1 00:00:00,000 --> 00:00:21,000 Thank you everybody. 2 00:00:21,000 --> 00:00:22,000 Thank you so much. 3 00:00:22,000 --> 00:00:23,000 The real to be here. 4 00:00:23,000 --> 00:00:26,000 It's an absolute pleasure and honor. 5 00:00:26,000 --> 00:00:29,000 Red Andy's book from the Ashes of Angels. 6 00:00:29,000 --> 00:00:34,000 God's of Eden back in 1997 at Laura Lee's house in Seattle. 7 00:00:34,000 --> 00:00:36,000 Okay, so let's press on. 8 00:00:36,000 --> 00:00:37,000 I think we've got that worked out. 9 00:00:37,000 --> 00:00:41,000 We're going to be talking about the law-spiritual technology of angels. 10 00:00:41,000 --> 00:00:46,000 And I've been asked to focus on the watchers of the Anaki and Tradition. 11 00:00:46,000 --> 00:00:52,000 As light beings, we probably are familiar with the watchers as a group of celestial beings 12 00:00:52,000 --> 00:00:56,000 who have influenced humanity, some say for the goods, some say not so good. 13 00:00:56,000 --> 00:01:04,000 But what we're going to look at today is how they've provided humanity with profound knowledge of spiritual technologies that enabled our 14 00:01:04,000 --> 00:01:11,000 ancients to communicate with God and also to affect the ultimate human transformation into celestial beings. 15 00:01:11,000 --> 00:01:18,000 The material that I'm going to present in this quick hour today is drawn from my book The Secret of Saiyan from the Judgment Day 16 00:01:18,000 --> 00:01:23,000 to Vice, which is my investigation into the arc of the covenant and its role in current day prophecy. 17 00:01:23,000 --> 00:01:32,000 And also the lost secrets of the watchers, a sentient resurrection and perfection, which is largely drawn from my research into the Dead Sea Scrolls, 18 00:01:32,000 --> 00:01:38,000 and how the Ashes were interacting with the celestial beings and affecting this ultimate transformation. 19 00:01:38,000 --> 00:01:40,000 All of this material is available on. 20 00:01:40,000 --> 00:01:47,000 I have these handy flash drives with about 14 hours of video and 18 books and PDF formats. 21 00:01:47,000 --> 00:01:51,000 So if you want to, if you're getting interested in this material during the talk, you can see me after word. 22 00:01:51,000 --> 00:01:55,000 I'd like to offer one of those to you as well. 23 00:01:55,000 --> 00:02:01,000 My investigation into this material actually began in 2008 with this painting. 24 00:02:01,000 --> 00:02:04,000 I was in Philadelphia in the Museum of Art. 25 00:02:04,000 --> 00:02:11,000 I was then researching my book, Freedom's Gate, which was about the Ascention Symbolism and the Dome of the US Capitol. 26 00:02:11,000 --> 00:02:17,000 So I'm in Philadelphia researching the founding fathers, and I'm just absolutely to borrow a phrase, 27 00:02:17,000 --> 00:02:20,000 a dog's Mac, by this painting. 28 00:02:20,000 --> 00:02:29,000 It stopped me in my tracks because I wonder why is Jesus shown as a winged angel? 29 00:02:29,000 --> 00:02:38,000 And who is this geese or Francis of Ashesi that is staring up at this winged Christ angel? 30 00:02:38,000 --> 00:02:43,000 This painting, of course, is by John Van Eyke, the great mystic painter and alchemist. 31 00:02:43,000 --> 00:02:56,000 And for some reason, it just mesmerized me and it sent me off on a new path of research to understand why the resurrected Jesus is portrayed as a feathered Christ angel. 32 00:02:56,000 --> 00:03:05,000 Speckled with white specks that were told by Van Eyke himself symbolized mana, the food of the gods, the food of the angels. 33 00:03:05,000 --> 00:03:09,000 And so this sent me on a quest to understand who these beings were. 34 00:03:09,000 --> 00:03:15,000 It turns out that one of the most profound ascention appearances of Jesus took place in the 13th century in Italy. 35 00:03:15,000 --> 00:03:30,000 When he manifested before Francis of Ashesi, one of the great esoteric researchers of all time, and who now is considered to be the second Christ as a result of his encounter with Jesus as a seraphim. 36 00:03:30,000 --> 00:03:34,000 The highest order of angels, they're called the winged serpents. 37 00:03:34,000 --> 00:03:41,000 That's a collateral? Yes. We could be looking at the same variation of the same tribe of celestial beings. 38 00:03:41,000 --> 00:03:49,000 And during this encounter, Francis has been to him the wounds of the stigmata, the five wounds of the crucifixion, 39 00:03:49,000 --> 00:03:55,000 and afterwards, his biographers and his followers revered him as the second Christ. 40 00:03:55,000 --> 00:04:03,000 And in art throughout Renaissance Italy, we see these incredible depictions of Jesus as a seraph manifesting 41 00:04:03,000 --> 00:04:10,000 to Francis. This is Giato's take on it. We see various other depictions throughout the museums around the world. 42 00:04:10,000 --> 00:04:18,000 This one's from Harvard. We see Jesus as this winged angel with the red wings in particular, because the seraphim, 43 00:04:18,000 --> 00:04:24,000 we are told burn with the love of the creator, hence the red wings. 44 00:04:24,000 --> 00:04:30,000 And the Catholic church always warned that if you got too close to one of these celestial beings, you could be incinerated. 45 00:04:30,000 --> 00:04:35,000 But in the case of Francis of Assisi, it uplifted him. It transformed him. 46 00:04:35,000 --> 00:04:44,000 There was an energy transference that took place between this ascended being and this earthly being that resulted in the elevation of his consciousness, 47 00:04:44,000 --> 00:04:50,000 and his transformation of his body itself into perhaps an ascended form, as we will see. 48 00:04:50,000 --> 00:04:55,000 This one happens to be in the National Gallery here in London, Spiceseta. 49 00:04:55,000 --> 00:05:06,000 And you see Christ as a resurrected being, as an ascended being portrayed as a winged angel, or by definition a winged serpent, or a seraph. 50 00:05:06,000 --> 00:05:11,000 Again, prompting us to think of a cut of quad of following on huge presentation. 51 00:05:11,000 --> 00:05:16,000 After this experience, Francis, according to tradition, ascends. 52 00:05:16,000 --> 00:05:27,000 He then journeys into the celestial realms where now he takes his place at the throne of God, and he dwells as the second Christ amidst the red wing seraps, 53 00:05:27,000 --> 00:05:30,000 who are the guardians of the throne of Christ. 54 00:05:30,000 --> 00:05:39,000 Wherever that place is, as an interdimensional location, or perhaps a spot in our own Milky Way galaxy, perhaps the Galactic Center, as the Mormons believe. 55 00:05:39,000 --> 00:05:45,000 Either way, Francis has now elevated himself in dwells among the celestial beings. 56 00:05:45,000 --> 00:06:02,000 The seraph, them, appear throughout the art, even before the Renaissance, but especially in the Renaissance, portrayed as these feathered serpents, often most often, this is how we identify them with these spiral or vortex shaped bodies. 57 00:06:02,000 --> 00:06:10,000 What these artists were trying to convey is this idea that these are other worldly beings, celestial beings, that can be perceived by human eyes, 58 00:06:10,000 --> 00:06:18,000 but they are apparently very high vibrational beings, very fast moving beings, that ordinarily are not perceived by the human eye. 59 00:06:18,000 --> 00:06:29,000 So the artist would always key on this idea that they're humanoid, and that they have these whirling or twirling spinning bodies, vortex shaped bodies. 60 00:06:29,000 --> 00:06:33,000 This is in San Marco in Venice where we see the throne of Christ and the center. 61 00:06:33,000 --> 00:06:41,000 He surrounded by the seraph of angels, again because they're the guardians of the throne, and we see Jesus unfolded within this gate filled with stars, 62 00:06:41,000 --> 00:06:52,000 hinting at the possibility that they're trying to convey some idea of travel to another dimension, or perhaps he's in some form of a gateway, or perhaps a portal. 63 00:06:52,000 --> 00:06:54,000 These were huge ideas during the Renaissance. 64 00:06:54,000 --> 00:07:03,000 Picco de la Mirandaulah said the highest human aspiration was to become a seraph, and to uncover the secrets of the seraph themselves, 65 00:07:03,000 --> 00:07:15,000 inferring that the foundational idea of the Renaissance was that they had recovered via the corpus or metacum and other ancient texts, a method, an alchemy of human transformation, or transmutation, 66 00:07:15,000 --> 00:07:24,000 into a higher form that was originally delivered to humanity by the seraphum, who were also of course known as the Watcher Angels. 67 00:07:24,000 --> 00:07:32,000 I was in the Newby and Museum and asked one a few years ago and stopped in my tracks by this fourth or tenth century, they're not sure which, 68 00:07:32,000 --> 00:07:36,000 but it's either fourth or tenth century image of Jesus as a seraph. 69 00:07:36,000 --> 00:07:41,000 So Francis is encounter with Jesus as a seraph was by no means isolated. 70 00:07:41,000 --> 00:07:49,000 There was a belief that Jesus himself and his resurrected form had taken on the celestial form of these angelic beings. 71 00:07:49,000 --> 00:07:56,000 It's here in the detail we see him clearly portrayed with the six wings that identifies him as a seraph or a wing serpent. 72 00:07:56,000 --> 00:08:03,000 What's fascinating is that during the time that Francis is having his encounter, we have all these tales throughout America of the Pale one, 73 00:08:03,000 --> 00:08:08,000 who manifested to the Native American tribes in a very similar form. 74 00:08:08,000 --> 00:08:16,000 It makes me wonder if perhaps this was a part of a visitation, if you will, that was taking place during the 13th century, not just in Italy, 75 00:08:16,000 --> 00:08:22,000 but also in America, again, the natives are chronicling this throughout North America. 