1 00:01:30,000 --> 00:01:37,800 The catastrophic events at the close of the last Ice Age brought about the demise of a 2 00:01:37,800 --> 00:01:44,680 once mighty and very ancient ancestor civilization. In many places its memory has completely 3 00:01:44,680 --> 00:01:51,920 faded, but to the careful eye, there are clues that still are test to its ancient glory. 4 00:01:51,920 --> 00:01:57,920 These clues, these ruins, may be easy to confuse us from means of more recent cultures, 5 00:01:57,920 --> 00:02:04,920 but distinctly themselves in subtle ways as being products of the higher minds of a distant golden age. 6 00:02:10,760 --> 00:02:18,600 Their sophisticated geometry, their celestial orientation, their complex symbolism, 7 00:02:18,600 --> 00:02:21,600 is proof of their ancient high heritage. 8 00:02:21,600 --> 00:02:30,760 It is their best camouflage, a most effective veil which protects the timeless secrets 9 00:02:30,760 --> 00:02:36,320 from the destructive tendencies of minds of lessen lighten times. 10 00:02:36,320 --> 00:02:42,520 Ancient Egypt appears to have inherited a legacy of high wisdom and science that imparted 11 00:02:42,520 --> 00:02:49,520 an understanding and a control over the material world that can only be described as supernatural. 12 00:02:52,600 --> 00:02:58,600 As we explore this legacy, we find its culmination in the sacred temples of ancient Egypt. 13 00:03:03,600 --> 00:03:11,600 We will see the temples not just as places of worship but as objects of worship, as the instruments of worship, 14 00:03:12,600 --> 00:03:18,600 as vehicles for communion with the gods, as the embodiment of the gods. 15 00:03:19,600 --> 00:03:28,600 We will see the temples as the facilitators of a powerful magic, and a blueprint to the great work. 16 00:03:39,600 --> 00:03:45,600 As we explore the sacred temples of ancient Egypt, we bring to life these ancient homeconna 17 00:03:45,600 --> 00:03:49,600 and gain a new understanding of the most sacred of the temples. 18 00:03:53,600 --> 00:03:55,600 The temple in mind. 19 00:04:15,600 --> 00:04:22,600 The temple is a great idea in the stelfness, the nutrients of the lost art, the lost world, 20 00:04:22,600 --> 00:04:28,600 behind the veil lies another Egypt, hidden in Egypt. 21 00:04:28,600 --> 00:04:44,600 In our last episode, we examined the concept of the Yugas, a boss celestial cycle, 22 00:04:44,600 --> 00:04:50,600 wherein our solar system and its inhabitants continually pass through the cosmic seasons, 23 00:04:50,600 --> 00:04:57,600 rising from the heavy depths of the collie-yuga-hole Iron Age, to the enlightened scepter-yuga-hole golden egg. 24 00:04:58,600 --> 00:05:06,600 The blue prince, the seeds of a lost magic, reposted down through the ages. 25 00:05:07,600 --> 00:05:16,600 The occult secret, sacred science inherited by the ancient Egyptians, was the legacy of the higher minds of a distant golden age. 26 00:05:17,600 --> 00:05:23,600 The sea that becomes intriguing, the bears fruit which contains the seed from the next cycle. 27 00:05:28,600 --> 00:05:53,600 The sacred science, the science of magic, the science of life, the science of death. 28 00:05:54,600 --> 00:06:08,600 The science of transformation, the art of becoming, the voice of creation, the laws of beauty. 29 00:06:09,600 --> 00:06:18,600 Perhaps most importantly, the occult secrets that demonstrated the unity of all of the science is. 30 00:06:19,600 --> 00:06:25,600 The unity that connects us to the universe which produced us. 31 00:06:33,600 --> 00:06:41,600 Within the temples of ancient Egypt, these ancient secrets found their full expression. 32 00:06:42,600 --> 00:06:48,600 This is the true legacy. This is the seed. 33 00:07:06,600 --> 00:07:09,600 The temple was the teaching. 34 00:07:11,600 --> 00:07:27,600 The long millennia, multi-dimensional text school, but demonstrated, or reveal, not only the individual lessons which may comprise a particular school or discipline. 35 00:07:28,600 --> 00:07:37,600 But the way in which the lessons interrelated with one another, to form their higher unity or integration of the sciences. 36 00:07:37,600 --> 00:07:52,600 In Egypt and India, as well as later in the Christian conceders of the Gothic period, the temple was a book revealing an esoteric teacher. 37 00:08:07,600 --> 00:08:21,600 The temples, when examined individually, can be thought of as the different lessons in a unified cosmic curriculum. 38 00:08:26,600 --> 00:08:35,600 The temple of Dendero is a repository of cycles. It immortalizes the connection between fertility and the cyclical heavens. 39 00:08:38,600 --> 00:08:43,600 This is where the new year is celebrated. In other words, here the new year is born. 40 00:08:45,600 --> 00:08:50,600 So, if you said, well, you have course it feels sort of dark and oppressive because it's the womb of time. 41 00:08:51,600 --> 00:09:01,600 One of the peculiarities that puzzled about ever since I've been studying Egypt is that you notice that the columns here are all shafts with the head of Hawthor, over it. 42 00:09:01,600 --> 00:09:10,600 And this whole thing is a representation of a musical instrument called the system. The part on top. You'll see, we probably won't see it at the museum, but they have them. 43 00:09:11,600 --> 00:09:18,600 Actual systems that you hold the shaft and you shake it, it's got a rattle up in the top part. And it's a celebratory thing. 44 00:09:19,600 --> 00:09:27,600 But one of the things that puzzled me, two things puzzled me, one is the face of Hawthor itself. Here it's all obliterated, but we'll see them inside where they're almost perfectly intact. 45 00:09:27,600 --> 00:09:36,600 The strains, triangular face, the Hawthor, the totem animal, I hate to call it totem animal, but for lack of a better word. For Hawthor is the cow. 46 00:09:37,600 --> 00:09:47,600 Well, the cow seems a peculiar animal to choose for a goddess among whose roles is sexuality, joy, song, dance, et cetera, et cetera. And there's the cow. 47 00:09:47,600 --> 00:10:06,600 But the cow, actually, is the animal that you might say, par excellence represents source of nourishment. And so Hawthor represents the source of divine nourishment elsewhere, not here, but in Hawthor's Temple, you'll see, we're actually in the shape of a cow, suckling, giving milk to the king. 48 00:10:06,600 --> 00:10:19,600 The queen is the case, maybe, in Hawthor's chipsets. So all of this was formal, but the face itself of Hawthor, it's strains, triangular face is very unadjiption. And it's there from the beginning to the end, Hawthor has this peculiar face, looks sort of agiatic. 