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Thank you everybody.
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Thank you so much. I'm thrilled to be here. It's an absolute pleasure and honor
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read Andy's book from the Ashes of Angels, Gods of Eden back in 1997 at
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Laura Lee's house in Seattle. Okay, so let's press on. I think we've got
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that worked out. We're going to be talking about the lost spiritual
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technology of angels and I've been asked to focus on the the Watchers of the
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Anakian tradition as light beings. We probably are familiar with the
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Watchers as a group of celestial beings who have influenced humanity, some say
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for the goods, some say not so good. But what we're going to look at today is how
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they've provided humanity with profound knowledge of spiritual technologies
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that enabled our ancients to communicate with God and also to affect the ultimate
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human transformation into celestial beings. The material that I'm going to
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presenting in this quick hour today is drawn from my book The Secret of Scion,
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from the Judgment Day device which is my investigation into the Ark of the
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Covenant and its role in current-day prophecy and also the Lost Secrets of the
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Watchers, Ascension, Resurrection, and Perfection which is largely drawn from my
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research into the Dead Sea Scrolls and how the Essenes were interacting with
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these celestial beings and affecting this ultimate transformation. All of this
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material is available on, I have these handy flash drives with about 14 hours
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of video and 18 books in PDF format so if you want to, if you're getting
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interested in this material during the talk you can see me afterward I'll be
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happy to offer one of those to you as well. My investigation into this material
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actually began in 2008 with this painting. I was in Philadelphia in the
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Museum of Art. I was then researching my book Freedom's Gate which was about the
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Ascension symbolism in the dome of the US Capitol. So I'm in Philadelphia
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researching the Founding Fathers and I'm just absolutely, to borrow a phrase,
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gobsmacked by this painting. It stopped me in my tracks because I wondered why
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is Jesus shown as a winged angel and who is this geezer Francis of Assisi that is
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staring up at this winged Christ angel. This painting of course is by John Van
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Eyck, the great mystic painter and alchemist and it's for some reason it
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just mesmerized me and it sent me off on a new path of research to understand
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why the resurrected Jesus is portrayed as a feathered Christ angel speckled
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with white specks that were told by Van Eyck himself symbolize manna, the food
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of the gods, the food of the angels and so this sent me on a quest to understand
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who these beings were and it turns out that one of the most profound ascension
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appearances of Jesus took place in the 13th century in Italy when he manifested
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before Francis of Assisi, one of the great esoteric researchers of all time
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and who now is considered to be the second Christ as a result of his
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encounter with Jesus as a seraphim, the highest order of angels. They're called
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the winged serpents. Quetzalcoatl? Yes, we could be looking at the same variation
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of the same tribe of celestial beings and during this encounter Francis has
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beamed to him the wounds of the stigmata, the five wounds of the crucifixion and
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afterwards his biographers and his followers revere him as the second
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Christ and in art throughout Renaissance Italy we see these incredible
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depictions of Jesus as a seraph manifesting to Francis. This is Giotto's
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take on it. We see various other depictions throughout the museums around
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the world. This one's from Harvard. We see Jesus as this winged angel with the
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red wings in particular because the seraphim we are told burn with the love
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of the Creator, hence their red wings and the Catholic Church always warned
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that if you got too close to one of these celestial beings you could be
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incinerated but in the case of Francis of Assisi it uplifted him. It transformed
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him. There was an energy transference that took place between this ascended
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being and this earthly being that resulted in the elevation of his
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consciousness and his transformation of his body itself into perhaps an ascended
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form as we will see. This one happens to be in the National Gallery here
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in London by Cicetta and you see Christ as a resurrected being, as an ascended
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being portrayed as a winged angel or by definition a winged serpent or a seraph.
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Again, prompting us to think of Quetzalcoatl following on Hugh's presentation.
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After this experience Francis according to tradition ascends. He then journeys
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into the celestial realms where now he takes his place at the throne of God and
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he dwells as the second Christ amidst the red-winged seraphs who are the
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guardians of the throne of Christ wherever that place is as an
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interdimensional location or perhaps a spot in our own Milky Way galaxy,
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perhaps the galactic center as the Mormons believe. Either way Francis has
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now elevated himself and dwells among these celestial beings. The seraphim
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appear throughout the art beginning even before the Renaissance but
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especially in the Renaissance portrayed as these feathered serpents often, most
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often this is how we identify them, with these spiral or vortex shaped bodies.
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What these artists were trying to convey is this idea that these are
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otherworldly beings, celestial beings that can be perceived by human eyes but
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they are apparently very high vibrational beings, very fast moving
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beings that ordinarily are not perceived by the human eye. So the artist would
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always key on this idea that they're humanoid and that they have these
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whirling or twirling spinning bodies, vortex shaped bodies. This is in San
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Marco in Venice where we see the throne of Christ in the center. He's surrounded
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by the seraphim angels again because they're the guardians of the throne and
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we see Jesus and folded within this gate filled with stars hinting at the
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possibility that they're trying to convey some idea of travel to another
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dimension or perhaps he's in some form of a gateway or perhaps a portal.
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These were huge ideas during the Renaissance. Pico della Mirandola said
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the highest human aspiration was to become a seraph and to uncover the
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secrets of the seraphim themselves inferring that the foundational idea of
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the Renaissance was that they had recovered via the corpus hermaticum and
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other ancient texts a method, an alchemy of human transformation or
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transmutation into a higher form that was originally delivered to humanity by
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the seraphim who were also of course known as the watcher angels. I was in
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the Nubian Museum in Aswan a few years ago and stopped in my tracks by this
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fourth or tenth century. They they're not sure which but it's either fourth or
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tenth century image of Jesus as a seraph. So Francis's encounter with Jesus as a
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seraph was by no means isolated. There was a belief that Jesus himself in his
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resurrected form had taken on the celestial form of these angelic beings.
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And so here in the detail we see him clearly portrayed with the six wings
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that identifies him as a seraph or a winged serpent. And what's fascinating is
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that during the time that Francis is having his encounter we have all these
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tales throughout America of the Pale One who manifested to the Native American
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tribes in a very similar form. And it makes me wonder if perhaps this was a
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part of a visitation if you will that was taking place during the 13th
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century not just in Italy but also in America. Again the natives are
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chronicling this throughout North America. But it's the Essenes who are the
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primary drivers of our research today into the the watchers and the seraphim.
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They are the ones who took Enoch out of the Old Testament. Remember in the Old
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Testament we're told Enoch walked with God inferring that as a living being he
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somehow transcended the earthly human condition and ascended into the heavens.
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The Old Testament leaves it at that. The Essenes pick him up and make a
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superhero out of him and begin to tell this story about how Enoch was taken
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into the heavens by the Archangel Michael, one of the seraphim, anointed with
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an oil which dissolved Enoch's body into light so that he was a glorious being
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just like the other seraphim angels. After this experience Enoch is given a
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new name, Metatron, and membership among the seraphim angels. In fact he becomes
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the guide for all humans who are on this path of ascension. So here's William
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Blake's image of Metatron at the throne of God and you see the multiplicity of
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eyes indicating plurality of worlds as well as omniscience and
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higher consciousness as well. We start to introduce the symbol of the
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rainbow into our conversation as well. Beginning probably the eighth century or
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so in Byzantium artists again have tried to convey this idea that there are
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otherworldly beings who are visiting earth and they're called seraphim and
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they're six-winged and they have these vortex-shaped bodies with
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feathers tinged in red again because they burn with the love of the Creator.
