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I'll give me great pleasure to introduce our next speaker.

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I'm going to show you how to do this.

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I'm going to show you how to do this.

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I'm going to show you how to do this.

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I'm going to show you how to do this.

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I'm going to show you how to do this.

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These are for many, many years.

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The son of the famous Hacking Awyan, the famous Esoteric teacher and scholar, and partner

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with Patricia.

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He's Stone Mason, sculptor, musician, artists, and many other wonderful things.

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So, if you give a please, warm welcome to UCF Awyan.

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Thank you.

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I'm out today to be able to share the sound I know with everybody in the conference.

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Please, next.

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We're going to now talk about the ancient Egyptian writings.

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Briefly, I'm not going to teach about writings, of course, but I'm going to share one point that most people don't focus on them writings.

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This here is the entrance of an area called Medini Tabu and West Bank of Luxor.

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I chose that picture because of the beautiful writings, one of the everything.

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To just tell everybody that the main source to date and relate and identify and understand the function of sites or devices is based on translating the writings to understand the who built the piece, what was built for, I think it was time.

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Next.

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And this is another example of the Serapio, which is called as the tomb for the Apis Boons.

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And we are looking here at one of the boxes and it weighs around 100 pounds from different types of stones.

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Most of them is granitic stones and different types, one of the are 700 different types for granite stones.

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Next.

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These are the writings on that box.

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And here, of course, that my attention as a stone carber, how crude it looks comparing to the manufacturing of the,

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box itself and how polished and these writings on it is hardly scratches on the surface, which made us come up with the term, higher-bific graffiti.

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Next.

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You can see here many examples from the same box.

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And we can see at some parts on it that the tool was not strong enough to keep scratching the surface so it would slide.

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And this is something of course when we are using a tool that's not solid enough to conquer a hard stone.

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And we know when the surfaces of these boxes are well polished, then it would be even more solid and cause the tool to slide.

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Next.

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This is one important word, which is called Hepsa Ozeir.

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And it is the ancient Egyptian writing that the Greeks came up with the level Serapis.

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And that's of course Hepsa, Millis fertility, saw is a bit.

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And Ozeid is Ozeir's.

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So Hepsa cannot be pronounced as Hepsa by the Greeks.

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So they didn't say the Hepsa and the other, instead of that.

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And then also they added the S in the end of the word, same like Ozeir became Ozeir's.

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So it became Hepsa and this is the famous word for the Hepsa book, which they mainstream,

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and it was the mythological belief that this was the main purpose of creating that underground structure.

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So we can understand here that these writings and others, they understood the function and the use of these boxes is for the Hepsa books.

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And of course we can see the writings were added data, which means that we cannot depend on these writings to understand the function of it.

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We cannot be 100% sure let me say that.

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Next.

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The Sarapil itself is a great challenge to accomplish.

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Why? Because it is underground tunnels, all carved in the bedrock.

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The ceiling is also part of the bedrock.

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And then the challenge in my opinion, of course cutting these huge tunnels underground is one of the challenges.

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But in my opinion, moving underground in a tunnel like that was 100 ton device is a really challenging point.

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Especially when we know that the width of that tunnel is not more than two feet wider than the books itself.

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And the chambers that the boxes in them were on both sides and we need to maneuver with the books and the ten in order to house it was located.

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Where it is located and tells me.

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So there was another way much more simply than doing that, taking that challenge, which is cutting this as a tunnel as a challenge,

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and then opening to the air. And then after the house the books, they can build a ceiling on top of it.

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Why would this make it much easier? Because out on the open you can gather as much workers as you can to drag and push that 100 ton solid piece of granite stone.

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Down there you can not fit more than no way to fit 100 people with the books down.

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And of course we need more than that to push 100 tons. Next.

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Here is another photo of one of the other boxes with rose from mid through rose granite as one end grain, which is around 1000 kilometer to the south from the location degrading.

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And you can see here the size of it is huge. It can fit actually five bowls, not just one. Next.

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You can see here with a small group you already filled the corridor or the tunnel under the ground and they're not even 50.

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So they're not even actually 20.

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This to understand the skill of the tunnel, we could build with the size of human beings to know that it's very almost impossible to move underground unless you have anti gravity field. Next.