49 00:10:19,600 --> 00:10:32,600 And this strange triangular face looks very different from any of the other gods. And then the other peculiarity or singularity, is that only Hawthor among all of the gods and goddesses has a column to herself. 50 00:10:32,600 --> 00:10:46,600 All other columns of floral, the papyrus or lotus or some combination there of in Talemayek times, it gets more complicated, there are date palms and other kinds of vegetable vegetation, all put together synthesized. 51 00:10:46,600 --> 00:10:59,600 But columns are always the ceiling is always the sky, the floor is always the earth, the columns are the animated universe connecting earth to sky. 52 00:10:59,600 --> 00:11:09,600 But only Hawthor has a column entirely to herself. And I'm sort of wondering why Hawthor, why not a namon column or a horror column or a rock column, but there isn't such a thing. 53 00:11:09,600 --> 00:11:22,600 But this is something specially significant to Hawthor. And then in the last trip, I was just going through this little wrap that I'm going through now. And we were in, sorry, I'll show you when we got there, we're inside. 54 00:11:22,600 --> 00:11:33,600 And one of the women who was with us was a mother of four, three of whom were triplets and she looked at the face of Hawthor. And she said, oh, she said, well look at the shape of that face. 55 00:11:33,600 --> 00:11:43,600 And then the next day I, this is not exactly correct because I did it for memory. I traced it out of a book on Egyptian medicine. Do you recognize that? What that is? 56 00:11:43,600 --> 00:11:46,600 Oh, the uterus. That's right. 57 00:11:46,600 --> 00:11:52,600 It's a uterus and these are the philopian tubes and you look at the face of Hawthor and it is a uterus. 58 00:11:52,600 --> 00:11:58,600 And she is the mother of all. So she is the cosmic, she is the cosmic goddess. 59 00:12:03,600 --> 00:12:21,600 On its ceiling, complex, they're diacal and astronomical information is recorded. 60 00:12:22,600 --> 00:12:36,600 Now, over here are the famous, the famous astronomical, astrological ceilings. If you look carefully above, here above my head is Leo. And you see, half the zodiac. You follow along there. 61 00:12:36,600 --> 00:12:45,600 Over there are the scales as Libra somewhere in between. There should be the chief of wheat. Virgo and following down there. 62 00:12:45,600 --> 00:12:56,600 Scorpio, I think yes, I can see Scorpio anyway. Half the zodiac is there. Half the zodiac is there. The other, all of these are astronomical, are constellations and stars. 63 00:12:56,600 --> 00:13:02,600 And so on, the astronomers know exactly which, you know, what all of these signs represent. 64 00:13:02,600 --> 00:13:13,600 But this is actually what these ceilings represent here are actually it's a complete symbolic picture of the sky. 65 00:13:13,600 --> 00:13:21,600 It's a sort of Greco-Roman planetarium. Because here we have the, here we have the zodiac, the signs of the zodiac. 66 00:13:21,600 --> 00:13:34,600 We get to the next register here. We get to the next register here. What's shown here are the, are the, are the decans, the, the weeks of the year. 67 00:13:34,600 --> 00:13:44,600 And each of the months there are there are 12 months, with divided into three decans, like astrology. And astrology, the signs are divided into decans at the astrological work with. 68 00:13:44,600 --> 00:13:55,600 So here we have this is the solar sky. This is what gives us our, our weeks and our months. And it's the same on the other side. This is half the year and the other side is the, is the other half of the year. 69 00:13:55,600 --> 00:14:10,600 And over here, the lunar days, I think there are 14, 14, 28, I think they're each, each a day, a lunar day. So you have the hierarchical sky. There's a diapos sky or galactic sky, the solar sky and the lunar sky. 70 00:14:10,600 --> 00:14:17,600 So, so the whole thing is a complete sky picture as a words, a map, a map of the heavens. 71 00:14:17,600 --> 00:14:34,600 In a brilliant example of architecture conveying the interconnectedness of sciences, we see that half the or column is a giant sister, a musical instrument whose expression is through rhythm. 72 00:14:34,600 --> 00:14:44,600 The half or columns are dendera connect the floor to the zodiacal sea. The teaching contained in the columns connects to the teaching written on the sea. 73 00:14:44,600 --> 00:14:51,600 The interaction in physical space demonstrates the ideological relationship as well. 74 00:14:51,600 --> 00:15:02,600 The supporting plays of rhythm hold aloft the light sky. In fact, a knowledge of the rhythms of the heavens might be seen as the secret decoder, 75 00:15:02,600 --> 00:15:09,600 and necessary to understand the complex descriptions. 76 00:15:09,600 --> 00:15:35,600 What was the connection between the stars and humanity? 77 00:15:35,600 --> 00:16:03,600 The temple was more than a place of worship as we understand it today. The temple was the teaching. 78 00:16:03,600 --> 00:16:28,600 It was a three-dimensional lesson, a long linear book. The temple spoke in symbol volume harmony proportion scale and indeed in time. 79 00:16:28,600 --> 00:16:58,600 The temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the first time the temple was the 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the architecture and the 86 00:18:32,040 --> 00:18:41,320 reliefs and the temple revealed the occult or metaphysical anatomy of man it was a must-to-piece of 87 00:18:41,320 --> 00:18:49,320 symbolist teaching and perhaps a massive instrument of magical correspondence 88 00:18:49,400 --> 00:19:04,280 the temple was a repository of the great arcane of the anthropocosim the man cosmos 89 00:19:05,480 --> 00:19:11,400 as a part so below man is made in the image of God 90 00:19:11,560 --> 00:19:21,160 man is not only the culminant creation of the universe but in fact man is the universe 91 00:19:27,000 --> 00:19:31,800 it's here of course the trial that's well-addeveloped his whole doctrine that he called the 92 00:19:31,800 --> 00:19:38,600 anthropocosim which is the man cosmos because written into us is a good platonic philosophy as well 93 00:19:39,400 --> 00:19:47,480 like those sign over his gymnasium was the man know that he self a good being that if you 94 00:19:47,480 --> 00:19:52,120 really know everything there is to know that yourself you understand everything