00:02:44,400 --> 00:02:47,040 given space that you're in. 31 00:02:47,040 --> 00:02:51,160 So you can do this in your own bathroom at home if you have a mind to, maybe close the 32 00:02:51,160 --> 00:02:53,520 windows so that your neighbors can't hear you. 33 00:02:53,520 --> 00:02:55,560 Maybe think you're a little bit strange. 34 00:02:55,560 --> 00:03:00,200 But if you make that kind of glissando in your bathroom, close your eyes, perhaps to focus 35 00:03:00,200 --> 00:03:05,120 on your hearing, you will hear one particular note that will come back to you louder than 36 00:03:05,120 --> 00:03:06,120 any other. 37 00:03:06,120 --> 00:03:09,800 And that will be the prime resonant frequency of your bathroom. 38 00:03:09,800 --> 00:03:12,000 Now how interesting is that? 39 00:03:12,000 --> 00:03:17,680 However, in this case, I was interested in the resonance of the granite box in the King's 40 00:03:17,680 --> 00:03:21,960 chamber, so I did the glissando. 41 00:03:21,960 --> 00:03:25,720 And what happened was quite extraordinary. 42 00:03:25,720 --> 00:03:32,520 Because at one particular frequency, my whole body was kind of washed by the sound. 43 00:03:32,520 --> 00:03:34,720 And of course, remember, it's my sound. 44 00:03:34,720 --> 00:03:38,200 It's the sound of my voice that's causing this. 45 00:03:38,200 --> 00:03:45,440 Every cell in my body tingled and I had this wonderful sensation washing up and down my 46 00:03:45,440 --> 00:03:47,000 body. 47 00:03:47,000 --> 00:03:55,600 In that moment, I realized that this was almost certainly not accidental, meaning that the 48 00:03:55,600 --> 00:04:03,280 ancient Egyptians had somehow contrived this effect and for some specific reason. 49 00:04:03,280 --> 00:04:08,520 That was just one of the kind of gut instinct that I had in that moment. 50 00:04:08,520 --> 00:04:13,440 And so I decided pretty much there, and nano, within certainly within the next few hours 51 00:04:13,440 --> 00:04:19,120 after that, that wouldn't have been wonderful to go back to the great pyramid, armed with 52 00:04:19,120 --> 00:04:25,960 all of my acoustics instrumentation and do a whole series of tests. 53 00:04:25,960 --> 00:04:31,360 But before I get into all of that, I just want to mention some of you probably know 54 00:04:31,360 --> 00:04:36,760 about Napoleon that he spent a night in the Great Pyramid. 55 00:04:36,760 --> 00:04:39,640 And he came out as white as a sheet. 56 00:04:39,640 --> 00:04:46,080 And he wouldn't tell anyone why he thought it's so white and ghostly looking. 57 00:04:46,080 --> 00:04:54,560 And who knows, we have an at least an wonderful friend in Freddie Silver who told us stories 58 00:04:54,560 --> 00:04:59,920 about spirits that are locked into the granite of the King's Chamber. 59 00:04:59,920 --> 00:05:05,800 Maybe it was that, or maybe Napoleon just experienced something like what I experienced 60 00:05:05,800 --> 00:05:07,000 who knows. 61 00:05:07,000 --> 00:05:12,440 But I put this little slide in here just to show me lying in the sarcophagus. 62 00:05:12,440 --> 00:05:14,520 That is actually me there. 63 00:05:15,320 --> 00:05:21,640 One thing to notice about this before we move on is just to look at the pinkness. 64 00:05:21,640 --> 00:05:23,880 Can you see the pinkness of the granite? 65 00:05:23,880 --> 00:05:27,000 Well, that's very important in a later part of the talk. 66 00:05:27,000 --> 00:05:29,000 So just remember that. 67 00:05:29,000 --> 00:05:34,320 So we don't know where Napoleon was, what's going to get his own voice or scared of the spirits 68 00:05:34,320 --> 00:05:36,000 that Freddie Silver talked about. 69 00:05:36,000 --> 00:05:42,480 But certainly something happened. 70 00:05:42,480 --> 00:05:43,640 Something magical happened. 71 00:05:44,240 --> 00:05:48,680 So we said he meditated in the pyramid. 72 00:05:48,680 --> 00:05:55,360 So he had a sort of experience with some sort of alien and his sort of hearing. 73 00:05:55,360 --> 00:06:01,320 He said he could actually see outside the pyramid and the translation of white on the... 74 00:06:01,320 --> 00:06:05,240 Gentlemen saying that someone meditated in the pyramid and could actually see what was happening 75 00:06:05,240 --> 00:06:06,720 outside the pyramid. 76 00:06:06,720 --> 00:06:09,880 Actually, Freddie's story is very similar to that. 77 00:06:09,880 --> 00:06:12,560 But the reason I put this particular, thank you for that comment. 78 00:06:12,560 --> 00:06:19,680 The reason I put this particular slide in is because this was the time when we were several months later 79 00:06:19,680 --> 00:06:26,680 later in 1996 when I went back to the great pyramid with all the acoustics equipment. 80 00:06:26,680 --> 00:06:30,560 This was the one of the very first shots that I took. 81 00:06:30,560 --> 00:06:36,920 And it's one of the gaffiers carrying one of two very, very heavy suitcases or actually pushing it 82 00:06:36,920 --> 00:06:38,560 up these guide rails. 83 00:06:38,600 --> 00:06:40,800 Any of you have been through my moons hole. 84 00:06:40,800 --> 00:06:45,400 You'll know you've got these two wooden guide rails and here he is pushing. 85 00:06:45,400 --> 00:06:49,160 And you know I've never known what they were and the needs to be like, you know what are the scots 86 00:06:49,160 --> 00:06:50,160 where and what are the kills? 87 00:06:50,160 --> 00:06:54,360 Well, this is like what do the gaffiers wear under their gallabairs? 88 00:06:54,360 --> 00:06:57,880 Well, here you see it's a nice tweed jacket. 89 00:06:57,880 --> 00:07:05,360 Anyway, I'm kind of getting ahead of myself a little bit because what I'd like to recount 90 00:07:05,440 --> 00:07:13,800 first of all, as an important part of this talk is that several weeks before I was due to go out 91 00:07:13,800 --> 00:07:23,520 to Egypt to do this experiment, experimentation in the great pyramid, I injured my lower back. 92 00:07:23,520 --> 00:07:25,960 As a matter of fact, I've got a back pain today. 