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Here is one of the unfinished boxes and this is another challenge. These boxes would actually manufacture or be part of them was manufactured underground.

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And imagine we, we add lights all the way in the corridors so we can be able to see.

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If it's turned off we wouldn't be able to see one meter ahead. So imagine the challenge of working in that darkness underground. And of course the main stream answer would be

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torches from fire force using light lamp oil and subscription.

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Oil lamps. Next.

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More than to any of them such as that one here doesn't have any lightings on the value of the one that has the lighting's more than on the others that's why the meat still weed out.

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And also dating that side to to the all the sliding in it. Some people believe it's a great Roman and some people also found some resources that it was new king at the time.

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But all the writings in the books is that exist there to date to the lead period or the 26th density side period.

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So the box itself we found similar ones to it only in photos.

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Which is in one of the underground structures that is without a doubt connected to the pyramid structure which is the ozerian chef.

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Here also thought of as a symboonyp burial for the god of the zylis, contained a box. It's actually three levels. The no slave has a big basin full of water and there is a box in it that the ceiling over or the lid of it.

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Look exactly the same like that example you are looking at. So if I would need it according to the shape I would need it to the pyramid builder's time and the whole syra pewm can be nothing but a part of a much bigger structure. Next.

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Here is another evidence in my opinion that was discovered by the committee school which is the polishing liquid that's also in theory and a jitori.

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I didn't talk about liquids being used to give the final shining surface to the grandest stone but they only talked about sand and water and a piece of rock that you keep smoothing and punching with it and of course.

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Good luck with that because as a stone carber I know that this would give you any shiny surface unless it wet and once it becomes dry then it will never be shiny any.

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So that liquid here is a proof that what we know is limited but most of what we know we knew through scenes on the walls that the displayed ancient Egyptian disclete have the polished visor and statues and what they hadn't had was a piece of rock and the display showed that techniques.

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That's why the editor just depends on these scenes to understand them but this here is the fact because it's all the art.

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What you're looking at here is the bottom of the lid was that liquid coming down and then moving a little bit and forming points where drops used to come like any other.

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Next.

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This is one for from Carnac temple and this is looking at the time according to the name in the cartouch.

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And the name in the scene is one of the most famous kings in ancient Egypt who is here madrat sit in Ra and this is the name for Ramsis the second.

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As a stone carver of course I realized that that name is carved in a deep carving deep relief and what surrounds it is carved in a high lift which approved for me that they used to be an older name here that was erased and the name of Ramsis the second.

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It was replaced and instead of it and we have 10s of 100s of examples of uterving or inheriting structures and statues.

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Next.

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This is also one of the statues in Egyptian Museum.

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The iconography of it by the mean stream of course dates it to the middle kingdom time and it was used.

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And also by Ramsis the second if you saw the tail on it so next.

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Here this is a very old-the-tagon I hope you can see it clear but it says here that it originally belongs to the middle kingdom time and it was used by Ramsis the second.

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So some people like to call it a zirping or inheriting and I prefer inheriting my other.

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Next.

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This is another statue that belongs according to the iconography of it to the king the golden king the total hamun and was used by Thorne Mchel.

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Next.

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This is how we also realize the writings to the left is looking much more better than the writings to the right and these writings to the right is in a lower level

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and much crude or hostile and it sees the name of Thorne Mchel jissel chibbarra city building.

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So that shows that this name for Thorne Mchel was added to the little after the reason of the name supposedly for the tom hamun according to the iconography of this statue.

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Next.

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Here is another statue displayed in the section of two tom hamun and if you also move the picture next.

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Next.

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You can see the same thing happened but this one was recognized as one of two tom hamun statues even the name of jissel chibbarra city building or Thorne Mchel was carved in the same way.

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Next.

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These are one of the one of the classless statues in the looks of the temple and this statue is a mega-lethic and it's really accurate to read and mention carving to challenge anybody with any power tools to the head of the carpet.

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And of course one of these statues our teacher Christopher Dan made his research about most of them actually to show how accurate it was me.

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Here what I wrote here is to show also the name of Ramsis is carved above what we know as a dagger.