there is to know 95 00:19:52,120 --> 00:19:59,480 about the cosmos the medic thing has above so below in us are written all the laws of the universe 96 00:19:59,480 --> 00:20:10,200 this particular one which is proportioned exactly to the proportions of the idealized male skeleton 97 00:20:10,200 --> 00:20:19,480 male figure um contains or embodies all of the all of the laws pertaining to humanity 98 00:20:19,480 --> 00:20:25,480 are rolled within the schemes and you're well-gained in these places 99 00:20:26,360 --> 00:20:32,840 you it's obvious that anybody with emotional lack of interaction working something very special is going on 100 00:20:33,480 --> 00:20:37,800 but nobody seems to understand really including this you know the people who study aesthetics 101 00:20:37,800 --> 00:20:46,040 and the art historians why this stuff works but but the reason is actually not not too difficult to 102 00:20:46,040 --> 00:20:53,880 explain it works this way through through the vibration and music makes the the best analogy actually 103 00:20:54,040 --> 00:20:59,640 because we all know that music affects us emotionally and we also know that it sound waves and 104 00:21:01,960 --> 00:21:08,200 very complex combinations of sound waves vibration frequency harmony measure 105 00:21:09,320 --> 00:21:15,240 volume all contributed to the effective music produces and so 106 00:21:15,800 --> 00:21:19,800 barcadouce one thing and Mozart and other and the role in selling something else again 107 00:21:20,200 --> 00:21:25,640 a liberal acetyl something else but it's all done through through waveforms through sound 108 00:21:27,080 --> 00:21:32,520 you don't tend to think of architecture that way with Gertto who said that architecture is frozen music 109 00:21:32,520 --> 00:21:38,600 it's a nice term and it's to be taken actually not metaphorically but literally because 110 00:21:38,600 --> 00:21:47,000 architecture produces the exactly a visual way to light spectres and work um 111 00:21:47,480 --> 00:21:51,480 it's also a vibratory phenomenon everybody knows that 112 00:21:55,400 --> 00:22:01,560 our eyes respond to visual vibration and not to think about architecture that way but of course 113 00:22:01,560 --> 00:22:07,800 once just once once it's even mentioned you see instantly the course that's what the producers 114 00:22:07,800 --> 00:22:13,240 that's how architecture produces it's a fact for it's non-effect or it's ill-effect now the principles 115 00:22:13,800 --> 00:22:22,120 of the gods all have numbers associated with the J.T. Benette, they're just follow 116 00:22:22,120 --> 00:22:28,440 the old numbers the bears of meaning are very interesting phrase through a number that you 117 00:22:28,440 --> 00:22:33,240 can really actually can unsteady everything through a number that's your way of looking at things 118 00:22:33,240 --> 00:22:37,640 not everybody's way of looking at them but the gods and associate with certain numbers of 119 00:22:37,640 --> 00:22:45,640 number combinations those number combinations used by people who knew what they were doing 120 00:22:45,640 --> 00:22:50,280 we don't know enough about to be produced those effects but they're starting to learn 121 00:22:50,280 --> 00:22:54,280 at least some people are really taking the serious things starting to study it but the right 122 00:22:54,280 --> 00:22:58,040 combinations associate with that particular principle 123 00:22:58,120 --> 00:23:05,720 for use a piece of architecture that when you walk in because of the vibratory nature 124 00:23:06,760 --> 00:23:12,680 of the building evoke within you that principle so when you walk in a naman temple that's one 125 00:23:12,680 --> 00:23:17,400 that was the first temple you've been in most of the year before of course notice and go to dendra 126 00:23:17,400 --> 00:23:22,600 something else completely altogether there could go to hotchepsut different again the reason that 127 00:23:22,600 --> 00:23:27,080 those effects are different of course because it's a it's a different stone symphony that's being 128 00:23:27,080 --> 00:23:33,240 played and they have to know how to put it together to produce this stone symphony if you give 129 00:23:33,240 --> 00:23:38,760 for modern architecties used to doing shopping malls the rises say builders at temple that puts me 130 00:23:38,760 --> 00:23:44,120 in touch with divinity what no what the hell to do but these guys did so when we're walking 131 00:23:44,120 --> 00:23:48,040 when we're walking through this this is what's happening this is what we're responding to 132 00:23:48,120 --> 00:23:53,160 so we don't really all we know is that we're responding we don't know why we're responding 133 00:23:53,160 --> 00:23:59,800 whatever is the plantable for this sun for this temple that we exactly why and knew how to evoke 134 00:24:03,800 --> 00:24:09,400 in revealing the great arcane of the anthropocosmos the temple of Luxor demonstrates 135 00:24:09,400 --> 00:24:15,320 the invisible principles which interact to create a perpetuate both conscious man and the 136 00:24:15,320 --> 00:24:21,240 conscious universe through the interplay of the physical mental spiritual and archetypal 137 00:24:21,240 --> 00:24:29,640 realms it showed the hologramatic relationship between microcosm and macarocosm between us 138 00:24:29,640 --> 00:24:38,120 and the conscious universe a complex system of correspondences seems that every juncture 139 00:24:38,120 --> 00:24:43,800 to reveal and re-biverify another link with the ageless wisdom of cult teachings 140 00:24:43,880 --> 00:24:51,000 of the oldest cultures around the world the entrance to the temple is through the front 141 00:24:51,000 --> 00:24:53,800 pylon 142 00:24:55,880 --> 00:25:00,600 it's at the word until a temple architecture this is classic temple architecture that they 143 00:25:00,600 --> 00:25:05,000 think that there's a pylon in the front and they're usually the orientant and even north 144 00:25:05,000 --> 00:25:09,800 south or east west but very specifically to assault us or an equinox at the east west 145 00:25:10,760 --> 00:25:16,520 probably to stars and north south will not show which and they always have to plan 146 00:25:16,520 --> 00:25:21,960 more of this and let the roof over and we'll descend to there and what these represent and actually 147 00:25:22,520 --> 00:25:27,160 it's particularly apparent when it's an east west one because these represent what 148 00:25:27,160 --> 00:25:32,680 we call the twin peaks that have arrived and it's