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Sometimes they're portrayed as humanoid but other times they're portrayed as
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without human faces because again they're trying to convey this idea that
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these are otherworldly beings that take on human form or humanoid form but they
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may in fact be energy beings, beings of pure light and indeed pure love. So
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beginning really in Byzantium and following on here into the Hagia Sophia
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we start to see these incredible depictions of the seraphim here
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guarding the dome of the Hagia Sophia. This one of course you can see that it
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has the humanoid face with the six wings but other examples that we see at the
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Hagia Sophia portray them as these non-humanoid beings again conveying this
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idea that we're trying to visualize an otherworldly type of creature that is
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coming into our world. The burning ones, the winged serpents, the feathered
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serpents, these are all Appalachians that you'll see throughout history given
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to this class of beings that seem to have the ability to cross over space-time,
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open up portals and gateways, manifest in human form, then pop back into their
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ephemeral light being form at will. They're way beyond our present-day
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technology or maybe our understanding is just now coming into a view of the
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potential and fold within the human body that these beings were displaying. So
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here we are we're looking at an example here of one of the seraphim clearly is a
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humanoid form. You see the body covered with eyes again indicating omniscience
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and advanced consciousness and perhaps even contact with other worlds. They have
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the ability to travel from Earth throughout the solar system and even
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perhaps even between galaxies. In the Bible they're considered great initiators
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of humanity. They're bringing spiritual knowledge and awareness of these other
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worlds and human potential. In this case we have a from the 12th century we see
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this seraph who's initiating Isaiah who had an eyewitness encounter with one of
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these seraphs. We refer to them sometimes as the fallen ones. The
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Watchers have kind of a duality or duplicity about them. We're told clearly
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by the Essenes that they dwelled in the heavenly realms but they crossed over a
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forbidden boundary. Before the time of the Essenes this boundary was considered
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to be inviolate. Humans were not allowed to ascend nor were beings allowed to
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come from the celestial realms to the earth plane without God's permission. But
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suddenly around 150 BC the rule book is thrown out and we start to get these
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ideas that humans can take it upon themselves to ascend into the heavenly
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realms and then also we start to gain awareness that there were beings that
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left the throne of God which is what we see up here crossed over this forbidden
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barrier guarded by the militia of God and took on human incarnation. These
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beings are now referred to as the fallen ones and people throughout history have
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tried to to tag them with the idea that because they're labeled the fallen ones
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it means that they must somehow be evil or demonic. You could argue that but you
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could also equally argue that that term fallen simply means they are no longer
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in their celestial flesh. Instead they've taken on human incarnation. They've taken
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on human flesh and the Dead Sea Scrolls make it absolutely explicitly clear that
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one of the missions that these beings came to earth for was to teach humans how
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to transform out of their earthly flesh and return to our celestial flesh. So
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artists especially beginning in the Renaissance would convey this idea again
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of the throne up here atop in the celestial realms. We've got the throne
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that's inhabited by angels and just humans made perfect according to the
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book of Hebrews. We have this banner of stars indicating we're crossing over the
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celestial realms and now they're falling and as they're falling they're moving
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away from their angelic form and they're taking on human form and so technically
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the word fallen simply means they are now earthly human beings. They've taken
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on earthly incarnation but they brought with them the knowledge of how to cross
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over that forbidden boundary and as the Dead Sea Scrolls describe how to even
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knock holes in space-time, open portals or gateways and ascend into the celestial
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realms. So a little selection here of some of the art portraying the fallen
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ones, the Seraphim descending from the celestial realms, the realm of light and
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love and then taking on human incarnation leaving behind presumably a
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place that we all have come from originally and seek to return to. So then
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when you get into the Judeo-Christian tradition these feathered serpents,
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winged serpents, burning ones are portrayed as great guardians of humanity,
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initiators. Some people believe they also led us astray. That's the Catholic
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Church's position certainly and so here in this example we see Adam and Eve being
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escorted from the gate of Eden by a red-winged seraph and of course you
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remember that this is the moment when God built a gate at the east of Eden,
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put a flashing flaming sword in the center of that gate and forbade humanity
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to return. He also made for us coats of skin, we're told. The Old Testament God
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made coats of skin for Adam and Eve and the idea is that in esoteric Judaism
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those coats of skin were not animal skin, they are these skins, suggesting as
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they tell us in these texts that humans originally were like the angels. That is
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a foundational belief to the Essenes, that humans originally were like these
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beings then after our eviction from Eden we're now trapped in our flesh bodies,
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our human flesh bodies and our goal is to return to our celestial flesh bodies.
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So in this example from the Limbord brothers we see Eve receiving the wisdom
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from the serpent that's making its way up the pillar here, it's a feminine
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serpent interestingly and then we see Adam and Eve being escorted from Eden by
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a red-winged seraph, again suggesting that they are not only our initiators but
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had something perhaps to do with the fall. This example is from Salisbury, many
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of you have probably been there and seen this, it's a fantastic example from
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the 18th century where we see the seraph in its golden feathered cloak or cape
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initiating Isaiah. This example was very intriguing to me in particular because
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of, it reminded me so much of what we see of the way Ptah is portrayed in
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ancient Egypt. Ptah is the creator God, he fashioned the human body according to
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the ancient Egyptians, he was also the god of technology if you will. He holds in
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his hand a resurrection stick that can open the gates of heaven and so I wonder
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just apart from the visual similarity is there a possibility that somehow Ptah
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could play into this scenario and I think there is and we'll see how
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that works here in just a moment but in the Harris Papyrus for example in the
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British Museum you see Ptah with his feathered cloak, his many-colored
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feathered cloak, he's got rainbow rings around his chest, he wears his skull cap
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of enlightenment and he holds the resurrection stick that opens the gates
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of heaven and the realm or field or dimension of the blessed. These are very
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key symbols for us as we continue in our conversation because it establishes that
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going back to at least 1500 BC, perhaps longer, there was knowledge of esoteric
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technology that was brought to earth by the gods, by the angels, especially this
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garment of many colors and the resurrection stick and this helmet of
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salvation as it's called. These might be actual technologies and it's possible
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that they are but they're also symbols of psycho spiritual attributes within us
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and this is what we see the ancient Egyptians obsessed with is how to
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activate the latent capabilities of our consciousness to open up our
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expand our brain capacity, to expand the abilities of the human body and
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ultimately to wear the cloak or garment of light, the garment of many colors just
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like the gods wore. So very key symbolism for us and we see the symbolism
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appearing in the imagery of the Seraphim. This is an annunciation scene where we
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see the Archangel Gabriel, one of the Seraphim, manifesting to Mary, the Virgin
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Mary. Gabriel has the resurrection stick in his hand, he wears the garment of
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many colors and he also wears a jeweled diadem that indicates his expanded or
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open crown chakra and here Gabriel of course is coming before Mary to tell her
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that she is going to be the theotokos or the bearer of the divine Christ child.
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It's interesting here that Roger van der Weyden puts a red wing seraph on the
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cloak of Gabriel to reinforce this idea that this is one of the winged serpents
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that has manifested before Mary and has come to earth in order to take part in
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what we would today describe as some sort of a genetics alteration, just like
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Ptah is credited with in ancient Egypt. So very interesting correspondence there
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between Gabriel and Ptah in terms of the symbolism. This is Bartel Bruin's take on
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the same scenario where Gabriel is wearing this many colored garment, this
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feathered cloak, holds the resurrection stick which is actually a caduceus which
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is in fact the symbol of the Seraphim, of the winged serpents and Gabriel is
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portrayed using that stick, that holy stick, to conduct the soul of
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Jesus which is descending on this light beam carrying the cross along with the
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dove of the Holy Spirit, this higher vibrational energy that will infuse
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Mary's body and fulfill the Essenes ambition to manifest a new human being.
