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So, Giza, now obviously Robert's introduced you to the fact that Giza isn't just some other place in the world that you're

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know, the fair rows of ancient Egypt were buried.

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There was something bigger going on here.

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And certainly for over 100 years, probably 150 years, people have looked in terms of some kind

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of grand design to the layout of the three main pyramids of Giza.

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And I'll be honest, that when you look online and you Google sort of grand design Giza,

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you get loads of maps and they're absolutely covered with lines.

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And you look at them, you think, I don't know how the hell they've achieved this or what it actually

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means and for the most part, you'll probably leave it at that point.

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But this is something which certainly seems to be a reality.

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The three main pyramids of Giza and as I'll show, the things, monument itself, do seem

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to come, come from to a very rigid, underlying geometry, one which you'll see develop

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in two stages here.

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And it's a very, very interesting story.

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Now, one of the prime sources of the information relating to the layout of the three

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Giza pyramids in the past was that of the great Egyptologist, Flinders Petray.

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He did an incredible surveying survey of the plateau at the beginning of the 1880s.

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And all of the different measurements that he achieved during this time have been used,

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virtually up to the modern day, for any kind of study of a grand design.

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Some kind of, you know, master plan if you like of the layout of the pyramids.

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However, all this really changed in the 1980s when the so-called Giza plateau mapping project began

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to work at Giza.

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And the main guy involved with this was Dr. Mark Lennon, who's an Egyptologist who originally

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interested in enough, was financed by the Echocacy Foundation, who obviously believe in

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the whole of records and things like that.

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And if which I've got, you know, quite some closer associations with it as well.

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But anyway, Mark Lennon has got on to, you know, much more orthodox, conventional

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style Egyptology.

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But one of the most important things that he certainly initiated was this Giza plateau mapping project.

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And basically what they did was to start again to define all of the positions of the three

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main pyramids and many other key monuments.

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And this is the sort of stuff that they were doing from various primary survey points.

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Now, for reasons which were coming to a little later, my good friend and colleague, the

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chartered engineer Rodney Hale, decided in December last year that we should use this material

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and start again and look at this whole idea of a grand-design at Giza.

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I mean, I'd previously, working with Rodney, had had various attempts to this have been published

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in earlier books.

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But Rodney wanted to recreate all of the information that was available from the Giza plateau

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mapping project.

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And bear in mind that their absolute raw data has never been released into the public eye.

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But there's enough there to be able to generate a program on an XDL spreadsheet, which can

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then generate maps and things like this and which can then be attached and connected with

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very specific style alignments and whatever based on an astronomical program.

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It seems to be the most important one that people are using these days.

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The cartel seal, we call it CDC.

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And put in all of this information and generating the answers.

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So instead of just looking at Google Earth and just putting stars on maps and things like this,

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which obviously is fun to do and has been going on for an awful long time or just drawing lines,

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connecting different pyramids, this is all absolutely computed generated to absolute position,

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certainly within two to three meters because that's about as accurate as you can get as far as

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the pixels and things like that are concerned.

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So anyway, this was begun in December and the idea of this, of actually was to have it

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actually academically published, which was achieved earlier on this year, which would come on too.

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However, to do this, certain assumptions had to be met.

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And those assumptions, whether right or wrong, are the three main pyramids at geese are

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are sepulcrole monuments for the full-dinner's drawings, kufu, kaffri, and minkara.

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For a date of approximately 2,500 to 2,500 BC, now this is the standard time frame, obviously,

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of ancient Egyptian, Alkingdom, Fulfid dynasty history for the erection of the different

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monuments at Kufu, but this is not controversial or anything like that. But we had to create a basis,

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because otherwise you cannot program stars and alignments or things like that,

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yeah, this has to be done properly. Now, this is one of the maps that the geese are plateauing

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mapping project have used. I mean, there are variations, and we looked at every single one of them.

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We looked at the differences, we compared them with a number of different satellite maps

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to see which ones were accurate, and I'll be honest, some of them are more accurate than others,

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but there seems to be a consensus of data relating to dimensions, which we used very specifically.

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Now, the first thing which Rodney discovered, and again, this is not new, but we

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recheck this absolutely completely, is that an echo lateral triangle can be formed between the

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absolute vertexes, that's the peaks of G1, which is the great pyramid, and G3, which is the third pyramid,

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and a point here, a third point here, which we called the datum, or the datum point.

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Now, you think, okay, sorry, you haven't hit the second pyramid, so what's important down here.

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Well, the fact is that at that spot, exactly on the heights of that spot,

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is something known as Jebel Ghibli, which basically just means the sudden hill, but it's also considered

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by some to be almost the fourth pyramid, because it jumps out in a manner,

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which almost resembles the appearance of the pyramids when looked at from certain angles.

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And the importance about Jebel Ghibli, which is a perfect high point to view, the entire plateau at Giza,

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is that this was also the primary survey point that that, on that one, I shall say, is it not

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that's under there? Yeah, it is there. Yeah. It was on the primary survey points that was used

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by the Giza plateau, mapping project, to actually do their whole survey. In other words,

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they went to the top of it and started all of their work from that point. They moved around

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to other different points, you know, many different locations, and came back to the same point.

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And their accuracy was within just a few centimeters. It's quite remarkable, our accurate.