76 00:08:22,000 --> 00:08:30,000 But it's the Assines who were the primary drivers of our research today into the Watchers and the Seraphum. 77 00:08:30,000 --> 00:08:35,000 They are the ones who took Enoch out of the Old Testament, remember the Old Testament, 78 00:08:35,000 --> 00:08:44,000 we're told Enoch walked with God in fering that is a living being he somehow transcended the earthly human condition and ascended into the heavens. 79 00:08:44,000 --> 00:08:46,000 The Old Testament leaves it at that. 80 00:08:46,000 --> 00:08:56,000 The Assines pick him up and make a superhero out of them and begin to tell this story about how Enoch was taken into the heavens by the Archangel Michael, 81 00:08:56,000 --> 00:09:07,000 one of the Seraphum, anointed with an oil which dissolved Enoch's body into light so that he was aglorious being just like the other Seraphum angels. 82 00:09:07,000 --> 00:09:14,000 After this experience, Enoch is given a new name, Metatron, and membership among the Seraphum angels. 83 00:09:14,000 --> 00:09:19,000 In fact, it becomes the guide for all humans who are on this path of ascension. 84 00:09:19,000 --> 00:09:35,000 So here's William Blake's image of Metatron at the throne of God, and you see the multiplicity of eyes indicating plurality of worlds as well as omniscience and higher consciousness as well. 85 00:09:35,000 --> 00:09:40,000 And we start to introduce the symbol of the rainbow into our conversation as well. 86 00:09:40,000 --> 00:09:52,000 Beginning probably the eighth century or so in Byzantium, artists again have tried to convey this idea that there are other worldly beings who are visiting Earth and they're called Seraphum. 87 00:09:52,000 --> 00:10:01,000 And they have these vortex shape bodies with feathers tingeed and red again because they burn with the love of the creator. 88 00:10:01,000 --> 00:10:21,000 Sometimes they're portrayed as humanoid, but other times they're portrayed as without human faces because again they're trying to convey this idea that these are other worldly beings that take on human form or humanoid form, but they may in fact be energy beings being superior light and indeed pure love. 89 00:10:21,000 --> 00:10:37,000 So beginning really in Byzantium and following on here into the Hagio Sophia, we start to see these incredible depictions of the Seraphum, here guarding the dome of the Hagio Sophia, this one of course, you can see that it has the humanoid face with the six wings. 90 00:10:37,000 --> 00:10:42,000 But other examples that we see at the Hagio Sophia portray them is these non-humanoid beings. 91 00:10:42,000 --> 00:10:50,000 Again, conveying this idea that we're trying to visualize an other worldly type of creature that is coming into our world. 92 00:10:50,000 --> 00:11:10,000 The burning ones, the winged serpents, the feathered serpents, these are all Appalations that you'll see throughout history given to this class of beings that seem to have the ability to cross over space time, open up portals and gateways, manifest in human form, then pop back into their ephemeral light being form at will. 93 00:11:10,000 --> 00:11:24,000 Their way beyond our present day technology or maybe our understanding is just now coming into a view of the potential and folded within the human body that these beings were displaying. 94 00:11:24,000 --> 00:11:38,000 So here we are, we're looking at an example here of one of the Seraphum, clearly as a humanoid form, you see the body covered with eyes again indicating missions and advanced consciousness and perhaps even contact with other worlds. 95 00:11:38,000 --> 00:11:46,000 The ability to travel from Earth throughout the solar system and even perhaps even between galaxies. 96 00:11:46,000 --> 00:11:54,000 In the Bible, they're considered great initiators of humanity. They're bringing spiritual knowledge in awareness of these other worlds in human potential. 97 00:11:54,000 --> 00:12:04,000 In this case, we have a from the 12th century, we see the Seraphus initiating Isaiah who had an eyewitness encounter with one of these seraps. 98 00:12:04,000 --> 00:12:12,000 We refer to them sometimes as the fallen ones. The watchers have a duality or duplicity about them. 99 00:12:12,000 --> 00:12:18,000 We're told clearly by the Assines that they dwelt in the heavenly realms but they crossed over a forbidden boundary. 100 00:12:18,000 --> 00:12:26,000 Before the time of the Assines this boundary was considered to be in violet. Humans were not allowed to ascend. 101 00:12:26,000 --> 00:12:32,000 Nor were beings allowed to come from the celestial realms to the earth playing without God's permission. 102 00:12:32,000 --> 00:12:42,000 But suddenly around 150 BC the rule book is thrown out and we start to get these ideas that humans can take it upon themselves to ascend into the heavenly realms. 103 00:12:42,000 --> 00:12:48,000 And then also we start to gain awareness that there were beings that left the throne of God, which is what we see up here, 104 00:12:48,000 --> 00:12:56,000 crossed over this forbidden barrier guarded by the militia of God and took on human incarnation. 105 00:12:56,000 --> 00:13:00,000 These beings are now referred to as the fallen ones. 106 00:13:00,000 --> 00:13:09,000 People throughout history have tried to tag them with the idea that because they're labeled the fallen ones it means that they must somehow be evil or demonic. 107 00:13:09,000 --> 00:13:18,000 You could argue that but you could also equally argue that that term fallen simply means they are no longer in their celestial flesh. 108 00:13:18,000 --> 00:13:24,000 Instead they've taken on human incarnation. They've taken on human flesh. 109 00:13:24,000 --> 00:13:38,000 And the Dead Sea Scrolls make it absolutely explicitly clear that one of the missions that these beings came to earth for was to teach humans how to transform out of their earthly flesh and return to our celestial flesh. 110 00:13:38,000 --> 00:13:46,000 So artists especially beginning in the Renaissance would convey this idea again of the throne up here, top in the celestial realms. 111 00:13:46,000 --> 00:13:52,000 We've got the throne that's inhabited by angels and just humans made perfect according to the book of Hebrews. 112 00:13:52,000 --> 00:14:06,000 We have this banner of stars indicating we're crossing over the celestial realms and now they're falling and as they're falling they're moving away from their angelic form and they're taking on human form. 113 00:14:06,000 --> 00:14:15,000 And so technically the word fallen simply means they are now earthly human beings. They've taken on earthly incarnation. 114 00:14:15,000 --> 00:14:29,000 But they brought with them the knowledge of how to cross over that forbidden boundary and as the Dead Sea Scrolls describe how to even knock holes in space time, open portals or gateways and ascend into the celestial realms. 115 00:14:29,000 --> 00:14:41,000 So a little selection here of some of the arc were trying the fallen ones, the seraphum descending from the celestial realms, the realm of light and love and then taking on human incarnation. 116 00:14:41,000 --> 00:14:48,000 Leaving behind presumably a place that we all have come from originally and seek to return to. 117 00:14:48,000 --> 00:14:56,000 So then when you get into the Judeo Christian tradition these feathered serpents, wing serpents burning ones are portrayed as great guardians of humanity initiators. 118 00:14:56,000 --> 00:15:08,000 People believe they also let us astray. That's the Catholic Church's position certainly. And so here in this example we see Adam and Eve being escorted from the Gate of Eden by a red wing seraph. 119 00:15:08,000 --> 00:15:19,000 And of course you remember that this is the moment when God built a gate at the east of Eden put a flashing flaming sword in the center of that gate and forbade humanity to return. 120 00:15:19,000 --> 00:15:34,000 He also made for us coats of skin were told. The Old Testament God made coats of skin for Adam and Eve and the ideas that in esoteric Judaism those coats of skin were not animal skin. They are these skins. 121 00:15:34,000 --> 00:15:45,000 Suggesting as they tell us in these texts that humans originally were like the angels. That is a foundational belief to the ascenes that humans originally were like these beings. 122 00:15:45,000 --> 00:15:56,000 Then after our eviction from Eden were now trapped in our flesh bodies. Our human flesh bodies and our goal is to return to our celestial flesh bodies. 123 00:15:56,000 --> 00:16:08,000 So in this example from the Limbord Brothers we see Eve receiving the wisdom from the serpent that's making its way up the pillar here. It's a feminine serpent interestingly. 124 00:16:08,000 --> 00:16:14,000 And then we see Adam and Eve being escorted from Eden by a red winged seraph. 125 00:16:15,000 --> 00:16:21,000 Again, suggesting that they are not only our initiators but had something perhaps to do with the fall. 126 00:16:21,000 --> 00:16:34,000 This example is from Salzbury. Many of you have probably been there and seen this. It's a fantastic example from the 18th century where we see the seraph and its golden feathered cloak or cape initiating Isaiah. 127 00:16:34,000 --> 00:16:44,000 This example was very intriguing to me in particular because of reminded me so much of what we see of the way Petat is portrayed in ancient Egypt. 128 00:16:44,000 --> 00:16:56,000 Petat is the creator God. He fashioned the human body according to the ancient Egyptians. He was also the god of technology if you will. He holds in his hand a resurrection stick that can open the gates of heaven. 129 00:16:57,000 --> 00:17:05,000 And so I wonder just apart from the visual similarity is there a possibility that somehow Petat could play into this scenario. 130 00:17:05,000 --> 00:17:10,000 And I think I think the reason we'll see how that works here in just a moment. 