93 00:07:25,960 --> 00:07:28,160 That's why I've got the ceteer in case I might need it. 94 00:07:28,160 --> 00:07:30,000 But I hope I don't. 95 00:07:30,000 --> 00:07:34,520 I could do with some sound today, I think, because what I'm going to recount for you, 96 00:07:34,600 --> 00:07:40,560 going right back to 1997 actually was when this particular incident happened, 97 00:07:40,560 --> 00:07:45,800 was a wonderful healing of my lower back that occurred in the great pyramid. 98 00:07:45,800 --> 00:07:48,440 We're going to get to that a little bit later. 99 00:07:48,440 --> 00:07:54,000 But I just thought I'd mention it at this point because you see the gaffier is pushing these very 100 00:07:54,000 --> 00:07:55,200 heavy suitcases. 101 00:07:55,200 --> 00:07:59,840 It was two of them actually, two heavy suitcases, packed full of equipment. 102 00:07:59,840 --> 00:08:04,280 There's no way that I could have lifted them because my back was hurting so much and I was up to 103 00:08:04,320 --> 00:08:07,680 here with painkillers and so on. 104 00:08:07,680 --> 00:08:13,680 I'm painting a picture for you because I wanted to know I was in severe pain at this moment 105 00:08:13,680 --> 00:08:15,360 of getting into the pyramid. 106 00:08:15,360 --> 00:08:19,160 And those of you who have been in the pyramid will know it's not actually all that easy 107 00:08:19,160 --> 00:08:20,360 to get in there. 108 00:08:20,360 --> 00:08:22,600 You know, you're kind of crump right low. 109 00:08:22,600 --> 00:08:28,120 And so if you have a back problem, it's a little bit of a challenge to start with. 110 00:08:28,120 --> 00:08:33,920 Anyway, so that's just to tell you about the pain that I was experiencing at that moment. 111 00:08:33,920 --> 00:08:41,040 But of course, eventually I did get in. 112 00:08:41,040 --> 00:08:43,080 This is not actually from the 97. 113 00:08:43,080 --> 00:08:45,040 This is from the 96 because I went twice. 114 00:08:45,040 --> 00:08:48,360 I went in 96 and then I went again in 97. 115 00:08:48,360 --> 00:08:52,200 So I'm mixing the two times of hope you have forgiven me. 116 00:08:52,200 --> 00:08:54,480 But this is just to show that I really did go there. 117 00:08:54,480 --> 00:09:00,160 I really did have acoustic equipment and do these actual experiments. 118 00:09:00,160 --> 00:09:11,960 Before we get into talking about what I actually did and why it's important. 119 00:09:11,960 --> 00:09:17,560 You know, when I said I lay in this our coffegas and I made this toning sound and I found this 120 00:09:17,560 --> 00:09:22,520 amazing resonant frequency which I can tell you what that is a little bit later in the 121 00:09:22,520 --> 00:09:23,520 talk. 122 00:09:23,520 --> 00:09:27,480 And it had this amazing effect on me and I thought this has to be designed. 123 00:09:27,480 --> 00:09:29,640 It just felt like design. 124 00:09:29,680 --> 00:09:34,920 One of the first things I did when I got back to the UK was I looked for textual evidence. 125 00:09:34,920 --> 00:09:40,320 I had lots of books on Egyptology anyway because I was really interested in the subject. 126 00:09:40,320 --> 00:09:43,120 So I went looking for textual evidence. 127 00:09:43,120 --> 00:09:48,240 And this one, this particular piece of evidence comes from a much later period. 128 00:09:48,240 --> 00:09:53,240 So the purest Egyptologist would say I already can't count that because it's too late. 129 00:09:53,240 --> 00:10:02,120 So the pyramids were built, these particular pyramids were built 2,500 circa, 2,500 BCE. 130 00:10:02,120 --> 00:10:07,120 And here we are talking about 200 BCE, not the same period, I can't count it. 131 00:10:07,120 --> 00:10:09,640 Well, there is some truth in that. 132 00:10:09,640 --> 00:10:14,560 But equally, the other part of the truth is that the ancient Egyptians once they adopted 133 00:10:14,560 --> 00:10:21,240 a custom did tend or a tradition, did tend to stay with it for a long time. 134 00:10:21,240 --> 00:10:26,880 So this is actually in my view quite relevant. 135 00:10:26,880 --> 00:10:31,360 Let me read it in Egypt when priests sing hymns to the gods. 136 00:10:31,360 --> 00:10:37,240 They sing the seven vowels in due succession and the sound of these vowels has such 137 00:10:37,240 --> 00:10:43,080 ufony that men listen to it instead of the flute and the liar. 138 00:10:43,080 --> 00:10:46,840 Now the importance of this is that they're talking here, 139 00:10:46,840 --> 00:10:46,880 the sound of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit 140 00:11:16,840 --> 00:11:24,840 go get our a stottled poetics and that's where this quote comes from however I'm going to take you back a little bit further now 141 00:11:25,840 --> 00:11:31,000 to 500 BC E and we have this quote from porpoise metacum 142 00:11:31,400 --> 00:11:37,880 That's only a circuit by the way nobody really knows when the corpus of metacum was written but is somewhere around that era 143 00:11:37,880 --> 00:11:45,760 It's believed in a letter from as cleapious to King Aman he says as for us we do not use simple words 144 00:11:45,760 --> 00:11:48,720 But sounds all filled with power 145 00:11:49,600 --> 00:11:54,640 same thing again, isn't it now we shifted back to 500 BCE 146 00:11:57,280 --> 00:12:01,040 And there's this one from the actual pyramid age itself 147 00:12:02,080 --> 00:12:03,440 Nick or A 148 00:12:03,440 --> 00:12:07,120 Instructor of the singers of the pyramid of King Yusikaf 149 00:12:08,040 --> 00:12:09,440 now 150 00:12:09,440 --> 00:12:11,440 That's kind of indicative because 151 00:12:12,400 --> 00:12:18,240 Those singers may well have been singing in the pyramid we don't actually know that we don't have any evidence to show 152 00:12:18,240 --> 00:12:23,280 Whether there was singing inside the pyramid or outside the pyramid but what I can say is this 153 00:12:23,600 --> 00:12:27,120 You know today if you think about where people sing 154 00:12:28,880 --> 00:12:35,840 People sing in reverberative spaces and if there's no reverberation you add it electronically today, right? 