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They did this survey. Now, the interesting about Jebel Ghibli,

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is that it has various local names in folklore, but the one which I find most interesting

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is that it's known as Tafaya, which means the place of beginning, which I think is very apt

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as far as it's used as any kind of datum or survey point.

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So, if this is the case, then maybe other geometry can develop from this datum point and what

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Rodney determined is that a perfect 345 triangle can be drawn by using the datum point and a

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north-south datum line from that exact point. And if you turn from there, you hit the vertex or the

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peak of the second pyramid and return back to datum point. That's a perfect 345 triangle,

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which will come on to shortly the importance of those. And as I said, that matches the north-south

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absolute north-south meridian line, which also takes you through the face or the head of the

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sinks, which as Rodney would say is a pigeon, I suppose. But we won't get into that play.

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But, you know, all this could obviously, as we say, be coincidence. So, let's follow it and see what

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happens. But the interesting fact that that's arising from that simple fact is that it would suggest

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if that's correct that even before the pyramids were constructed, this place called Jeville Ghibli,

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and also the sinks, promontory, in other words, the actual rocky no or outcrope from which the

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sinks were eventually, or finally carved, was impolite, even before the pyramids were erected.

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And that's interesting because a prehistory, in the prehistory, in the old name of Serena

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Love, in 2006, published the paper, basically suggesting that the sinks no, before it had even been

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carved, may have been some kind of similar lacquer. In other words, it had the face of a, she suggested

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a human, or that could obviously be feline, and that this may have commanded the interest

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in the plateau, in the first place, and that there's evidence of burials in the vicinity of the

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sinks, going back at least to 3,500 BC, belonging to the so called Mardi culture. So, in other words,

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it may well be that the sinks promontory or the sinks no was something that is incredibly important

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and a very early age. But not necessarily saying that it was carved into the form that you see

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today, in other words, the feline body with the human heads, but something was going on there,

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either it was a natural simulacra, or the local cultures had somehow sculpted the promontory,

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but it was a rocky no, it stuck out of the ground just as you can see, from this image, from which

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was slightly romantic, but obviously shows Napoleon turning up at the sinks at the turn of the 18th

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century. And of course, you know, this is what they found before it was excavated,

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the head of the sinks was there, part of the body, and whatever. So you could see it, that was the

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rocky no, it was a promontory, that had been there for a very long time. Now, the idea of 3,45 triangles

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is something that we most associate with Pythagoras who lived during the 6th century BC.

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And you might query there for the fact that a 3,45 triangle, which is incredibly important to

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geometry, might be found at Giza, but it is a fact, it's currently going back to the pyramid age,

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that the ancient Egyptians used 3,45 triangles. You would get after the inundation

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for instance, a lot of the field boundaries would be lost, and they would get in these,

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what they call, rope stretches, and they would have a rope that had knots that was 3, 4, and 5,

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and they would stretch it and align it due north, or, I certainly using either a nomen,

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like a stick, a stick, a creature with the sun's movement, or, or, I certainly the stars,

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and they would mark out a territory. Now, that this is what you would get.

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Right, the 4 knots, 5 knots, 3 knots, 3 parts, 4, 5 knots, they would then put them together to create

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rectilinear areas, okay, like this, they put two of them together, and this is what they used

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to create space, basically sacred space, or, you know, secular space, or whatever,

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field boundaries. Now, quite clearly finding it at the geese plateau is on a whole different scale,

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but at least we can show that the ancient Egyptians were fully aware of the 3,45 triangle,

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the so-called Pyphagorean triangle, which does so much incredible things at the time of the

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pyramid, so there's no problem there. Now, the next thing which Rodney discovered is the fact that,

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if you have three points, in other words, three vertexes of a pyramid, then they form on an arc.

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Three points, three points, you know, will always form part of an arc. And of course, if something's on an arc,

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as per the three peaks on the three vertexes of the three pyramids, quite clearly, you can find

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the center of that arc. And if you were to follow from the vertex of the second pyramid,

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pass through the date and point, and we find that this arc center is just about two kilometers

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to the south east of geese. So, in other words, the three pyramids are on an exact arc

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of a circle, the center of which is there. And that spot there passes through geble,

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and hits the peak of the second pyramid. Again, interesting, let's see where this goes.

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However, if you follow the line the other way through geble, through the arc circle,

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to a point that's approximately around 2.9 kilometers from geese, there's something very special,

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is seen. And this is what it is, because if you stood at that spot, the three wing stars

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of the constellation of sickness, the celestial bird in most cultures around the world.

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This is swan, could be an eagle, hawk, vulture, set down almost precisely into the three pyramid peaks.

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In other words, if you are 2.9 kilometers on this line, which we call the convergence line,

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you would see these three stars set down into the three pyramids. These are the three wing stars

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of the constellation of sickness. That's what you're again. One, that one first, then this one,

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and then that one. One after the upper. Okay? Again, you think, well, that's interesting,

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but, you know, again, could be coincidence. However, this follows on from research, which Rodney and I

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to be gone as early as 2005, when a moment of revelation made Rodney decide that he would try and place

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the three wing stars of sickness over the three peaks of vertexes of the three pyramids. Now,

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obviously, you're very much aware of the Rhinocrolician theory and that Robert, you know,

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feels very strongly, obviously, that these correspond to the three belt stars of a rhyme.

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However, they also correspond almost perfectly to that of sickness, the three wing stars.