131 00:17:10,000 --> 00:17:16,000 But in the Harris papyrus, for example in the British Museum you see Petat with his feathered cloak. 132 00:17:16,000 --> 00:17:24,000 His many colored feathered cloak. He's got rainbow rings around his chest. He wears his skull cap of enlightenment. 133 00:17:24,000 --> 00:17:32,000 And he holds the resurrection stick that opens the gates of heaven and the realm or field or dimension of the blast. 134 00:17:32,000 --> 00:17:42,000 These are very key symbols for us as we continue in our conversation because it establishes that going back to at least 1500 BC, perhaps longer, 135 00:17:43,000 --> 00:17:50,000 there was knowledge of esoteric technology that was brought to earth by the gods, by the angels. 136 00:17:50,000 --> 00:17:57,000 Especially this garment of many colors and the resurrection stick and this helmet of salvation, as it's called, 137 00:17:57,000 --> 00:18:06,000 these might be actual technologies and it's possible that they are, but there are also symbols of psychospiritual attributes within us. 138 00:18:06,000 --> 00:18:17,000 And this is what we see the ancient Egyptians obsessed with is how to activate the latent capabilities of our consciousness to open up our brain capacity 139 00:18:17,000 --> 00:18:26,000 to expand the abilities of the human body and ultimately to where the cloak or garment of light, the garment of many colors, just like the gods wore. 140 00:18:27,000 --> 00:18:33,000 So very key symbolism for us. And we see the symbolism appearing in the imagery of the seraphim. 141 00:18:33,000 --> 00:18:42,000 This is an enunciation scene where we see the archangel Gabriel, one of the seraphim, manifesting to Mary, the Virgin Mary. 142 00:18:42,000 --> 00:18:48,000 Gabriel has the resurrection stick in his hand. He wears the garment of many colors. 143 00:18:48,000 --> 00:18:54,000 And he also wears a jewel die-adm that indicates his expanded or open crown chakra. 144 00:18:54,000 --> 00:19:03,000 And here Gabriel, of course, is coming before Mary to tell her that she is going to be the Theo-Takos, or the bearer of the divine Christ child. 145 00:19:03,000 --> 00:19:15,000 It's interesting here that Roger Vanderbaden puts a red wing seraph on the cloak of Gabriel to reinforce this idea that this is one of the wing serpents that is manifested before Mary. 146 00:19:15,000 --> 00:19:23,000 And has come to Earth in order to take part in what we would today describe as some sort of a genetics alteration. 147 00:19:23,000 --> 00:19:32,000 Just like Patah is credited with an ancient Egypt. So very interesting correspondence there between Gabriel and Patah in terms of the symbolism. 148 00:19:32,000 --> 00:19:44,000 This is Bartel Bruins take on the same scenario where Gabriel is wearing this many colored garment. This feathered cloak holds the resurrection stick, which is actually a caduceus, which is in fact the same thing. 149 00:19:44,000 --> 00:20:05,000 And it is in fact the symbol of the seraph of the wing serpents. And Gabriel is portrayed using that stick, that holy stick, to conduct the soul of Jesus, which is descending on this light beam carrying the cross along with the dub of the Holy Spirit, this higher vibrational energy that will infuse Mary's body. 150 00:20:05,000 --> 00:20:15,000 And fulfill the Ascines ambition to manifest a new human being. The Ascines again, they who primarily develop the idea of the seraph them as our benefactors. 151 00:20:15,000 --> 00:20:31,000 And they also develop the belief that the human body can be transformed or turned into a vessel capable of holding a higher dimensional spiritual energy and thereby introduce a new version of humanity that is closer to the angels. 152 00:20:31,000 --> 00:20:45,000 And so that's actually what's going on in these scenes here. Again, Gabriel with the resurrection stick, the serpent rouge and conducting the dub of the Holy Spirit, the higher vibrational energy into the body of Mary. 153 00:20:45,000 --> 00:20:59,000 She is prepared for this experience just like many other of the Ascines women were, and this is a mental physical spiritual and emotional transformation that she's undergone preparatory to receiving this light or vibration. 154 00:20:59,000 --> 00:21:09,000 The seraph them, of course, are the angels, the watcher angels that were present on Easter morning. They are the men in white who were in the tomb of resurrection on Easter. 155 00:21:09,000 --> 00:21:21,000 And we're told in various accounts, for example, here coming from the Gospel of Luke, that an angel of the Lord came down from heaven at this moment. 156 00:21:22,000 --> 00:21:36,000 In another example, we're told that this being that manifested had an appearance like lightning, and clothes is white as snow, and brought a message to the female disciples who were present at that moment, not to be afraid. 157 00:21:36,000 --> 00:21:44,000 That is one of the prime messages of the watcher angels in the seraph them to rise, to elevate ourselves and to not be afraid. 158 00:21:44,000 --> 00:21:53,000 But this takes us into an really important direction in terms of our conversation about the seraph of these watcher angels, because we started to learn that they are lightning like. 159 00:21:54,000 --> 00:22:04,000 Lightning, of course, is plasma, and that's what our son is made of. So when the angels are telling us that their light beings, we now understand that they are actually plasma beings. 160 00:22:04,000 --> 00:22:12,000 In fact, in the Jewish mystical book, the Hechilot Zutari, we learned that they're walking us like the appearance of lightning, a lightning bolt, plasma. 161 00:22:12,000 --> 00:22:20,000 A vision of them is like a vision of a rainbow. Their faces are like the vision of a bride, and their wings are like the radiance of the clouds of glory. 162 00:22:20,000 --> 00:22:31,000 So these beings are lightning like the rainbow, huge, perhaps, and their radiance, meeting their luminous, and their glorious beings, meaning they glow rays. 163 00:22:32,000 --> 00:22:58,000 So we're going to put this cheesy plasma ball on here, and it's going to tip our imagination to recognize that what these ancient artists are trying to convey with these feathers is not necessarily that they're wearing feathered cloaks, but their bodies are feathered like because their luminous plasma like beings that can take on physical incarnation that reminds these artists that of what we think of as bird feathers. 164 00:22:58,000 --> 00:23:08,000 So in my opinion, we're clearly describing energetic beings, plasma beings, lightning like beings that take on this physical human resemblance. 165 00:23:08,000 --> 00:23:24,000 The Dead Sea Scrolls, the Asine's Tell Us, that these holy angels, the holy angels of the Lord, as they call them, come and go from the celestial realms to the earth realm through these whirling wheels, these red-winged wheels called Ophanum. 166 00:23:24,000 --> 00:23:43,000 And they, when they manifest between these whirling wheels, they're like a fiery vision of most holy spirits and around them stream rivulets of molten fire, again, suggesting plasma, like incandescent bronze, a radiance of many brilliant colors of exquisite, huge, gloriously mingled. 167 00:23:43,000 --> 00:23:55,000 So this is a human who's having a physical encounter with one of these beings and trying to describe them as lightning like beings, but also giving off many colored hues. 168 00:23:55,000 --> 00:24:08,000 And this is, I think, going to take us to the idea of where this many colored garment idea came from, these beings are radiating rainbow colored light, is what we surmise from these eyewitness descriptions. 169 00:24:08,000 --> 00:24:18,000 Around them, stream rivulets of molten fire, like incandescent bronze, a radiance of many brilliant colors of exquisite hues, gloriously mingled. 170 00:24:18,000 --> 00:24:37,000 So, bearing that description in mind, and the description that they come to earth through these winged wheels, we're fully developing the idea that these are beings that come from other realms that manifest on earth through some form of perhaps technology, the winged wheels. 171 00:24:37,000 --> 00:24:43,000 And when they manifest, they take on a physicality that can be described. 172 00:24:43,000 --> 00:24:56,000 And in Jewish mysticism, the best I can tell you is that the complete physical characteristics of these watcher beings includes a humanoid body, a serpentine face, a many colored garment. 173 00:24:56,000 --> 00:25:09,000 They rise up in the air like whirlwinds, their luminous or radiant, they have feathered cloaks or capes, many eyes, and they can fluidly morph or change form and shapeshift. 174 00:25:09,000 --> 00:25:18,000 All of the references behind these descriptions are mostly from the Dead Sea Scrolls and they're in my books, we don't have time to get into it today, but trust me, this is what they say about these beings. 175 00:25:18,000 --> 00:25:27,000 And finally, around them stream these rivlets of molten fire, a radiance of many brilliant colors of exquisite hues gloriously mingled. 176 00:25:27,000 --> 00:25:32,000 So, this is what we're dealing with from these eyewitness accounts of these beings. 177 00:25:32,000 --> 00:25:44,000 And the thing about it is, is that when we get into this, we start to realize that this is a class of beings that are described not just in Judeo-Christian tradition, or by the Assines. 178 00:25:44,000 --> 00:25:54,000 And here's my cheesy rainbow, I'm putting over them to tip the idea that they're rainbow-like beings, but we also find them in other traditions as well. 179 00:25:54,000 --> 00:26:05,000 Another example before we go forward is John the Revelator, who is visited by an angel who came down out of heaven, suggesting he came through some form of a portal or a gateway, 180 00:26:05,000 --> 00:26:13,000 who is clothed with a cloud and with a rainbow around his head who gave John a book to eat the tasted like honey. 