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So Robert, your famous follower de Giza Arroyo theory, can you just probably give us a small

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premise of the original theory of maybe shows what did excrecession of the echo noxons

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on the map and how it fits into the Giza Arroyo theory?

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The idea of what I had in the correlation to was born in the early 80s.

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I happened to be working inside the area.

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And the purpose of excreem is simple because it is in fact a simple theory.

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It's one of those curious ones. It's a bit like the apple falling on somebody's head and he gets it.

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What's curious about this theory, starting from the other end of the position is that it's extremely visible.

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It's extremely obvious. It's one of those things that once you see it, everybody sees it.

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And there is an eye so it, apart from any other personal involvement, but there is an eye so it is that I was working in engineering inside the area.

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And I was very into the annoyments and setting out of buildings.

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It was one of those things, working with buildings in the desert.

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The last question is, why is this direction and the other is not this direction and the sun and so forth?

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So with that in mind, what intrigued me about looking at the plan of Giza was that there was an anomaly.

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There's something that looked weird. You had two pyramids in the same size running on a diagonal.

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Then the third one of set, a small one of set.

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And I couldn't fit it into the context of what it looked like. You know, they were saying that each ferro came and build a pyramid and the reason there is a small one is the ferro is not as big as the other or the rich is the other.

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It's just in fit. What I was looking at, from being involved in this trade was a, I felt I was looking at a plan. This looked like a plan.

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You know, three volumes of the same design along two of them along the diagonal and very well. But I could explain the anomaly of the offset.

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So there was a thing, the offset of the third pyramid.

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Was this niggling at you for a long time or was it an epiphany?

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No, no, it's entered my mind. There's a question entered my mind. Many, many discoveries usually is what you see something that is not explained.

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You know, like any other discovery.

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It's sometimes it's obvious. And yet surprisingly, nobody asked the question.

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So my question was, why is the small pyramid offset? I mean, for some reason nobody asked the question.

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I guess the thing then, Robert from you have an engineering, that's what you first seen at you. You approach a engineering, and you see the ground plan, the sky ground plan of a roiom with the Giza plateau.

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But there is also a pyramid text to back this up with.

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If you could maybe just elaborate on what's the context?

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Let me take you step by step. You have 25 rowed pyramids in the manufacturing properties. This area doesn't need a Kyro.

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The Giza, the properties is the one that everybody knows. It's the new version in a long way. You have to see famous pyramids.

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It was known for a long time that the pyramids individually were set along the cadre directions.

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And the great pyramids were first being the most precise. So immediately there is a strong idea of like the other thing was that that is the most bizarre thing about the monuments of the fourth dynasty.

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By these are pyramids of the fourth dynasty.

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The pyramids of the fourth dynasty, which are the Giza and the Cropolis, so here we have pyramids that emitted this invite astronomy, the direct to the current directions.

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The other thing is that the Giza pyramids were known that not contained texts, the voice of any texts, which itself is a mystery.

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That was the great mysteries of the pyramids of Giza. Before they built the pyramids, we got the Egyptian use texts.

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So then you have to write many, many temples and tools that contain texts, previous to build the pyramids.

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And we know that they did this afterwards. And we know that there are pyramids, indeed following the Giza pyramids that are loaded with texts.

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So the question is what's different with these? And the thought came in my mind that they're expressing themselves in a different way.

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And since there is a strong idea, let's look at the pyramids and see what they say. And the pyramids text are the very metaphoric, of course, we did it with all context that 5000 years old.

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It's very obvious to somebody who knows astronomy, a basic astronomy that these are texts that speak metaphorically of astronomical events.

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But the bottom line is the king, when he dies, he is supposed to be converted into a spiritual entity, a spiritual body, if you like.

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And somehow goes to the stars. And the stars that they want to go to are the constellation of Orion. The reason being that Orion represented the god of the islands, the found of the Egyptian phalanx civilization.

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So that's, in simple terms, what the pyramids take, there is elaborate trickles, of course, but basically that's an intention. So the pyramids are, if you like.

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And this is a difficulty because we have to use modern language, the kind of launching panadiff, like.

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I see them more like the hardware of a metaphysical science.