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The Essenes again were they who primarily developed the idea of the
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Seraphim as our benefactors and they also developed the belief that the human
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body can be transformed or turned into a vessel capable of holding a higher
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dimensional spiritual energy and thereby introduce a new version of humanity that
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is closer to the angels. So that's actually what's going on in these
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scenes here. Again Gabriel with the resurrection stick, the serpent rouge and
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conducting the dove of the Holy Spirit, the higher vibrational energy into the
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body of Mary. She is prepared for this experience just like many other of the
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Essenes women were and this is a mental, physical, spiritual and emotional
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transformation that she's undergone, preparatory to receiving this light or
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vibration. The Seraphim of course are the angels, the watcher angels that were
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present on Easter morning. They are the men in white who were in the tomb of
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resurrection on Easter and we're told in various accounts for example here
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coming from the Gospel of Luke that an angel of the Lord came down from heaven
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at this moment. In another example we're told that this being that manifested had
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an appearance like lightning and clothes as white as snow and brought a
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message to the the female disciples who were present at that moment not to be
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afraid. That is one of the prime messages of the watcher angels in the Seraphim
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to rise, to elevate ourselves and to not be afraid. But this takes us into a
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really important direction in terms of our conversation about the Seraphim,
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these watcher angels, because we start to learn that they are lightning like.
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Lightning of course is plasma and that's what our Sun is made of. So when the
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ancients are telling us that they're light beings we now understand that they
22:11.820 --> 22:16.260
are actually plasma beings. In fact in the Jewish mystical book the Hekalot
22:16.260 --> 22:19.620
and Zutardi we learned that their walking is like the appearance of
22:19.620 --> 22:24.260
lightning, a lightning bolt, plasma. A vision of them is like a vision of a
22:24.260 --> 22:28.180
rainbow. Their faces are like the vision of a bride and their wings are like the
22:28.860 --> 22:34.060
clouds of glory. So these beings are lightning like, they're rainbow-hued
22:34.060 --> 22:38.860
perhaps, and they're radiant, meaning they're luminous, and they're glorious
22:38.860 --> 22:44.020
beings, meaning they glow rays. So we're going to put this cheesy plasma ball on
22:44.020 --> 22:47.820
here and it's going to tip our imagination to recognize that what these
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ancient artists are trying to convey with these feathers is not necessarily
22:52.100 --> 22:56.300
that they're wearing feathered cloaks, but their bodies are feather-like
22:56.420 --> 23:01.460
because they're luminous plasma-like beings that can take on physical
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incarnation that reminds these artists of what we think of as bird feathers.
23:07.460 --> 23:12.660
So in my opinion we're clearly describing energetic beings, plasma
23:12.660 --> 23:17.220
beings, lightning-like beings that take on this this physical human resemblance.
23:17.220 --> 23:23.540
The Dead Sea Scrolls, the Essenes tell us that these holy angels, the holy angels
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of the Lord as they call them, come and go from the celestial realms to the
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earth realm through these whirling wheels, these red-winged wheels called
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Ophanum, and when they manifest between these whirling wheels they're
23:37.060 --> 23:41.660
like a fiery vision of most Holy Spirits and around them stream rivulets of
23:41.660 --> 23:48.060
molten fire, again suggesting plasma, like incandescent bronze, a radiance of
23:48.060 --> 23:54.340
many brilliant colors of exquisite hues gloriously mingled. So this is a human
23:54.340 --> 23:58.540
who's having a physical encounter with one of these beings and trying to
23:58.540 --> 24:04.100
describe them as lightning-like beings, but also giving off many colored
24:04.100 --> 24:09.260
hues, and this is I think going to take us to the idea of where this many-colored
24:09.260 --> 24:15.420
garment idea came from. These beings are radiating rainbow-colored light is what
24:15.420 --> 24:19.340
we surmise from these eyewitness descriptions. Around them stream
24:19.340 --> 24:24.060
rivulets of molten fire like incandescent bronze, a radiance of many
24:24.060 --> 24:30.180
brilliant colors of exquisite hues, gloriously mingled. So bearing that
24:30.180 --> 24:35.540
description in mind and the description that they come to earth through
24:35.540 --> 24:40.300
these winged wheels, we're fully developing the idea that these are beings
24:40.300 --> 24:44.020
that come from other realms that manifest on earth through some form of
24:44.020 --> 24:49.460
perhaps technology, the winged wheels, and when they manifest they take on a
24:49.460 --> 24:55.740
physicality that can be described. And in Jewish mysticism the best I can tell
24:55.740 --> 24:59.340
you is that the complete physical characteristics of these watcher beings
24:59.340 --> 25:06.260
includes a humanoid body, a serpentine face, a many-colored garment, they rise
25:06.260 --> 25:11.180
up in the air like whirlwinds, they're luminous or radiant, they have feathered
25:11.260 --> 25:17.180
cloaks or capes, many eyes, and they can fluidly morph or change form and
25:17.180 --> 25:21.580
shape-shift. All of the references behind these descriptions are mostly from the
25:21.580 --> 25:24.460
Dead Sea Scrolls and they're in my books, we don't have time to get into it today
25:24.460 --> 25:29.700
but trust me this is what they say about these beings. And finally around them
25:29.700 --> 25:34.460
stream these rivulets of molten fire, a radiance of many brilliant colors of
25:34.460 --> 25:39.100
exquisite hues, gloriously mingled. So this is what we're dealing with from
25:39.100 --> 25:43.620
these eyewitness accounts of these beings. And the thing about it is is that
25:43.620 --> 25:48.700
when we get into this we start to realize that this is a class of beings
25:48.700 --> 25:53.060
that are described not just in Judeo-Christian tradition or by the
25:53.060 --> 25:57.700
Essenes, and here's my cheesy rainbow I'm putting over them to tip the idea that
25:57.700 --> 26:03.660
they're rainbow like beings, but we also find them in other traditions as well.
26:03.660 --> 26:08.740
Another example before we go forward is John the Revelator who is visited
26:08.740 --> 26:13.780
by an angel who came down out of heaven suggesting he came through some form of
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a portal or a gateway who is clothed with the cloud and with a rainbow around
26:18.580 --> 26:24.660
his head who gave John a book to eat that tasted like honey. So this is clearly
26:24.660 --> 26:29.100
one of the Seraphim beings, these watcher angels that have manifested.
26:29.100 --> 26:33.420
And according to the Essenes in the Dead Sea Scrolls, this book contained a
26:33.420 --> 26:38.220
teaching that they referred to in the Dead Sea Scrolls as the perfect way, the
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perfection of holiness, perfect holiness, or walking in the way of
26:41.980 --> 26:46.460
perfection, and it was given to the Essenes by these other worldly beings
26:46.460 --> 26:50.980
who they said in the Scrolls were living with them at Qumran and Mount Carmel and
26:50.980 --> 26:56.700
other Essenes outposts, and they referred to them as the heavenly holy ones, the
26:56.700 --> 27:03.260
sons of heaven, holy angels of the Lord, or the perfect ones. These angels
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delivered to the Essenes the heavenly secret or mystery that resulted in the
27:08.300 --> 27:13.180
transformation of their body into a supernatural substance or celestial
27:13.180 --> 27:18.220
flesh. And this is one reason I believe why the traditional church has
27:18.220 --> 27:23.340
demonized these beings because you can't have a multitude of humans out there
27:23.340 --> 27:29.180
turning themselves from earthly flesh into celestial flesh. They're unmanageable
27:29.180 --> 27:37.780
and they don't pay taxes, so we got to control them. The Essenes sought this
27:37.780 --> 27:42.060
bodily and spiritual perfection in order to transform the earth into a
27:42.060 --> 27:47.140
place of light and love, but also to cross over the boundary between earth and
27:47.140 --> 27:52.900
heaven. The Bible even says that flesh and blood cannot inherit the kingdom of
27:52.900 --> 27:57.300
heaven, suggesting a transformation is required preparatory to doing this, and
27:57.460 --> 28:01.580
this is what the Essenes said these beings came to teach them, is how to
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cross that boundary and enter and dwell in a celestial city, the New Jerusalem or
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Scion, that they suggested is hovering above the earth, and then they would
28:12.780 --> 28:19.100
dwell with these angels in the perfect light for all eternity. Now the thing
28:19.100 --> 28:23.380
about this is is that when you go to Tibet you learn of what's called the
28:23.380 --> 28:28.100
great perfection tradition, and in this tradition the Tibetans teach that the
28:28.100 --> 28:33.100
human body was designed to be transformed into a being of light.