symbol symbol symbol for the horizon 149 00:25:32,680 --> 00:25:38,600 it does like this which is a wave form with with the solar disk in the center 150 00:25:38,760 --> 00:25:46,200 and really what what is what is being symbolically demonstrated there is unity, 151 00:25:46,200 --> 00:25:51,960 his unity dividing itself into into manifestation another with spirit becoming matter 152 00:25:53,160 --> 00:25:57,960 it gets into numbers and it wasn't here but one is the absolute one is actually not really a 153 00:25:57,960 --> 00:26:03,640 number of coordinates followed very anti zero we think the invention of zero it's a distraction 154 00:26:03,800 --> 00:26:09,640 it's a big mistake down built trip from there on in but really what's being represented 155 00:26:09,640 --> 00:26:16,280 by the pylons here is this matter and the center is entrance into the temple which is an east 156 00:26:16,280 --> 00:26:22,520 west temple that the sun rises up it's a ton of the year shines through the think is it's your marching 157 00:26:23,400 --> 00:26:33,240 in and performing the ceremonies and the top of the effectively reattaining unity within 158 00:26:34,600 --> 00:26:35,640 multiplicity 159 00:26:37,960 --> 00:26:44,040 every detail every architectural feature is a symbolic component or lesson in the sacred sciences 160 00:26:45,560 --> 00:26:50,680 a symbolic architecture of the classic pylon is a treasure of what count correspondences 161 00:26:51,320 --> 00:26:56,760 it is central represent the horizon the division of unity into duality 162 00:26:58,280 --> 00:27:04,600 the symbol evokes the image of an interworking hemispheres which brings the dawn of intelligence 163 00:27:04,600 --> 00:27:13,480 symbolizes the illumination of the rising sun and example from her metasism shows in pictorial form 164 00:27:13,480 --> 00:27:17,960 another aspect of the arcaneum represented by this symbolic architecture 165 00:27:18,520 --> 00:27:26,840 here we see a visual metaphor of the divine child born of a unit of sun and moon at the peneer 166 00:27:26,840 --> 00:27:34,280 or third eye the two caves represent not only the physical hemispheres but the archetypal vessica 167 00:27:34,360 --> 00:27:39,560 pices of human intelligence the duality and the unity that is intelligence 168 00:27:51,240 --> 00:27:57,720 the rain or divine dew of inspiration and intuition is collected as it is provided by nature 169 00:27:57,800 --> 00:28:07,480 it is yin it partakes of the alchemical properties of water it is the negative pole 170 00:28:09,560 --> 00:28:16,760 the other side the other in a cave is the opposite process it is the realm or hemisphere of logic 171 00:28:16,760 --> 00:28:24,600 of separation the steam separates the fine from rose this is set the a chemical fire 172 00:28:25,320 --> 00:28:28,120 expansive radiation of positive pole 173 00:28:31,400 --> 00:28:37,560 through the balanced interworking of both types of intelligence the undergryne the divine child is born 174 00:28:45,320 --> 00:28:50,120 this deep arcane finds parallel in birth in mental realm and the physical realm 175 00:28:51,080 --> 00:28:56,280 the central location of the entrance to the temple corresponds physically and symbolically 176 00:28:56,280 --> 00:29:04,840 to the central peneer gland as we enter and leave each new life and new bodies through the third eye 177 00:29:04,840 --> 00:29:09,320 so too do we enter and leave the temple through this midpoint between the hemispheres 178 00:29:09,400 --> 00:29:21,240 the mystery and revelation compounds in the symbolic proportion of the door itself 179 00:29:21,800 --> 00:29:25,240 it is the embodiment of pie and five ratios 180 00:29:39,800 --> 00:29:46,320 the 181 00:29:47,120 --> 00:30:08,960 it may be that the presence of this proportion in us and the universe is in itself 182 00:30:08,960 --> 00:30:21,920 I'll link to divinity the doorway into an out of life 183 00:30:24,080 --> 00:30:30,000 in the utilization of multiple axes the sprawling stone table achieves a feeling of movement 184 00:30:30,880 --> 00:30:37,200 the temple demonstrates a degree of sophistication and understanding in many cases far surpassing 185 00:30:37,280 --> 00:30:39,440 the expected abilities of these ancients 186 00:30:45,200 --> 00:30:51,200 on the part of the plan corresponding to the legs the strange skew of axes followed the extended 187 00:30:51,200 --> 00:30:53,040 leg of the marches were in the cord 188 00:30:59,920 --> 00:31:02,960 the emphasis of the entire hole is the forward leg 189 00:31:02,960 --> 00:31:06,960 man in motion 190 00:31:08,960 --> 00:31:12,960 leading man 191 00:31:12,960 --> 00:31:14,960 the 192 00:31:24,960 --> 00:31:26,960 skewing the axis 193 00:31:26,960 --> 00:31:28,960 what they're doing is 194 00:31:28,960 --> 00:31:32,960 they're symbolizing 195 00:31:32,960 --> 00:31:34,960 humanity and action 196 00:31:34,960 --> 00:31:36,960 humanity of rest 197 00:31:36,960 --> 00:31:40,960 part and parcel of this much more profound override and thought 198 00:31:40,960 --> 00:31:45,840 in certain cases the figure should be seen what the let's say the skeleton should be super 199 00:31:45,840 --> 00:31:51,040 opposed as a in profile and for certain others it's simultaneous they put it this way 200 00:31:51,040 --> 00:31:56,880 it's simultaneously in profile and frontal due just as actually just as the relief work is 201 00:31:56,880 --> 00:32:05,920 these represent the the most the most the most the most powerful or positive aspect 202 00:32:06,960 --> 00:32:28,320 the most 203 00:32:37,840 --> 00:32:46,320 at the side of the knees we see another architectural nod to the system of correspondences 204 00:33:00,560 --> 00:33:05,920 the joints between stones which appear to the untrained eye to be random 205 00:33:05,920 --> 00:33:11,840 are in fact intentional and in many cases service orientation clues to the trained 206 00:33:11,840 --> 00:33:18,240 initiative engaged in study of the temple the knees are sometimes used to represent the back 207 00:33:19,040 --> 00:33:25,920 in this relief is depicted the unification of upper and lower Egypt the two lands tied to 208 00:33:25,920 --> 00:33:27,920 the backbone of Egypt the Nile 209 00:33:29,920 --> 00:33:33,920 I remember I was telling you about the unification of upper and lower Egypt 210 00:33:34,240 --> 00:33:41,200 this is this is what's being portrayed here and it's a scene that you see over and over and over 211 00:33:41,200 --> 00:33:46,960 again in Egypt from the getting to end