181 00:26:13,000 --> 00:26:19,000 So, this is clearly one of these seraphim beings, these watcher angels that have manifested. 182 00:26:19,000 --> 00:26:31,000 And according to the Assines and the Dead Sea Scrolls, this book contained a teaching that they referred to in the Dead Sea Scrolls as the perfect way, the perfection of holiness, perfect holiness, 183 00:26:31,000 --> 00:26:44,000 or walking in the way of perfection. And it was given to the Assines by these other worldly beings, who they set in the scrolls were living with them at Khumran and Mount Carmel and other Assine outposts. 184 00:26:44,000 --> 00:26:52,000 And they referred to them as the Heavenly Holy ones, the sons of heaven, holy angels of the Lord, or the perfect ones. 185 00:26:53,000 --> 00:27:05,000 These angels delivered to the Assines the Heavenly Secret or Mystery that resulted in the transformation of their body into a supernatural substance or celestial flesh. 186 00:27:05,000 --> 00:27:18,000 And this is one reason I believe why the traditional church has demonized these beings, because you can't have a multitude of humans out there turning themselves from earthly flesh into celestial flesh. 187 00:27:18,000 --> 00:27:26,000 They're unmanageable and they don't pay taxes. So we got to control them. 188 00:27:26,000 --> 00:27:38,000 The Assines sought this bodily and spiritual perfection in order to transform the earth into a place of light and love, but also to cross over the boundary between earth and heaven. 189 00:27:38,000 --> 00:27:47,000 The Bible even says that flesh and blood cannot inherit the kingdom of heaven, suggesting a transformation is required preparatory to doing this. 190 00:27:47,000 --> 00:28:02,000 And this is what the Assines said these beings came to teach them, is how to cross that boundary and enter and dwell in a celestial city, the New Jerusalem or Zion, that they suggested is hovering above the earth. 191 00:28:02,000 --> 00:28:08,000 And then they would dwell with these angels in the perfect light for all eternity. 192 00:28:08,000 --> 00:28:16,000 Now the thing about this is that when you go to Tibet, you learn of what's called the Great Perfection Tradition. 193 00:28:16,000 --> 00:28:23,000 And in this tradition, the Tibetans teach that the human body was designed to be transformed into a being of light. 194 00:28:23,000 --> 00:28:38,000 Specifically, our body can be spun, twirled into a vortex, so its frequency is accelerated until it dissolves into five-coloured rainbow light, leaving behind only heretoen fingernails, which have no nerves to be transmuted. 195 00:28:38,000 --> 00:28:42,000 That's the Tibetan Great Perfection Tradition. 196 00:28:42,000 --> 00:28:47,000 And how many times in the past three minutes have I said the word perfect relative to the Assines? 197 00:28:47,000 --> 00:28:51,000 And this description that they were trying to attain a perfect body. 198 00:28:51,000 --> 00:28:59,000 I believe that what they're describing here is their transformation into the rainbow body of light of Tibetan Buddhism. 199 00:28:59,000 --> 00:29:06,000 And in this tradition, the Assines tell, excuse me, that Tibetans tell us that this teaching did not come from earth. 200 00:29:06,000 --> 00:29:14,000 It is a celestial teaching that they said is taught in 13 star systems, including our own. 201 00:29:14,000 --> 00:29:24,000 And when we look at these images of Taka's, these are from the Wind Horse Gallery here in London, which gifted these to me several years ago, we see some key symbols. 202 00:29:24,000 --> 00:29:31,000 We see Padma Sambaba, who is the guru who's been portrayed here, sitting on a lotus throne. 203 00:29:31,000 --> 00:29:37,000 He holds a resurrection stick in his hand. He holds a where's the crown of glory. 204 00:29:37,000 --> 00:29:44,000 He holds in his hand the Vodra, which is a Thunderbolt, which the Tibetan teaches the key of light to serve it. 205 00:29:44,000 --> 00:29:52,000 The key of light to the Tibetans, which is compassion and action, and he's also radiating golden rays. 206 00:29:52,000 --> 00:29:58,000 This is the next spiritual evolution of humanity, according to the Tibetans. 207 00:29:58,000 --> 00:30:05,000 And I believe this is what the Assines were trying to tell us, the celestial beings, the Seraphim, were teaching them. 208 00:30:06,000 --> 00:30:21,000 Now, as best as I can figure, the star systems in which this teaching is taught includes our star system, soul, but it also includes serious Orion, the Pleiades, Cygnus, Lyra, Vega, Arcturus, and Ursa Major. 209 00:30:21,000 --> 00:30:28,000 These are the star systems you see mentioned over and over again in myth and scripture throughout the past several thousand years. 210 00:30:28,000 --> 00:30:34,000 And many of these traditions describe beings coming and going from these star systems. 211 00:30:34,000 --> 00:30:49,000 And I propose that in part with the Tibetans are telling us is that these celestial beings came from this, this network of star systems in order to teach humanity how to raise ourselves into an ascended being just like the Seraphim. 212 00:30:49,000 --> 00:30:57,000 Something that's unique in my work is that the Tibetan rainbow body and the body of the Seraphim are the same thing. 213 00:30:57,000 --> 00:31:00,000 That's what these artists are trying to convey. 214 00:31:00,000 --> 00:31:09,000 And this is why Van Eyke has Jesus in a rainbow colored feathered garment, in many colored garment, because he's not describing him as a being with feathers. 215 00:31:09,000 --> 00:31:18,000 He's describing him as an energetic being that's manifesting and the energy coming from his body appears like feathers to the human eye. 216 00:31:18,000 --> 00:31:26,000 So the Tibetans don't say this and the Jews don't say that and the Christians don't say that, but I say that and I'm asking you to follow me in that connection. 217 00:31:26,000 --> 00:31:33,000 And I'm not stating that out of ego, but just to say that this is something new that we're trying to break ground on here. 218 00:31:33,000 --> 00:31:40,000 So what I'm suggesting is that the Seraphim, these beings of celestial flesh are in fact rainbow body beings. 219 00:31:40,000 --> 00:31:55,000 Every bit of the description of the watcher angels is portrayed in the ancient texts is seen in these images of the Tibetan rainbow body, including the serpentine face, the many colored garment and other attributes. 220 00:31:55,000 --> 00:32:10,000 Potah also exemplifies the set of symbolism as well. He stands here in the image from the tomb of Nefertari before a rainbow colored stairway to heaven, the tet pillar, the symbol of resurrection to the ancient Egyptians. 221 00:32:10,000 --> 00:32:24,000 He wears his tight fitting crossed garment as Gerald Massey poetically referred to it. He holds his resurrection stick. He's got the rainbow rings around his neck and he also wears his crown of wisdom or crown of salvation. 222 00:32:24,000 --> 00:32:48,000 Could just be pure entertainment that they happen to be carrying exactly the same symbols and have exactly the same meaning. Potah is an ascended being. He is a god of resurrection and is it possible that he actually, when he fashioned the human body, he tweaked our DNA in order for us as humans to become like the gods or like the angels. 223 00:32:48,000 --> 00:33:08,000 Is this how we account for the similarity and the symbolism and in the portrayal of these beings? Potah of course we know is connected with the star system serious, which is one of the star systems we talked about a moment ago as part of the network of these ancient star systems that have this teaching is taught. 224 00:33:08,000 --> 00:33:16,000 He goes to Osiris on his feathered ascension throne, wearing his again the crossed garment, the bright white garment of light. 225 00:33:16,000 --> 00:33:23,000 And by the way, what happens when you spin all the colors of the rainbow together? They form white, right? 226 00:33:23,000 --> 00:33:33,000 And so maybe this is another reason why Osiris wears this bright white garment. He's also got the rainbow necklace and look at his atf crown, the symbolism of the crown. 227 00:33:33,000 --> 00:33:47,000 Interesting to say the least that it matches very closely the energetic pattern of what we see in the Tibetan Tonka's of the rainbow body beings is Osiris in his resurrection a rainbow body being. 228 00:33:47,000 --> 00:34:00,000 We can't answer that definitively, but we can follow that trail and see that perhaps the ancient Egyptians in their descriptions in the pyramid text and elsewhere are describing human transformation into lightning like celestial beings. 229 00:34:00,000 --> 00:34:14,000 And what they meant by that is the same thing the Tibetan's mean when they describe human transformation into rainbow body beings. And that is the same thing that the asines mean when they talk about humans becoming perfect humans. 230 00:34:14,000 --> 00:34:19,000 And then the rainbow body teaching into bed is referred to as the great perfection. 231 00:34:19,000 --> 00:34:26,000 And his resurrected name Osiris took on the name when a nephor, the one who continues to be perfect. 232 00:34:26,000 --> 00:34:34,000 So that word perfect for me is sort of like a it's a golden needle I used to thread my way through various ancient traditions. 233 00:34:34,000 --> 00:34:52,000 And it may be that it's just a linguistic connection that that isn't actually valid, but in my opinion, I think you can we're making a very strong case here that we're dealing with extraterrestrial beings who came here to deliver to humanity a teaching about how we transform and then journey into the stars. 