28:33.100 --> 28:39.340
Specifically our body can be spun, twirled into a vortex so its frequency
28:39.340 --> 28:43.920
is accelerated until it dissolves into five colored rainbow light, leaving
28:43.920 --> 28:48.260
behind only hair, toe, and fingernails which have no nerves to be transmuted.
28:48.260 --> 28:53.220
That's the Tibetan great perfection tradition, and how many times in the
28:53.220 --> 28:57.420
past three minutes have I said the word perfect relative to the Essenes, and this
28:57.420 --> 29:02.060
description that they were trying to attain a perfect body. I believe that
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what they're describing here is their transformation into the rainbow body of
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light of Tibetan Buddhism, and in this tradition the Essenes tell, excuse me, the
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Tibetans tell us that this teaching did not come from earth. It is a celestial
29:17.620 --> 29:24.820
teaching that they said is taught in 13 star systems including our own, and when
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we look at these images of tankas, these are from the the Windhorse
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Gallery here in London which gifted these to me several years ago, we see
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some key symbols. We see Padmasambhava who is the guru who's been portrayed
29:37.780 --> 29:44.060
here sitting on a lotus throne. He holds a resurrection stick in his hand. He
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holds or wears the crown of glory. He holds in his hand the Vajra which is a
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thunderbolt which the Tibetans teaches the key of life to the Tibetans, which is
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compassion and action, and he's also radiating golden rays. This is the next
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spiritual evolution of humanity according to the Tibetans, and I believe
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this is what the Essenes were trying to tell us, these celestial beings, the
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Seraphim, were teaching them. Now as best as I can figure that the star systems
30:18.980 --> 30:23.060
in which this teaching is taught includes our star system, Sol, but it
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also includes Sirius, Orion, the Pleiades, Cygnus, Lyra, Vega, Arcturus, and Ursa Major.
30:29.780 --> 30:34.780
These are the star systems you see mentioned over and over again in myth and
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scripture throughout the past several thousand years, and many of these
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traditions describe beings coming and going from these star systems, and I
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propose that in part what the Tibetans are telling us is that these celestial
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beings came from this network of star systems in order to teach humanity how
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to raise ourselves into an ascended being just like the Seraphim. Something
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that's unique in my work is that the Tibetan rainbow body and the body of the
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Seraphim are the same thing. That's what these artists are trying to convey, and
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this is why Van Eyck has Jesus in a rainbow colored feathered garment, a
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many colored garment, because he's not describing him as a being with feathers,
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he's describing him as an energetic being that's manifesting, and the energy
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coming from his body appears like feathers to the human eye. So the
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Tibetans don't say this, and the Jews don't say that, and the Christians don't
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say that, but I say that, and I'm asking you to follow me in that connection. I'm
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not stating that out of ego, but just to say that this is something new that we're
31:40.460 --> 31:45.020
trying to break ground on here. So what I'm suggesting is that the Seraphim,
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these beings of celestial flesh, are in fact rainbow body beings. Every bit of the
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description of the Watcher Angels is portrayed in the ancient text, is seen in
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these images of the Tibetan rainbow body, including the serpentine face, the many
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colored garment, and other attributes. Ptah also exemplifies this set of
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symbolism as well. He stands here in this image from the tomb of Nefertari
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before a rainbow colored stairway to heaven, the Tet Pillar, the symbol of
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resurrection to the ancient Egyptians. He wears his tight-fitting crossed garment,
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as Gerald Massey poetically referred to it. He holds his resurrection stick. He's
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got the rainbow rings around his neck, and he also wears his crown of wisdom,
32:32.200 --> 32:36.760
or crown of salvation. It could just be pure entertainment that they happen to
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be carrying exactly the same symbols and have exactly the same meaning. Ptah is
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an ascended being. He is a god of resurrection, and is it possible that he
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actually, when he fashioned the human body, he tweaked our DNA in order for us
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as humans to become like the gods or like the angels? Is this how we account for the
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similarity in the symbolism and in the portrayal of these beings? Ptah, of course,
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we know is connected with the star system Sirius, which is one of the star
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systems we talked about a moment ago, as part of the network of these ancient star
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systems that have this, where this teaching is taught. We can go to Osiris on his
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feathered ascension throne, wearing his, again, the crossed garment, the bright
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white garment of light. And by the way, what happens when you spin all the colors
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of the rainbow together? They form white, right? And so maybe this is another
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reason why Osiris wears this bright white garment. He's also got the rainbow
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necklace, and look at his Ataph crown, the symbolism of the crown. Isn't it
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interesting, to say the least, that it matches very closely the energetic
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pattern of what we see in the Tibetan tankas of the rainbow body beings? Is
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Osiris, in his resurrection, a rainbow body being? We can't answer that
33:57.880 --> 34:01.800
definitively, but we can follow that trail and see that perhaps the ancient
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Egyptians, in their descriptions in the pyramid texts and elsewhere, are
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describing human transformation into lightning-like celestial beings. And what
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they meant by that is the same thing the Tibetans mean when they describe the
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human transformation into rainbow body beings, and that is the same thing that
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the Essenes mean when they talk about humans becoming perfect humans. Again, the
34:24.400 --> 34:28.920
rainbow body teaching in Tibet is referred to as the great perfection, and
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in his resurrected name, Osiris took on the name Wennenefer, the one who
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continues to be perfect. So that word perfect for me is sort of like, it's a
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golden needle I use to thread my way through various ancient traditions, and
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it may be that it's just a linguistic connection that isn't actually valid, but
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in my opinion, I think we're making a very strong case here that we're dealing
34:52.680 --> 34:57.400
with extraterrestrial beings who came here to deliver to humanity a teaching
34:57.400 --> 35:02.960
about how we transform and then journey into the stars. And that word perfect or
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perfection is our key word that certainly resonates throughout time, but I
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also propose connects all these various resurrection teachings throughout time.