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In other words, that the intention of those who build it was to somehow send the pharaoh to the stars.

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It's a question of belief. I'm not into whether it's true or not true, whether they could do it or not do it. They believed it. And they somehow felt that they need this hardware.

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Very much like if I'm put in, you know, I see a whole thing as to put it in modern jargon. The pyramids are hardware.

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The software, if you like, is the ritual. It's like, it's a program, if you like it.

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Or, or late, the pyramid text, if you like, it's called the program. And the processor. And that's interesting.

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The processor is the machinery of the sky. So that's how they must have seen it. There is an energy going around the pyramid, the emotional dissonance and the stars and so forth.

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And somehow all this together can in their mind create a spiritual entity and launch the game to the stars.

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So that's how you have to see them. So the pyramids are metaphysical machines. They're not practical machines.

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This is one of the problems that I have with a lot of researchers. They're not electrical plants. They're not nuclear plants.

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They're not the totally useless from a practical point of view, the spiral stones, but from a metaphysical point of view.

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They're the supreme. Now the question is, how did they intend doing it?

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I'm not going to that, but it seems that in their minds they could bring down, bring down the sky. They could somehow create a link.

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So they perceive the land as a kind of cosmic land. It had a direct access. Sort of as above, so below idea.

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And they visualize the nigh and it's being the Milky Way. And they build these pyramids. And this is where I come in.

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In a position relative to the nigh and in an angular relative to the nigh and in this position, exactly the way that's all I is bent is in the sky relative to the Milky Way.

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And there is inside the pyramid or not texts that are shafts shooting from the chambers. One of these shafts was not previous to be in the since the 1960s.

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Pointing to a rind is bent. So here we have a pivot tag saying the king wants to go to a rind.

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You have a shaft inside the guy, pivot pointing to a rind bent at the time of construction about 2005 on BC.

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And you have the pattern exactly two large pyramids with a small one offset, two large in the row, the small offset, two bright stars with a small star offset, adjacent to the line at an angle, pyramid adjacent to the star's adjacent to the Milky Way at an angle.

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So it's a kind of lack in the sky if you like, brought down.

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So you have to approach it this way. And frankly, I have problems with others who are trying to see them as something else.

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The pyramid texts are very clear.

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We're clear in as far as the intention. The Pharaoh belongs to a stellar density.

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He came from the stars, or his ancestors came from the stars, and when he dies, he returns there.

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And the location is very clear, or in the constellation. So that's basically what you've got there.

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The crystal is gone, the civilization is gone, but the hardware is there. It's the dead.

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The stability of it, we can study it.

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In fairness, you have a big part in helping archaeo astronomy develop.

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The popular is a lot of archaeo astronomy all around the world now from various sites.

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The key thing for that to know is the procession of the economics.

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And that affects modern humans because they are star's lip on my tongue.

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But is there direct evidence because the number 72 comes up with a sign?

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Yeah, the body is going to walk up to 72 parts.

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Is that a possession of a number? Do you see a direct link for the procession?

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No, I was tired. It was dropped in 14 parts, but let me explain all this.

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First of all, what is possession? In very simple terms, we know that we live in a globe, it rotates on its axis.

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We get the effect of night and day. It goes around the sun, we get the effect of the seasons.

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But it also bothers us. But it always very, very slowly.

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Like a spinning top going very, very slowly.

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This gives the appearance, a wave moving, but it gives the appearance of the sky is actually wobbling in a cycle of 26,000 years.

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Now this is extremely useful for those who study ancient cultures, especially cultures that have the religion related to the sky and monuments alive.

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Because if you know, if they were aiming at certain stars, then all you have to do is process the sky backwards to the date.

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And you see the sky as day-soyed, we have computer problems that can do this.

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And you can date these months. You can literally see or virtually see what these people saw.

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So it's an extremely powerful tool if you know how to use it.

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And now, at the age, anybody can use it by program after the internet for $100 to $100.

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And there is powerful. And as accurate as any other astrophysics can do the calculation for it.

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So, possession is a tool and a tool to apply to ancient cultures, and particularly their monuments.

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Now here we have the payments that are aligned to the current direction.