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And the very latest survey, which Rodney initiated in December using this computer-generated

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information produced, and by the way, these are not just drawings. These are generated by the computer,

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using all of the information that's been put into them. You know, so, in other words, we're not just,

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just, you know, putting a spot there and a spot there. This is exactly what comes out from this

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computer-generated information. Because what we find is the three stars that you just

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you would have seen setting down into the three pyramids, also correspond to the geographical

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positions on the ground of those three pyramids. So, what this actually means is this alignment

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with these three stars of sickness, these sickness wing stars, works on both. The horizontal

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end, the vertical plane. See, three stars, gainer, sadyer, rook, set down into the three pyramids,

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and looking down vertically, they correspond to the same three pyramids. That seems very unlikely

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to be co-incident. However, there's more, because if one were to have stood, like a gentleman here,

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on-jewel-gibble, around the year 2500 BC, when all three of those pyramids in theory

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would have been completed, you would have seen this. Again, computer-generated through with all the

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information, the brightest star of sickness, denab, which is not one of those three stars mentioned,

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would have set perfectly into the peak of the second pyramid, perfectly. So, it's along

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that same line that we saw. So, in other words, denab set into the apex of the second pyramid,

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as seen from Jöbel-gibble 2500 BC. So, in other words, you've got this double alignment with the

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sickness stars. From Jöbel-gibble, which we've already identified as the datum point,

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probably the original survey point for the whole of the creation of the geyser,

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three main monuments, the three pyramids, and I'll just throw this in, because obviously that

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would have been witnessed from Jöbel-gibblee towards J2, the second pyramid. And this is that line,

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with the arc circle, the convergent point. That's that line. Very, very important line,

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I'll come on to eye. But what is that, the convergent point? Well, one of the only

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so-called columns are high spots. In the area, is located just within about 200 meters of the convergent

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point. It's there. Race rises to a height of 21 meters, right above there, and obviously it's

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part of an elongated thing pointing towards the north east. It's natural, there's no question

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about that. But it would have made a perfect place to view this alignment of the three stars

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to sink the setting down into the three pyramids. But more importantly, sorry, I don't know.

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Right, what I forgot to show with this slide is that overlaid onto this is the old shorelines

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of the Nile. And in round 2,500 BC, I'll jump with this, I'm sorry, around 2,500 BC,

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the convergent point would have been right on the bank. It's corresponds to data's

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our glows straight, right on the bank of the actual Nile. So in other words, if you could imagine

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a bug coming from upriver, let's say, from Memphis, let's say, docking at that spot.

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You could imagine the people on board then just climb in that hill and see this alignment.

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And then once they see the alignment, perhaps, you know, walking, perhaps in profession, all the way

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along that line until they get to Giza. Well, they would not go over the top of Gettling Ghibli,

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but they would have gone around the right-hand side of it, which is exactly where you have the

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lost city of the pyramids, which is what Martellana has been investigating. And this is a huge

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complex, it's basically the work, because village all the people that work, certainly on the second

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and third pyramids are not sure about the first one. They live there and it's bolder on the

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north side by this massive cycloprium wall known as the wall of the crow, of which there is an entrance,

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a massive mega-lethic entrance, which would have gone from this workers village, the lost city

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as Martellana likes to call it through onto the plateau. Or, as if it was the demarcation point.

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I find that really, really interesting. Now, myself and Rodney, wrote this paper,

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it's available online now, it's been published in an archaeological journal and

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it's there. I mean, the material in it is probably done, this is a proper scholarly article that we put

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together. And obviously if you're interested, that just go on to Andrew Collins.com and it's you

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can pick up by the news punch. So anyway, that was that. Now we submitted it for publication

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in March, okay? We're very satisfied with it, we were very happy with the results and we felt that

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there was an impact here and then something left field happened. My good friend and colleague Richard

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Ward, who you're here from tomorrow, comes around generally on a Saturday night and myself

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and him and more recently my partner Maria, get together and we have meditations and intuitive

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night and think tanks, picking up information, throwing ideas and seeing where it lends. And in the

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middle of March, Richard had not read the paper, he wasn't that particularly interested in it.

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In all honesty, I mean he would probably read it eventually, he certainly didn't know any of the

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contents. We go on to one Saturday night, the pyramid. And he said to me, he said, is there

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some kind of connection between the the back end of the swings and the sour feast corner of

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the second pyramid? I said, I don't know, I said, it's not really coming to any of the work that we've

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done. He said, I strongly think that there is. I don't know what I say this, but check it out and just

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just say, is that all right? Okay, we'll check it out. And I mean a lot of the stuff that we might

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come up with on a Saturday night, you know, eventually the next day you think, oh, now that was

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rubbish, it never goes anywhere. But just sometimes some of the statements that come up are a

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dynamite and change everything. This is one because what you find is that going back to Jebler

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Ghibli, this data point, if you hit the head of the things and then take a line through the

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ramp, obviously, you do hit the eastern edge of the second pyramid very close to the

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southeast corner as Richard suggested and you can return it back as a perfect 345 triangle.