35:12.120 --> 35:17.720
Moses had an encounter in the book of Exodus with that famous burning bush
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when an angel of the Lord appeared to him in a flame of fire out of the midst
35:23.240 --> 35:28.640
of a bush. What if he also encountered one of these rainbow body beings? Does
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this explain why Moses, after this experience, shone like the sun? Is it
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possible that Moses learned how to affect this transformation and began to
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demonstrate to the Israelites how humans can turn into the shining ones,
35:43.400 --> 35:48.160
literally beings of light and love, just like the seraphim and the rainbow body
35:48.160 --> 35:54.680
beings? To me, the most important part of my research in connecting these various
35:54.680 --> 35:59.080
traditions, the Judeo-Christian, the Tibetan, the Egyptian, and others, has
35:59.080 --> 36:03.720
to do with this description in the New Testament. The New Testament says that
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the Watchers are the angels which kept not their first estate, but left their
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original habitation in the celestial realms at God's throne and are now being
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bound by everlasting chains of darkness awaiting the great day of judgment. Now
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what's important here is that this Greek word that's translated first estate is
36:27.560 --> 36:33.600
oketarion, which according to Strong's Bible dictionary speaks to a dwelling
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place or a habitation of the body as a dwelling place for the spirit. It's an
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abode for the soul. And the fact is that that word, oketarion, is used only one
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other time in the New Testament. It not only describes the original body of the
36:52.680 --> 36:58.240
seraphim angels, the angels of the Lord, but specifically that word is used in
36:58.240 --> 37:02.280
one other place in 2nd Corinthians to refer to the resurrection body or
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eternal spiritual light body of Christ. What that means is that the resurrection
37:08.920 --> 37:14.680
body of Christ and the body of the seraphim are the same thing. That when
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the angels, the celestial beings, the seraphim lived in heaven, they have the
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exact same body that Christ attained in his resurrection. And that was the whole
37:22.920 --> 37:26.800
mission of why the seraphim came to dwell with the Essenes was to teach
37:26.800 --> 37:32.920
humanity how to become seraphim-like. So in Christian art, when you see the
37:32.920 --> 37:36.520
resurrection of Christ taking place, you see him bursting out of the tomb in a
37:36.520 --> 37:43.960
radiant orb of light surrounded very often by seraphim, by the winged serpents,
37:43.960 --> 37:50.800
because he is attaining the same celestial flesh that they possessed. And
37:50.800 --> 37:55.720
so in example after example in Christian art, we will see the resurrection where
37:55.720 --> 37:59.920
they are trying to convey this idea that he is no longer in his earthly flesh,
37:59.920 --> 38:05.120
but he is in some sort of an energetic light body. And now we know that that
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light body is the same as the body of the seraphim. And this to me is a
38:10.880 --> 38:15.680
mission accomplished for them. They came and they taught at least one human how
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to affect this transformation. And in Christian art, when you see the
38:19.760 --> 38:25.320
resurrected Jesus, he is very often in a body surrounded by rainbow colored light.
38:25.320 --> 38:30.120
A multi-hued body. This is the many-colored garment that we've been
38:30.120 --> 38:33.880
trying to attain for so long. And even in the Gnostic Gospel of Philip, we are
38:33.880 --> 38:39.560
told we must become perfect before leaving this world. Now in this case
38:39.560 --> 38:45.000
perfect can mean become whole, holy, complete, or compassionate, but if we
38:45.000 --> 38:49.160
follow my path, then what it's saying is that we must attain our rainbow body of
38:49.160 --> 38:54.560
light before leaving this world. In order to leave the third rock from the sun,
38:54.560 --> 38:59.160
according to the Dalai Lama, who understands this tradition and teaches
38:59.160 --> 39:05.480
it, we have to transform our body into celestial flesh that matches that of the
39:05.480 --> 39:09.640
seraphim angels, of the Watchers. And this is the spiritual technology I'm
39:09.640 --> 39:14.600
referring to that they brought to earth. And if I'm correct in some of my
39:14.600 --> 39:20.080
summator assessments here, going back to ancient Egypt with Bataa, he came here
39:20.080 --> 39:25.320
from Sirius to tweak human DNA so that we can affect this transformation or
39:25.320 --> 39:30.740
this perfection of our body. And the Essenes are examples. The
39:30.740 --> 39:34.560
resurrection of Jesus is an example. And what they're all trying to convey is
39:34.560 --> 39:39.360
that within us, this isn't something we go get. This is something that is already
39:39.360 --> 39:46.600
within us. Something we reveal. We all have within us this glorious, many-colored
39:46.600 --> 39:52.280
garment of light that is covered up by our human skin. And this is a return to
39:52.280 --> 39:57.520
our original form. In fact, Christian prophecy says that at the time of the
39:57.520 --> 40:04.040
Judgment Day, whenever that is, we will be changed by a sound wave, a last trump,
40:04.040 --> 40:09.320
or trumpet, will sound, and the dead, us, will be raised imperishable and we shall
40:09.320 --> 40:15.540
be changed. We shall be, in fact, exactly like the resurrected Christ. But if you
40:15.540 --> 40:18.620
don't like to follow the Christian tradition, then what they're saying is
40:18.620 --> 40:23.820
that we will be exactly like the angels, the seraphim, the watchers, and we will
40:23.820 --> 40:28.560
also be just like Padma Sambhava and other Tibetans who have attained the
40:28.560 --> 40:33.360
rainbow body of light. That is our goal right there according to all of these
40:33.360 --> 40:38.520
spiritual traditions. Here's Hans Memling's take on this of John the
40:38.520 --> 40:43.980
Revelator, seeing the rainbow bridge open. We see him peering into the celestial
40:44.020 --> 40:48.620
scion. It's inhabited by various figures here who are all playing musical
40:48.620 --> 40:52.020
instruments, which makes me very happy because I get to take my guitars with me,
40:52.020 --> 40:57.780
hopefully. And we see Jesus on the rainbow throne, holding in his hand the
40:57.780 --> 41:02.620
resurrection stick, the ascension crown, and other accoutrements, including the
41:02.620 --> 41:06.580
breastplate of righteousness. I don't think it's any coincidence that he holds
41:06.580 --> 41:10.500
all of these particular symbols because as we have tracked, this comes from
41:10.500 --> 41:14.660
Tibet. But originally it didn't come from Tibet. It might have originated with
41:14.660 --> 41:17.780
Ptah in Egypt. If you don't like that, then let's just leave the planet and
41:17.780 --> 41:22.460
let's go find another star system where they're teaching exactly the same thing.
41:22.460 --> 41:27.780
But the point is, over a period of at least 3,000 years, we see this idea being
41:27.780 --> 41:32.900
conveyed that humans can transform into celestial beings, and there appears to be
41:32.900 --> 41:36.840
some form of spiritual technology involved that is symbolized by a
41:36.960 --> 41:41.520
resurrection stick, a crown, a breastplate of righteousness, and other
41:41.520 --> 41:47.160
tools or implements as well. But again, the point is that this is exactly what
41:47.160 --> 41:52.000
we see demonstrated in Christian art, is this belief that we all can transform
41:52.000 --> 41:56.680
into these celestial beings. I realize I've shown a lot of examples of males.
41:56.680 --> 42:01.840
Here's a female. This is Mary wearing her many-colored cloak or garment. And in
42:01.840 --> 42:05.240
Hans Memling's depiction, she's got the star on her robe, indicating the star
42:05.240 --> 42:09.480
cloak, and she wears the plasma crown, indicating that she too has attained
42:09.480 --> 42:14.600
this elevated state of consciousness as a plasma being, as a star being.
42:14.600 --> 42:21.760
So what I'm saying to you is that the seraphim, the body of the seraphim,
42:21.760 --> 42:25.240
the body of the rainbow body beings, and the resurrection body of Jesus are the
42:25.240 --> 42:31.040
exact same thing. And this is a universal perhaps teaching, certainly isolated to
42:31.040 --> 42:36.240
the 13 local star systems, but I believe it would continue out into the cosmos
42:36.240 --> 42:46.160
if truth be told. Let's visit the Temple of Hathor at Dendera. Many of you have
42:46.160 --> 42:51.040
probably been there? Yeah. So you go to the Temple of Hathor, the Temple of Love
42:51.040 --> 42:57.120
and Joy, built by the Ptolemies around 300 BC, brand new at the time of Jesus
42:57.120 --> 43:03.520
and Mary Magdalene. When you go inside the Temple of Hathor, you are treated to a
43:03.520 --> 43:09.120
magnificent ceiling where we see what's known as the astronomical ceiling. And
43:09.120 --> 43:15.120
most notably what we see are the gods, actually the Ptolemies, humans, who have
43:15.120 --> 43:19.400
transformed into celestial beings, and they now ride upon what the ancient
43:19.400 --> 43:25.160
Egyptians called the Ark of the Millions of Years or the celestial ship. The Ark
43:25.200 --> 43:29.480
of the Millions of Years, the celestial ship, different names for it. We notice
43:29.480 --> 43:33.080
that the Ptolemaic king holds the resurrection stick in his hand.
