1 00:00:00,000 --> 00:00:16,000 Inside the great pyramid, St. Louis, 2 00:00:16,000 --> 00:00:45,880 and we are going down into the 3 00:00:45,880 --> 00:00:47,880 top of the top. 4 00:00:47,880 --> 00:00:53,880 The subterranean chamber is padlocked. 5 00:00:53,880 --> 00:00:54,880 Okay. 6 00:00:54,880 --> 00:01:01,880 This is the original entrance. 7 00:01:01,880 --> 00:01:04,880 This is the ascending passage. 8 00:01:04,880 --> 00:01:12,880 And we're hoping we're going to get the key open for the descending passage. 9 00:01:13,880 --> 00:01:24,880 So the subterranean chamber has been padlocked even though we had permission to enter. 10 00:01:24,880 --> 00:01:26,880 There's a lock on it. 11 00:01:26,880 --> 00:01:34,880 So instead we're climbing up into the Queen's chamber. 12 00:01:43,880 --> 00:01:48,880 Hey, this is the Grand Gallery inside. 13 00:01:48,880 --> 00:01:51,880 The great pyramid. 14 00:01:51,880 --> 00:01:54,880 And Giza. 15 00:01:54,880 --> 00:01:59,880 See the projections. 16 00:01:59,880 --> 00:02:03,880 Yeah, projections. 17 00:02:03,880 --> 00:02:11,880 Almost saw like pattern of the walls tapering as it goes upwards. 18 00:02:12,880 --> 00:02:14,880 The roof is here. 19 00:02:14,880 --> 00:02:17,880 So it has not made for decoration. 20 00:02:17,880 --> 00:02:19,880 It's made to be affected and affected. 21 00:02:19,880 --> 00:02:20,880 The sound resumes. 22 00:02:20,880 --> 00:02:24,880 I have a can see here how these stones are housed like puzzle pieces. 23 00:02:24,880 --> 00:02:27,880 Because this was what we know as the resonance, 24 00:02:27,880 --> 00:02:29,880 the vibration here was so powerful. 25 00:02:29,880 --> 00:02:31,880 I have that if these things were not attached together, 26 00:02:31,880 --> 00:02:33,880 it's that very fine way. 27 00:02:33,880 --> 00:02:35,880 There would be this metal immediately. 28 00:02:35,880 --> 00:02:38,880 Once the resonance is activated, 29 00:02:39,880 --> 00:02:42,880 it can be controlled by the sound. 30 00:02:46,880 --> 00:02:49,880 It's kind of the knob or the dislaw. 31 00:02:49,880 --> 00:02:50,880 It's not there. 32 00:02:50,880 --> 00:02:52,880 Is that you doing that? 33 00:02:52,880 --> 00:02:53,880 Yeah. 34 00:02:53,880 --> 00:02:54,880 Bloody hell. 35 00:03:09,880 --> 00:03:18,880 I hope you can hear the incredible sonic vibrational experience that this is. 36 00:03:18,880 --> 00:03:23,880 This is that low sound is used by himself, 37 00:03:23,880 --> 00:03:27,880 creating that amazing resonance. 38 00:03:38,880 --> 00:03:44,880 So this is one of the battles just before getting into the king's so called Kings Chamber, 39 00:03:44,880 --> 00:03:47,880 in the great pyramid, the Keeza. 40 00:03:57,880 --> 00:04:01,880 This is the actual entrance into the King's Chamber, 41 00:04:01,880 --> 00:04:04,880 but to people in here. 42 00:04:08,880 --> 00:04:09,880 It's not here. 43 00:04:39,880 --> 00:04:43,880 Michael is now getting inside the box. 44 00:04:46,880 --> 00:04:49,880 Which is solid, granite. 45 00:05:09,880 --> 00:05:13,880 This is amazing. 46 00:05:13,880 --> 00:05:25,880 We've been able to secure the great pyramid for two hours for our group. 