because as I said it is not simply commemorating 212 00:33:46,960 --> 00:33:51,920 the declaration of independence or something like that it is actually it is actually commemorating 213 00:33:51,920 --> 00:33:54,720 the union of spirit and matter 214 00:33:54,800 --> 00:34:02,560 we see the iris of the north and the lotus of the south 215 00:34:03,280 --> 00:34:10,000 representing again the papyrus representing the vegetable world organic below and the lotus 216 00:34:10,000 --> 00:34:15,040 representing its spiritualization I'll talk more about the lotus later on which also recently 217 00:34:15,040 --> 00:34:18,800 some of you may know they discovered that the blue lotus of Egypt is actually 218 00:34:18,800 --> 00:34:24,400 hallucinogenic and I've been looking to some lotus to see if it really works 219 00:34:24,400 --> 00:34:30,000 yeah quite splendidly complex you see this represents the Nile where 220 00:34:30,400 --> 00:34:36,880 but at the bottom is the glyph very graphically representing the lungs so in other words Nile represents 221 00:34:37,760 --> 00:34:41,920 represents the breadth of Egypt as it were quite formally and so 222 00:34:42,640 --> 00:34:50,480 you see this is not a political act this is an esoteric symbol of the 223 00:34:50,480 --> 00:34:57,840 the animation of the vilifying force the breadth of Egypt in that is being 224 00:34:58,080 --> 00:35:04,720 that is being knotted with both spirit and matter because without matter this is one of the 225 00:35:04,720 --> 00:35:09,360 problems with Christianity they try to get rhythmically of the physical world and we can't do this 226 00:35:09,360 --> 00:35:15,120 because much while it calls us the temple of man the body is the is the temple in which the work gets 227 00:35:15,120 --> 00:35:20,080 carried out nobody or a body that is infox and incorrectly and it's very difficult to do the 228 00:35:20,080 --> 00:35:25,840 spiritual work analogy I sometimes do as you can't play celestial music and crack vile and so 229 00:35:25,840 --> 00:35:29,120 it's important to keep it in some sort of shadow 230 00:35:29,120 --> 00:35:45,120 the 231 00:35:45,600 --> 00:35:47,120 the 232 00:35:54,000 --> 00:35:58,480 the humor is the largest bone in the body it is responsible for the 233 00:35:58,480 --> 00:36:01,840 manufacture of most of the red core puzzles which feed the body 234 00:36:19,920 --> 00:36:24,880 at the site located at the femon the reliefs on the walls portray and invoked the 235 00:36:24,880 --> 00:36:32,480 sessions which brought the celebration feast into the temples it's in the thigh particularly 236 00:36:32,480 --> 00:36:40,400 what is it the femon that most in the marrow of the femon most of the red blood 237 00:36:40,400 --> 00:36:46,480 blood corpus of the heart are manufactured so in other words it's the 238 00:36:47,360 --> 00:36:54,400 items all of the stuff is and the same processes is being shown here in other words all of this 239 00:36:54,400 --> 00:37:01,200 processional stuff is leading up to the sustenance or the you might say the spiritual sustenance 240 00:37:01,200 --> 00:37:06,960 of the entire enterprise of the human frame because here that the marrow is being made so it's 241 00:37:06,960 --> 00:37:13,680 it's not just festival it's festival with a with a much more profound esoteric significance 242 00:37:13,680 --> 00:37:18,960 that is at the same time absolutely in keeping with physiology in other words the essential 243 00:37:18,960 --> 00:37:25,600 nourishment of the whole whole frame is produced in the femon yeah so it's physiologically 244 00:37:25,600 --> 00:37:32,160 correct and ecologically found only the priests had access to the temple and in certain 245 00:37:32,960 --> 00:37:38,640 festivals during the year the populist and the rebel could come into the outer courtyard 246 00:37:38,640 --> 00:37:45,200 but for the most part and even then only at certain times but in these processionals the 247 00:37:45,200 --> 00:37:51,520 populist could could actually even you know offerings to look to the god being told along 248 00:37:51,520 --> 00:37:55,600 so in other words it and there were processionals all over the place the Catholic 249 00:37:55,600 --> 00:37:59,360 shirts inherited a lot of that stuff I mean anybody who's living in Spain or Italy knows 250 00:37:59,360 --> 00:38:05,120 that there are processions all the time in the symbolism here we are given a very insightful 251 00:38:05,120 --> 00:38:11,600 clue to the mystery of the anthropocosian when we see the individual blood cells as the nourishment 252 00:38:11,600 --> 00:38:18,640 of the larger body we begin to also become aware of ourselves as energetic events as the 253 00:38:18,640 --> 00:38:28,560 cells of the greater body exchanging nourishment for consciousness we are the stuff of the universe 254 00:38:28,880 --> 00:38:35,120 we are the body of the universe we are the brain cells of the universe and perhaps the taste buds 255 00:38:44,480 --> 00:38:48,720 at the site corresponding to the belly the birth of the king is announced 256 00:38:48,800 --> 00:39:04,000 this is the part that represents the midsection hold just the tracks on billacle cord and 257 00:39:05,200 --> 00:39:12,000 when fellow was first developing the series there was one Egyptologist of Alexander Barrio who 258 00:39:12,080 --> 00:39:18,320 was interested in but skeptical and when once they worked out that the supposed to represent 259 00:39:18,320 --> 00:39:27,920 the idealized male frame one the central architraved there one right in the center is this one 260 00:39:27,920 --> 00:39:35,760 of this one on the plan would correspond to the figure is profile would correspond to the 261 00:39:35,760 --> 00:39:41,280 umbilical cord to the nut to the belly button to the navel and so nobody read the hired 262 00:39:41,280 --> 00:39:45,520 lifts Lucy substance read the hired this was followed didn't but and 263 00:39:46,720 --> 00:39:52,560 isha his wife was learning them it's still been happened down cold so they went to Barrio 264 00:39:52,560 --> 00:39:59,280 who was friendly with him and asked him to translate that one particular one particular 265 00:39:59,360 --> 00:40:05,120 architraved because they felt that it was kind of central isn't it didn't say something there 266 00:40:05,120 --> 00:40:12,240 about birth the whole theory was suspect that was quite clear was that architraved another one 267 00:40:12,240 --> 00:40:18,000 the corresponding is everything is exact to the to the navel and sure enough