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But current directions are useless in a sense because the current direction was the same, not as what epoch.

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But we know that there were shafts pointing to stars inside the right pin.

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So, how long we have to do? We're using the text because we have a good guess.

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Yes, they might have wanted to point this shaft towards Orion and the star series by the way, which I'm one of the discovers in the right pin.

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And so, here's the shaft pointing to the sky, and you bring the stars to the point in the direction of the other ones of the shafts.

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And bang, you have a date.

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So, possession is used this way. As far as the ancient Egyptians are concerned, what is extremely useful is something else.

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It isn't just possession. It's something we call the Satix cycle.

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Now the Satix cycle is very simply the fact that they had a calendar of 365 days, but they didn't adjust for the quarter day difference or slightly quarter day difference.

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But we do, we know every four years we have the next day to bring back our calendar to the true astronomical year. They didn't, they just let it drift.

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Now if you let the calendar drift, you lose every four years. Simple as that. And every 80 years used to days and so forth.

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The calendar would take a thousand, four hundred and sixty one years to return back to point zero, like a Tacobit in a car, if you like, bring back to zero.

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This is very useful because if they give us a date of what we call a Satix date. Now they knock the calendar, you begin the calendar, when the observed star series rising at dawn.

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Now as the calendar drifted, the star stays more or less in the same place, as the calendar drifted. So they tell us, for example, we have satiq dates in the text saying,

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The King was crowned on the third month, on the fifth day of the third month of the year.

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And when the series was rising on that day, so all we have to do is count the number of days from day one of the calendar, from the new is day. And we can date.

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So if I'm not the beginning of the calendar, and we know that, if you thought this has worked, it's for us. So as soon as you like, and understanding how calendars work with us, you can use this tool to date.

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But now we're moving into a much higher level, which is what I do now with my books like this, because the orange correlation theory, what it did, apart from making us realize that they had a plan and they looked like the stars of the wine.

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Well, it did it, it opened up a window. It said, well, if we can read them, without text, as time becomes the blind which is like.

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And therefore, by using a strongly, in an ancient moment that does not have text, and there are many of the words, not just the pivot. You can extract what they had in mind.

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Perhaps we'll never know exactly what they had in mind, but we can extract, for example, they have a monument pointing to the summer solstice.

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So they're interesting summer solstice. What happened in summer solstice is the night flooded. So we begin to read them. We begin to speak the language that they had in mind when they built those monuments.

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And this is the latest cutting edge approach with people like Tom D'Offey and myself and Robert Schock, and others will be examining these monuments.

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Is that by using this approach, by using this approach, you can decipher a monument that does not have text. We've used it extensively on my last book, which is even protected African architect of the cosmos.

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Here we have the very first architectural project, the Sakana complex. It does not contain text, with this very little text.

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And yet it's a enormous project, there is alignments, there is strange structures, there is a pyramid in the center of it, there is a huge boundary wall, there is panels and so forth. The idea was to say, okay, what's the brief here?

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We know that the intention was to build this hardware, to send the pharaoh into this kind. So what would I do today if I was given this metaphysical brief?

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How would I make this structure somehow useful to this literature?

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And we approach it this way and you count the panels, we look at the alignments, we measure the walls and light beholds, you begin to read like a book.

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So the strange thing about these architects, but the way both architects today will agree, the strange thing about these architects is that, especially the early ones, the payment builders, the Sakana builders, is that they seem to have used what today was called a universal language, the use mathematics, numbers and using sonic, which we can use today, but anybody can use it anytime, even on some different plants because it's the universal language.

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It's very, very interesting why did this, it's big missing because they seem to have used this for anybody to be able to read it.

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Because remember when the Heracles were used in these monuments, until the last century, in 40,000 years, nobody could read them.

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There's no point writing in English or Chinese because in 10,000 years from now people won't know this language, but if you use mathematics, she is a strong, she is numbers.

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She used directions, anybody can read them. This is what is becoming very, very interesting, not just to understand these people, the ancient cultures, but to be questioned is, what motivated them, who are they?

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What has the big question? Why did you think in those terms? How do you know how they were primitive people, they seem to be thinking in a way that today are scientists think?