155 00:12:36,560 --> 00:12:40,560 But you know going back to say the middle ages in in Britain 156 00:12:40,800 --> 00:12:44,160 We would sing in cathedrals and churches why? 157 00:12:44,720 --> 00:12:48,880 Because well not just because we get with it's devotional singing to God 158 00:12:49,040 --> 00:12:54,120 But also because the space is reverberative and that's not accidental 159 00:12:54,560 --> 00:12:58,160 Those spaces were deliberately designed to be reverberative 160 00:12:58,560 --> 00:13:05,440 So cathedrals have very long what's called reverberation times very often six seven eight seconds 161 00:13:06,000 --> 00:13:09,440 Very similar to the Kings Chamber actually so 162 00:13:10,000 --> 00:13:17,040 None of that is accidental we sing in reverberative spaces so so I think here we're talking about singers who were singing 163 00:13:17,280 --> 00:13:19,280 Inside the pyramid 164 00:13:19,760 --> 00:13:22,640 Not cake in that case of Nick or A 165 00:13:25,600 --> 00:13:28,240 Now having had this thought about 166 00:13:29,200 --> 00:13:36,560 Perhaps some kind of a sonic ritual that took place in the great pyramid and no doubt in other pyramids too 167 00:13:36,560 --> 00:13:38,560 But today we're focused on the great pyramid 168 00:13:42,320 --> 00:13:47,920 A wonderful artist called Judith Page did this prescriptive painting in oils 169 00:13:48,640 --> 00:13:56,000 So I told how I thought it would how I thought it would be that you see the the priests the 170 00:13:56,080 --> 00:14:02,320 Tons you'd priests have their fingertips placed on the sokovicus you can't see the rest of the sokovicus 171 00:14:02,320 --> 00:14:08,160 But that that white kind of rectangle shape is the opening of the top of the sokovicus 172 00:14:08,960 --> 00:14:15,760 And they have their fingertips their why to sense the vibrations coming through that sokovicus and you really can't feel them 173 00:14:16,720 --> 00:14:20,720 When you reach the resonant frequency A of the sokovicus 174 00:14:20,720 --> 00:14:28,720 Pardon and B of the chamber when you get the right frequency that sokovicus actually does vibrate 175 00:14:28,880 --> 00:14:32,480 sufficiently for you to feel it through your fingertips and in fact 176 00:14:33,760 --> 00:14:37,120 You know, I don't believe that the ancient Egyptians had any kind of electronics 177 00:14:37,200 --> 00:14:45,440 But what they did have definitely were fingertips and they had sensitivity and if they were making sounds in that chamber 178 00:14:45,840 --> 00:14:49,040 All you have to do is to do a glisando and 179 00:14:49,280 --> 00:14:59,520 Get get you fingertips on that edge and when you sense the maximum vibrations you've reached the prime resonant frequency of that chamber 180 00:15:00,560 --> 00:15:04,000 This is the sham priest by the way who's got a golden 181 00:15:04,560 --> 00:15:09,760 Magical instrument called a herrecha in his hand and he's making a particular 182 00:15:11,040 --> 00:15:16,880 Sound we're not going to all the details of that but it's a nice depiction, isn't it and it may well have looked 183 00:15:17,280 --> 00:15:19,280 Something like that 184 00:15:22,480 --> 00:15:28,240 Now before we get into other aspects of the acoustics because I'm going to 185 00:15:29,200 --> 00:15:34,880 Tell you some really quite amazing things that has never been published in any sense 186 00:15:35,440 --> 00:15:40,720 In a talk sense so you're going to be hearing brand new information today, which I'm very excited about 187 00:15:41,680 --> 00:15:45,840 Hope you are too before we get to that. I just like to go through 188 00:15:46,800 --> 00:15:53,600 A model that I have of the great pyramid or all of the apartments as they're called in the great pyramid 189 00:15:54,800 --> 00:15:59,040 This particular model is concerned with rebirth 190 00:15:59,760 --> 00:16:05,440 It's concerned with resurrection and it's it's nice to know that the that the mainstream 191 00:16:06,560 --> 00:16:13,200 Egyptological viewpoint about pyramids in general is that they were resurrection machines 192 00:16:14,160 --> 00:16:18,240 And that they are literally the that's a quote from Dr. Renne Friedman 193 00:16:19,040 --> 00:16:22,880 Says that the great pyramid is the ultimate resurrection machine 194 00:16:23,360 --> 00:16:26,480 It's nice when people agree with some particular 195 00:16:27,120 --> 00:16:30,800 Point of view or pet theory that you have yourself and in this case I 196 00:16:31,360 --> 00:16:36,720 Really have always believed that the great pyramid and the other pyramid we're all concerned with rebirth 197 00:16:37,360 --> 00:16:43,360 And so it was nice to to get that little bit of confirmation from mainstream Egyptology 198 00:16:44,720 --> 00:16:48,560 So let's examine the evidence for rebirth symbolism 199 00:16:49,360 --> 00:16:54,080 In the great pyramid now this is really interesting so don't think that there's going to be 200 00:16:54,800 --> 00:16:59,040 Something that's dry and you know, oh my god symbolism in the great pyramid 201 00:16:59,360 --> 00:17:02,160 This is actually really really interesting and 202 00:17:02,800 --> 00:17:09,840 For any of you who are kind of doubtful that the Egyptians would go to all the trouble that I'm just about to relate to you 203 00:17:10,480 --> 00:17:13,280 To imbue the monument with symbolism 204 00:17:14,000 --> 00:17:18,320 Just think about the solar boats those of you who've been to the great pyramid will know 205 00:17:18,960 --> 00:17:21,360 There are these giant pits outside 206 00:17:22,160 --> 00:17:23,760 That have been 207 00:17:23,760 --> 00:17:30,080 Sultred into the bedrock which is pretty hard limestone and these are massive these things are like 208 00:17:30,640 --> 00:17:33,120 You know bigger than a house but they contain 209 00:17:34,160 --> 00:17:37,840 What I like to always be in cue kind of flat back flat pack 210 00:17:38,480 --> 00:17:43,840 You know the solar boat which would take take the ferro through the celestial realms 211 00:17:44,000 --> 00:17:47,680 Well, just think of the work involved in taking a flat 212 00:17:48,080 --> 00:17:51,760 Slab of limestone bedrock and actually taking out of it 213 00:17:52,160 --> 00:17:58,960 You know enough material to to fill a house basically and then in there to flat pack a solar boat 214 00:17:59,920 --> 00:18:02,640 Why well it's symbolic 215 00:18:03,520 --> 00:18:10,560 They don't they don't think about things like the practicality well how's the ferro going to put that