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You can see part of the name is carved above it and I disagree with this of course to read this as a regular writing of it because if you have the capability of carving such a master piece like that you will it very to the calculates how we will know or where you will add the name.

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So for me obvious example of a name that was added later to the statue that is older.

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So usually we would find more than one name or aside then we would do it to the oldest writings but sometimes you can see statues who sell writings at home.

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So, meaning that you can call it unfinished ambushes. Next.

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Here is another statue that they see it seems to belong to the Rouses II and then use it by his son or successor.

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Merim Pita is another user book. Next.

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So there is awareness of that case because it's under tags as you can see here what it says here commasal of.

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Ramsis II and you are about to get into that. Next.

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This old statue has writings or Merim Pita but in the statue that has writings of Merim Pita or Ramsis II I or in structure.

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I would dare to try it away because of the Merim I have seen adding the writings to much older statues and artifacts. Next.

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Front of the right foot you can see also the writings is very crude especially when you compare it to the fine details in the statue itself.

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And this is the name of Merim Pita. Next.

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Under base of the statue writing is can be added. Next.

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Between the two base which is a good location for the nearby statue.

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The order to have it in a place that nobody can scratch it away. Next.

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Under shoulders and you can also realize how crude the writings is on the same statue. Next.

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Under belt. Next. Under shoulder. Next.

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Under the base is on the hand. Next. Under saw others and beside the hand lift. Next.

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This here is the deck of the statue and you can realize that the part that has the right hand is lower than the rest of the surface.

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Which means there used to be older writings here and the deck that was erased and ordered to add the new writing by Merim Pita. Next.

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So Merim Pita is from the new kingdom of time. But why do we see the same results from an old kingdom of statue?

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This is here is the statue of Khafra. It's come from out of dioride nikes which is a metamorphic stone.

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And the location of the quarry orbit is around 130 kilometers to the west of Abbasim Pita.

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We can see here the writings is hardly founded by a tool. Doesn't reflect the same machine by who was who made the details and the anatomy of the statue of his very high and accurate.

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And this is the name Khafra. Khafra. Suppose at least the owner of the statue and the build up next.

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The structure and the ancient wisdom as we can see was buried on Abbasim Dirt which is liars above the layers of the inheritance.

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This is a temple that we can see in it some devices that goes very ancient like the common building of the era and we can see also really authentic a requirement on and Kaptic era and also Islamic era. Next.

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I is a temple and this is the holy of holy of Isaac's temple and of course it's a performing to the digging of the names in it.

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We understand that it goes about 300 BC. What you see here is Patricia, a part of her house and she's in the holy of holy.

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And that altar from granite stone is usually housed in the chamber known as the holy of holy of the temple. Next.

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Here is another altar that was reused in the Kaptic era and we can see the Kaptic cross was carved on it and it's still in the same temple of Isaac.

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And we understand from this the part of the temple was used as a church during the great Quran and the main in the Kaptic era.

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So if we see the symbol the Kaptic cross do we did that device to it because it has the Kaptic cross of course we see the same one this house and the holy of holy.

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So we understand that the symbol was added to it later. So I bring this example so we can see you that the same thing happened but if the Kaptic cross is other writings or other words.

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Next, here it is here one more clear and this example also can show us that carving on solid stones is not impossible with hand at all.

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Next parts of Roman sinners from older statues and slabs and the Galithic stones that was used originally in the temple and then was reused in the Greek Quran and tried to build the temple inside the dynasty tip.

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Next, here if you can see these are two stylistic bones that you can see some of the things in the corals are covered by the other gate that was added later. So buildings are buildings.

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Even during the dynasty Egyptian next hand another example you can see the character here are continuing behind the wall to the left which means the walls to the depth was built and decorated on top of another older structure and this is also a cardinal temple.

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Next, what we see here is the world Tichin which means oblisk and we can see the two oblisk carving on the where was this found. Next, this was found as a reuse in a church and was used as a pillar inside the temple.

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So stones were also reused, kept and reused, recycling throughout the ages. Next, here is a shrine that is held and kept carry.

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Many similar ones were used in the new kingdom time with the figure over 5-4 years old as an idol inside the shrine.