43:33.080 --> 43:37.000
Schwalder de Lubitz thought that this was a conductor of some kind of a higher
43:37.000 --> 43:42.000
vibrational spiritual energy, perhaps drawn from Sirius. But in my sort of
43:42.000 --> 43:46.400
Robert Boval in the Great Pyramid moment, I'm laying on my back in this temple and
43:46.400 --> 43:49.360
I notice that the way the ancient Egyptians portrayed the Ark of the
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Millions of Years looks exactly like the way modern science portrays a wormhole.
43:55.000 --> 44:01.320
And at first the guides in Egypt used to laugh at me about that, and now I go
44:01.320 --> 44:04.480
into the Temple of Hathor and I hear the guide saying, yeah, there's
44:04.480 --> 44:09.760
the Ptolemaic king on his wormhole traveling as an ascended being for
44:09.760 --> 44:15.640
eternity. And I believe that it's not a coincidence, once again, that perhaps
44:15.640 --> 44:19.760
what the ancient Egyptians are conveying, that this is a transformed human who is
44:19.760 --> 44:24.440
traveling the stars in what they call the Ark of the Millions of Years. We
44:24.440 --> 44:29.160
today call a wormhole. And what they are fundamentally describing here is this
44:29.160 --> 44:35.440
transformation of how we become these celestial beings. We know, of course, the
44:35.440 --> 44:38.640
ancient Egyptians tell us that as the god of technology, it was Ptah who
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crafted not only the human body, but he also crafted, pun intended, the craft of
44:44.480 --> 44:50.200
the gods, the ship of eternity. So when I put those pieces together, it sounds like
44:50.200 --> 44:54.520
to me, like he again did something, tweaked our DNA to make it a more
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conducive vehicle to ride the wormholes of heaven, to actually sit on the
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Ascension Throne, the Feathered Ascension Throne, which is what we see here, to
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hold the key of life, to hold the resurrection stick, to wear the crown of
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salvation, and to travel the stars as a celestial being. This is the kit of
45:14.560 --> 45:19.280
resurrection symbols portrayed, once again, by the Egyptians. Now you're
45:19.280 --> 45:22.960
probably sitting in your seat and you've already realized that this crown,
45:22.960 --> 45:28.080
the Feathered Ascension Throne, the Lotus Craft, the resurrection stick, and the
45:28.080 --> 45:34.320
key of life is exactly what we saw in an earlier depiction of Padma Sambhava. It's
45:34.320 --> 45:39.320
the exact same symbolism, with the same concept. A human is transformed into a
45:39.320 --> 45:43.960
celestial being, and now sits on the Lotus Throne, holds the resurrection
45:43.960 --> 45:48.800
stick, wears the crown of glory, holds the Vajra, or key of life, and radiates
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golden rays, or rivulets of gold, as they were described by the Jews. And now
45:53.600 --> 45:57.960
we have him even enfolded within a gateway, because the belief is that once
45:57.960 --> 46:03.320
we open our rainbow body, we're then able to open gateways into these other star
46:03.320 --> 46:07.840
systems. So what I've done is to say, I believe that the Ptolemaic King at
46:07.840 --> 46:13.240
Dandera and Padma Sambhava are interchangeable symbolically. They're
46:13.240 --> 46:18.360
both telling exactly the same story, and they're probably both drawing from the
46:18.360 --> 46:22.200
original celestial sources, whether it's Ptah from Sirius, or somebody from
46:22.200 --> 46:27.680
Cygnus, or some other star realm. They're coming here and implanting into human
46:27.680 --> 46:32.760
consciousness these ideas, and this is what I pursue when we're in Egypt, and
46:32.760 --> 46:36.720
certainly would invite you to join us on one of these expeditions into the
46:36.720 --> 46:42.640
Stargate symbolism of the ancients. This is a favorite image from Tibet of the
46:42.640 --> 46:47.680
rainbow body. I call him the celestial dancer, because he's enfolded within this
46:47.680 --> 46:53.640
spinning rainbow ring of energy. As we get closer, we see he's got his garment
46:53.640 --> 46:58.200
of light on, and this is another way the Tibetans would portray these rainbow
46:58.200 --> 47:02.520
body beings, this kind of blur of energy. They're humanoid, but what we're trying
47:02.520 --> 47:07.720
to describe here are otherworldly beings coming into our world, or perhaps even
47:07.720 --> 47:13.520
our dimension. I was on a cruise ship in Luxor one night and watched a mystic
47:13.560 --> 47:19.560
Islamic dance, a whirling derbysh dance, and the dancer starts out spinning in
47:19.560 --> 47:25.160
place. Before I know it, he's got what's called a Merkaba vehicle spinning around
47:25.160 --> 47:30.440
his body, and the idea is that he's trying to connect himself or tell the
47:30.440 --> 47:33.600
story of the connection between heaven and earth, and I'm looking at that going
47:33.600 --> 47:39.320
that looks like a UFO. This looks like the story of Elijah who ascended
47:39.320 --> 47:43.400
into the heavens in a whirlwind, or Enoch who ascended, or any of the other
47:43.400 --> 47:48.880
figures who ascended into the heavens. He's clearly transforming his body into
47:48.880 --> 47:53.680
something else, and then he started spinning his second skirt, and the
47:53.680 --> 47:59.600
cracking sound on the floor was my jaw shattering, because here's this dancer
47:59.600 --> 48:05.520
in this 800 year old mystic Islamic dance turning his body into the shape of
48:05.560 --> 48:12.720
a wormhole. So I of course called this the wormhole dance, and right away
48:12.720 --> 48:17.880
recognized that this is conveying this idea of human transformation into a
48:17.880 --> 48:24.240
being capable of opening a portal or a gateway. So does an 800 year old mystic
48:24.240 --> 48:28.960
Islamic dance encode the ultimate secrets of modern physics? I believe that
48:28.960 --> 48:33.560
it does, and by studying this ancient art, we learn about the ultimate
48:33.560 --> 48:39.760
capability of human DNA and what is enfolded within all of us. At the end of
48:39.760 --> 48:45.200
his dance, he collapses his second skirt into a bundle, and his assistant brings
48:45.200 --> 48:51.120
him a linen shroud which he wraps the bundle with and then feeds it milk. The
48:51.120 --> 48:59.040
idea here is what? How did you get here? Before you took on one of these things,
48:59.040 --> 49:07.680
where were you in the cosmos? And after you leave here, where are you going? We
49:07.680 --> 49:13.480
have health plans, career plans, we have pension plans, what's your ascension
49:13.480 --> 49:19.800
plan? Right? Where are we going to go after this, and how are we going to get
49:19.800 --> 49:25.240
there? This is what these ancients are trying to answer, and it also says to me
49:25.240 --> 49:30.880
that as we embrace this idea of this expansive cosmos, it opens our
49:30.880 --> 49:35.160
consciousness and will lead to the birth of a new human who is less concerned
49:35.160 --> 49:39.360
about earthly affairs and more interested in how we connect ourselves
49:39.360 --> 49:43.840
with the cosmos, which is what all these ancient sites we study are about, right?
49:43.840 --> 49:47.840
How do we make this connection between the earthly and the heavenly, whether
49:47.840 --> 49:52.480
it's Yolmach, Stonehenge, the pyramids, wherever, that is the fundamental
49:52.480 --> 49:58.560
question enfolded or encoded within all of those ancient monuments. But the basic
49:58.560 --> 50:05.120
idea here is that our human body can be spun or accelerated into a vortex or
50:05.120 --> 50:10.720
okay, a flying saucer of energy that ultimately manifests as five colored
50:10.720 --> 50:15.440
rainbow light. Even the colors are the same, and these are traditional colors
50:15.440 --> 50:19.600
that this mystic Islamic dancer is displaying here. Even the colors are the
50:19.600 --> 50:24.400
same. This new body is called the rainbow body of light or the glory body,
50:24.400 --> 50:31.240
and it resembles a misty or luminous cloud, which is why you see Jesus flying
50:31.240 --> 50:37.480
around on a cloud in Second Coming imagery and why he's in the ring, because
50:37.480 --> 50:41.800
it suggests or tells us that he has attained this higher level of awareness.