in Barrio translated it 268 00:40:18,000 --> 00:40:22,560 and I've done it in a certain way to get exactly what it is but it is so far something to the effect 269 00:40:22,560 --> 00:40:28,720 of here the king is born and raised and the king pushed out and he starts and then 270 00:40:28,800 --> 00:40:33,840 nice stars life yeah like here life that's or something like that here life begins the king is 271 00:40:33,840 --> 00:40:39,200 raised in maturity and keeps on leaves the temple crowned in glory words that affect something of 272 00:40:39,200 --> 00:40:45,600 that sort so in other words it's right where and you know none of the other none of the other 273 00:40:46,480 --> 00:40:51,280 architraves have told that story so it's you know it's right in place exactly where it belong 274 00:40:52,240 --> 00:40:59,920 at the side of the lungs is the hypostyle hole 275 00:41:01,920 --> 00:41:08,160 this is this is the hypostyle hole my fellow police covered hole each of the temples has a hypostyle 276 00:41:08,160 --> 00:41:15,680 wall it represents symbolically more on this other time but represents symbolically the papyrus 277 00:41:15,760 --> 00:41:27,120 swam in which hathor safe guards and nourishes Horace who's safe guards and takes care of Horace 278 00:41:27,120 --> 00:41:32,080 until he's raised a man but it can event the murder of his father was there so all that is that 279 00:41:32,080 --> 00:41:39,600 world represent that virus wall but in this one in this whole long had the bases of these colors 280 00:41:40,160 --> 00:41:48,080 are our cousin the phases of the moon starts at the top there just there's nothing new 281 00:41:52,400 --> 00:41:59,920 stones next column over there 282 00:41:59,920 --> 00:42:13,160 and then on the final column the people are shown all the 283 00:42:14,120 --> 00:42:20,200 houses there's no decorative effect whatsoever just cut into the surface of the 284 00:42:20,200 --> 00:42:26,200 of the paving stones below now on the plan as well as plan as hypostyle hole represents 285 00:42:29,080 --> 00:42:34,520 represents the lungs to wait and the lungs of the heart the heart pumps the blood 286 00:42:35,080 --> 00:42:41,640 lungs solar associated the lungs with the phases of the moon and the heart with the sun which 287 00:42:42,280 --> 00:42:48,840 comments all comes really but it's a there's a lung there's a lung moon 288 00:42:48,840 --> 00:42:54,680 heart correlation and so it's here here only on this hypostyle hole we have the phases of the moon 289 00:43:12,600 --> 00:43:20,280 this is the part of the temple that actually corresponds to the heart and interestingly enough 290 00:43:20,280 --> 00:43:27,880 it was appropriated by the by the early cops and the Romans and turned into a church it's a 291 00:43:27,960 --> 00:43:37,560 curiosity of early coptic Christian temple building or temple appropriation that 292 00:43:37,560 --> 00:43:43,240 in the various temples they almost invariably chose a part of the temple that wouldn't 293 00:43:43,240 --> 00:43:48,360 then specifically a particularly sacred to the ancient Egyptians who built the temple from cells 294 00:43:49,320 --> 00:43:56,920 and in this particular little let's say heart chakra here we can see still the 295 00:43:58,200 --> 00:44:04,680 remains of frescoes Roman frescoes painted along the wall in this way 296 00:44:05,320 --> 00:44:13,720 curiously anomalous out of place looking Roman arch where they actually they did a bit of original construction 297 00:44:14,040 --> 00:44:29,640 this little chamber corresponds on the plan to the vocal cords and it's in this chamber 298 00:44:29,640 --> 00:44:35,640 that the five sacred names of the king are written and on this wall here a very remarkable scene 299 00:44:36,440 --> 00:44:43,400 it's called the scene of the theagami or marriage to the gods in it a man and the queen 300 00:44:43,400 --> 00:44:49,880 mutimoyer the mother of an hotel to third a seated ensemble for the sky supported by two goddesses 301 00:44:49,880 --> 00:44:55,800 Selkut with a scorpion emblem, nith with a crossed arrows whose own feet also don't rest 302 00:44:55,800 --> 00:45:01,720 upon the ground denoting the holy spiritual nature of the scene and the right aramones words 303 00:45:01,800 --> 00:45:08,200 on the left mutimoyer's the queen's responses and what is being depicted here and the scene 304 00:45:09,000 --> 00:45:17,320 is a moan telling the queen that she will shortly give birth to a divine king to a divine being 305 00:45:18,440 --> 00:45:25,560 this scene is explained by Egyptologists as a political device by amin hotel to justify his 306 00:45:25,560 --> 00:45:32,920 accession to the throne actually what it is is the anunciation what comes later in Christianity 307 00:45:32,920 --> 00:45:40,600 the anunciation by the god of the coming birth of a divine being and so we see written into Egyptian 308 00:45:40,600 --> 00:45:47,400 symbolism in a wall of a temple built in 1300 BC a central aspect of the later christian doctrine 309 00:45:47,960 --> 00:45:56,200 this is the holy of holy is the central sanctuary from which the rest of the temple 310 00:45:57,560 --> 00:46:03,400 which generates the seed sanctuary you might be called the seed of the actual temple in this case 311 00:46:03,400 --> 00:46:09,240 the sanctuary is not the original one it was put in there later by by Alexander the Great actually 312 00:46:09,320 --> 00:46:18,600 in 300 BC but originally it's the site of the original sanctuary then yogic practice when people 313 00:46:18,600 --> 00:46:27,000 chant ohm the idea is to get the those sinus passages resonating and it's it's that actually 314 00:46:27,000 --> 00:46:34,440 that produces or that is that is part of the of anisciatic practice of of raising consciousness 315 00:46:34,440 --> 00:46:43,800 of bringing it up into the pinnial gland so curiously enough in the plan sanctuary you might be 316 00:46:43,800 --> 00:46:51,400 called the seed of the actual temple the the center you might say of the of the of the growth of the temple 317 00:46:55,080 --> 00:47:02,120 the temple of Luxor was in every respect the living image of man began from a seed 318 00:47:02,120 --> 00:47:07,800 which contained the plan for its ultimate becoming it grew in time according to the laws of the 319 00:47:07,800 --> 00:47:16,840 geometry of life temple architecture is often referred to as living architecture was this a functional 320 00:47:16,840 --> 00:47:23,720 necessity for the temple to performance times