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We can see in the carpet that they used the same shrine from court to side and has writings. I believe it was added later by nichtenlubu from the 30 dynasty and then of course Jesus Christ was as we know that story.

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And that's Patricia. Next, tenies, one of the forgotten sites and several leaders and according to the combination of stones we find in the left over of quarrying of course recycling the stone more than once.

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We find in the same combination of stones that was used in the pyramid structure, basalt for the foundation, one at the castle, the Christian, rose granite, milky quartz and lots of evidence.

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That structure, of course, is the latest structure and the most abusive evidence that was re-built from stones that already existed at that site. Next.

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Here is the other side of the wall of the temple and we can see how many stairs from previous stairs was used. We can see that top one there has the writings upside down on the outside of course inside the temple.

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They can remove any other writings and add their own writings but the outside part was probably case to another layer to block anybody from seeing that.

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This here is the pyramid of the insaka. It can see in the back of the pyramid itself, smoothed stones, which in my opinion, because two ways to inherit the site, one is to use it as a source for stones. This is very common thing from other ages and the other thing is to re-event it and re-use.

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Next. The statue of Hotten, a chief of priests during the medieval kingdom of Antano. He was the one who officially responsible of running the pyramid city of Titi, which is dated to the old kingdom.

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This is also an inclusive evidence of inheriting the sites and keeping it functional during the medieval kingdom of Antano and they used the sites from the old kingdom.

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Next. That is the hill of Titi and as you can see through the middle kingdom, the pyramid that he was serving all of is from the old kingdom.

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Next. The pyramid of Abra was in the front. This pyramid was used as a quarry through our ages.

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history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of

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the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history

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of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the

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history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of

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the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history

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of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the

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history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of

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history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of

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the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history of the history

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the part of the pyramids of area called in Licht for the sonosirta and the emnip hat one of the Ozerian who will school next

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this is the title next

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this is a picture of the pyramid of in Licht after was being a quarter of course throughout the years

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and the reason we brought this one and the next one you will see as well because evidence were found and this is officially documented

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that stones that belong to the old kingdom time and they think of sticking from the Giza Bratou was used in building these two pyramids in Licht in the middle kingdom time

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obvious or clear or conclusive evidence of recycling the stone in the middle kingdom time and it's officially implemented next

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this is the second pyramid in Licht as well next

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this is a base of a pillar from light color side crystal next

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that base of a pillar had a sea in carbon on it and was reused as an offering table in offering hall

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in the tomb of the priest Ra were from the old kingdom fourth dynasty the Licht of

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shape Ciscae and this is the pitted in the Giza Bratou and this is evidence by the Chemite School of course

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not in the official books but because we know and we believe it can be much older so we look

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to protect this and we found to prove that recycling the stone actually was since the old

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kingdom time itself supposedly the first dynasty supposedly the dynasty of the pyramid well

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does themselves pay it is solid evidence that the stones was recycled during the old kingdom

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post dynasty next the same base of a pillar and this is the seed of that priest Ra were

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this tomb was discovered from the 30s by C. G. Hassan next

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mill stones one of the main reasons the recycle dreaded from everywhere and even can see themselves

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to make a high respect next

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he is a mill stone another mill stone and the people of Daldar

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was the writings of course next another one from the high system this is the dish or the

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piece that the mill stone used to spend any to crush the re- This is a recycle of the stone

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next oil pressure also recycled from currents in failure next

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pillars from the Catholic era this I can from bigger statues that slabs also in

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Dandarate next the pillars also from the Catholic era in the temple of

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city fairs or needed to city fairs in agios next in the base of the pillar the part of the scene

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that shows top and the king in front of him so which means that the width of the wall became

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the length of the pillar so this was a very cool from rose granite museum behind the city fairs

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next found this is what the main mystery of which I just think that granite stone was

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very quiet using these palettes to crush the granite stone I would borrow the words of my teacher

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Mr. Farban and the ridiculous thing next I've been trying for years I didn't know how

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I can't finish nothing next this is a Patricia also my partner again you can see here the

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scene so it's killing around the mother unfinished obelisk on the side and you can see the pattern

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so machine that if leave it was done by pounding and I this agree next the patterns are

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continuance and even going under the obelisk itself next as you can see here