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We're getting more and more away from little language, computers, kids today play with numbers and codes, and this is universal.

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You mentioned in the Hotep, he was linked with Joseph, is that correct?

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Yes, and tell us a little about him Hotep, whom this guy was, he was like you say he was the Da Vinci of the ancient.

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Well, I've used the beautiful analogy, I've said he's the Da Vinci, the Einstein, the Newton, all rolled into one, including Gajéu.

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If I can't be done much about him from a text to a point of view, we have found his tomb. In other words, I call him the Jesus of antiquity.

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A lot of people talk about him, but we haven't found Jesus, some people say he didn't even exist.

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We know him Hotep exists, there's no doubt about it, and we know that he was the high priest of Eléuples, at the time of King Joseph. King Joseph is the Pharaoh of the third dynasty.

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He's a pre-pair-bedage, literally at the doorstep of what is going to begin now the pre-bedage, this 500 years of pavement building.

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So, you've already visualized the setting, there is no buildings, you need it. Nobody has ever built a structure using huge stone and architecture.

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There are crude buildings made of mud and so forth, but nowhere in the world by the way yet. Here comes his architect, or rather this high priest of the sun cuts, of the river cut of the Pharaoh.

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For the very first time, he gets either his idea or the Pharaoh's idea, he gets what I call the commission.

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We want to do a project, we want to do something, want to do a machine, a metaphysical machine, that will satisfy the desire of the king and perform these rituals.

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It's a very first time ever in Egypt, and there it is, it's still the hair. So, we'll have to take him as a genius. He must have been a genius because he's incorporated, but a matrix is incorporated as slimy.

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His design, his design, his kind of style, to an architect, seeing the site being the very first architecture project.

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It's something, I mean some people go, they think, my God, it looks like brand new, some places. You have beautiful fruit at columns, you have the proportions, they're very well studied, they're beautiful arching structures, it's amazing.

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So, you've got this brain, this very source man of the peripidage of the Pharaohic age, who is not just a mathematician, he seems to be an astronomer, he seems to know architecture, he has an amazing sense of design and proportion.

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Hello, Mr. Genius, that's how we read him. He's just going to use the text like the, like the geotalges do, you have three or four lines, they just give it a title.

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So, here's the, in my view, the beauty of the new approach, we'll call it the Alka Somi approach, but we call it the universal language approach. This is very cutting-edge stuff.

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In our, it is a bunch of researchers, myself included, that's beginning to see that Egyptologists have missed a very powerful tool to read the culture, even read individuals.

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So, that's what's being done. So, who was in the potap, what he was doing with the genes, with how he looked like, perhaps what they would find this tool, there's a bit of excitement, then the large tool, the so called master, it's a carer, he's been found.

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Yes, not yet explored. So, who knows, we might find physically, I think you're, I mean, studying this club, because we're going to discover this, we never found ever, ever, a body, physical body, of a royal fellow, or any noble man from the fourth dimension.

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This is one of the great questions, we don't have that. So, the very first physical finds, of a fellow, and it's very promising, by the way, you're getting very close, as you know, with a great pen, and a lot of these doors.

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So, I'm about that, maybe the total harm on discovery, 10 times over, or the status of this man, I believe he was probably, like, indeed, most Egyptians at that time, probably a black African, or certainly a black African descent.

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There is a whole argument of football in the book, I know Egyptians today, and Egyptologists today were cringe at this, but the evidence is overwhelming now, that the not only the very origins of the financialization comes from the western desert, whether it was a black, predatory country living there.

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But the re-synced with a site, probably, of the first dynasty, we know this, in a composer, but probably designed by him, what that's father.

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We have the re-insert, the black African, the historic people, made contact at the very early stage, and it is almost very tempting to suppose that the import tax father was either one of those, or very influenced by these people, or indeed of the same ethnicity.

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I think you are talking about sophisticated monuments that have been out of this building, and the sophistication of all the ancient monuments and toys that are precursor to the earliest of the dynasty, the purpose of something here.

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I think a lot of your work is staying away from the dirty word of Atlantis that every 40 years, I think you could probably talk with not the player, and we are at Afitzen because this pushes back a predatory ancient.