boat together when you get's in this 216 00:18:10,880 --> 00:18:14,480 They don't think that way their mindset is different to our mindset today 217 00:18:14,880 --> 00:18:18,560 But it is symbolism and it's very powerful symbolism 218 00:18:19,360 --> 00:18:24,640 And they went to an awful lot of trouble and that's why I just wanted to make that point before I go on 219 00:18:25,200 --> 00:18:30,480 The symbolism starts with this instrument here 220 00:18:31,760 --> 00:18:36,000 Some people call it a passion calf other people call it a peshish calf instrument 221 00:18:36,560 --> 00:18:38,080 But essentially 222 00:18:38,080 --> 00:18:46,560 most people believe that this instrument which was found in the southern shaft of the Queen's chamber is a type of scissors 223 00:18:47,520 --> 00:18:49,520 kind of 224 00:18:49,520 --> 00:18:51,520 Cake method of 225 00:18:52,720 --> 00:18:58,960 In this case of cutting the umbilical cord of a newborn baby so what do you do well if these blades are sharp? 226 00:19:00,000 --> 00:19:06,960 You offer this up to the umbilical of the newborn baby and you circumflex the the instrument around 227 00:19:07,600 --> 00:19:11,040 the umbilical and that's ever as the umbilical so 228 00:19:12,080 --> 00:19:15,120 Many people do believe that that instrument is 229 00:19:16,080 --> 00:19:21,680 meant for that purpose and yet it was found in the southern shaft of the Queen's chamber 230 00:19:22,240 --> 00:19:28,000 And we talk a little bit more about that later because the southern shaft of the Queen's chamber was never cut through 231 00:19:28,800 --> 00:19:30,160 into 232 00:19:30,160 --> 00:19:31,680 the Queen's chamber 233 00:19:31,680 --> 00:19:36,960 You know they they put this shaft all the way through the monument at great expense and great trouble 234 00:19:36,960 --> 00:19:38,640 They went to do it 235 00:19:38,640 --> 00:19:43,840 But when they got within literally a few inches of the Queen's chamber they cut it short 236 00:19:45,520 --> 00:19:47,120 What did they run out of steam? 237 00:19:47,120 --> 00:19:53,040 Did they you know why did they not bring it through into the Queen's chamber? Well, you're gonna learn why I believe 238 00:19:53,680 --> 00:19:55,680 They didn't do it and it is symbolic 239 00:19:57,120 --> 00:20:02,400 Now here's an even more ancient. This is you know probably pre-dynastic 240 00:20:02,960 --> 00:20:05,680 Almost certainly but it's the same instrument 241 00:20:06,000 --> 00:20:13,040 But just in this case made of lint and again it has the same purpose you offered up to an umbilical 242 00:20:13,200 --> 00:20:20,800 That was not found in the great pyramid, but the other instrument was I just thought I'd show you that because you know the principle of this circumflection 243 00:20:21,280 --> 00:20:23,280 in order to 244 00:20:23,440 --> 00:20:24,800 To cut through an umbilical 245 00:20:25,120 --> 00:20:27,600 Had been going on for many thousands of years 246 00:20:30,080 --> 00:20:31,440 Now 247 00:20:31,440 --> 00:20:33,040 Rebirth 248 00:20:33,040 --> 00:20:38,320 The opening of the mouth ceremony is a very important or was a very important ritual in 249 00:20:39,760 --> 00:20:42,480 Ancient Egypt and here you see 250 00:20:43,040 --> 00:20:49,120 The instrument okay now this instrument the patient careful the patient calf instrument 251 00:20:50,080 --> 00:20:55,360 It's out of scale here of course. That's irrelevant to the ancient Egyptians. They don't care about things like scale 252 00:20:56,240 --> 00:20:59,840 But nevertheless the point is this here is the dead 253 00:21:00,160 --> 00:21:04,080 Farrow the mummified Farrow and you notice he's being stood upright 254 00:21:04,960 --> 00:21:12,640 And his head will have been bound with bandages and the sham priest who's wearing the leopard skin is going to take this instrument 255 00:21:13,120 --> 00:21:13,920 And 256 00:21:13,920 --> 00:21:22,320 ceremonial ritually strike across his mouth to open the mouth. That's what's called opening the mouth. Why? 257 00:21:22,560 --> 00:21:23,920 Well 258 00:21:23,920 --> 00:21:25,920 We believe that 259 00:21:26,160 --> 00:21:29,440 Opening the mouth ceremony was concerned with rebirth 260 00:21:30,480 --> 00:21:35,440 That's not to say that they're going to suddenly bring this dead Farrow back to life in any kind of real way 261 00:21:36,000 --> 00:21:39,520 But symbolically they're going to do it. They're going to re-animate him 262 00:21:39,760 --> 00:21:48,880 I'm going to bring him back to life as the new Farrow the new Horus King and so this is all part of the ritual now what does this mean? 263 00:21:49,120 --> 00:21:52,160 Opening of the mouth how is that connected with rebirth? 264 00:21:53,920 --> 00:21:55,520 This is it 265 00:21:55,520 --> 00:22:03,280 When a baby is born the first thing that the midwife does is to remove the mucus from the baby's mouth 266 00:22:04,640 --> 00:22:09,200 Making sure that the baby the baby's airway is free so that the baby 267 00:22:09,520 --> 00:22:16,320 Can breathe so that's what opening of the mouth means in real midwifery terms and 268 00:22:16,480 --> 00:22:21,680 That's why the ancient Egyptians were doing this thing of slitting across the bandaged 269 00:22:22,160 --> 00:22:28,960 Mummy the mummified Farrow in order to symbolically re-animate the Farrow so 270 00:22:31,440 --> 00:22:38,400 But this is all basically connecting with the peshesh calf or the peshen calf instrument that was found in 271 00:22:38,960 --> 00:22:41,440 The southern shaft of the queen's chamber 272 00:22:46,240 --> 00:22:56,160 Now here's a wonderful quote from Professor I years Edwards this probably he was the world authority on on pyramids no longer with his sadly 273 00:22:56,720 --> 00:22:59,440 But he was a wonderful chap and he said this 274 00:23:00,000 --> 00:23:03,360 It is particularly indicative that Judea Frer 275 00:23:03,680 --> 00:23:14,320 Kufu's brother should have had an oval not a rectangular sarcophagus because it is really a representation of the womb of the sky goddess 276 00:23:14,480 --> 00:23:15,840 Nute 277 00:23:15,840 --> 00:23:22,320 So Judea Frer the brother of Kufu didn't have his