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it's coming from the left side under from under the obelisk next

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yeah you can see this one this is more clear here that is coming even under so no tools that I am

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aware of that will give you a continuum spine like there go hand it towards next

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next many photos to see the end and to see that the pattern repeated over and over with the

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almost the same width are the same curves next scooping marking this is the marking we see around

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the that mysterious machine which was there to automatically lift it obelisk like the

213
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archer's to obelisk that weighs 1,200 times next lift also as most surface that style of

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quary that we are now we're all left as good step next narrow shafts we don't know how it was

215
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been done because no man will fit inside next as you can see we're a sense of scale next

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now that other primitive machine was also used in the alfaxed obelisk side next

217
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left is kind of surfaces so there is obviously two different style of machine one of them

218
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we understand the process and the other one we think we know but the fact is it's a missing next

219
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tool marks chises that we leave these which are around two any centimeters and that will be

220
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by hammering several times and they take another round another round so this is another handy tool

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marking in the alfaxed obelisk side three different style settings next

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we I can skip that part because I just briefly they think no granted store

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where out of the bedrock the wooden all the hangar element builders ever according to

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the efficiency and this is impossible of course you can see the size of the pillar and you think

225
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the huge sledge from the ground that was used in the pyramid structure only they depended on

226
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falling almost pieces like this I agree of course 100. Why did this be put to the end find enough

227
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to move and all the hangar down to be able to have out of the bedrock next this is the size

228
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and hold the same the higher the extra perfect machine here next

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also on the other hand the handle to the countertop of the shell this is lime is torn and the next

230
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the pattern you see here is the chisel marking that can be done by copper chises but not

231
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the granite of course next the copper chises next are finished aesthetic with the

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two straws the the school art in the elastic Egyptian time we don't ever do not want

233
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to like under estimate the domestic Egyptians what they could accomplish for talking here about

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different type of tools that the domestic Egyptians didn't have next you can see the school of

235
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art throwing to the left card on the right and that's all hard to meet now make no mistake this is

236
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all hand me work next the austral next so you can keep rolling on and you can see this is the

237
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practice practicing of the students who are next and again many times before you sharpen down

238
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the corrected by the teachers next unfinished aesthetic next also unfinished aesthetic

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oh this is half the me the domestic next next next next next next next next next next next

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so what I want to say that with the hand tools they use bigger things help to be from

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of course something solid like another type of stone like a gym stone and they would use it

242
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until the sharp the use a sharper this is the only way to progress with this kind of carving

243
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with hair towards next next next the until this sharpness you can do hand me work next

244
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also they use to draw horizontal and vertical lines to give the measurement accurately to every

245
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glyph and a figure that will be counted on the walls or in the boxes we understand this from objects

246
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like that which is an unfinished throwing on one of the limestone boxes next that's the box next

247
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you can see the horizontal and vertical line when they use to draw the lips next next next

248
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negative still see the black metal around the glyphs next next next

249
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yeah now we look about the bottom because we are not with a lot more stability

250
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so the tubular drill handed so handed a pair of the scoop marking you are the three different

251
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Western marks and the machine in all of the ancient ripshots of the image next

252
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we can see here without that with a tubular drill result hunting in granite next

253
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the core of the tubular was found still attached to some of the tubular course next

254
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such as this one next one of the poles was found by a filmin deris pity and a guisemneto next

255
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circular soca and this huge one if we complete in the circle we will have a circular so that's

256
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about 8 meter wide and 5 millimeter next next next next next

257
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you can see here clearly that the process is across so next next next

258
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next next next next next the unfinished box is another o'clock's evidence when they were cutting

259
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the lid from the bees of next and then we saw without a doubt a marking of a saw cutting the

260
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lid from the bees next and here is the o'clock that's all next the fine lines of the

261
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petals of machine in the same one I see when I work with the circular so next

262
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this machine marking was also reflected on the steps like the statue of Huffa

263
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one few minutes above I studio the writings look so crude on but it still has the mark

264
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the palm of the bees next as you can see between the feed as a mark what you will have

265
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and also between the legs and beside the head there is a marking of a power tool or a saw next

266
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these are the scenes of how the domestic institutions are on the kingdom of Carver Day Stratus