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There are two sides that are now being, have been very closely looked at, one agent, which you correctly mentioned, that's a player, I'll explain in a minute what it is, and the other one is Turkey, nearby Turkey, which is the goreckly chapi.

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Let me tell you why it is so important, the person that is dating, both NAPTA-Plya and Egypt, in Western desert, and goreckly, in Turkey, have been dated to something around 9000 BC, that pushes the chronology, pushes the date of civilization backwards,

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why civilization? We knew there were people there, there is no question, anthropologists knew this, but they didn't think it was civilization, they didn't think it was sophistication, where these sides are extremist, sophisticated, particularly with astronomy, both sides.

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Amazingly, they seem to extract the very same astronomy, we were finding a line, let's go to NAPTA-Plya, that's the plan, this is coming in 1974, it took a long time for the anthropologists to realize that they were dealing with, today was before a ceremonial astronomical site.

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It wasn't a settlement, it was a place where people gathered a bit like Stonehenge, and they would meet coming from various parts, we were not quite sure where, and they would meet that at certain times of the year to perform rituals, and rituals were celestial rituals, so what you have enough to apply, it's stone circles, alignments with stone, very strange rock, rock gatherings, when you analyze this, like we did with the importer, this was the analysis, we began in 1997,

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the first big news that came out is a stone circle that is clearly current-recall, it has directions to the sources, the further we're using the sun, to date, to mark the stages of the year, and then later on we found that there were stellar alignments, emanating from a particular conlimeration of rocks, which we called Temple A,

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and like the spokes of a bicycle wheel, they shoot out and the base directions, the majority of them go towards the east and the north, and when we analyzed what they were aiming at, at the dates that we have from cardinating, well, the aiming at the right belt, the aiming at the series in the east, the aiming at the big deeper in the north, exactly what the pyramid does, she, she, 3000 years later, so here you are,

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what we thought was original to ancient Egypt, in particular the pyramid buildings, this kind of astronomy, well, no, it began in the Sahara, it began there, so it completely changes the picture of what we're looking at, we're looking at not only much older civilization, but we're looking at a very sophisticated civilization, and what left at Lyah, bangs out, and this to me is one of the most amazing things, is that not only their lines towards the sun,

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but they tacked them, we're very sure this, so you have alignments of stones and they changed them very slightly, they were tracking the motion of the sun, the apparent motion, in other words, they were tracking the tracking procession, and this is a sun,

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because procession was not supposed to have been discovered until the time of the Greeks let an on tracking it, here we have people doing your 10,000 years ago,

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and the same is coming out, it's gradually, it's in third finger making a tapping, so the whole picture is changing,

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I think when you're talking back 10, 10 years, that brings us back to the geese of plateau, because we've also looked at the elements of the things,

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and the spring has been called into question for dating a 2500 BC, but each told us because of the water weathering, but perhaps tell us about the spring, its alignments,

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it's now more important at this date because of the signs that I'm not the player, I'm good at that actually,

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when I wrote a key progenesis with UMHankock, I remember, I remember the day, I called Remy, I said this, and it's something very funny here,

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because he knew it, he knew it, well of course my correlation theory, and I called, in my book, the Remy's, I had suggested,

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that they were aligning the payments on the ground, not to the time that he took to the geese,

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2500 BC, because very briefly, the payments are at the time of 45 degrees relative to the Meridian,

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the stars that they represent on the ground, in 2500 BC are not at the same angle, they're much more sharp, about 17 degrees to the vertical.

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So, I precise them back and I use the reasoning because they speak in the text of the beginning,

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they speak with the beginning of Osiris of their era actually, like we speak on the type of Jesus,

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and they speak of this beginning of Osiris, as if it's happening in the sky, where the acid does, because of the precession,

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so we precise the stars down and no one behold when you bring them down to the beginning of the precession cycle,

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or Einstein matches what's on the ground, so that wasn't my book, the Remy's thing,

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but I have to be talking around, in those days we had very primitive programs,

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while we were writing key progencies and I pressed 10,000, 500 BC to look again at this correlation,

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and then let's see what's happening as well, in a pressed east, and at the same time that Remy's belt was matching,