pyramid built at Giza he had it built a little north 278 00:23:23,600 --> 00:23:27,760 At a place where unfortunately they never finished the pyramid why 279 00:23:28,480 --> 00:23:31,440 Well because in those days if the king died 280 00:23:32,000 --> 00:23:35,120 They're literally the work has literally downed at rules and walked away 281 00:23:35,760 --> 00:23:40,320 You would think that the new Farrow coming in would say well, that's finishes Monument guys 282 00:23:40,880 --> 00:23:44,960 No, they didn't they literally just walked away which is very odd 283 00:23:45,840 --> 00:23:51,840 But what's really interesting about this is not just the fact that the sarcophagus was womb shaped 284 00:23:52,640 --> 00:23:54,640 But also the fact that 285 00:23:55,520 --> 00:24:01,920 The very first thing that they built was the sarcophagus in a pit 286 00:24:02,560 --> 00:24:07,120 Immiground and then they start building the pyramid 287 00:24:07,680 --> 00:24:11,040 Don't forget this is before the Farrow has died, okay? 288 00:24:11,440 --> 00:24:18,960 Very first thing when a new Farrow comes to power he starts either building his pyramid if it was in the pyramid age or he starts having his tomb built 289 00:24:19,440 --> 00:24:24,720 And it depends on how long he lives is to how grand as tomb's gonna be or how big his pyramid is gonna be say 290 00:24:25,440 --> 00:24:29,040 In this case the very first thing that they did was to 291 00:24:29,840 --> 00:24:32,480 Create the sarcophagus put a lid on it 292 00:24:33,600 --> 00:24:35,600 Then start building the pyramid 293 00:24:36,000 --> 00:24:38,000 Now that's another another talk 294 00:24:38,000 --> 00:24:43,040 We're not gonna get into but it's an interesting point and some of you. I'm sure I know what what I'm alluding to here 295 00:24:43,360 --> 00:24:46,160 Anyway getting back to the symbolism here 296 00:24:46,800 --> 00:24:48,800 All the sarcophagus 297 00:24:49,440 --> 00:24:52,080 Similar to a womb shape 298 00:24:54,240 --> 00:25:01,440 Those of you who have traveled in Egypt widely will know that the sky goddess was very often depicted or 299 00:25:02,160 --> 00:25:06,000 Scutted in this case on the inside of the lid of the sarcophagus 300 00:25:06,400 --> 00:25:11,200 So this is I mean this lid would probably weigh I don't know turn in a half something like that 301 00:25:11,680 --> 00:25:16,480 And this lid would then be turned and put on top of the sarcophagus 302 00:25:16,800 --> 00:25:22,960 So that the Farrow if the Farrow was ever entombed in that sarcophagus would be literally looking at 303 00:25:23,600 --> 00:25:24,880 newt for 304 00:25:24,880 --> 00:25:26,880 Eternity 305 00:25:27,280 --> 00:25:31,360 But I'm making a point here about the sky goddess and 306 00:25:32,400 --> 00:25:34,400 You will see why in a moment 307 00:25:36,080 --> 00:25:40,160 Because we got the now talk about the sky goddess hypothesis 308 00:25:41,920 --> 00:25:43,920 Hmm 309 00:25:44,400 --> 00:25:46,400 There is a cutaway section 310 00:25:47,760 --> 00:25:50,960 Of the great pyramid so those of you are not familiar 311 00:25:52,720 --> 00:25:55,360 This is the the main entrance here 312 00:25:56,000 --> 00:26:01,120 Well the original entrance I should say that went all the way down into the underground 313 00:26:01,440 --> 00:26:02,480 Sepplca 314 00:26:02,480 --> 00:26:06,720 But when you got to this point it changed direction and you went up this narrow 315 00:26:07,120 --> 00:26:11,600 Very narrow passageway which by the way is where that chopped pushing that very heavy 316 00:26:12,080 --> 00:26:16,240 Suitcase full of equipment was going up there that's where he was somewhere about that point there 317 00:26:17,360 --> 00:26:19,200 And then you enter this very strange 318 00:26:20,000 --> 00:26:21,440 upwards sloping 319 00:26:21,440 --> 00:26:28,000 Grand gallery with this wonderful core blinks all the way up these are kind of serrations in the wall 320 00:26:29,600 --> 00:26:35,440 Then you go through an area called the anti chamber at this point here and the anti chamber 321 00:26:36,080 --> 00:26:43,360 Has for what look like port Coliseus, but there are no port Coliseus there the archways that might have taken port Coliseus 322 00:26:44,000 --> 00:26:48,240 Right, but you're going to learn a little bit about that in a moment and then you come through into 323 00:26:48,960 --> 00:26:50,960 The King's chamber itself which 324 00:26:51,200 --> 00:26:57,360 King's this chamber here with the sarcophagus in it and then you have these things here called relieving chambers 325 00:26:57,920 --> 00:27:02,720 So called relieving chambers and then you have this chamber below which is 326 00:27:03,120 --> 00:27:09,840 Those of you again who being will know that is the Queen's chamber now this is where it gets really interesting 327 00:27:14,240 --> 00:27:20,720 We're getting a little bit sexy here, but not really this is that to do with the reproductive system of the sky goddess now 328 00:27:20,720 --> 00:27:27,680 A lot of people will that talk about the great pyramid everyone has their own take right and I'm not saying this is right 329 00:27:28,000 --> 00:27:31,360 But you can judge for yourself when you've seen all of the evidence 330 00:27:32,960 --> 00:27:39,040 As I said to begin with that the Egyptians were wonderful at symbolism they loved symbolism 331 00:27:39,600 --> 00:27:42,480 So let's look at the evidence and let's weigh the evidence 332 00:27:43,760 --> 00:27:46,480 Oh, have a point here. I don't know I can point 333 00:27:47,440 --> 00:27:49,440 Yes, that's right 334 00:27:49,440 --> 00:27:55,760 Everyone knows that the entrance to the birth canal is very narrow and then 335 00:27:56,880 --> 00:27:58,880 Some of you may not know 336 00:27:58,880 --> 00:28:02,080 But it's actually very true that the birth canal is 337 00:28:03,120 --> 00:28:08,320 Angled in relation to the womb of the uterus. It's not in one line 338 00:28:08,960 --> 00:28:15,760 Okay, it has an angle so making the comparison here we have the narrow entrance to the grand gauri 339 00:28:16,160 --> 00:28:23,320 And here we have the upwards sloping grand gauri a lot of people have