they're very architecture incorporates an unfolding 321 00:47:23,720 --> 00:47:28,760 in time as well as space did they know something about time that we don't 322 00:47:29,400 --> 00:47:35,400 you 323 00:47:48,840 --> 00:47:56,360 this is called the Hall of 12 columns the 12 the 12 columns representing the 12 hours of day 324 00:47:56,360 --> 00:48:01,720 in the 12 hours of night on the plan as well as plan this corresponds to the optical 325 00:48:01,720 --> 00:48:06,680 sentence the left brain right brain with the nerves cross with the right eye perceives or the brain 326 00:48:07,800 --> 00:48:13,080 the left brain transforms what the right eye sees and the right brain transforms what the left 327 00:48:13,080 --> 00:48:20,200 eye sees significantly enough the 12 columns also corresponds to the 12 optical nerves 328 00:48:20,840 --> 00:48:26,120 found in the center anatomically so this is actually this is a part of the of the 329 00:48:26,840 --> 00:48:32,840 accumulated evidence that's wall of put together demonstrating that this entire temple 330 00:48:32,840 --> 00:48:38,920 is meant to represent the human body not as a that is an exact reproduction look where just 331 00:48:38,920 --> 00:48:45,080 actually is an exact reproduction of the human body but that this is you might say a kind of a gigantic 332 00:48:45,080 --> 00:48:53,880 library in which are written all of the not just the functions of the human body but the functions 333 00:48:53,880 --> 00:49:01,640 as manifestations of the cosmic principles upon which the human body is constructed by divine 334 00:49:01,640 --> 00:49:08,200 powers not by accidents it appears quite distinctly that the secret ferron it teaching is based on 335 00:49:08,200 --> 00:49:13,400 the vital functions for which the organs are the living symbols that are essentially explained previously 336 00:49:14,120 --> 00:49:19,080 they can no longer be any doubt of the ancient knowledge with regard to what might be called 337 00:49:19,080 --> 00:49:24,760 spiritual metabolism from the assimilation of nourishment to the liberation of the energy or 338 00:49:24,760 --> 00:49:29,720 spirit manifested in the intellectual faculties and the powers of consciousness 339 00:49:29,880 --> 00:49:46,600 we see in this the symbolization of the eye and its relation to the center of visual consciousness 340 00:49:50,840 --> 00:49:58,120 this little sanctuary represents the the Tuk Chakra it's one of three representing the higher 341 00:49:58,200 --> 00:50:06,040 glands of the brain over in the skull and has a very interesting geometrical structures 342 00:50:06,040 --> 00:50:16,520 entire this entire it's a triple sanctuary here based upon very rigorous and elegant sacred geometry 343 00:50:17,080 --> 00:50:23,400 incorporated in constant slightly roots of two three and five and this particular little room here 344 00:50:24,120 --> 00:50:30,680 is proportioned precisely eight to nine eight to nine is the proportion of the first note in the 345 00:50:30,680 --> 00:50:37,160 musical scale so the entire temple actually as far as demonstrates has a musical significance 346 00:50:37,160 --> 00:50:44,520 as well as a profound philosophical and metaphysical significance music is effectively built into 347 00:50:44,520 --> 00:50:52,680 this structure in its proportions measures and stone harmonies the pineal gland in in 348 00:50:53,880 --> 00:51:00,920 countless statues of the ferros they're shown with wearing the royal diadem with a rearing cobra 349 00:51:00,920 --> 00:51:07,560 rearing precisely out of this place of the pineal gland where the famous third eye and the 350 00:51:07,560 --> 00:51:14,760 cobra in this context represents the risen clintonian energy the the energy that 351 00:51:15,480 --> 00:51:23,000 starting from the base of the spine travels up the spinal column illuminating the pinnial gland 352 00:51:23,000 --> 00:51:30,120 gland and giving access to divine light or higher consciousness which is of course the aim of 353 00:51:30,120 --> 00:51:41,480 all mystical and in this year of practices the enigmatic cobra rising from the third eye of the 354 00:51:41,480 --> 00:51:47,480 ferro is so prevalent that it is almost synonymous with Egyptian art what did it mean 355 00:51:51,480 --> 00:51:56,040 the knowledge of the subtle body demonstrated here with the accomplishment of the risen 356 00:51:56,040 --> 00:52:02,680 Kundalini echo and amplify the similar archano at the center of Hindu and Asian sacred teachings 357 00:52:03,880 --> 00:52:10,120 the perfection of earthly material and its transformation into a higher spiritual manifestation 358 00:52:10,120 --> 00:52:17,320 is symbolized by the risen Kundalini snake we see a number of examples of this secret science 359 00:52:17,320 --> 00:52:23,080 sometimes called inner economy and the esoteric symbolism with the ancient Egyptian temples 360 00:52:23,400 --> 00:52:30,120 the Egyptian knowledge of the subtle body or spiritual body and its into working with the physical body 361 00:52:30,120 --> 00:52:39,880 seems to have been present throughout its history this is the heart of the secret behind 362 00:52:39,880 --> 00:52:47,400 countless ancient cultures sexual energy life energy redirected and refined for the creation 363 00:52:47,400 --> 00:52:55,480 of a higher spiritual presence in parallel with tantric eastern and alchemical symbolism 364 00:52:55,480 --> 00:53:01,480 as well as many modern magical disciplines the risen snake of Kundalini is another indicator 365 00:53:01,480 --> 00:53:08,440 of the high universal science history so remote that it seems to be the seed in which all our 366 00:53:08,440 --> 00:53:16,840 oldest extent cultures came into being the ancient documents and sacred teachings 367 00:53:16,920 --> 00:53:23,480 passed down through the ages the knowledge the art of becoming a higher or more defective form 368 00:53:23,480 --> 00:53:30,120 and the spiritual play finds it echo as one of the legacies of lost science contained in the temples 369 00:53:46,920 --> 00:54:00,280 why was this fantastically complicated temple undertaken was there a technical function 370 00:54:00,280 --> 00:54:07,720 that the temple performed or assisted in or facilitated what does this say about the mind's 371 00:54:07,720 --> 00:54:12,680 capable of such a design not to mention the bewildering use such a structure might have 372 00:54:12,760 --> 00:54:19,000 afforded the use of higher dimensions in the symbolic architecture of the temple 373 00:54:19,000 --> 