47 00:05:25,880 --> 00:05:29,880 Thanks to the Keeza School, 48 00:05:29,880 --> 00:05:34,880 www.kimatology.com. 49 00:05:35,880 --> 00:05:42,880 Now we're entering the Queen's Chamber, 50 00:05:42,880 --> 00:05:48,880 the dispassages only little over three feet high. 51 00:05:48,880 --> 00:05:52,880 Solid rock, solid limestone, 52 00:05:52,880 --> 00:05:57,880 and the walls are incredibly straight. 53 00:05:58,880 --> 00:06:02,880 Definitely an engineering marvel. 54 00:06:02,880 --> 00:06:06,880 And some theorize, 55 00:06:06,880 --> 00:06:11,880 and I believe, too, the pyramid, 56 00:06:11,880 --> 00:06:14,880 was a massive machine, 57 00:06:14,880 --> 00:06:18,880 the creative electricity created energy. 58 00:06:28,880 --> 00:06:35,880 This is one of the shafts in the Queen's Chamber. 59 00:06:35,880 --> 00:06:40,880 One on this side, 60 00:06:40,880 --> 00:06:45,880 one on the opposite side. 61 00:06:45,880 --> 00:06:46,880 We can see evidence, 62 00:06:46,880 --> 00:06:49,880 some kind of buildup of the material. 63 00:06:49,880 --> 00:06:55,880 This black is probably not smoked from the fire of the builders, 64 00:06:55,880 --> 00:06:58,880 but something else may be a chemical reaction, 65 00:06:58,880 --> 00:07:01,880 that went horribly awry in the Queen's Chamber. 66 00:07:05,880 --> 00:07:07,880 Now we're heading back through, 67 00:07:09,880 --> 00:07:13,880 because we would have to be what I call it. 68 00:07:13,880 --> 00:07:23,880 The Queen's Chamber, back up with the main entrance. 69 00:07:24,880 --> 00:07:26,880 Pass any, hang your own mind. 70 00:07:26,880 --> 00:07:28,880 Go on, go on. 71 00:07:28,880 --> 00:07:30,880 Hello. 72 00:07:30,880 --> 00:07:32,880 I'm ready for my stride. 73 00:07:32,880 --> 00:07:36,880 Everybody on the stride, how the hell are you? 74 00:07:37,880 --> 00:07:39,880 How do you go? 75 00:07:39,880 --> 00:07:41,880 We'll stuff up. 76 00:07:41,880 --> 00:07:42,880 We'll stuff up. 77 00:07:42,880 --> 00:07:44,880 It's not in there. 78 00:07:44,880 --> 00:07:48,880 And to the descending passage. 79 00:07:48,880 --> 00:07:51,880 Just here. 80 00:07:52,880 --> 00:07:54,880 Okay, maybe halfway down now, 81 00:07:54,880 --> 00:07:56,880 or a third of the way down. 82 00:07:56,880 --> 00:08:00,880 The descending passage into the subterranean chamber. 83 00:08:00,880 --> 00:08:03,880 Not as tough so far as I thought it would be. 84 00:08:03,880 --> 00:08:06,880 I thought the roof would be, 85 00:08:06,880 --> 00:08:09,880 or ceiling would be a lot lower, but anyway, 86 00:08:09,880 --> 00:08:10,880 onwards, 87 00:08:10,880 --> 00:08:15,880 okay, all the way down now at the bottom of the subterranean chamber. 88 00:08:15,880 --> 00:08:17,880 Now I'm sure you're thinking, 89 00:08:18,880 --> 00:08:20,880 gee, that didn't take very long. 90 00:08:20,880 --> 00:08:23,880 Well, it's because I turned the camera off. 91 00:08:23,880 --> 00:08:28,880 It's a several hundred feet down, 92 00:08:28,880 --> 00:08:32,880 but it's an incredibly straight line. 93 00:08:32,880 --> 00:08:36,880 And then this way, 94 00:08:36,880 --> 00:08:39,880 this is where it's going to get tougher. 95 00:08:39,880 --> 00:08:42,880 This is hands and knees in the sand. 96 00:08:42,880 --> 00:08:44,880 For about 30 feet, maybe. 97 00:08:45,880 --> 00:08:48,880 But then it looks like that is the subterranean chamber. 98 00:08:48,880 --> 00:08:50,880 So let's see what it looks like.