wondered why does the grand gauri slope upwards in this strange 340 00:28:23,320 --> 00:28:27,320 Tell us go way well as appears a possibility 341 00:28:28,280 --> 00:28:36,280 You know that the birth canal has this kind of ribbed look to it the walls are ribbed in order that it can expand when necessary for birth 342 00:28:36,920 --> 00:28:39,720 And look at the ribbing we have here on 343 00:28:40,800 --> 00:28:42,040 the 344 00:28:42,040 --> 00:28:49,480 Walls of the grand gauri the core blings as they're called now if that was the only evidence that I had you might all be gone 345 00:28:49,880 --> 00:28:51,880 Oh, yes, we've heard it all before 346 00:28:52,840 --> 00:28:57,720 We've heard something like it before maybe but anyway, no, it stacks up much much more than that 347 00:28:58,600 --> 00:29:03,480 So when you get to this point here not obvious on the drawing 348 00:29:04,680 --> 00:29:08,600 But there are four what are called furnaces 349 00:29:09,800 --> 00:29:15,960 Right that surround the neck of the cervix that's pointing into the birth canal 350 00:29:16,920 --> 00:29:24,540 The furnaces are if you really book on midwifery you'll find that these furnaces are called arch like 351 00:29:25,200 --> 00:29:27,880 Fonaces or arch like protruvences, okay 352 00:29:28,280 --> 00:29:32,340 When you get to this point here you are met with four 353 00:29:33,200 --> 00:29:34,200 archers 354 00:29:34,200 --> 00:29:36,200 not three not two 355 00:29:36,200 --> 00:29:40,520 four there are four at the around the cervix, okay 356 00:29:40,760 --> 00:29:45,000 The service excel itself projects into the head 357 00:29:45,720 --> 00:29:47,720 of the birth canal 358 00:29:48,360 --> 00:29:53,000 The giant step so called here at the head of the grand gauri 359 00:29:53,400 --> 00:29:57,920 Nobody has ever put forward that I've ever read an explanation 360 00:29:58,440 --> 00:30:03,960 What is the giant step for what what purpose does it serve again with this model? 361 00:30:04,400 --> 00:30:07,560 It's actually representing symbolically in stone 362 00:30:08,000 --> 00:30:14,600 the cervix projecting into the birth canal and then beyond the birth canal as I've said you've got the four 363 00:30:15,080 --> 00:30:17,080 arch like furnaces 364 00:30:17,800 --> 00:30:21,560 The port colors is so people would say but there are no port colors is there anyway 365 00:30:22,520 --> 00:30:28,440 Then you go through the narrow opening the narrow opening into 366 00:30:29,720 --> 00:30:32,760 the kings chamber into the womb 367 00:30:34,120 --> 00:30:35,640 Now what about these tubes 368 00:30:36,680 --> 00:30:41,240 The philopeian tubes that are coming into the uterus into the womb 369 00:30:42,040 --> 00:30:51,480 In the king coming out of the kings chamber exiting the kings chamber are two very narrow tubes only there are only about eight inches 370 00:30:52,840 --> 00:30:58,120 And everybody's wondering what is the purpose well of course initially people thought they were ventilation 371 00:30:58,760 --> 00:31:04,200 But that that's here very quickly went out the window because they didn't exit the monument 372 00:31:04,760 --> 00:31:11,000 Right, so it can't be ventilation obviously and then when you look at the there are other shafts 373 00:31:11,320 --> 00:31:17,000 In the queen's chamber they also didn't exit the monument so clearly they're not ventilation 374 00:31:17,560 --> 00:31:21,000 then you get a theory by Robert Bavow 375 00:31:22,280 --> 00:31:24,280 Who talks about them as starshafts? 376 00:31:24,840 --> 00:31:26,040 Okay 377 00:31:26,040 --> 00:31:27,960 You've probably all heard of that theory 378 00:31:28,520 --> 00:31:31,240 but these starshafts and that they're pointing at 379 00:31:31,800 --> 00:31:38,040 Orion nebula and and so on all it's all a little bit tenuous again. Why well because 380 00:31:38,760 --> 00:31:43,720 The angles change significantly. It's been shown straight as a die this, but it's not in reality 381 00:31:43,720 --> 00:31:50,680 It's going like this. It's it's going all over the place. So it's a little bit tenuous to think of them as pointing at some particular 382 00:31:51,160 --> 00:31:55,080 Star in the sky, but anyway who knows? I'm not saying that that's wrong 383 00:31:55,560 --> 00:31:58,200 But what I am saying is that a womb 384 00:31:59,000 --> 00:32:00,280 has to have 385 00:32:00,280 --> 00:32:05,080 Two philopeian tubes and here we have a chamber and going back to remembering what 386 00:32:05,720 --> 00:32:07,720 IES Edward said professor Edwards 387 00:32:09,080 --> 00:32:14,760 The sarcophagus is really representative of or representing the womb of the sky goddess 388 00:32:14,760 --> 00:32:20,680 Nuit okay, so think about that and here we have the kings chamber with the sarcophagus in it 389 00:32:21,800 --> 00:32:29,480 Now I think I yes Edward just got it slightly wrong actually. I think that the sarcophagus is not the womb 390 00:32:30,440 --> 00:32:33,080 the sarcophagus is the seed 391 00:32:34,040 --> 00:32:42,280 And planted in the wall of the womb just as obviously I have to have a seed for a baby to grow in in a uterus or in a womb 392 00:32:43,240 --> 00:32:47,560 Okay, so think of the kings chamber now in terms of a womb 393 00:32:48,360 --> 00:32:52,280 It has two philopian tubes coming out of it, okay 394 00:32:52,680 --> 00:33:10,520 And by the way look at the cross section of the grand gallery this is the the cross section of the grand gallery and this is the cross cross section of the birth canal 395 00:33:10,920 --> 00:33:16,680 There's quite a similarity. This is obviously when the birth canal when it's in it's kind of collapsed form 396 00:33:17,320 --> 00:33:19,320 non-expanded form 397 00:33:19,800 --> 00:33:21,800 Now here's a nice interesting list 398 00:33:22,840 --> 00:33:28,440 Comparisons that I thought I'd make for you just to show you exactly what I'm driving at here 399 00:33:29,400 --> 00:33:33,720 The entry to the grand gallery is narrow the entry to the birth canal is narrow 400 00:33:34,200 --> 00:33:38,840 The grand gallery walls are cobbled the birth canal walls are cobbled corrugated 401 00:33:39,320 --> 00:33:41,800 The grand