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So that 345 goes, do no, do West and then almost do South East. 1, 2, 3, 1, 2, 3, 4, 1, 2,

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3, 4, 5. It's a perfect 345 triangle. Now we already found one of these, which obviously linked with

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the, but this one is special and we call it the base 345 triangle now for a number of very

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important reasons. Very well, we had no logic this, although I must point out that Rodney

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Gabbin playing with a lot of 345 triangles and ideas an earlier point and I think we almost

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got onto this, we just didn't see the significance of it back then. Because firstly,

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that base 345 not only locks in the north south Meridian line, which obviously takes you to the northern

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celestial pole and the circular polar stars which revolve around it, but obviously the east

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west line is the equinoqueal line, the line of the rising and the setting of the sun at the time

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of the equinoxes, but of course what it also is, it's this thickness setting line of

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Saudi through the, sorry, through the, it's very jumping and apologise for this through the

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peak of J2. So in other words, this base 345 triangle is very

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celestially aligned before you even look at it any further. Now what all this suggests,

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therefore, if there's any kind of reality in this 345 triangle I've just shown you,

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is the underlying geometry defined by the distance from Jewel Ghibli to the sinks was important.

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Somehow that defined the side of a 345 Pythagorean triangle of 3 parts and once that was determined,

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you could then create the side of 4 and the side of 5 and that defined the eastern edge,

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very close to the southeast corner of the second pyramid. So what this suggests once again is that

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both Jewel Ghibli and the sinks now are sinks, promises, will far more important to the evolution

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of the pyramid field than it previously been realised. In other words, the first of the vayers

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specifically used the distance between the top of Jewel Ghibli and the head of the sinks.

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No, to use it almost as part of a base unit but we'll come on to that.

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Because with this knowledge of this base 345 triangle you can create lots of incredible things

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because in five easy steps I can now show you how to place the vertexes of the great

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pyramid, the second pyramid and obviously the position of the sinks. It's dead easy.

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Firstly, you take a line from Jewel Ghibli, the datan point, northwards, due north. You can use

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the stars to do that to the sinks' commentary. Okay, when they got there, they must have thought,

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what that's interesting, you know, this knowledge is exactly due north from here,

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we'll use that to our advantage. Let's assume that they did that. Once they did that, they created

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that as the part of 3, here's the 4 and the 5. So in other words, that defined that Eastern

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limit of the second pyramid but where's it going from there? Okay, now I want to do something that

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seems to be unaltered, to start with and that's put another unit because if you create a 6 unit

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of exactly the same length as these others, you hit the peak, the so called vertex of the second

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pyramid. Now you might say, why have you done that? Surely that's just a random thing to do.

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No, it's not a toll. This gentleman here, he's already been mentioned in lectures early on,

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René Svaladilubits, my artist, alchemist, in 1936 on a visit to the Valley of the Keys,

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entered into the tomb of Ramesses the Ninth and he saw this image of the God,

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Arman Min, leaning back with his arms or certainly one arm, presumably both of them, sticking

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up like this and at the behind him was this right angled snake. Now the first thing he realized about

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this was that this snake represented a perfect three and four of a Pythagorean triangle, meaning

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that the fifth, the side of five parts formed exactly behind his back, at the right angle,

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or essentially the right angle, idealistically, that he's leaning. Now it's his solid delubits,

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realises this, but he realized something else that the extent of his arm formed a six unit.

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Again, you want to see, all right, well that's that's interesting, but where you're going with this.

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Well firstly, Min or Arman Min as he later came in the nooking times, was unquestionably connected

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with the three four five triangle. He was often shown with the royal flail and this is generally shown

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at exactly the angle of a three four five triangle, fits in absolutely perfectly. What's so weird

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is that he's not holding the flail, can you see? His hand is between it. It's not holding it,

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at all. Why would he do that? Well the fact that the matter is that Min is a god of agriculture

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and of the landscape and of fields and of setting things out and obviously fertility,

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these are fertility gods. So in other words, those rope stretches that we saw earlier on

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who used the three four five rugs with the knots in are in many ways evoking Arman Min to do their work.

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And in many ways, I think this is what's represented by the flail, which obviously would have been used

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from an agricultural point of view before it became a symbol of the you know, the kings and

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himself. In other words, this is for beating the crop down and the harvest in and whatever you would

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use it for there. So there's an important connection here with the three four five triangle,

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but this is what blows while it delubert's mind. I'm going to read this because it's is difficult

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stuff. To him, this six part to the three four five triangle to him, this provided compelling

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evidence that the ancient Egyptians knew the value both of five and pie for one point two,

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that is six fifth times five, one point six one eight squared equals that three point one point

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one which is the value of pie. In other words, that extra unit on the that's so called high

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potten use of the three four five triangle exactly creates that and that blue is mind and that

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actually kept him in Egypt for half a generation. Looking at all of the different temples,

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their designs and how they relate to sacred geometry. And obviously some of his work is quite

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extraordinary. So getting back to Giza, we've got every reason, therefore, to use this

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extra unit that will take us to the position of the vertex or peak of the second pyramid.

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But we can do more because this next step, which is step four, if we now mirror the base triangle

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north, it gives you within just a couple of meters. I think it's actually within six. I'll be honest here.

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The peak of the vertex of the great pyramid. But it doesn't obviously tell you where about

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on that line to place it. But obviously what we've done here, by putting two three four five

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triangles together, it actually creates what's known as a three three three two ratio triangle,

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which will come back to which is very, very important. And to define the actual position

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of the vertex of the great pyramid, all you need to do is create a second north-south

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datum line through this point that we've created by the second the six extra unit and then half

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it. And it takes you precisely through the peaks. In other words, now we've got both the

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latitude and the longitude position of the peak of the vertex. All of this based on this

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discovery of this base three four five. And of course, we already know that you can put

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a equilateral triangle, which is perfect 60 degrees between the peaks of G1 and G3. Because that was

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a first thing that Rodney discovered. And that intersects almost within one degree of the

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convergence line and the line of the base three four five. I mean it's, it's a net it. It's all done.