267
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now scenes that shows any saw or anything nothing is torn next and this is the polishing by this

268
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stone next this is manufacturing the vessels all by hand next and this supposed to build a

269
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drill with the bees attached to the branch horizontally supposedly from Flint would never give us

270
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the result of a tube drill of course according to drill but that's the tool that exists in

271
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the o'ring the domestic Egyptian time next okay but the unfail is the vessels shows that it was also

272
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made of a tube drill next more vessels on the core of a tube drill it still attached to the

273
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neck thousands of of these vessels were found over 40,000 were found next

274
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from different types of massage as a granite mixed

275
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porophyrine next

276
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milky quartz next

277
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dioride noise next

278
00:51:32,000 --> 00:51:34,000
sleep next

279
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rock crystal next

280
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amethyst next

281
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jaspard and here we're just for a new jaspard next

282
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obsidian and rock crystal next

283
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bershia and this one being especially is from the pre-day domestic time

284
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next

285
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also bershia 3-day domestic time

286
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next

287
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bershia next

288
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a porthry jasp amethysting dioride next

289
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like this one next

290
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side by side found with porthry

291
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must be by hand before the domestic Egyptian figure out the pottery wheel idea next

292
00:52:37,040 --> 00:52:39,520
next

293
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this is pottery from the pre-day domestic time

294
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yeah next

295
00:52:45,440 --> 00:52:48,880
we can see that the vessels used to be given next

296
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berylls were found on carbon and heating carbon dated and

297
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to 12,500 to 14,000 BC to 14,000 years ago

298
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much older than any time line with the same species next

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next next

300
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next next

301
00:53:16,560 --> 00:53:20,960
a vessel from the 26th dynasty was crude writings next

302
00:53:23,680 --> 00:53:28,320
a vessel from the 3th dynasty from the old kingdom time of one is

303
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was also crude writings next

304
00:53:32,400 --> 00:53:35,440
you can see the items will not be sent out on the middle

305
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next

306
00:53:39,040 --> 00:53:42,560
beryll crude writings also from the old kingdom so from the old kingdom of the

307
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the late village that's the same case

308
00:53:45,760 --> 00:53:47,440
inherited all the stuff

309
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a pillar, yeah next next

310
00:53:51,040 --> 00:53:54,880
a pillar from one is pyramid the same one that has the limit of the prison

311
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and also next

312
00:53:58,080 --> 00:54:01,680
the writing is also a club so crude next

313
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this part here is about transferring some

314
00:54:08,720 --> 00:54:10,080
pillars on a ship

315
00:54:11,760 --> 00:54:14,720
I'm going to be releasing a video about it so

316
00:54:14,720 --> 00:54:17,520
so you can skip that part for the moment

317
00:54:20,000 --> 00:54:24,480
and you can watch the video later yes good writings were also

318
00:54:24,480 --> 00:54:29,200
made in the domestic old kingdom found by sajhala next

319
00:54:32,320 --> 00:54:35,600
writings were added in the same way that one is next

320
00:54:37,920 --> 00:54:40,880
class of the status from the old kingdom next

321
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left over the middle, the extent of what was

322
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user-bed by the abjected next

323
00:54:50,800 --> 00:54:53,360
here is the limit of animation next

324
00:54:56,080 --> 00:55:00,000
writings was relieved from the archaic each the second the dynasty

325
00:55:00,320 --> 00:55:10,400
on granite stone next next next next this is a cylinder steel next

326
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at Jubilard Rail was inside to enlove next

327
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and this type of machine will talk about and we care about

328
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because it was at the pyramid benders

329
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two marks which was not found in any

330
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in the old kingdom time as we showed you how the

331
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card is next

332
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a circular soka or element of the

333
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next of course everybody here about the

334
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bent pyramid and that it was a homo-saki MSG

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and this is a whole new story about this obviously it's

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a lot of mistake but it's not a mistake

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and while it's a new group ended the other pyramid

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and that would be the question

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all right next

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where good this is any questions next

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thank you everybody I did that kind of fast

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just still lots more to share

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and if anybody has a more question and there is not enough time

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you can send me for messages on Facebook

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thank you thank you so much

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thank you