the grand gallery is angled upward 402 00:33:42,520 --> 00:33:44,520 The birth canal is angled upward 403 00:33:44,840 --> 00:33:52,440 The giant step at the head of the grand gallery projects into the grand gallery the cervix projects into the head of the birth canal 404 00:33:53,560 --> 00:34:00,120 Four archers lead into the kings chamber for archers or fornaces lead into the womb 405 00:34:01,000 --> 00:34:04,200 The kings chamber is made of pink granite 406 00:34:05,640 --> 00:34:08,040 The womb is made of pink flesh 407 00:34:09,000 --> 00:34:15,080 Two narrow shafts penetrate the kings chamber two philopian tubes penetrate the womb 408 00:34:15,880 --> 00:34:19,240 So it's getting more interesting now, isn't it come on admit it 409 00:34:22,760 --> 00:34:24,760 But it doesn't end there 410 00:34:25,320 --> 00:34:33,800 Reproductive organs in stone actual reproductive organs. Okay, the sarcophagus is attached to the floor of the kings chamber 411 00:34:34,120 --> 00:34:37,480 The seed in the womb is attached to the womb wall 412 00:34:38,680 --> 00:34:42,920 The shafts were not cut through into the queen's chamber and the kings chamber 413 00:34:43,960 --> 00:34:47,160 And this is really interesting and we're telling you about this story 414 00:34:48,040 --> 00:34:50,520 Before I get to this story, I just want you to know that 415 00:34:51,720 --> 00:34:56,440 Some of you your your minds are now ticking away and you're thinking hang on a minute 416 00:34:58,280 --> 00:35:04,520 If he's right and the kings chamber is representing symbolically the womb of the sky goddess 417 00:35:05,960 --> 00:35:07,960 What about the queen's chamber 418 00:35:08,120 --> 00:35:13,000 And it's got two shafts as well right and I was gonna say to you 419 00:35:13,880 --> 00:35:15,880 Who can tell me what the queen's chamber is for? 420 00:35:17,880 --> 00:35:19,880 Anybody got any ideas? 421 00:35:20,600 --> 00:35:22,920 Well, I thought somebody would say oh it's her bladder 422 00:35:24,040 --> 00:35:27,400 Right, but no it isn't not in my book at any rate 423 00:35:28,760 --> 00:35:32,760 What the queen's chamber is symbolizing versus the kings chamber is as follows 424 00:35:33,720 --> 00:35:40,760 The ceremony that took place and this is just my model. Don't forget. It's never been this is the first time anybody's hearing this 425 00:35:41,320 --> 00:35:43,560 The kings chamber is 426 00:35:44,120 --> 00:35:50,280 Designed to symbolize the womb of the sky goddess the sky goddess dwells in the sky 427 00:35:50,760 --> 00:35:55,720 She's not an earthly creature not an earthly god. She dwells in the sky 428 00:35:56,040 --> 00:35:57,640 So therefore 429 00:35:57,640 --> 00:36:02,120 naturally they symbolize that by having an elevated chamber 430 00:36:03,000 --> 00:36:04,760 and having the 431 00:36:04,760 --> 00:36:13,480 philopian tubes as they are symbolically trying to represent having those philopian tubes exit the monument 432 00:36:13,480 --> 00:36:15,480 Why because 433 00:36:15,720 --> 00:36:22,760 the ovaries the celestial ovaries are in the sky relating to the sky goddess is my might go off 434 00:36:24,600 --> 00:36:26,600 Maybe a distributor 435 00:36:26,600 --> 00:36:28,600 Bring this up a little bit. Is that better? Yeah, okay 436 00:36:29,560 --> 00:36:40,760 So that's why the those philopian tubes so called exit the monument because they're actually linking with the celestial ovaries now what about the queen's chamber 437 00:36:42,120 --> 00:36:43,160 Okay 438 00:36:43,160 --> 00:36:47,240 That this part of the ritual that they performed in the in the 439 00:36:47,960 --> 00:36:49,960 pyramid 440 00:36:49,960 --> 00:36:52,440 Was concerned with the earthly realm 441 00:36:52,840 --> 00:36:58,440 So they'd perform two rituals one in the kings chamber one in the queen's chamber and the queen's 442 00:36:58,680 --> 00:37:03,080 chamber ritual was where the opening of the mouth ceremony occurred 443 00:37:03,640 --> 00:37:07,720 Those of you who've been to the queen's chamber will know that there's a strange kind of niche 444 00:37:08,440 --> 00:37:13,320 in the east wall of the queen's chamber vertical niche 445 00:37:13,800 --> 00:37:16,440 Just like as if a statue was gonna stand there 446 00:37:17,240 --> 00:37:21,800 Yes, this vertical statue of the mummified 447 00:37:23,160 --> 00:37:26,440 At the point when he's gonna have his mouth ceremonially opened 448 00:37:27,000 --> 00:37:29,000 for the opening of the mouth ceremony 449 00:37:29,560 --> 00:37:38,200 would have occurred in the queen's chamber and why do two philopian tubes in this case not exit the monument 450 00:37:38,680 --> 00:37:41,000 Because we're dealing with the earthly realm here 451 00:37:41,640 --> 00:37:49,640 Not the celestial and the earthly realm therefore the ovaries would be within the body of the monument 452 00:37:50,760 --> 00:37:56,040 And I even know I think I know what lies behind the door where these two shafts 453 00:37:56,600 --> 00:38:03,240 I've got that on the screen, but where the two shafts in the queen's chamber where they terminate I think I know what's behind the door 454 00:38:05,320 --> 00:38:07,320 I'll tell you if you like 455 00:38:08,760 --> 00:38:15,080 Well, we'll get to that little related anyway coming back to this okay the ismos of the philopian tube 456 00:38:16,360 --> 00:38:23,080 Those of you who are very familiar with the queen's chamber will know this story about the these philopian tubes or whatever 457 00:38:23,160 --> 00:38:27,800 We want to call them they were not cut through into the chamber clearly deliberately 458 00:38:28,360 --> 00:38:34,200 So there's this chap called wayman Dixon who in the 19th century visited the pyramid Englishman 459 00:38:35,560 --> 00:38:42,360 And he goes into the king's chamber like all of that tourists and he's these shafts going up and he and then he goes into the queen's chamber 460 00:38:43,240 --> 00:38:45,240 And he sees that there are no shafts 461 00:38:46,120 --> 00:38:49,320 Thanks, I wonder if there are shafts in the queen's chamber 462 00:38:49,320 --> 00:38:51,320 So he goes around the walls with his 463 00:38:51,960 --> 00:38:59,240 Some some knocking instrument and he's tapping the walls trying to establish whether there are any hollow spaces 464 00:38:59,560 --> 00:39:03,560 Yes, I hear a hole in his here and then on the other side of the 465 00:39:04,280 --> 00:39:09,080 The Queen's chamber again he has hollowed it hollowed us so store the story goes 466 00:39:09,800 --> 00:39:15,000 He gets his man to jump a hole as it's called and create the holes, right? 