00:54:23,560 is necessary to capture the higher dimensional nature of the science revealed here 374 00:54:24,360 --> 00:54:28,600 it is difficult to see this as anything but the product higher minds 375 00:54:31,800 --> 00:54:37,320 the temple not only do attention to or demonstrated a knowledge of the subtle body 376 00:54:37,320 --> 00:54:44,600 but further showed its role in the deeper arcana of the anthropocosmos we share what might be 377 00:54:44,600 --> 00:54:50,280 called a hologramatic relationship with the consciousness of the universe each for 378 00:54:50,360 --> 00:54:55,720 not tamed with the other each sharing in an influencing the state of the other 379 00:54:58,200 --> 00:55:02,440 as about so below 380 00:55:20,680 --> 00:55:22,280 you 381 00:55:23,160 --> 00:55:25,160 you 382 00:55:25,560 --> 00:55:27,160 you 383 00:55:47,400 --> 00:55:53,800 the analogy of the hologram is an important one it is a useful tool in understanding 384 00:55:53,800 --> 00:55:55,800 our relationship with the universe 385 00:56:01,880 --> 00:56:06,520 the role of DNA and our bodies is very similar to the example of the hologram 386 00:56:07,480 --> 00:56:14,200 the tiniest amount of all living tissue contains DNA which is a highly compact representation 387 00:56:14,200 --> 00:56:19,800 or map or seed containing the potential to recreate the whole organism 388 00:56:20,120 --> 00:56:26,280 again turning to the revelation of the anthropocosmos we see ourselves 389 00:56:26,280 --> 00:56:32,840 our individual and collective consciousness as a hologramatic cell comprising the higher mind of the 390 00:56:32,840 --> 00:56:36,840 conscious universe as above so below 391 00:56:42,280 --> 00:56:45,800 the conscious universe and conscious man are one of the same 392 00:56:46,760 --> 00:56:53,400 the microcosm and the microcosm are not only in the image of one another they each contain one 393 00:56:53,400 --> 00:56:59,720 another they are one another the teaching of the anthropocosm raises the question 394 00:57:00,440 --> 00:57:09,080 if we are upon the universe is the universe also like us does it too have its periods of 395 00:57:09,080 --> 00:57:17,640 waking and sleeping the one trait that seems to be a common side effect of consciousness is sleep 396 00:57:20,520 --> 00:57:27,720 all conscious beings sleep and perhaps all dream as well the conscious universe and we as 397 00:57:27,720 --> 00:57:33,800 conscious holograms or cells in its body may will be dreaming during the heavy and confusing 398 00:57:33,960 --> 00:57:41,080 caroluca our we as the brain cells of the living universe asleep 399 00:57:41,960 --> 00:57:47,800 hibernating metaphysically during the winter of the lower ucosm only to return to full wake from the 400 00:57:47,800 --> 00:57:54,920 so spring returns do we flower in the summer is this what is meant by the golden age 401 00:57:55,960 --> 00:58:01,960 the universal wakes from an extended slumber shakes off its check of dreams and returns to its 402 00:58:02,040 --> 00:58:07,960 waking passions to take pleasure from and bring pleasure to us its firing brain cells its 403 00:58:07,960 --> 00:58:09,800 hungry and head into stick taste buds 404 00:58:10,680 --> 00:58:33,240 we can think of the microcosm as man and the macrocosm as the universe but 405 00:58:33,720 --> 00:58:39,320 has a path so below might also be expressed as inside so outside 406 00:58:41,160 --> 00:58:47,000 there is a teaching from the sonic law that shows the world outside to be an echo or reflection 407 00:58:47,000 --> 00:58:53,320 of the world inside conflicts are seen as outward manifestations of inner imperfections 408 00:58:56,920 --> 00:59:02,360 the interrelationship of inner and outer worlds and our ability to control one with the other 409 00:59:02,440 --> 00:59:07,880 is the very definition of magic this is the power conferred upon the initiative 410 00:59:07,880 --> 00:59:10,360 through an understanding of the anthropocosm 411 00:59:13,000 --> 00:59:19,000 yet the ramifications of the anthropocosm go even deeper 412 00:59:32,760 --> 00:59:48,920 awakening is the awakening of intelligence of the heart reason is born with us if we give 413 00:59:48,920 --> 00:59:55,080 it preponderance over cerebral intelligence over the mental it will tell us everything for it is 414 00:59:55,080 --> 00:59:59,480 the intelligence of the universe 415 01:00:02,760 --> 01:00:10,360 our intuition is the intelligence of the universe this is the hidden blessing 416 01:00:10,360 --> 01:00:17,160 stored by the anthropocosm the wisdom of the universe is our disposal when we learn to listen to our hearts 417 01:00:32,840 --> 01:00:37,560 we are the human 418 01:00:48,680 --> 01:00:52,600 the temple was a sacred teaching and a magical instrument 419 01:00:55,080 --> 01:00:59,960 it demonstrated and perhaps in some way helped to facilitate man's connection to the universe 420 01:01:02,360 --> 01:01:26,920 the intention of the master builders far surpasses a simple figuration 421 01:01:27,880 --> 01:01:33,960 since we are dealing with man and since the architecture takes into account the channels and 422 01:01:33,960 --> 01:01:38,760 bite the centers of the human body the meaning of the figurations and sculptures in 423 01:01:38,760 --> 01:01:45,400 best relief is equally relevant it is a magnificent lesson for everyone to be able to study 424 01:01:45,400 --> 01:01:51,560 the first time the knowledge already millennia over equest to the builders of the true 425 01:01:51,560 --> 01:01:58,200 temples every vital center is indicated the glance and the vital connections between the 426 01:01:58,200 --> 01:02:04,120 organs represented in the scenes reveal the correspondence with the nieces that govern them 427 01:02:04,120 --> 01:02:12,280 this throws much light on one of the true meanings of the panther as each letter is revealed to us 428 01:02:12,280 --> 01:02:20,280 we recognize and acknowledge its presence and grow within us we can perfect temple within 429 01:02:20,280 --> 01:02:25,800 by making it a true mirror of the Egyptian temple the place fit to be inhabited by the guards 430 01:02:28,360 --> 01:02:33,800 if the temple is built according to the timeless methods the guards will in fact reside there 431 01:02:50,280 --> 01:03:17,480 the everyday active dreaming may be a much more mysterious event than most of its real lives 432 01:03:20,280 --> 01:03:25,800 the baby approved things to come the after 433 01:04:50,280 --> 01:04:52,280 the 434 01:05:20,280 --> 01:05:22,280 the