234 00:34:52,000 --> 00:35:03,000 And that word perfect or perfection is our key word that certainly resonates throughout time, but I also propose connects all these various resurrection teachings throughout time. 235 00:35:03,000 --> 00:35:15,000 Moses had an encounter in the book of Exodus that famous burning bush when an angel of the Lord appeared to him in a flame of fire out of the midst of a bush. 236 00:35:15,000 --> 00:35:24,000 What if he also encountered one of these rainbow body beings does this explain why Moses after this experience shown like the sun. 237 00:35:24,000 --> 00:35:40,000 And it's impossible that Moses learned how to affect this transformation and began to demonstrate to the Israelites how humans can turn into the shining ones literally beings of light and love just like the seraph and the rainbow body beings. 238 00:35:40,000 --> 00:35:53,000 To me, the most important part of my research in connecting these various traditions, the Judeo Christian, the Tibetan, the Egyptian and others has to do with this description in the new testament. 239 00:35:53,000 --> 00:36:12,000 The testament says that the watchers are the angels which kept not their first estate, but left their original habitation in the celestial realms at God's throne and are now being bound by everlasting chains of darkness awaiting the great day of judgment. 240 00:36:12,000 --> 00:36:22,000 Now what's important here is that this Greek word that's translated first estate is Okitaeary on, which according to Strong's Bible Dictionary. 241 00:36:22,000 --> 00:36:29,000 The dictionary speaks to a dwelling place or a habitation of the body as a dwelling place for the spirit. 242 00:36:29,000 --> 00:36:40,000 It's an abode for the soul. And the fact is that that word Okitaehran is used only one other time in the New Testament. 243 00:36:40,000 --> 00:36:56,000 It's not only describes the original body of the seraph and angels, the angels of the Lord, but specifically that word is used in one other place in second Corinthians to refer to the resurrection body or eternal spiritual light body of Christ. 244 00:36:56,000 --> 00:37:04,000 What that means is that the resurrection body of Christ and the body of the seraph are the same thing. 245 00:37:04,000 --> 00:37:12,000 That when the angels, the celestial beings, the seraph and the lived in heaven, they have the exact same body that Christ attained in his resurrection. 246 00:37:12,000 --> 00:37:21,000 And that was the whole mission of why the seraph came to dwell with the ascines, was to teach humanity how to become seraphim like. 247 00:37:21,000 --> 00:37:32,000 So in Christian art, when you see the resurrection of Christ taking place, you see him bursting out of the tomb in a radiant orb of light, surrounded very often by seraphim. 248 00:37:33,000 --> 00:37:41,000 By the winged serpents, because he is attaining the same celestial flesh that they possessed. 249 00:37:41,000 --> 00:37:54,000 And so in example, after example in Christian art, we will see the resurrection where they are trying to convey this idea that he is no longer in his earthly flesh, but he is in some sort of an energetic light body. 250 00:37:54,000 --> 00:38:00,000 And now we know that that light body is the same as the body of the seraphim. 251 00:38:00,000 --> 00:38:08,000 And this to me is a mission accomplished for them. They came and they taught at least one human how to affect this transformation. 252 00:38:08,000 --> 00:38:16,000 And in Christian art, when you see the resurrected Jesus, he is very often in a body surrounded by rainbow-colored light. 253 00:38:16,000 --> 00:38:22,000 A multi-hued body. This is the many colored garment that we have been trying to attain for so long. 254 00:38:22,000 --> 00:38:28,000 And even in the nostic gospel of Philip, we are told we must become perfect before leaving this world. 255 00:38:28,000 --> 00:38:34,000 Now, in this case, perfect can mean become whole, holy, complete, or compassionate. 256 00:38:34,000 --> 00:38:42,000 But if we follow my path, then what it is saying is that we must attain our rainbow body of light before leaving this world. 257 00:38:42,000 --> 00:38:58,000 In order to leave the third rock from the sun, according to the Dalai Lama, who understands this tradition, and teaches it, we have to transform our body into celestial flesh that matches that of the seraphim angels of the watchers. 258 00:38:58,000 --> 00:39:03,000 And this is the spiritual technology I am referring to that they brought to earth. 259 00:39:03,000 --> 00:39:18,000 And if I am correct in some of my assessments here, going back to ancient Egypt with the taught, he came here from serious to tweak human DNA so that we can affect this transformation or this perfection of our body. 260 00:39:18,000 --> 00:39:23,000 And the Ascines are examples, examples, the resurrection of Jesus is an example. 261 00:39:23,000 --> 00:39:28,000 And what they are all trying to convey is that within us, this isn't something we go get. 262 00:39:28,000 --> 00:39:32,000 This is something that is already within us. Something we reveal. 263 00:39:32,000 --> 00:39:40,000 We all have within us, this glorious, many colored garment of light that is covered up by our human skin. 264 00:39:40,000 --> 00:39:44,000 And this is a return to our original form. 265 00:39:44,000 --> 00:39:57,000 And in fact, Christian prophecy says that at the time of the judgment day, whenever that is, we will be changed by a sound wave, a last Trump or Trump that will sound in the dead. 266 00:39:57,000 --> 00:39:58,000 And that is what we are saying. 267 00:39:58,000 --> 00:40:00,000 And we will be able to do that. 268 00:40:00,000 --> 00:40:03,000 And we will be able to do that. 269 00:40:03,000 --> 00:40:06,000 And we will be able to do that. 270 00:40:06,000 --> 00:40:09,000 And we will be able to do that. 271 00:40:09,000 --> 00:40:12,000 And we will be able to do that. 272 00:40:12,000 --> 00:40:14,000 And we will be able to do that. 273 00:40:14,000 --> 00:40:18,000 And we will be able to do that. 274 00:40:18,000 --> 00:40:21,000 And we will be able to do that. 275 00:40:21,000 --> 00:40:24,000 And we will be able to do that. 276 00:40:24,000 --> 00:40:26,000 And we will be able to do that. 277 00:40:26,000 --> 00:40:28,000 And we will be able to do that. 278 00:40:28,000 --> 00:40:30,000 And we will be able to do that. 279 00:40:30,000 --> 00:40:32,000 And we will be able to do that. 280 00:40:32,000 --> 00:40:34,000 And we will be able to do that. 281 00:40:34,000 --> 00:40:36,000 And we will be able to do that. 282 00:40:36,000 --> 00:40:38,000 And we will be able to do that. 283 00:40:38,000 --> 00:40:40,000 And we will be able to do that. 284 00:40:40,000 --> 00:40:42,000 And we will be able to do that. 285 00:40:42,000 --> 00:40:44,000 And we will be able to do that. 286 00:40:44,000 --> 00:40:46,000 And we will be able to do that. 287 00:40:46,000 --> 00:40:48,000 And we will be able to do that. 288 00:40:48,000 --> 00:40:50,000 And we will be able to do that. 289 00:40:50,000 --> 00:40:52,000 And we will be able to do that. 290 00:40:52,000 --> 00:40:54,000 And we will be able to do that. 291 00:40:54,000 --> 00:40:56,000 And we will be able to do that. 292 00:40:56,000 --> 00:40:58,000 And we will be able to do that. 293 00:40:58,000 --> 00:41:00,000 And we will be able to do that. 294 00:41:00,000 --> 00:41:02,000 And we will be able to do that. 295 00:41:02,000 --> 00:41:04,000 And we will be able to do that. 296 00:41:04,000 --> 00:41:06,000 And we will be able to do that. 297 00:41:06,000 --> 00:41:08,000 And we will be able to do that. 298 00:41:08,000 --> 00:41:10,000 And we will be able to do that. 299 00:41:10,000 --> 00:41:12,000 And we will be able to do that. 300 00:41:12,000 --> 00:41:14,000 And we will be able to do that. 301 00:41:14,000 --> 00:41:16,000 And we will be able to do that. 302 00:41:16,000 --> 00:41:18,000 And we will be able to do that. 303 00:41:18,000 --> 00:41:20,000 And we will be able to do that. 304 00:41:20,000 --> 00:41:22,000 And we will be able to do that. 305 00:41:22,000 --> 00:41:24,000 And we will be able to do that. 306 00:41:24,000 --> 00:41:26,000 And we will be able to do that. 307 00:41:26,000 --> 00:41:28,000 And we will be able to do that. 308 00:41:28,000 --> 00:41:30,000 And we will be able to do that. 309 00:41:30,000 --> 00:41:32,000 And we will be able to do that. 310 00:41:32,000 --> 00:41:34,000 And we will be able to do that. 311 00:41:34,000 --> 00:41:36,000 And we will be able to do that. 312 00:41:36,000 --> 00:41:38,000 And we will be able to do that. 313 00:41:38,000 --> 00:41:40,000 And we will be able to do that. 314 00:41:40,000 --> 00:41:42,000 And we will be able to do that. 315 00:41:42,000 --> 00:41:44,000 And we will be able to do that. 316 00:41:44,000 --> 00:41:46,000 And we will be able to do that. 317 00:41:46,000 --> 00:41:48,000 And we will be able to do that. 318 00:41:48,000 --> 00:41:50,000 And we will be able to do that. 319 00:41:50,000 --> 00:41:52,000 And we will be able to do that. 320 00:41:52,000 --> 00:41:54,000 And we will be able to do that. 321 00:41:54,000 --> 00:41:56,000 And we will be able to do that. 322 00:41:56,000 --> 00:41:58,000 And we will be able to do that. 323 00:41:58,000 --> 00:42:00,000 And we will be able to do that. 324 00:42:00,000 --> 00:42:02,000 And we will be able to do that. 325 00:42:02,000 --> 00:42:04,000 And we will be able to do that. 326 00:42:04,000 --> 00:42:06,000 And we will be able to do that. 327 00:42:06,000 --> 00:42:08,000 And we will be able to do that. 328 00:42:08,000 --> 00:42:10,000 And we will be able to do that. 329 00:42:10,000 --> 00:42:12,000 And we will be able to do that. 330 00:42:12,000 --> 00:42:14,000 And we will be able to do that. 331 00:42:14,000 --> 00:42:16,000 And we will be able to do that. 332 