50:41.800 --> 50:46.560
So I connect the Tibetan Lama in the rainbow ring with Jesus and also the
50:46.560 --> 50:51.200
ancient Sumerian depictions of the Anunnaki in their winged rings. Those are
50:51.200 --> 50:55.960
probably not hardware flying saucers, although they could be. More than likely
50:55.960 --> 51:01.480
we are dealing with higher consciousness beings who have manifested a more
51:01.480 --> 51:07.200
vibrant or light body. And as I discussed in my book The Judgment Day Device, these
51:07.200 --> 51:11.720
beings, the Seraphim, are type three or type four beings on the Kardashev scale.
51:11.720 --> 51:16.240
They have the ability to travel throughout the galaxy. They can open
51:16.240 --> 51:20.680
gateways, portals, they can manifest human bodies, they can do all kinds of
51:20.680 --> 51:27.440
incredible things. You might ask have I ever encountered a Seraphim? And I have a
51:27.440 --> 51:32.800
tentative yes answer. I was in, sorry about that, I don't know what that was, I
51:32.800 --> 51:38.840
was at James Gilliland's ranch in Washington in the northwest of the
51:38.840 --> 51:42.800
U.S. and I gave a talk about the Seraphim and afterwards James comes up
51:42.800 --> 51:46.720
and he says, yeah tonight at 9 o'clock we're gonna open a portal and invite
51:46.720 --> 51:50.720
some Seraphim in. And everybody just kind of laughed, including me, it's like what
51:50.720 --> 51:54.960
are you talking about? So sure enough after that get-together we all walk
51:54.960 --> 51:57.960
outside of this building, there's probably 300 people there, and I'm
51:57.960 --> 52:02.240
standing there with a group of about 20 people and I look up into the sky and
52:02.400 --> 52:08.960
here comes this bright orange orb of light and it's silently floating and
52:08.960 --> 52:12.680
there's no noise, it's not a helicopter, it's not a plane, you kind of go through
52:12.680 --> 52:18.520
the checklist. Somebody had the presence of mind to pull out a cell phone camera
52:18.520 --> 52:24.640
and they took this video and while you can't see exactly what we saw, I want
52:24.640 --> 52:28.640
you to just kind of judge what we experienced by the reaction of the crowd.
52:32.240 --> 52:37.240
There it is right there.
52:37.240 --> 52:40.240
Yeah.
52:55.240 --> 53:03.400
You get the idea. Pure joy. Pure joy. Exuberance. But closer to home, let's go
53:03.400 --> 53:07.360
to Hatfield House and let's look at one of the famous, most famous portraits in
53:07.360 --> 53:13.320
British history, the rainbow portrait of Queen Elizabeth the First. Why, of all
53:13.320 --> 53:18.360
things, did Dr. John Dee choose this symbolism to portray Elizabeth? Why is
53:18.360 --> 53:24.320
she covered with eyes? Why does she have a feathered serpent on her arm? Why does
53:24.320 --> 53:29.760
she hold a rainbow? The reason is, in my opinion, is because she is being
53:29.760 --> 53:33.840
portrayed not as just the fairy queen, Gloriana, and the belief was, of course,
53:33.840 --> 53:38.080
that Elizabeth was a star child who took on human incarnation, but because John
53:38.080 --> 53:44.520
Dee wanted you to believe that Elizabeth was, in fact, a seraph. Now, whether you
53:44.520 --> 53:47.640
believe that or not, it's up to you, but the fact of the matter is, is that
53:47.640 --> 53:52.920
symbolism is there and John Dee said that this image, this painting, was an icon
53:52.920 --> 53:58.120
that was meant to draw down spiritual power to ensure the prosperity of Great
53:58.120 --> 54:02.080
Britain during her reign and thereafter. So isn't it interesting that
54:02.080 --> 54:06.840
this body of symbolism should appear in this really powerful and important
54:06.840 --> 54:12.160
painting? Moses, as I said earlier, had an encounter with what I believe is a
54:12.160 --> 54:17.440
seraphim twice, not just the burning bush, but he also lifted the serpent of
54:17.440 --> 54:23.520
healing in the wilderness. It's called the Nehushtan. That is the logo of the
54:23.520 --> 54:28.920
seraphim, and what happened in this episode is that Moses lifts the serpent,
54:28.920 --> 54:36.440
the Nehushtan, and by virtue of doing so, I propose a seraph actually manifested
54:36.440 --> 54:42.720
to the Israelites as a rainbow body being. Jesus directly referred to that
54:42.720 --> 54:47.440
incident when he talked about the secret of eternal life. When he said, as Moses
54:47.440 --> 54:51.160
lifted up the serpent in the wilderness, even so must the Son of Man be lifted up,
54:51.160 --> 54:55.600
that whoever believeth in him should not perish but will have eternal life. I
54:55.600 --> 55:00.440
think Jesus is referring to the spiritual technology of the seraphim and
55:00.440 --> 55:04.240
telling us that if we want to attain our light body and eternal life to learn
55:04.240 --> 55:08.400
the symbolism of the Nehushtan. And this is exactly what we see once again at
55:08.400 --> 55:14.480
Dandera where we see a being lifting up a tube that is curiously similar to, if
55:14.480 --> 55:19.840
not identical to, what we today call a plasma tube. And we see that there is a
55:19.960 --> 55:25.680
serpent that is within this tube. So symbolically speaking, what we're
55:25.680 --> 55:32.880
looking at here is someone lifting or holding a serpent. By definition, in
55:32.880 --> 55:38.040
Israelite symbolism, that is a Nehushtan that is being lifted up in the crypt at
55:38.040 --> 55:41.960
Dandera, and it could well be that it's in fact a plasma being that's holding it.
55:41.960 --> 55:47.560
But another image that we want to draw our attention to comes from Abodos in
55:47.720 --> 55:53.520
Egypt where we see the same serpent lifted up now on this pillar. When we
55:53.520 --> 55:57.760
take this imagery here, and you can see that this serpent lifted on a pole is
55:57.760 --> 56:02.320
identical to this serpent on a pole, when we connect these images we're
56:02.320 --> 56:07.480
led to a very very provocative place. This right here is part of the hieroglyph
56:07.480 --> 56:13.160
for the head of Osiris, the Egyptian god of resurrection. It's actually the
56:13.160 --> 56:18.720
Egyptian symbol for the hope for the afterlife. And when you assemble all of
56:18.720 --> 56:23.920
these symbols here, you get this complete device which is in the Osiris
56:23.920 --> 56:30.120
Chapel at Abodos. It's referred to as the ladder or stairway to heaven. And again,
56:30.120 --> 56:36.440
it's the symbol of Osiris. It's the head of Osiris, and it looks to a modern eye
56:36.440 --> 56:41.920
like it's quite mechanical looking. Like this is some kind of machine, perhaps.