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the pyramids of the ground, all lines, melted the Meridian in the south, matching what's on the ground,

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at that precise moment, because relation of Leo was rising juiced in the direction of the strength,

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and I thought, amazing, the quintons cannot be, so I fall in the grain and I said listen,

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I know the longer I like this, but we're going to have to suggest that the strength,

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because of the geological argument, that was being put also at the same time, with Robert Schrock and John West,

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they were arguing that the strength was much older because of the erosion around the strength and all the strength,

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when here we are coming with astronomy, two hard sciences, I want to say the same thing,

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as you may, what have been on your memory, you probably may young in those days,

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how about group?

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Yeah, I think from what I remember, Zepteppi is the first time,

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you think that the one may talk about Zepteppi, of course, Gbecki,

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Teppi is going to sit in their name as well, I don't know if it's any connotation,

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but Zepteppi was the first time, you think this was this special date that they attributed

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for some reason, a processional reason or a cosmological reason.

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I'm quite first of all, I think that what's coming out about this is that the sky is being used,

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what's being used, as it kind of been born, it's their written, that history is written in the sky.

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What's your understanding? What's your understanding that certain constellation presents certain individuals in their history,

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and that they changes the time, so you can date, you can use it as a book if you like,

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so we use precession, we say okay, this is error, so and so, and this is what's happening.

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So, that's number one, why 10,000, if I'm going to be seeing a giveaway take, by the way,

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we have to allow a certain margin, is probably, the sub people have said,

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well, the end of the ice age or the beginning of something,

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now we're being suspect that there might be a comet strike, this is the latest approach,

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strangely, the ancient Egyptians were very into the generation of a sacred object,

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that probably launched the Pivot Age, it's a stone that was kept at the type of the opposite,

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which we, and the person that the study on this which is now accepted, was almost certainly a meteorite,

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a large meteorite probably about 15 tons in the shape of a permit,

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but we call a oriented permit, a oriented meteorite, there are certain large iron meteorites

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that retain their flight selection, and just like a bullet, and as they enter the atmosphere,

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they burn from the top, and they're literally falling around, if they don't explode,

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if they're all a certain size, they will fall at three falls, the last three falls of kilometers,

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and they simply start on the ground, if they fall at a soft spot like sand, you find them intact,

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but you find them in this state shape of a cone or a penit, we know they had one of those,

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many other crunches, by the way, probably had the same thing, but sticking to that,

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so it seems that they were replaced by something that fell from the sky, around that time,

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it's very tempting, this is a land band stone, yes, the famous band band stone, like a land band stone,

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this stone was kept at the oplice, it probably inspired the idea of a permit,

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I believe it inspired the idea of a star object, and hence the pivot in a sense become the stylized star,

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that's why this correlation, the building stars, the building, tallist, many stars, that's how I see them,

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now we know from recent research that there was indeed a very large meteorite strike around 10,000,000 BC,

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it may have been global, there may have been large fragments of this meteorite,

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that struck in South America, you'll find the stone well, and caused havoc,

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and maybe this is marking something, this is marking a beginning marking, it was around the time of the eye stage,

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it probably caused the middle eye stage, so we're looking at something that happened,

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something like a protocivalization was there, it kind of got obliterated, this is a great reference,

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half of ideas, you know, and then in the beginning there's a kind of restart,

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it seems to be some kickoff, and the pivot builders seem to be very, very intensely aware of this,

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and very, very, if this is true, they keen to preserve the knowledge, preserve their presence,

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markets, it may well be that we have in these monuments a kind of message, a kind of warning,

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I don't know, it smells like this, sometimes it's kind of stupid,

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on this thing, a lot of people have talked about a chamber, I know,

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it's like he who has this not an age of 10 anymore, you think there's going to be a chance for the chamber to be opened,

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is there a chamber there? Do you do?

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The truth is that there is no smoking on evidence of a chamber, having said this, there's a lot of circumstances,

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the first all physical research that it says, graphic work that they're in the 90s and then later later later iteration,

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they seem to be a large, two-large cavities under there, one under the pores of this thing,

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and one under the ramp, a strange in the one under the ramp,

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the concoids with the conclusion I came with the astronomy, because the astronomy says,

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when you're in the light this way, it's a hey, we have a lap in the sky, the concentration of real represents this face on the ground.