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You've now got the positions of the vertex of G1, G2, G3 and you've got the position of the

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head of the swings. Dead simple. And it's all based on Jebald Gibblé.

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Okay, right. But it gets even weirder. Because right, it's a here. The new underlying geography

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further highlights the importance of the second pyramid. It's based to peak height and ratios

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exactly one unit of the base three four five triangle. And I'll show this to you. Right, that's one unit

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there or there or there or there. They're all exactly the same. The second pyramid, the height of it

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it gives exactly one of those units in height. So in other words, you take the you create the

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epitonize one two three four five. Then the six one to the vertex the peak of G2. And instead

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doing the seventh one that way, you do it up that way. That is not, current stance, it's word we use

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often, isn't it? Now the length of one of these units is five six seven one point five

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inches, which is just over 144 meters for reference. But there's even more because the height

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to base ratio of the second pyramid is three to two. You'll find this in a number of books.

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It's not made a big deal off because of the most people focus on the great pyramid of course,

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which is a seven to eleven relationship as Robert pointed out earlier. But the second pyramid is three to two.

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Now what's interesting about that is that that's also the base to height ratio of these two

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pyramids are not showing you. If I turn it on it's side like that, so we're now that's north to

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and then put that look, it's exactly the same. And just to confirm it, I put the the

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ramassister 9th image and within it, I superimpose the second pyramid just to show you the accuracy of it

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there. And this is three to two relationship, I think is it's extraordinarily, relatively important

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to ancient Egypt. But of course, we know that beyond this as I've already explained,

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is the pyramid arc itself, which takes us eventually to the convergence point and the three

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wing stars of Cygnus. So in other words, all of this is building up, in my opinion,

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towards the fact that there's this alignment towards the stars of Cygnus.

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Now when I first came out of these ideas based on Rodney's engineering work back in 2005,

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they were published in my book The Cygnus Mystery and there was a big hoo-hour about this obviously

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Cygnus versus Orion and Ritz of it. But Robert said, something very, very important.

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And this was the fact that basically fitting the three guitars of Cygnus with the kind of near-zero

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era in the manner that Rodney Hale did proves nothing at all. What is important here is not

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Cygnus stars fit better than Orion's belt, but rather which set of stars fit the context of Giza.

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It's location, the size of the pyramids, the alignments of the shafts and above all,

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the religious and rebirth beliefs. And he couldn't have been more accurate when he said that.

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And that's stating my mind, I thought he's absolutely correct. And although I'd made an attempt to do this

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in the Cygnus Mystery, I went on to absolutely fine tune it in a book called Beneath the Pyramids,

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which came out in 2009 and I'm continuing to fine tune it now for a new book.

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But the essence of that is this. Obviously the Pyramid text described how the soul of the

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king became a Cyrus in death. As a Cyrus it first travels west in the manner of the dying sun.

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In other words, it seemed to set down on the western horizon. That's the soul of the deceased,

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the soul of the Pharaoh, and later the souls of queens, the souls of other, nobles and things

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like that priest or whatever, but originally it was the king. That's the first thing that we know.

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And we know this from the Pyramid texts which are found inside the Pyramids that go back to about

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2,350 BC. But after this the soul travels through the do-acts, or underworld, it

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imagined as the path of the sun at night and then reemerges via the archaic, the anerical

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the archaic into the pre-done sky. Here it encounters a lion, saw, as obviously Robert was written in

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the Rye Mystery and Sochtot, which is serious. And these are seen as like brethren sister of the deceased

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in its guise as a Cyrus. They took gritty him or obviously later her as they arrived in the

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sky, but it does not stop there. This is the important thing. It does not stop there. Because

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we know from the first Pyramid texts that are found in the in a chambers, and this is where

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it's been done by a number of the researchers and the translators of the Pyramid texts. You'll

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come on to particularly James P.E. Alan, that the whole layout of the Pyramid texts, I mean

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here's an example in the the the two of the Pharaoh Onus, which dates to about 2000, I think

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through havens around 150 something like that. BC is that Cyrus Africa is placed in extreme

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West. Now this is the point where the souls journey begins and that the texts in their progression

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that the total Pyramid texts to do with the journey of the soul go progressively eastwards.

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And eventually, eventually eventually they come to something called the Sirdab, which is this

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sort of weird area, which was thought to be a place for offerings by early apologists, but you know

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is now probably part of the Funerary Architecture within the sub structure. And the internal

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architecture, but what happens is that instead of the texts finishing there, they continue on

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in the exit corridor and around the entrance here, talking about the continued journey of the soul

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towards the north. So where did they go? Well we'll come back to that in a minute, but the same thing

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is thought to be present within the great Pyramid itself, the sub-hobligacy in the West.

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It's all that there may well be a screen, there may well have been a screen between the two

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of the the the King's Chamber. And although obviously there are different chambers in the

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the great Pyramid also in the other two things, the essential internal architecture is the Cyme.

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Basically they have the East West Chambers and an exit towards the north, almost like a cannon

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blasting the soul towards the north. And these chambers seem to refer to two areas, the do-at

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and the arc-et. The arc-et could be seen almost as the point of emergence into the Eastern Sky

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just before sunrise, where it rises up towards Sochtet and towards Saur, you know, a roe.