467 00:39:15,720 --> 00:39:17,240 Why are their holes? 468 00:39:17,560 --> 00:39:23,240 Why were they not cut through in the first place? Well, this is the reason I was standing in a book shop one day 469 00:39:24,040 --> 00:39:30,520 Reading about the reproductive system so that I could kind of put this model together in my head and I nearly 470 00:39:31,000 --> 00:39:38,520 Jump down my skin when I read this that the isthmus of the philopian tube remains closed until the day of ovulation 471 00:39:39,560 --> 00:39:44,520 Right now how the Egyptians could have possibly known this I have no idea but the point is 472 00:39:45,640 --> 00:39:52,040 That is why it's possible anyway that the that they didn't cut through into the queen's chamber 473 00:39:53,080 --> 00:39:55,080 Yes 474 00:39:55,080 --> 00:39:59,800 Wow, I didn't know I'd run out of time. Okay, I'm gonna have to split through this 475 00:40:02,840 --> 00:40:05,480 I'm gonna come to what's really interesting here about 476 00:40:07,640 --> 00:40:11,800 This scimatics experiment that I conducted in the kings chamber 477 00:40:11,960 --> 00:40:19,160 Simatics is the science of visible sound and I was interested in the resonances of the kings chamber 478 00:40:19,160 --> 00:40:25,080 Grunnet box so I designed this experiment where I would make the resonances visible 479 00:40:25,480 --> 00:40:32,120 So I could study them visibly so I stretched a membrane across the open top of the sarcophagus you see here 480 00:40:32,600 --> 00:40:34,600 Here's me standing 481 00:40:34,600 --> 00:40:38,440 This is when I was in severe back pain like I was telling you earlier 482 00:40:39,000 --> 00:40:48,280 But what happened next amazed both me and the antiquities inspector because a whole series of ancient Egyptian 483 00:40:48,280 --> 00:40:54,840 Hydroglifts started to appear in this sandy surface and I've got some of them to show you 484 00:40:55,960 --> 00:40:59,160 This one here that the called the Jedpiller 485 00:41:00,040 --> 00:41:07,480 Was snaking literally like a moving snake on the surface of the membrane and the antiquities inspector said how can you do that? 486 00:41:08,840 --> 00:41:13,960 And I said I don't know it's just happening. I just kept taking photographs and hoping that they would come out because it was 487 00:41:14,600 --> 00:41:21,160 Normal film in those days and a whole series of these Hydroglifts started appearing is the simatic solu 488 00:41:22,760 --> 00:41:27,160 Here's the simatic sun god what was happening though for me 489 00:41:28,360 --> 00:41:32,920 During this procedure was I suddenly noticed all the pain in my back was gone 490 00:41:33,720 --> 00:41:38,120 Totally gone so my left brain's thinking ah, this is endorphins 491 00:41:38,520 --> 00:41:45,160 I'm so excited. I'm so happy that this is happening clearly the pain is being masked and when I eventually get out of here 492 00:41:45,160 --> 00:41:47,880 It's gonna come back with a vengeance and never came back 493 00:41:48,520 --> 00:41:52,120 Okay, the pain never came back. There was a real healing that took place 494 00:41:55,480 --> 00:42:01,640 But I asked that question later because we are up against it, but thank you for the question here is the simatic eye 495 00:42:03,640 --> 00:42:07,320 And so on a whole series of these images appearing 496 00:42:08,520 --> 00:42:13,400 Now I'm just gonna very give you a very quick reason for this 497 00:42:15,080 --> 00:42:17,560 First of all why the healing occurred I mean 498 00:42:18,600 --> 00:42:25,960 Sound is not a wave sound is spherical if you make a sound here's a young lady making a sound 499 00:42:25,960 --> 00:42:30,200 It's coming partly out of a mouth partly out of a nose if you haven't got a cold at is 500 00:42:30,840 --> 00:42:33,720 But the sound that's emerging is perfectly spherical 501 00:42:34,360 --> 00:42:37,960 So this whole business of sound waves is complete nonsense 502 00:42:38,280 --> 00:42:41,560 There's no such thing as a sound wave unless you want to call a bubble a wave 503 00:42:41,880 --> 00:42:43,240 But why would you? 504 00:42:43,240 --> 00:42:46,840 A bubble's a bubble and it's coming out of the mouth. It's oscillating 505 00:42:47,640 --> 00:42:49,400 But it's a bubble, okay 506 00:42:49,640 --> 00:42:53,640 What happens in your body when sound is made? 507 00:42:53,960 --> 00:42:58,360 Whether you're making it with your own voice or whether you're receiving sound from somebody else 508 00:42:59,160 --> 00:43:05,160 Is that every single membrane in your body and don't forget every cell has a membrane 509 00:43:05,640 --> 00:43:10,520 Around it will receive a pattern of energy from that sound source whatever it is 510 00:43:11,480 --> 00:43:17,160 And I can tell you more if you come to the workshop tomorrow about what actually happens to the cell 511 00:43:17,960 --> 00:43:23,880 When it receives a beautiful pattern of sonic energy and it does actually 512 00:43:24,840 --> 00:43:31,720 Create a healing triggering effect the cell is in a state of senescence when it's traumatized 513 00:43:32,120 --> 00:43:37,800 Whenever you have an injury or even have a pathogen in your body the cells become traumatized 514 00:43:37,800 --> 00:43:46,760 And they go into a kind of state of sleep a senescent state and the sound triggers the cells out of the senescence 515 00:43:46,920 --> 00:43:49,400 That the natural senescence that they have and we 516 00:43:49,960 --> 00:43:59,560 Animate them and wake in them and they go back to their normal replication process and that is why I believe my back was healed in that moment 517 00:43:59,880 --> 00:44:02,360 Could do with some sound now. Thank you very much 518 00:44:19,400 --> 00:44:21,400 You 519 00:44:49,400 --> 00:44:51,400 You