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So what are they telling us there, they're showing us a spot somewhere under the constellation of Leo,

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which is the spring aquelons. So if we put this on the ground, if we take that map and put it in the place of this face,

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they seem to be marking a spot under the ramp of this face, and strangely, they found with radar,

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the possibility of a chamber. I have not seen the reports, the solar hash hash, but I know the people who did it,

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and the very convinced that there is some large cavity under there. I suspect that the probably is some sort of chamber.

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The other one, of course, is the famous doors inside the gate, and that is the big deal,

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because we know there is doors, we know that since the early 90s, there is the famous Ghantibrik door in the southern shaft of the King's Chamber,

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and then the National Geographic found the same in the northern shaft of the mansion.

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This doesn't open, and the odds are extremely high now, because we have two doors for fighting something.

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The Ghantibrik centre robot in didn't he find a piece of wood and were able to accommodate from that door?

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He found a piece of wood in the northern shaft, and when he found the southern shaft, the famous Ghantibrik door,

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they were, what we think were copper handles, or brass, and almost a setty copper, maybe bronze, but there is an old wagon to that.

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With all what happened to this thing, the piece of wood was there, I've seen it, I mean, with the video cameras from the robotic machine,

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but whether it's been taken out by National Geographic, whether the strange thing about this exploration is that there hasn't been any serious reporting.

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I haven't seen articles, I haven't seen anything.

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There's people like you and other media who come to ask me, because they're not getting the information from the Egyptologist.

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It would be the most important piece of wood that was ever found in Egypt.

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If it's called, well, it seems to be contemporary.

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But anything found in these shafts of the Queen's Chamber are contemporary with the volume, because as you know, the shafts were closed, both ends, since like a can.

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So anything found in there is contemporary with the volume, we find where there is the piece of wood, which you don't always happen to it, there is the copper handles of Ghantibrik door,

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and there is, as you may have heard, inscriptions that we found behind Ghantibrik door, it's two doors now, there's a space of half a meter.

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And that's interesting, my brother is very involved with this, with the inscriptions, because they turned out to be numbers.

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Yes, they turned out to be three numbers, a hundred, twenty and one gives another a total of 121, 121 to the targeted.

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To some of you, the payment brings a balance, it's 11 times 11.

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And we know that the payment is designed using ratios, and the major number ratio is 11. There's a code there, right?

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It's like a mystery machine that just keeps on giving it.

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It's the great payment is one of those, and it, you know, I've been at it for the last 25 years, series, yeah, I've studied the...

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But what I've lived outside the great payment for three years, I know this moment.

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I wanted to tell John the work that you wrote on Black Genesis and the African sanity, perhaps just letting the audience know,

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there was there an African black African race that kick started this, but was there a mix of tribes or that there is no doubt at all,

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that genetics and studies have shown that modern man, you and me, everybody on this planet, has the origins in centuries, Africa, about 200,000 years ago.

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In other words, that there was a total human many forms of homo erectus and homo stradis and so forth, but at one point a woman homo said the black African homo erectus gave birth to the first modern man, homo sapiens, genetic show this,

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and we are literally sprung from this source. Now, we genetics also show, and as a positive show, that they stayed in this area for about 60,000 years ago,

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and then some populated Africa, hence why we have the black African continent, and the others populated rest of it all the way to Australia.

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A group of them seemed to have stayed and moved northwards towards what we call today the chant, they stayed there for quite a while, many thousands of years,

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and then when the climatic conditions were ideal, the Sahara was very first time, by the way, because of climatic cycles, they moved in what they call the Sahara,

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and they moved in an area which is part of Egypt, which we call Gelf, Kibir, it's mountain area, and in general way that it's Italy, the junction where Egypt meets Libya and Sudan, the stream southwest,

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very unexplored, it's still very untouched, and there is no doubt that there is evidence, strong evidence of the presence of the people there, the black rock out, the drawings, the stone tools and so forth.