00:42:16,000 --> 00:42:18,000 And we will be able to do that. 333 00:42:18,000 --> 00:42:20,000 And we will be able to do that. 334 00:42:20,000 --> 00:42:22,000 And we will be able to do that. 335 00:42:22,000 --> 00:42:24,000 And we will be able to do that. 336 00:42:24,000 --> 00:42:26,000 And we will be able to do that. 337 00:42:26,000 --> 00:42:28,000 And we will be able to do that. 338 00:42:28,000 --> 00:42:30,000 And we will be able to do that. 339 00:42:30,000 --> 00:42:32,000 And we will be able to do that. 340 00:42:32,000 --> 00:42:34,000 And we will be able to do that. 341 00:42:34,000 --> 00:42:36,000 And we will be able to do that. 342 00:42:36,000 --> 00:42:38,000 And we will be able to do that. 343 00:42:38,000 --> 00:42:40,000 And we will be able to do that. 344 00:42:40,000 --> 00:42:42,000 And we will be able to do that. 345 00:42:42,000 --> 00:42:44,000 And we will be able to do that. 346 00:42:44,000 --> 00:42:46,000 And we will be able to do that. 347 00:42:46,000 --> 00:42:48,000 And we will be able to do that. 348 00:42:48,000 --> 00:42:50,000 And we will be able to do that. 349 00:42:50,000 --> 00:42:52,000 And we will be able to do that. 350 00:42:52,000 --> 00:42:54,000 And we will be able to do that. 351 00:42:54,000 --> 00:42:56,000 And we will be able to do that. 352 00:42:56,000 --> 00:42:58,000 And we will be able to do that. 353 00:42:58,000 --> 00:43:00,000 And we will be able to do that. 354 00:43:00,000 --> 00:43:02,000 And we will be able to do that. 355 00:43:02,000 --> 00:43:04,000 And we will be able to do that. 356 00:43:04,000 --> 00:43:06,000 And we will be able to do that. 357 00:43:06,000 --> 00:43:08,000 And we will be able to do that. 358 00:43:08,000 --> 00:43:10,000 And we will be able to do that. 359 00:43:10,000 --> 00:43:12,000 And we will be able to do that. 360 00:43:12,000 --> 00:43:14,000 And we will be able to do that. 361 00:43:14,000 --> 00:43:16,000 And we will be able to do that. 362 00:43:16,000 --> 00:43:18,000 And we will be able to do that. 363 00:43:18,000 --> 00:43:20,000 And we will be able to do that. 364 00:43:20,000 --> 00:43:22,000 And we will be able to do that. 365 00:43:22,000 --> 00:43:24,000 And we will be able to do that. 366 00:43:24,000 --> 00:43:26,000 And we will be able to do that. 367 00:43:26,000 --> 00:43:28,000 And we will be able to do that. 368 00:43:28,000 --> 00:43:30,000 And we will be able to do that. 369 00:43:30,000 --> 00:43:32,000 And we will be able to do that. 370 00:43:32,000 --> 00:43:34,000 And we will be able to do that. 371 00:43:34,000 --> 00:43:36,000 And we will be able to do that. 372 00:43:36,000 --> 00:43:38,000 And we will be able to do that. 373 00:43:38,000 --> 00:43:40,000 And we will be able to do that. 374 00:43:40,000 --> 00:43:42,000 And we will be able to do that. 375 00:43:42,000 --> 00:43:44,000 And we will be able to do that. 376 00:43:44,000 --> 00:43:46,000 And we will be able to do that. 377 00:43:46,000 --> 00:43:48,000 And we will be able to do that. 378 00:43:48,000 --> 00:43:50,000 And we will be able to do that. 379 00:43:50,000 --> 00:43:52,000 And we will be able to do that. 380 00:43:52,000 --> 00:43:54,000 And we will be able to do that. 381 00:43:54,000 --> 00:43:56,000 And we will be able to do that. 382 00:43:56,000 --> 00:43:58,000 And we will be able to do that. 383 00:43:58,000 --> 00:44:00,000 And we will be able to do that. 384 00:44:00,000 --> 00:44:02,000 And we will be able to do that. 385 00:44:02,000 --> 00:44:04,000 And we will be able to do that. 386 00:44:04,000 --> 00:44:06,000 And we will be able to do that. 387 00:44:06,000 --> 00:44:08,000 And we will be able to do that. 388 00:44:08,000 --> 00:44:10,000 And we will be able to do that. 389 00:44:10,000 --> 00:44:12,000 And we will be able to do that. 390 00:44:12,000 --> 00:44:14,000 And we will be able to do that. 391 00:44:14,000 --> 00:44:16,000 And we will be able to do that. 392 00:44:16,000 --> 00:44:18,000 And we will be able to do that. 393 00:44:18,000 --> 00:44:20,000 And we will be able to do that. 394 00:44:20,000 --> 00:44:22,000 And we will be able to do that. 395 00:44:22,000 --> 00:44:24,000 And we will be able to do that. 396 00:44:24,000 --> 00:44:26,000 And we will be able to do that. 397 00:44:26,000 --> 00:44:28,000 And we will be able to do that. 398 00:44:28,000 --> 00:44:30,000 And we will be able to do that. 399 00:44:30,000 --> 00:44:32,000 And we will be able to do that. 400 00:44:32,000 --> 00:44:34,000 And we will be able to do that. 401 00:44:34,000 --> 00:44:36,000 And we will be able to do that. 402 00:44:36,000 --> 00:44:38,000 And we will be able to do that. 403 00:44:38,000 --> 00:44:40,000 And we will be able to do that. 404 00:44:40,000 --> 00:44:42,000 And we will be able to do that. 405 00:44:42,000 --> 00:44:44,000 And we will be able to do that. 406 00:44:44,000 --> 00:44:46,000 And we will be able to do that. 407 00:44:46,000 --> 00:44:48,000 And we will be able to do that. 408 00:44:48,000 --> 00:44:50,000 And we will be able to do that. 409 00:44:50,000 --> 00:44:52,000 And we will be able to do that. 410 00:44:52,000 --> 00:44:54,000 And we will be able to do that. 411 00:44:54,000 --> 00:44:56,000 And we will be able to do that. 412 00:44:56,000 --> 00:44:58,000 And we will be able to do that. 413 00:44:58,000 --> 00:45:00,000 And we will be able to do that. 414 00:45:00,000 --> 00:45:02,000 And we will be able to do that. 415 00:45:02,000 --> 00:45:04,000 And we will be able to do that. 416 00:45:04,000 --> 00:45:06,000 And we will be able to do that. 417 00:45:06,000 --> 00:45:08,000 And we will be able to do that. 418 00:45:08,000 --> 00:45:10,000 And we will be able to do that. 419 00:45:10,000 --> 00:45:12,000 And we will be able to do that. 420 00:45:12,000 --> 00:45:14,000 And we will be able to do that. 421 00:45:14,000 --> 00:45:16,000 And we will be able to do that. 422 00:45:16,000 --> 00:45:18,000 And we will be able to do that. 423 00:45:18,000 --> 00:45:20,000 And we will be able to do that. 424 00:45:20,000 --> 00:45:22,000 And we will be able to do that. 425 00:45:22,000 --> 00:45:24,000 And we will be able to do that. 426 00:45:24,000 --> 00:45:26,000 And we will be able to do that. 427 00:45:26,000 --> 00:45:28,000 And we will be able to do that. 428 00:45:28,000 --> 00:45:30,000 And we will be able to do that. 429 00:45:30,000 --> 00:45:32,000 And we will be able to do that. 430 00:45:32,000 --> 00:45:34,000 And we will be able to do that. 431 00:45:34,000 --> 00:45:36,000 And we will be able to do that. 432 00:45:36,000 --> 00:45:38,000 And we will be able to do that. 433 00:45:38,000 --> 00:45:40,000 And we will be able to do that. 434 00:45:40,000 --> 00:45:42,000 And we will be able to do that. 435 00:45:42,000 --> 00:45:44,000 And we will be able to do that. 436 00:45:44,000 --> 00:45:46,000 And we will be able to do that. 437 00:45:46,000 --> 00:45:48,000 And we will be able to do that. 438 00:45:48,000 --> 00:45:50,000 And we will be able to do that. 439 00:45:50,000 --> 00:45:52,000 And we will be able to do that. 440 00:45:52,000 --> 00:45:54,000 And we will be able to do that. 441 00:45:54,000 --> 00:45:56,000 And we will be able to do that. 442 00:45:56,000 --> 00:45:58,000 And we will be able to do that. 443 00:45:58,000 --> 00:46:00,000 And we will be able to do that. 444 00:46:00,000 --> 00:46:02,000 And we will be able to do that. 445 00:46:02,000 --> 00:46:04,000 And we will be able to do that. 446 00:46:04,000 --> 00:46:06,000 And we will be able to do that. 447 00:46:06,000 --> 00:46:08,000 And we will be able to do that. 448 00:46:08,000 --> 00:46:10,000 And we will be able to do that. 449 00:46:10,000 --> 00:46:12,000 And we will be able to do that. 450 00:46:12,000 --> 00:46:14,000 And we will be able to do that. 451 00:46:14,000 --> 00:46:16,000 And we will be able to do that. 452 00:46:16,000 --> 00:46:18,000 And we will be able to do that. 453 00:46:18,000 --> 00:46:20,000 And we will be able to do that. 454 00:46:20,000 --> 00:46:22,000 And we will be able to do that. 455 00:46:22,000 --> 00:46:24,000 And we will be able to do that. 456 00:46:24,000 --> 00:46:26,000 And we will be able to do that. 457 00:46:26,000 --> 00:46:28,000 And we will be able to do that. 458 00:46:28,000 --> 00:46:30,000 And we will be able to do that. 459 00:46:30,000 --> 00:46:32,000 And we will be able to do that. 460 00:46:32,000 --> 00:46:34,000 And we will be able to do that. 461 00:46:34,000 --> 00:46:36,000 And we will be able to do that. 462 00:46:36,000 --> 00:46:38,000 And we will be able to do that. 463 00:46:38,000 --> 00:46:40,000 And we will be able to do that. 464 00:46:40,000 --> 00:46:42,000 And we will be able to do that. 465 00:46:42,000 --> 00:46:44,000 And we will be able to do that. 466 00:46:44,000 --> 00:46:46,000 And we will be able to do that. 467 00:46:46,000 --> 00:46:48,000 And we will be able to do that. 468 00:46:48,000 --> 00:46:50,000 And we will be able to do that. 469 00:46:50,000 --> 00:46:52,000 And we will be able to do that. 470 00:46:52,000 --> 00:46:54,000 And we will be able to do that. 471 00:46:54,000 --> 00:46:56,000 And we will be able to do that. 472 00:46:56,000 --> 00:46:58,000 And we will be able to do that. 473 00:46:58,000 --> 00:47:00,000 And we will be able to do that. 474 00:47:00,000 --> 00:47:02,000 And we will be able to do that. 475 00:47:02,000 --> 00:47:04,000 And we will be able to do that. 476 00:47:04,000 --> 00:47:06,000 And we will be able to do that. 477 00:47:06,000 --> 00:47:08,000 And we will be able to do that. 478 00:47:08,000 --> 00:47:10,000 And we will be able to do that. 479 00:47:10,000 --> 00:47:12,000 And we will be able to do that. 480 00:47:12,000 --> 00:47:14,000 And we will be able to do that. 481 00:47:14,000 --> 00:47:16,000 And we will be able to do that. 482 00:47:16,000 --> 00:47:18,000 And we will