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But as I said then it continues north. In other words, if they're hadaping Pyramid texts

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inside the great Pyramid, they would have conformed or most certainly to the same internal architecture

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and their positions within it. In other words, direct in the soul firstly towards the Eastern

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horizon but then secondly an onward journey towards the north. Now this onwards journey towards

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the north is something that's not controversial. Some of the main translators of the Pyramid texts

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like Faulkner and James P. Allen have determined and concluded that the final destination of

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the soul in the ancient Egyptian funerary context was in the direction of the northern celestial

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pile but in particular the Sokul in Perishable Stars which are mentioned again and again in the

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Pyramid texts and the fact that they are in the north as they'll go to those gods in the north

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the imperishable stars. So clearly the area of the northern celestial pile by the way there was

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at this point in time there wasn't really a pulse star. You'd formerly had Alfred Drakonis which

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is Thibon or Thubon as the pulse star but that had gone out of the view probably by about

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2,700 to that 2,800 BC. So by the time you actually came to 2,600 BC or 2,500 there wasn't really

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a proper pulse star but the direction remained important in symbolism of the Egyptians.

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So basically this deceased in Egypt must become an embryo in the womb to be reborn

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and gain resurrection amongst stars. Now this is something that seems to be emphasised again

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and again in the Pyramid texts. It talks about the womb of the mother, the mother of a Cyrus

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was Newet the goddess Newet the sky goddess and it talks again and again about the soul returning

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to the womb of his mother Newet. So where was this cosmic womb of Newet? Well the work of an

384
00:47:25,120 --> 00:47:34,800
American astronomer by the name of Ronald A. Wells in the 1970s and 1980s identified Newet

385
00:47:35,760 --> 00:47:42,960
not just with the sky in general but with the Milky Way as seen in the northern hemisphere.

386
00:47:43,040 --> 00:47:52,320
In other words if you looked at the north and obviously told that the horizon and the eastern

387
00:47:52,320 --> 00:48:00,560
west the shape that was formed by the Milky Way was in the likeness of the way that the goddess

388
00:48:00,560 --> 00:48:07,440
knew it was portrayed in ancient Egyptian times and here you can see an example. Here she's this

389
00:48:07,520 --> 00:48:16,080
naked goddess overlaying. Now although this comes from New Kingdom times Newet obviously is

390
00:48:16,080 --> 00:48:22,800
mentioned again and again in the Pyramid texts the place of the destination of the King himself.

391
00:48:22,800 --> 00:48:30,000
Both in two contexts firstly he is reborn from the womb of his mother and secondly he joins the

392
00:48:30,000 --> 00:48:40,800
warm embrace of his mother and his mother's husband the god Gab who is the earth god and the god

393
00:48:40,800 --> 00:48:49,200
Gab commands the throne of heaven and he basically almost keeps it warm for his son to return into heaven

394
00:48:50,240 --> 00:48:56,640
and of course the son is a Cyrus and that's exactly the form that the fair row and obviously later

395
00:48:57,440 --> 00:49:02,560
all thoughts of people within the ancient Egyptian world would return as their soul would return.

396
00:49:04,320 --> 00:49:11,520
So in other words it was Milky Way more importantly the womb area the womb from where

397
00:49:12,960 --> 00:49:19,840
the soul was reborn. Run of worlds identified in the area of the sickness constellation and he felt

398
00:49:19,920 --> 00:49:28,960
that this was a place of rebirth of the King and here is one image of the Milky Way in the

399
00:49:28,960 --> 00:49:34,080
North and hemisphere and this is how it looks and I mean there are many different pictures you can

400
00:49:34,080 --> 00:49:41,600
see online most of which I cannot use for copyright reasons which easily show how the Milky Way

401
00:49:41,680 --> 00:49:51,120
can be conceived of as a goddess arching over the world basically and I'm sure that's right and

402
00:49:51,120 --> 00:49:56,880
a number of Egyptologists have gone with this you'll find this in many books on god from god

403
00:49:56,880 --> 00:50:03,680
us as a ancient Egypt that knew it is associated with the Milky Way. Now what's interesting is that

404
00:50:03,760 --> 00:50:12,560
all tomes are coffee and coffins in ancient Egyptian tradition were themselves seen as the womb

405
00:50:13,440 --> 00:50:19,360
of the sky to goddess knew it. So the fact that you've got the cacophagus inside the King's

406
00:50:19,360 --> 00:50:23,520
chamber which itself is a tomb I know it might have been used for many other things

407
00:50:24,640 --> 00:50:32,880
so it shows that the actual King's chamber and in fact the internal architecture of every pyramid

408
00:50:32,960 --> 00:50:40,160
actually is the internal parts of the womb and birth canal of the goddess knew it. Who is I

409
00:50:40,160 --> 00:50:46,800
then if I'd have seen this that's why sickness is so associated with the three pyramids of

410
00:50:46,800 --> 00:50:52,320
case I have no problems with this at all. Now the other thing is is I'm pretty certain that after

411
00:50:52,320 --> 00:50:59,200
the pyramid age that knew it herself may have become even more closely associated with the

412
00:50:59,280 --> 00:51:05,920
sickness constellation. I mean here she's shown with what are quite clearly and it's only

