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He is almost 21st century.

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For example, again the conventional story is
Khufu, who was a pharaoh, decided to have

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his built.

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He said, cut a line into the bedrock because
I want to be buried here.

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And then as they were building it, he changed
his mind and he said, no, wait a second,

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I want to be buried in number five.

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And then he changed his mind and he said, no,
wait a second, I want to be buried in

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number eight.

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Now the precision of this passageway, the
descending passage, they know by laser, it's

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more than 300 feet long and it deviates from
laser perfection by one eighth of an inch.

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The Egyptians did not have the capability of
doing that work, no matter what the pharaoh

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may have wanted.

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But when you bring an engineer such as
Christopher Dunn to look at this, he...

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relates to some of the other subjects that
we're discussing in terms of lost technology

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or free energy.

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Christopher Dunn believes that the Giza
pyramids were power plants.

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And how they worked was that there are
tunnels, a series of tunnels that go from ...

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And from the Nile, they go straight to and
underneath the Great Pyramid and the other

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two pyramids on that site.

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And that in his case, he believes that it was
chemicals they were using to create hydrogen.

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But other people believe that what they were
doing is they were moving water and it was

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gravity fed underneath the Great Pyramid.

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And that at one time there were mechanisms
inside the Great Pyramid that were capable

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of splitting water into hydrogen and oxygen,
creating energy.

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So that I find that actually is a more
logical idea than the idea that it was a...

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The thing though is that if these buildings
were there 12,000 years ago were abandoned

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and actually shut down because of the shift
of the Earth from its perfect alignment off

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to 23.5 degrees, the destruction of the
civilization, the loss of knowledge, then...

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the Dynastic Egyptians show up and they see
these structures and of course they adopt

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them.

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And it's quite possible the Khufu said, put
my name on that building because I am the

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Pharaoh.

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And the other thing is that the Grand
Gallery, if you go into the Grand Gallery,...

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no reason why it would be immense the way it
is to access a place where you're buried

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in the king.

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The sonics and vibrational characteristics
are farther to the west.

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You can see it in the topography.

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It was a much bigger, wider river.

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And that's where these tunnels connect to.

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They connect to the ancient Nile, strictly
out of bounds unless you know Yusuf.

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And this is another one.

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Again, it's 10 feet by 12 feet and drops down
approximately 100 feet.

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So he, because of his connections, we were
able to go underneath the Giza Plateau.

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And this is level one.

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And these openings were everywhere.

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But we only had four hours.

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He told me that this is level one, but there
are at least two levels beneath it.

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So we're going back in April and I would like
to go into level two if possible.

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The best book on the subject, I believe, of
ancient pre-dynastic Egypt is this book...

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by Stephen Naylor.

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And it's called The Land of Osiris because
what he talks about is, from the oral...

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perspective, the fact that the Giza Plateau
area is the oldest by far part of ancient

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Egypt.

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The rest of it, Aswan area and all the areas
with the beautiful, true dynastic Egyptian

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works, which are masterpieces, are outside of
this area.

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And another subject that fascinates me is the
concept of who Osiris was.

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Because, again, a lot of you have seen the
depictions of elongated heads from Akhenaten

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in that time period.

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And I'm wondering if it kind of relates to
the studies I've been doing in Peru of the

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ancient people.

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And why it is that people practice cranial
deformation in order to look like these...

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ancient ones.

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Of course, the automatic idea goes to that
these people were aliens or related.

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We are presently doing DNA testing of the
ancient Paracas people of Peru.

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It's taken a long time, but because the DNA
is more than 2,000 years old, so it's very

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time consuming and expensive to get the
results.

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But once I do get the results, I will be able
to do it myself.

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This is another example of Yusuf with cut
stone surface.

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The diameter of the saw that would have cut
through this basalt would have been at least

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6 meters to 8 meters in diameter.

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And the cutting pattern, which means that
every rotation of the saw makes a groove,

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or it makes an impression in the stone as
it's moving.

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The speed at which the saw moved by some
experts is twice the speed of what a 21st

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century saw could do.

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And these we find as well.

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We find these scattered all over the place.

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Precision drill holes in the middle of the
desert.

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Nobody in recent times would go out there
with a drill to core sample something like

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this because there are lots of them.

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But it takes an eye to see them.

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This gives you a sense of the size of them.

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And again, the feed rate, which is the rate
at which the cutter is going through the

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stone, in this case rose granite, is
approximately at least twice the speed of...

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diamond cutting drill can do.

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And unfortunately, you can't see this too
well, but this will show you the impression.

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I have lots of photos of my website, etc.

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But you see the pattern of the cut as it
goes.

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So it's approximately every 2 to 3
millimeters is one rotation of this cuttin...

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We also find strange things like this.

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This material is called quartzite.

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It's very hard.

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And these strange, tough looking things are
not, were not originally in this place at

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Abu Gharab, which is in the desert of Egypt.

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But they were scattered about.

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Nobody has any idea what they were for.

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Conventional Egyptology says that they were
the bolts, or they were giant bolts for the

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sacrificial blood of special bulls, for some
reason.

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But the thing is, anybody who's ever made a
sink, the trouble is, once you get the

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blood in the bolt, how do you get the blood
out of the bolt when the drain hole is only

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half way down?

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The drain hole should be at the bottom or
lower down.

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And then in each one of these, you have this
very precise cord out drill hole.

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And then, here's the good ending.

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And this is the Serapium, which is completely
amazing.

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It's only been open, or reopened for a year.

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Because it was thought too dangerous to go
inside because the ceiling is supposedly...

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But these are boxes made of gray granite and
rose granite.

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The boxes themselves weigh 70 tons, and the
lids weigh 10 to 15 tons.

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These are located, or 28 of them, I believe,
they're in a tunnel underneath the desert.

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No one knows how they got the boxes in to
begin with, how they moved them from the...

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500 miles away.

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But also, the lid, for some reason, was cut
out of the same block of stone.

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They fit together because they were once one
piece.

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And again, Christopher Dunn has taken his
instruments and measured the surfaces outside

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and inside, and they are within two
ten-thousandths of an inch in precision...

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And this is Stephen Maylor, but this is an
incredible example of the fact that, again,

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the precision of the surface is as close to
being perfectly flat as is technically...

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And yet the hieroglyphics on them look like
they were done with a nail or a screwdriver.

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They are so awful, in terms of quality.

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So, most Egyptologists say, well, because
we're reading what's written on the box,

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and the box is telling us who made it and how
it was made.

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But that is like somebody going out to a
Maserati that was just made, after someone...

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a key and carved a story into it and said,
you know, Bob the plumber made and designe...

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It's the same kind of story.

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Thank you.