be able to do that. 483 00:47:18,000 --> 00:47:20,000 And we will be able to do that. 484 00:47:20,000 --> 00:47:22,000 And we will be able to do that. 485 00:47:22,000 --> 00:47:24,000 And we will be able to do that. 486 00:47:24,000 --> 00:47:26,000 And we will be able to do that. 487 00:47:26,000 --> 00:47:28,000 And we will be able to do that. 488 00:47:28,000 --> 00:47:30,000 And we will be able to do that. 489 00:47:30,000 --> 00:47:32,000 And we will be able to do that. 490 00:47:32,000 --> 00:47:34,000 And we will be able to do that. 491 00:47:34,000 --> 00:47:36,000 And we will be able to do that. 492 00:47:36,000 --> 00:47:38,000 And we will be able to do that. 493 00:47:38,000 --> 00:47:40,000 And we will be able to do that. 494 00:47:40,000 --> 00:47:42,000 And we will be able to do that. 495 00:47:42,000 --> 00:47:44,000 And we will be able to do that. 496 00:47:44,000 --> 00:47:46,000 And we will be able to do that. 497 00:47:46,000 --> 00:47:48,000 And we will be able to do that. 498 00:47:48,000 --> 00:47:50,000 And we will be able to do that. 499 00:47:50,000 --> 00:47:52,000 And we will be able to do that. 500 00:47:52,000 --> 00:47:54,000 And we will be able to do that. 501 00:47:54,000 --> 00:47:56,000 And we will be able to do that. 502 00:47:56,000 --> 00:47:58,000 And we will be able to do that. 503 00:47:58,000 --> 00:48:00,000 And we will be able to do that. 504 00:48:00,000 --> 00:48:02,000 And we will be able to do that. 505 00:48:02,000 --> 00:48:04,000 And we will be able to do that. 506 00:48:04,000 --> 00:48:06,000 And we will be able to do that. 507 00:48:06,000 --> 00:48:08,000 And we will be able to do that. 508 00:48:08,000 --> 00:48:10,000 And we will be able to do that. 509 00:48:10,000 --> 00:48:12,000 And we will be able to do that. 510 00:48:12,000 --> 00:48:14,000 And we will be able to do that. 511 00:48:14,000 --> 00:48:16,000 And we will be able to do that. 512 00:48:16,000 --> 00:48:18,000 And we will be able to do that. 513 00:48:18,000 --> 00:48:20,000 And we will be able to do that. 514 00:48:20,000 --> 00:48:26,800 And by studying this ancient art, we learn about the ultimate capability of human DNA, and what is 515 00:48:26,800 --> 00:48:29,000 unfolded within all of us. 516 00:48:29,000 --> 00:48:34,000 At the end of his dance, he collapses his second skirt into a bundle. 517 00:48:34,000 --> 00:48:39,440 And his assistant brings him a linen shroud, which he wraps the bundle with, and then feeds 518 00:48:39,440 --> 00:48:41,440 it milk. 519 00:48:41,440 --> 00:48:44,000 The idea here is what? 520 00:48:44,000 --> 00:48:47,000 How did you get here? 521 00:48:47,000 --> 00:48:53,000 Before you took on one of these things, where were you in the cosmos? 522 00:48:53,000 --> 00:48:57,000 And after you leave here, where are you going? 523 00:48:57,000 --> 00:49:00,000 We have health plans, career plans. 524 00:49:00,000 --> 00:49:02,000 We have pension plans. 525 00:49:02,000 --> 00:49:04,000 What's your ascension plan? 526 00:49:04,000 --> 00:49:06,000 Right? 527 00:49:06,000 --> 00:49:08,000 Where are we going to go after this? 528 00:49:08,000 --> 00:49:11,000 And how are we going to get there? 529 00:49:11,000 --> 00:49:14,000 This is what these ancients are trying to answer. 530 00:49:14,000 --> 00:49:21,000 And it also says to me that as we embrace this idea, this expansive cosmos, it opens 531 00:49:21,000 --> 00:49:26,000 our consciousness, and will lead to the birth of a new human who is less concerned about 532 00:49:26,000 --> 00:49:32,000 earthly affairs and more interested in how we connect ourselves with the cosmos, which is what? 533 00:49:32,000 --> 00:49:34,000 All these ancient sites we study are about. 534 00:49:34,000 --> 00:49:38,000 How do we make this connection between the earthly and the heavenly, where is it? 535 00:49:38,000 --> 00:49:41,000 Where is the old mex stone henge, the pyramids, wherever? 536 00:49:41,000 --> 00:49:47,000 That is the fundamental question unfolded or encoded within all of those ancient monuments. 537 00:49:47,000 --> 00:49:55,000 But the basic idea here is that our human body can be spun or accelerated into a vortex 538 00:49:55,000 --> 00:50:04,000 or a flying saucer of energy that ultimately manifests as five-colored rainbow light, even the colors are the same. 539 00:50:04,000 --> 00:50:10,000 And these are traditional colors that this mystic Islamic dancer is displaying here, even the colors are the same. 540 00:50:10,000 --> 00:50:19,000 This new body is called the rainbow body of light or the glory body, and it resembles a misty or luminous cloud, 541 00:50:19,000 --> 00:50:27,000 which is why you see Jesus flying around on a cloud in second coming imagery and why he's in the ring. 542 00:50:27,000 --> 00:50:32,000 Because it suggests or tells us that he has attained this higher level of awareness. 543 00:50:32,000 --> 00:50:41,000 So I connect the Tibetan Lama in the rainbow ring with Jesus, and also the ancient Samarion depictions of the Anunnaki in their winged rings. 544 00:50:41,000 --> 00:50:45,000 Those are probably not hardware flying saucers, although they could be. 545 00:50:45,000 --> 00:50:54,000 More than likely, we are dealing with higher consciousness beings who have manifested a more vibrant or light body. 546 00:50:54,000 --> 00:51:02,000 And as I discussed in my book The Judgment Day to Vice, these beings, the Seraphim, are type three or type four beings on the Kardishev scale. 547 00:51:02,000 --> 00:51:09,000 They have the ability to travel throughout the galaxy. They can open gateways, portals, they can manifest human bodies. 548 00:51:09,000 --> 00:51:12,000 They can do all kinds of incredible things. 549 00:51:12,000 --> 00:51:16,000 You might ask, have I ever encountered a Seraph? 550 00:51:16,000 --> 00:51:20,000 And I have a tentative yes answer. 551 00:51:20,000 --> 00:51:23,000 I was in, sorry about that, I don't know what that was. 552 00:51:23,000 --> 00:51:29,000 I was at James Gillilin's Ranch in Upstate Washington in the northwest of the US. 553 00:51:29,000 --> 00:51:34,000 And I gave a talk about the Seraphim, and afterwards James comes up and he says, 554 00:51:34,000 --> 00:51:38,000 Yeah, tonight at an Anunnaki, we're going to open a portal and invite some Seraphim in. 555 00:51:38,000 --> 00:51:42,000 Everybody just kind of laughed, including me. It's like, what are you talking about? 556 00:51:42,000 --> 00:51:48,000 So sure enough, after that, get together, we all walk outside of this building. There's probably 300 people there. 557 00:51:48,000 --> 00:51:56,000 And I'm standing there with a group of about 20 people, and I look up into the sky and here comes this bright orange orb of light. 558 00:51:56,000 --> 00:51:59,000 And it's silently floating. 559 00:51:59,000 --> 00:52:04,000 And I, if there's no noise, it's not a helicopter, it's not a plane, you kind of go through the checklist. 560 00:52:04,000 --> 00:52:10,000 Somebody had the presence of mind to pull out a cell phone camera and they took this video. 561 00:52:10,000 --> 00:52:19,000 And while you can't see exactly what we saw, I want you to just kind of judge what we experienced by the reaction of the crowd. 562 00:52:26,000 --> 00:52:28,000 There it is right there. 563 00:52:41,000 --> 00:52:45,000 Yeah. 564 00:52:45,000 --> 00:52:48,000 You get the idea. 565 00:52:48,000 --> 00:52:52,000 Pure joy. Pure joy. Exuberance. 566 00:52:52,000 --> 00:52:55,000 But closer to home, let's go to Hatfield House. 567 00:52:55,000 --> 00:53:02,000 And let's look at one of the famous most famous portraits in British history, the rainbow portrait of Queen Elizabeth I. 568 00:53:02,000 --> 00:53:17,000 Why of all things, the doctor John D. choose the symbolism portray Elizabeth. Why is she covered with eyes? Why does she have a feathered serpent on her arm? Why does she hold a rainbow? 569 00:53:17,000 --> 00:53:23,000 The reason is, in my opinion, is because she is being portrayed not as just the fairy queen Gloria Anna. 570 00:53:23,000 --> 00:53:27,000 And the belief was of course that Elizabeth was a star child who took on human incarnation. 571 00:53:27,000 --> 00:53:33,000 But because John D. wanted you to believe that Elizabeth was in fact a serif. 572 00:53:33,000 --> 00:53:36,000 Now, whether you believe that or not, it's up to you. 573 00:53:36,000 --> 00:53:39,000 But the fact of the matter is, is that symbolism is there. 574 00:53:39,000 --> 00:53:51,000 And John D. said that this image, this painting, was an icon that was meant to draw down spiritual power to ensure the prosperity of Great Britain during her reign and thereafter. 575 00:53:51,000 --> 00:53:58,000 So it's an interesting that this body of symbolism should appear in this really powerful and important painting. 576 00:53:58,000 --> 00:54:03,000 Moses is, I said earlier, had an encounter with what I believe is a serif. 577 00:54:03,000 --> 00:54:09,000 Twice, not just the burning bush, but he also lifted the serpent of healing in the wilderness. 578 00:54:09,000 --> 00:54:11,000 It's called the Nehustin. 579 00:54:11,000 --> 00:54:15,000 That is the logo of the serif. 580 00:54:15,000 --> 00:54:21,000 And what happened in this episode is that Moses lifts the serpent the Nehustin. 581 00:54:21,000 --> 00:54:31,000 And by virtue of doing so, I propose a serif actually manifested two deus realites as a rainbow body being. 582 00:54:31,000 --> 00:54:37,000 Jesus directly referred to that incident when he talked about the secret of eternal life. 583 00:54:37,000 --> 00:54:42,000 When he said his Moses lifted up the serpent in the wilderness, even so much the son of man lifted up, 584 00:54:42,000 --> 00:54:46,000 whoever believed that the hymn should not perish but will have eternal life. 585 00:54:46,000 --> 00:54:56,000 I think Jesus is referring to the spiritual technology of the serifum and telling us that if we want to attain our light body and eternal life to learn the symbolism of the Nehustin. 