413
00:51:05,920 --> 00:51:14,160
these four these three other figures in a context of celestial realm. One is the the ox leg

414
00:51:14,160 --> 00:51:22,240
which can be associated with the seven stars of earth of major so that's in the north and here you

415
00:51:22,320 --> 00:51:32,560
have a saw or a lion and he have socket which is serious so these are the two southern stars

416
00:51:32,560 --> 00:51:39,280
or if you like astorisms and these two are two northern astorisms corresponding to the balance

417
00:51:39,280 --> 00:51:44,240
of north and south well we know that earth's amazer is in the north and I'm pretty certain that

418
00:51:44,240 --> 00:51:50,240
new it here doesn't just represent the Milky Way as a whole which would be getting to become

419
00:51:50,320 --> 00:51:56,480
associated with sickness and I'll show you why. Here she's shown on another coffin lead from

420
00:51:56,480 --> 00:52:03,520
the first intermediate period and sickness can be placed almost exactly upon her shape.

421
00:52:04,320 --> 00:52:11,760
So I think that she ended up becoming a personification of her own womb if you like.

422
00:52:12,640 --> 00:52:21,280
So how did sickness come to be important in ancient Egypt? Okay well I can give you a whole

423
00:52:21,280 --> 00:52:28,480
lecture on that my book the sickness mystery you can read all about that but it's in port and

424
00:52:28,480 --> 00:52:33,760
constellation a primary and port and constellation all the way around the world where it represents

425
00:52:33,760 --> 00:52:40,160
a bird a bird associated with the the trans migration of the soul the departure of the soul from

426
00:52:40,240 --> 00:52:45,760
this world into the next world that's essentially all you need to know at this point in time

427
00:52:45,760 --> 00:52:52,960
but these ideas I think go back and all fall on why they're there at the back of tepe in south

428
00:52:52,960 --> 00:53:03,440
east Turkey going back to 9500 BC all of the major installations there are all orientated

429
00:53:03,520 --> 00:53:13,600
towards and north towards the setting of the bright star denib in sickness and this work which

430
00:53:13,600 --> 00:53:21,840
was primarily proposed by myself and Rodney Hale in books like the Gobetty Tepe Genesis the

431
00:53:21,840 --> 00:53:32,880
gods have now been confirmed by two Italian mathematicians who have looked specifically all the

432
00:53:32,960 --> 00:53:38,720
elements that we give and said basically these orientations of the main enclosed gobetty tepe

433
00:53:38,720 --> 00:53:44,480
towards the setting of denib and the relative dates in proposed by Collins have been verified

434
00:53:45,440 --> 00:53:52,400
okay so you know this is not just us talking this is academics talking what strangers that these

435
00:53:52,400 --> 00:53:58,960
these these guys also worked with with the pyramids and they came out in favor of a rhyme but

436
00:53:59,040 --> 00:54:03,760
we're not going to talk about that today for the simple reason it's as too complicated to get

437
00:54:03,760 --> 00:54:12,880
into but if you want to read that and the an our response to that again go to Andrew Collins dot

438
00:54:12,880 --> 00:54:18,160
Colin but I think this interest in sickness is something that goes much deeper and much further

439
00:54:18,160 --> 00:54:26,880
back even than gobetty tepe because it's a fact that not only is sickness just like a rion

440
00:54:26,960 --> 00:54:36,960
placed prominently upon the Milky Way but that's going back to 16,500 to 14,000 BC and that sounds

441
00:54:36,960 --> 00:54:43,360
like a long time ago but it's not ultimately in archaeological terms the brightest stars in sickness

442
00:54:44,560 --> 00:54:56,640
acted as post stars for a period of 2,500 years and the connection between the fact that they

443
00:54:56,640 --> 00:55:02,080
represented the turning point of the you know the heavens in the northern hemisphere can be found

444
00:55:02,080 --> 00:55:09,280
for instance at lasca in southern France where you have a bird man falling at the strange angle

445
00:55:09,280 --> 00:55:16,320
which I'm not going to go into huge data about but you have this bird on a stick a poll and

446
00:55:16,320 --> 00:55:23,520
Dr Michael Ruppenbrook of a Munich University in 1999 proposed that this scene

447
00:55:24,240 --> 00:55:30,960
inside what's known as the well the well shaft at lasco represented the area of sickness

448
00:55:30,960 --> 00:55:37,120
and the other two stars in that vicinity which form this I called some a triangle which are

449
00:55:37,120 --> 00:55:43,440
alter and viga and he broke it down even more than that but essentially the bird on the poll

450
00:55:43,440 --> 00:55:49,840
is sickness the bird man itself is some expression perhaps a shaman reaching an ecstatic state

451
00:55:49,840 --> 00:56:00,800
and entering a sky world associated with the sickness region and the date of this art is 16,000 to 15,000

452
00:56:00,800 --> 00:56:07,840
BC and that's been accurately dated to carbon full tune and what's interesting is that this image

453
00:56:07,840 --> 00:56:13,360
is actually on the northern wall of the well shaft which has been reconstructed here so in other

454
00:56:13,360 --> 00:56:19,040
words it's almost acted as some kind of weird otherworldly star chainbar almost like

455
00:56:19,360 --> 00:56:25,760
a paleithic observatory going back to 15 to 16,000 BC with the stars in their correct position

456
00:56:27,040 --> 00:56:31,200
and as I said this didn't come from me it's came from Michael Michael Ruppenbrook who I've been in