56:41.920 --> 56:45.760
Some of you are probably looking at this right now and saying that the baser
56:45.760 --> 56:49.560
platform that this thing sits on, that this pillar, the head of Osiris sits on,
56:49.560 --> 56:53.680
bears a striking resemblance to what we think of as the Ark of the Covenant. And
56:53.680 --> 56:57.960
I think you would be very correct in that assessment. It was of course the Ark
56:57.960 --> 57:03.120
of the Covenant was the device, sign, seal, or symbol upon which the Israelite
57:03.120 --> 57:10.600
god Yahweh manifested as a luminous humanoid figure with a rainbow aura. You
57:10.600 --> 57:14.200
see where I'm going with this? That perhaps what we're talking about here
57:14.200 --> 57:18.440
with the Ark of the Covenant and with the Osiris device as I referred to it, is
57:18.440 --> 57:23.260
the technology of the Seraphim, which is why they're portrayed guarding the Ark
57:23.260 --> 57:29.320
of the Covenant. It's their device. It is their sign, seal, symbol, tool, or
57:29.320 --> 57:35.400
appliance that is used ultimately, I believe, and proposed to transform the
57:35.400 --> 57:40.860
human body into another form. And so when we go to each of them, we're actually
57:40.860 --> 57:45.240
seen here with the Osiris device, which again I'm suggesting was brought here or
57:45.240 --> 57:50.280
belonged to the Seraphim, is actually the fully constructed Ark of the Covenant.
57:50.280 --> 57:54.600
When you compare these two images, you see that the two tablets of the law are
57:54.600 --> 57:59.040
the two ostrich feathers or tablets on top of the Ark. The rod of Aaron, whose
57:59.040 --> 58:03.360
name means enlightenment, is this rod right here. And the Ark platform is
58:03.360 --> 58:07.800
obviously the same, or the Ark box is obviously the same as this platform
58:07.800 --> 58:13.120
upon which the head of Osiris is screwed in. So I believe and propose that
58:13.120 --> 58:18.320
what we see here is actually a spiritual technology brought to earth by the
58:18.320 --> 58:23.880
Seraphim that the Egyptians knew of as the head of Osiris or the ultimate
58:23.880 --> 58:28.640
symbol for the hope for the afterlife. So here we see a traditional image of
58:28.640 --> 58:32.960
Israelites carrying the Ark of the Covenant, the feathered Ark, and we see
58:32.960 --> 58:38.360
it beside the fully assembled Osiris device here. But in fact, what we're
58:38.360 --> 58:44.640
looking at here is not the Osiris device from Abydos. It's the same symbolism, but
58:44.640 --> 58:48.000
what we're looking at here with this feathered platform, this garment of light,
58:48.000 --> 58:52.880
this book, and this cross attached to it is known to Christianity as the
58:52.880 --> 58:59.840
Edimatia, or the throne of Christ. This is the sign, symbol, or seal of the
58:59.840 --> 59:05.040
resurrected Christ. And it's exactly the same thing as the head of Osiris,
59:05.040 --> 59:10.240
symbolically speaking, again brought here by the Seraphim, which is why in
59:10.240 --> 59:17.040
Christian second coming art you see Jesus in a orb of light up here with his
59:17.040 --> 59:21.120
Ophanum wheels and his symbol right beside him. It's because it's his
59:21.120 --> 59:26.640
property. It's his sign, seal, or symbol. And not only do you see Jesus in his
59:26.640 --> 59:32.520
ascended form beside this device, but you see that it's also guarded by the
59:32.520 --> 59:39.120
Seraphim because it's their device too. Refer to it as a resurrection machine,
59:39.120 --> 59:42.840
if you like. There's lots of different ways we can go with this. We've only got
59:42.840 --> 59:45.560
a couple minutes left, and I just wanted to leave you with this parting
59:45.560 --> 59:50.560
thought, that this is the sign, or symbol, or spiritual technology of the Seraphim
59:50.560 --> 59:55.360
brought from another world that manifested in ancient Egypt. It
59:55.400 --> 59:59.440
manifests in Christianity as the symbol for Jesus, the resurrected Jesus, and
59:59.440 --> 01:00:05.800
ultimately it all tells us the same story. These angels who are here again
01:00:05.800 --> 01:00:10.400
beside the fully assembled Ark of the Covenant are the Seraphim, and their
01:00:10.400 --> 01:00:16.080
spiritual technology is designed to transform humans into rainbow-like
01:00:16.080 --> 01:00:22.640
beings who can then travel into the cosmos. Now one parting thought I'm
01:00:22.640 --> 01:00:25.600
going to leave you with, because some of you are probably going, who cares? I
01:00:25.600 --> 01:00:29.160
don't believe in Christianity anyway, and a lot of this stuff is just a bunch of
01:00:29.160 --> 01:00:35.080
garbage, blah blah blah. Well, let's finish with a thought here from, we'll just
01:00:35.080 --> 01:00:38.560
cruise through these images here of the fully assembled Ark of the Covenant, and
01:00:38.560 --> 01:00:44.280
the throne of Christ, actually. And let's finish here with what's
01:00:44.280 --> 01:00:49.080
happened recently. You might have heard of the WikiLeaks leaks that happened
01:00:49.080 --> 01:00:54.400
just a few weeks ago. John Podesta, at that time, was Hillary Clinton's chief
01:00:54.400 --> 01:00:58.800
of staff. He's a major proponent of UFO disclosure, and has said publicly that
01:00:58.800 --> 01:01:01.680
one of his greatest failures when he worked for President Obama was that he
01:01:01.680 --> 01:01:06.920
they did not disclose the existence of aliens and UFOs publicly. There was a
01:01:06.920 --> 01:01:11.800
the WikiLeaks dump that revealed conversations that John Podesta had with
01:01:11.800 --> 01:01:17.120
Dr. Edgar Mitchell, the sixth man to walk on the moon, and they had
01:01:17.120 --> 01:01:21.760
conversations about the existence of aliens, alien technology, and space
01:01:21.760 --> 01:01:28.240
warfare. One missive opens with an urgent request by Dr. Mitchell to discuss
01:01:28.240 --> 01:01:35.040
zero-point energy, a free energy device, and disclosure. Mitchell claimed that he
01:01:35.040 --> 01:01:38.680
was working with higher dimensional extraterrestrial beings from a
01:01:38.680 --> 01:01:44.720
contiguous universe, as he described it, who wished to give humanity a zero-point
01:01:44.840 --> 01:01:49.560
device that would solve all of our energy problems and presumably, at least
01:01:49.560 --> 01:01:53.840
according to the belief of Dr. Mitchell, lead to the transformation of humanity
01:01:53.840 --> 01:01:59.960
into a peaceful race that ultimately then can journey into the stars. That was
01:01:59.960 --> 01:02:04.320
his hope. Call him crazy, but that was his hope, and he was working at the
01:02:04.320 --> 01:02:08.040
highest levels of the US government to disclose the existence of these beings
01:02:08.040 --> 01:02:13.600
and the existence of their technology. What I propose to you is that what Dr.
01:02:13.600 --> 01:02:17.280
Mitchell was actually describing when he's envisioning what he described
01:02:17.280 --> 01:02:22.520
extraterrestrial intelligences from a contiguous universe, and he goes on
01:02:22.520 --> 01:02:27.680
to say that these beings work directly with God and are directly obedient to
01:02:27.680 --> 01:02:32.080
God. There is only one class of extraterrestrial beings that I know of
01:02:32.080 --> 01:02:36.440
that are in the human record and have been there for several thousand years. The
01:02:36.440 --> 01:02:42.200
beings that Dr. Mitchell, and here are some of these WikiLeaks emails that
01:02:42.520 --> 01:02:46.320
spell this out, the beings that I believe that Dr. Mitchell was trying to
01:02:46.320 --> 01:02:50.840
get Podesta and the US government to acknowledge the existence of are the
01:02:50.840 --> 01:02:56.600
Seraphim. They are directly obedient to God, they come from the throne of God, and
01:02:56.600 --> 01:03:01.600
as we have just demonstrated, they also sought to bring to humankind a device, a
01:03:01.600 --> 01:03:06.360
spiritual technology about human transformation into celestial beings that
01:03:06.360 --> 01:03:11.240
could even be a free energy device. So thank you very much for your kind
01:03:11.240 --> 01:03:14.840
attention. Thank you, Andrew.