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We are at Dendara in Egypt inside the temple of Hathor or Hathor.

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And what we're going to visit is a secret chamber that only initiates during Egyptian and later times we're allowed to see,

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because it contains very secret information that only those that we're supposed to see were allowed to see.

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We're going to take a look at the temple of Hathor.

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We're going to take a look at the temple of Hathor.

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We're going to take a look at the temple of Hathor.

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We're going to take a look at the temple of Hathor.

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We're going to take a look at the temple of Hathor.

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We're going to take a look at the temple of Hathor.

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I also just tell you a quarter of that thing.

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This is the painting of ancient commissions.

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I think we're going to change.

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Yeah, there were...

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Was there giants?

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Perhaps.

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Were there physical giants?

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We're going to change.

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And we look at what we're looking at here.

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It's there holding some time for structure.

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With a snake inside, what is this now?

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We've talked that these beings represent the very ancient dynasty commissions.

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Even though they're wearing dinastic interest, the ancient commissions are represented here.

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These are the dynastic people smaller.

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They're just observing what was already here.

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Now, the load is here nicely.

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This has been described first by Christopher Dunn as a quixthube, perhaps a electrical bulb.

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And again, snake throughout every culture from Asia through Africa represents electricity,

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Kundalini energy.

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So it's electricity.

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This seems to be working well.

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This is the dead pillar.

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It's most of represented the backbone of the wizard of Osiris.

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But in here, it looks like it's somebody said it condenser.

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Because it's working with electricity.

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And again, we're not talking wireless electricity.

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Because it is plugged in.

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Plugged in.

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Okay, so it's showing that there was a knowledge.

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And everybody talks about the head and the ultra-electricity.

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How did those electricity?

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Because a lot of the ancient temples and tombs have no sodium.

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Or anything like that.

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That's the day of electricity.

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Okay.

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Now we switch the other wall.

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And we look at what's seen is over here.

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Again.

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And this is very important.

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This is supposed to be ancient commission.

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He's holding the boat by here.

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This snake is being deflected.

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We have a creature here.

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We don't know what this creature is.

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Originally we thought this was, it looked, the Greek's called,

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It's days the companion to Jality to Baboon.

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But other people have said this is not a Baboon's tail.

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This could be reptilian, whatever.

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But the important thing is what the texts say.

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This is a warning.

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A warning that this is a knowledge, a power that can be abused.

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So we say this is the origin of the myth of Atlantis.

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Right here, the idea that there was a power that was abused and they suffered for it.

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And it's a warning against using that power.

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And this clearly shows that the ancient commissions are giant here.

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It's got two hands on this snake.

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They had that power in the control.

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They had that power under control.

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But the warning is here.

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Modern people can be abused.

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And we certainly have.

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Isn't it what the problem in the world today is.

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And I miss use of technology.

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Or in breaking our world environment.

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The global crisis, the climate crisis, whatever.

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Is all of misuse of technology.

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This is a warning here.

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200 BCE of that.

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And the warning really comes back from the ancient times.

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And also the stone difference, Stephen.

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Okay.

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Now we show that, Daleks.

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Fairly interesting because I really just observed that last year coming down here by myself.

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But the whole half hour down here.

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And I saw this.

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I took detailed pictures of all these walls.

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And Mohammed Ibrahim has confirmed it.

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Here.

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His lines.

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His lines.

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Oh.

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Yeah.

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And then his sandstone.

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This is sandstone.

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So it looks like it's all one continue seeing that everything was almost seamless.

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But you do see seams.

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What this is.

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Is this was taken from two different temples.

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One which was limestone showing the same seams.

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Another which was sandstone showing the same seams.

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All Daleks, according to the ghost we can did it.

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But we did the writing.

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The writing can tell us whether it was put on.

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This is.

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This is Daleks.

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No doubt.

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But it's two different temples that were put together like to create these grips like

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a giant chingsaw.

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Because they believed each temple was organic.

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Was living.

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So that you're taking the essence of the seed of the lines don't double.

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And putting it together with the sandstone temple to make this structure.

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If you look all around you'll see that this piece together.

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This is slime stone.

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Look at this beautiful, very hard relief in one stone.

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This is sandstone.

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And yet it shows the same seam.

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Almost seamlessly.

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If you go for all these walls and take shots you'll see.

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Sometimes it's just a little off but very well done.

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Very piece together.

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So everybody comes in and thinks this is one contiguous scene.

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It is not.

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It is taking from two different temples and put together.

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And that's amazing.

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Actually.

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You

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You