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It is almost certainly this people that migrated eventually, close to the 9, not yet at the line, and settled in areas and probably up the climb,

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and they had developed a great knowledge, because they were forced to move big distances, because as the Sahara began to be more and more at it,

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the water receded, the drawings formed temporary lakes, they had to move from water hole to water hole, and they began to navigate, they began to study the stars, they began to understand the machinery of the sky,

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and they settled at Naptoply, where they settled around there, we don't have evidence of them living there, but they clearly settled around there, they stayed for a long time,

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and then when they could not stand anymore, when the Sahara became totally out, there was no more water, that's it, they moved to the 9, and by that time the 9 had become a very habitable place, it was very dangerous before,

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there was a very giant floods and there was this kind of messy area with marshes, but that time the 9 was the paradise we see today,

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and they moved there with this cargo of knowledge, they knew astronomy, they knew how to move stones, they had investigated castle,

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and they injected this, and they were black, there was no question, we see them, we have the drawings, and they they they they bring this,

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to either people was there, maybe a hunter gatherers, or they themselves began, of course later on there is a mix, people came from the advanced, people came from very splaceless,

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they splaceless, we bring to spread even came from what is they bought in Arabia, and they began to mix, so that's why the Egyptians, by the time they reached the time of 2,000 Hammons,

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we saw him at 3,000 years later, yes, there is a very mixed blood, we find, so people are arguing on the wrong foot here, they say well 2,000 Hammons, you know, he probably was Caucasian, he probably was not black, he probably,

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we have to talk about the source, the source was, I wouldn't even say almost certainly, I would say certain for sure, black African stock, and that's it, it's a proven, it's over, there is no more discussion,

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of course the conspiracy can we have it, people that like it, I think a lot of people struggle with genetic makeup sometimes when you start out in skin color,

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also the makeup of the morning of these people, these guys fought in different ways, they expressed themselves in different ways, clearly the model of ancient Egypt was, I think in many ways fantastic and superb,

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and I like us to go back to it someday, perhaps absolutely, we're not going to give our technology a book, I think last time we spoke were a top in spirituality,

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but to consciousness of these guys my talk looked right and left brain and I think a lot of people blame what they did on right brain behavior,

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but I, as you said, is reach and evidence to say, perhaps the ancient Egyptians were able to go between the right and the left and will.

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What I said is that the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

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the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

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, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

303
00:47:07,000 --> 00:47:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

304
00:47:37,000 --> 00:48:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

305
00:48:07,000 --> 00:48:37,000
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306
00:48:37,000 --> 00:49:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

307
00:49:07,000 --> 00:49:37,000
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308
00:49:37,000 --> 00:50:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

309
00:50:07,000 --> 00:50:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

310
00:50:37,000 --> 00:51:07,000
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311
00:51:07,000 --> 00:51:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

312
00:51:37,000 --> 00:52:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

313
00:52:07,000 --> 00:52:37,000
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314
00:52:37,000 --> 00:53:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

315
00:53:07,000 --> 00:53:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

316
00:53:37,000 --> 00:54:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

317
00:54:07,000 --> 00:54:37,000
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318
00:54:37,000 --> 00:55:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

319
00:55:07,000 --> 00:55:37,000
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320
00:55:37,000 --> 00:56:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

321
00:56:07,000 --> 00:56:37,000
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322
00:56:37,000 --> 00:57:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

323
00:57:07,000 --> 00:57:37,000
, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

324
00:57:37,000 --> 00:58:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

325
00:58:07,000 --> 00:58:37,000
, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

326
00:58:37,000 --> 00:59:07,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

327
00:59:07,000 --> 00:59:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

328
00:59:37,000 --> 01:00:00:07,000
, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

329
01:00:07,000 --> 01:00:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

330
01:00:37,000 --> 01:01:07,000
, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

331
01:01:07,000 --> 01:01:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

332
01:01:37,000 --> 01:02:07,000
, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

333
01:02:07,000 --> 01:02:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

334
01:02:37,000 --> 01:03:07,000
, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the,

335
01:03:07,000 --> 01:03:37,000
the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the

336
01:03:37,000 --> 01:04:07,000
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337
01:04:07,000 --> 01:04:24,910
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