586 00:54:56,000 --> 00:55:08,000 And this is exactly what we see once again at Dendera, where we see a being lifting up a tube that is curiously similar to if not identical to what we today call a plasma tube. 587 00:55:08,000 --> 00:55:12,000 And we see that there is a serpent that is within this tube. 588 00:55:12,000 --> 00:55:24,000 So symbolically speaking, what we're looking at here is someone lifting or holding a serpent by definition in this realite symbolism. 589 00:55:24,000 --> 00:55:29,000 That is a Nehustin that is being lifted up in the crypt at Dendera. 590 00:55:29,000 --> 00:55:32,000 And it could well be that it's in fact a plasma being that's holding it. 591 00:55:32,000 --> 00:55:42,000 But another image that we want to draw attention to comes from Abados in Egypt, where we see the same serpent lifted up now on this pillar. 592 00:55:42,000 --> 00:55:50,000 When we take this imagery here and you can see the this serpent lifted on a pole is identical to this serpent on a pole. 593 00:55:50,000 --> 00:55:55,000 When we connect these images, we're led to a very very provocative place. 594 00:55:55,000 --> 00:56:02,000 This right here is part of the hierarchical of the head of Osiris, the Egyptian god of resurrection. 595 00:56:02,000 --> 00:56:06,000 It's actually the Egyptian symbol for the hope for the afterlife. 596 00:56:06,000 --> 00:56:15,000 And when you assemble all of these symbols here, you get this complete device which is in the Osiris chapel at Abados. 597 00:56:15,000 --> 00:56:19,000 It's referred to as the latter or stairway to Heaven. 598 00:56:20,000 --> 00:56:23,000 And again, it's the symbol of Osiris. 599 00:56:23,000 --> 00:56:29,000 It's the head of Osiris and it looks to a modern eye like it's quite mechanical looking. 600 00:56:29,000 --> 00:56:32,000 Like this is some kind of machine perhaps. 601 00:56:32,000 --> 00:56:40,000 Some of you are probably looking at this right now and saying that the base or platform that this thing sits on that this pillar, the head of Osiris sits on, 602 00:56:40,000 --> 00:56:44,000 bears a striking resemblance to what we think of as the arc of the covenant. 603 00:56:44,000 --> 00:56:47,000 And I think you would be very correct in that assessment. 604 00:56:47,000 --> 00:57:00,000 It was of course the arc of the covenant was the device signed seal or symbol upon which the Israelite god Yahweh manifested as a luminous, humanoid figure with a rainbow aura. 605 00:57:00,000 --> 00:57:02,000 You see where I'm going with this? 606 00:57:02,000 --> 00:57:11,000 That perhaps what we're talking about here with the arc of the covenant, and with the Osiris devices I referred to it, is the technology of the seraphim, 607 00:57:11,000 --> 00:57:15,000 and that's why they're portrayed guarding the arc of the covenant. 608 00:57:15,000 --> 00:57:17,000 It's their device. 609 00:57:17,000 --> 00:57:29,000 It is their signed seal, symbol tool, or appliance that is used ultimately, I believe, and proposed to transform the human body into another form. 610 00:57:29,000 --> 00:57:37,000 And so we go to each of, or actually seeing here with the Osiris device, which again I'm suggesting was broad here, or belong to the seraphim, 611 00:57:37,000 --> 00:57:41,000 is actually the fully constructed arc of the covenant. 612 00:57:41,000 --> 00:57:48,000 When you compare these two images, you see that the two tablets of the law are the two ostrich feathers of tablets on top of the arc. 613 00:57:48,000 --> 00:57:52,000 The rod of Aaron, whose name means enlightenment, is this rod right here. 614 00:57:52,000 --> 00:58:02,000 And the arc platform is obviously the same, or the arc box is obviously the same, is this platform upon which the head of Osiris is screwed in. 615 00:58:02,000 --> 00:58:09,000 So I believe and propose that what we see here is actually a spiritual technology brought to earth by the seraphim, 616 00:58:09,000 --> 00:58:17,000 that the Egyptians knew of is the head of Osiris, or the ultimate symbol for the hope for the afterlife. 617 00:58:17,000 --> 00:58:27,000 So here we see a traditional image of Israelites carrying the arc of the covenant, the feathered arc, and we see it beside the fully assembled Osiris device here. 618 00:58:27,000 --> 00:58:32,000 But in fact, what we're looking at here is not the Osiris device from Abados. 619 00:58:32,000 --> 00:58:38,000 It's the same symbolism, but what we're looking at here with this feathered platform, this garment of light, this book, 620 00:58:38,000 --> 00:58:46,000 and this cross attached to it, is known to Christianity as the Adamacia, or the throne of Christ. 621 00:58:46,000 --> 00:58:51,000 This is the signed symbol or seal of the resurrected Christ. 622 00:58:52,000 --> 00:59:10,000 And it's exactly the same thing as the head of Osiris symbolically speaking, again brought here by the seraphim, which is why in Christian second coming are you see Jesus in a orb of light up here with his Ophanom wheels and his symbol right beside him. 623 00:59:10,000 --> 00:59:14,000 It's because it's his property, it's his signed seal or symbol. 624 00:59:14,000 --> 00:59:23,000 And not only do you see Jesus in his ascended form beside this device, but you see that it's also guarded by the seraphim. 625 00:59:23,000 --> 00:59:26,000 Because it's their device too. 626 00:59:26,000 --> 00:59:29,000 Refer to it as a resurrection machine. 627 00:59:29,000 --> 00:59:32,000 If you like, there's lots of different ways we can go with this. 628 00:59:32,000 --> 00:59:36,000 We've only got a couple minutes left, and I just wanted to leave you with this parting thought. 629 00:59:36,000 --> 00:59:45,000 That this is the sign or symbol or spiritual technology of the seraphim brought from another world that manifested in ancient Egypt, 630 00:59:45,000 --> 00:59:53,000 in manifest Christianity as the symbol for Jesus, the resurrected Jesus and ultimately it all tells us the same story. 631 00:59:53,000 --> 01:00:00:00,000 These angels who are here again beside the fully assembled Ark of the Covenant are the seraphim. 632 01:00:00,000 --> 01:00:10,000 And their spiritual technology is designed to transform humans into rainbow-like beings who can then travel into the cosmos. 633 01:00:10,000 --> 01:00:16,000 Now, one parting thought I'm going to leave you with because some of you are probably going who cares. 634 01:00:16,000 --> 01:00:21,000 I don't believe in Christianity anyway, and a lot of this stuff is just a bunch of garbage, blah, blah, blah. 635 01:00:21,000 --> 01:00:29,000 Well, let's finish with a thought here from, we'll just cruise through these images here of the fully assembled Ark of the Covenant. 636 01:00:29,000 --> 01:00:32,000 And that the throne of Christ actually. 637 01:00:32,000 --> 01:00:36,000 And let's finish here with what's happened recently. 638 01:00:36,000 --> 01:00:41,000 You might have heard of the WikiLeaks leaks that happened just a few weeks ago. 639 01:00:41,000 --> 01:00:45,000 John Podesta at that time was Hillary Clinton's chief of staff. 640 01:00:45,000 --> 01:00:48,000 He's a major proponent of UFO disclosure. 641 01:00:48,000 --> 01:00:56,000 And it said publicly that one of his greatest failures when he worked for President Obama was that he did not disclose the existence of aliens in UFOs publicly. 642 01:00:57,000 --> 01:01:07,000 There was a WikiLeaks dump that revealed conversations that John Podesta had with Dr. Edgar Mitchell, the sixth man to walk on the moon. 643 01:01:07,000 --> 01:01:14,000 And they had conversations about the existence of aliens, alien technology, and space warfare. 644 01:01:14,000 --> 01:01:24,000 One, a miss of opens with an urgent request by Dr. Mitchell to discuss zero point energy, a free energy device, and disclosure. 645 01:01:24,000 --> 01:01:39,000 The digital claimed that he was working with higher dimensional extraterrestrial beings from a contiguous universe, as he described it, who wished to give humanity a zero point device that would solve all of our energy problems. 646 01:01:39,000 --> 01:01:50,000 And presumably, at least according to the belief of Dr. Mitchell, lead to the transformation of humanity into a peaceful race that ultimately then can journey into the stars. 647 01:01:50,000 --> 01:02:02,000 That was his hope. Call him crazy, but that was his hope. And he was working at the highest levels of the US government to disclose the existence of these beings and the existence of their technology. 648 01:02:02,000 --> 01:02:12,000 What I proposed to you is that what Dr. Mitchell was actually describing when he's envisioning what he described extraterrestrial intelligence is from a contiguous universe. 649 01:02:12,000 --> 01:02:26,000 And he goes on to say that these beings work directly with God and are directly obedient to God. There's only one class of extraterrestrial beings that I know of that are in the human record and have been there for several thousand years. 650 01:02:26,000 --> 01:02:34,000 The beings that Dr. Mitchell and here are some of these WikiLeaks emails that spell this out. 651 01:02:34,000 --> 01:02:44,000 The beings that I believe that Dr. Mitchell was trying to get Podesta and the US government to acknowledge the existence of are the seraphim. 652 01:02:44,000 --> 01:03:00,000 They are directly obedient to God. They come from the throne of God and as we have just demonstrated, they also sought to bring to humankind a device, a spiritual technology about human transformation into celestial beings that could even be a free energy device. 653 01:03:00,000 --> 01:03:07,000 Thank you very much for your kind attention. Thank you, Andrew. 654 01:03:30,000 --> 01:03:37,000 Thank you. 655 01:04:00,000 --> 01:04:07,000 Thank you.