457
00:56:31,200 --> 00:56:36,480
touch with and very interesting guy got a lot more of other things to say about lasco about stars

458
00:56:36,480 --> 00:56:46,800
and the paleithic era as well and of course shaman's in right away across Siberia they associate

459
00:56:46,880 --> 00:56:53,920
themselves with sky poles with swans on swans of the primary symbol of a thickness they climb

460
00:56:53,920 --> 00:56:59,520
these poles believe in they can enter into the sky world in an altered state of consciousness

461
00:56:59,520 --> 00:57:06,320
why would they have a swan at the top unless it was the guardian of the top of the sky pole

462
00:57:06,320 --> 00:57:12,400
or cosmic access as it's known and what's interesting is that in a contemporary religion of Siberia

463
00:57:13,280 --> 00:57:22,640
known as tengrism the sky pole is represented by the Milky Way this is a representation of it here

464
00:57:22,640 --> 00:57:30,800
see the Milch star set there and at the top of the sky pole or cosmic access is the star

465
00:57:31,920 --> 00:57:36,640
that's is the star of creation almost like the star at the top of the Christmas tree if you like

466
00:57:37,360 --> 00:57:44,160
and this is associated with the god tengry the god tengry takes the form of a swan to create

467
00:57:44,160 --> 00:57:53,440
the world but what's interesting is that this nog soundfly which is what it is from the earth

468
00:57:53,440 --> 00:58:02,640
to the north pole that nog celestial pole the last time that this was aligned in this way was when

469
00:58:02,720 --> 00:58:12,800
the stars of sickness were acted as pulsed stars between 16,000 and about 14,000 be seen so in other

470
00:58:12,800 --> 00:58:19,360
words this shamanic belief which is still held today amongst the peoples of Siberia it's

471
00:58:19,360 --> 00:58:26,080
called tengrism would seem to suggest that this goes all the way back to that time and I am convinced

472
00:58:26,160 --> 00:58:37,760
that's what we're going I convinced that all of these ideas were codified at this time

473
00:58:38,880 --> 00:58:47,120
when the Milky Way would have been seen every night to spin like a propeller on some kind of cosmic

474
00:58:47,200 --> 00:58:54,480
airplane and that once every night the Milky Way would have lined up north to south now once

475
00:58:56,000 --> 00:59:01,280
the northern celestial pole which obviously created proof of procession and moves moved away from

476
00:59:01,280 --> 00:59:09,360
the Milky Way moved away from sickness towards interesting after star of anger that never happened any more

477
00:59:09,360 --> 00:59:15,280
so that incredible celestial phenomena of watching the Milky Way spin round like a propeller

478
00:59:16,080 --> 00:59:20,160
and lining up north south every night would never have occurred afterwards and hasn't done

479
00:59:21,360 --> 00:59:27,440
well that's basically it but I'm writing a book at the moment I can announce well two books actually

480
00:59:28,880 --> 00:59:33,040
where's one supposed to be finished it's called the sickness kit and we did demonstrate how

481
00:59:33,040 --> 00:59:41,120
these ideas and many more were transferred from Quebecli Tapai to northern Egypt circa 8,500 to

482
00:59:41,120 --> 00:59:48,720
3 to 8,000 BC causing eventually the genesis of the pyramid age and I've got some incredible

483
00:59:48,720 --> 00:59:55,280
evidence which I'll show you in the future to show that the people at Quebecli Tapai ended up in

484
00:59:55,280 --> 01:00:00:03,120
Egypt so but that's to come for the moment the sickness mystery is available outside very cheaply

485
01:00:04,720 --> 01:00:09,120
beneath the pyramids that is more difficult to get although they probably get it from

486
01:00:09,120 --> 01:00:17,440
Amazon that came out in 2009 and just out of interest that also includes the whole discovery of

487
01:00:17,440 --> 01:00:23,440
geese's lost cave world which I did with my good friend Nigel Skinner Simpson who's sitting over there

488
01:00:23,440 --> 01:00:29,520
now on time keeping and wondering when I'm about to stop I mean that was an incredible journey and

489
01:00:29,520 --> 01:00:35,200
I only really did that through the connection with sickness and the geese apply to and obviously

490
01:00:35,280 --> 01:00:42,000
here's the advert bit's coming up here and I and I'll make a leave the Mania team will be going to

491
01:00:42,000 --> 01:00:50,560
South East Asia to Ankara Cambodia and to Guru Padang in Java and many many other places in March

492
01:00:50,560 --> 01:01:01,440
2017 if you want to come along on that we're also going to Armenia and Georgia as in June and there are

493
01:01:01,440 --> 01:01:09,680
optional add-ons to go to Quebecli Tapai if people wish to do so although the actual journey itself

494
01:01:10,480 --> 01:01:18,480
will stay outside of Turkey obviously for certain reasons which you know why but that should be an

495
01:01:18,480 --> 01:01:28,400
incredible journey and I shall be appearing at the megalithic Odyssey symposium May 2017 so I'll see some

496
01:01:28,480 --> 01:01:35,360
of you there and obviously megalithomanios in May as well which you will tell you all about as well next year in

497
01:01:35,360 --> 01:01:41,360
glass and berry so that's about it really so thank you very much for your time

498
01:01:58,400 --> 01:02:00,400
you

499
01:02:28,400 --> 01:02:30,400
you