1 00:00:00,000 --> 00:00:24,320 My name is Jan Harzant. I'm the Executive Director for Mufan. We are a scientific research 2 00:00:24,320 --> 00:00:29,320 organization that basically collectsiding reports from the public and then goes and investigates 3 00:00:29,320 --> 00:00:35,400 them. Our mission statement as an organization is the scientific study of UFOs for the benefit 4 00:00:35,400 --> 00:00:41,560 of humanity and we have three primary goals. We investigate UFO reports. We promote research 5 00:00:41,560 --> 00:00:45,320 into the UFO subject and we educate the public on our findings. 6 00:00:51,320 --> 00:00:55,800 There'll be things in here that might seem like it's over your head. There's a lot of math and 7 00:00:55,800 --> 00:01:03,080 some geometry but please don't get hung up on that because the importance here is a message. 8 00:01:03,800 --> 00:01:11,960 There's a message at Kisa and it's for everyone. This is more of a journey of discovery for me. 9 00:01:12,680 --> 00:01:20,280 I didn't set out to write a book on the woodworker by trade and I'd always been interested in Egypt 10 00:01:20,280 --> 00:01:29,560 and there was a point in my life in mid-90s where I had an event that really changed my outlook on 11 00:01:29,560 --> 00:01:36,600 some things in life. One of was just really what is important in life and what is going on in 12 00:01:36,600 --> 00:01:44,920 this life? Why are we here doing all this and what's the deeper meaning of things? That's where 13 00:01:44,920 --> 00:01:55,960 I had started. I had been looking at into religions and trying to study the different religions 14 00:01:55,960 --> 00:02:03,080 because I was a bit confused at that point in my life. What is the right version of this? 15 00:02:04,120 --> 00:02:11,560 I started looking into it and it did not take me very long at all. To realize there's a common thread 16 00:02:11,640 --> 00:02:20,520 that runs through all the religions and all the background of ancient society. That is a Trinity 17 00:02:21,800 --> 00:02:31,240 three numbers, one, two and three and they all share this in common. That immediately related to 18 00:02:31,240 --> 00:02:37,480 me as a math guy, I have a woodworker, I measured things and I was always very interested in where 19 00:02:37,480 --> 00:02:44,760 did measure it come from and things like that. When I realized that within all these different religions 20 00:02:45,480 --> 00:02:51,640 there is this common base and this is what we need to understand because this will change 21 00:02:52,760 --> 00:03:02,040 everything for you when you understand these things. What we're going to look at here is the 22 00:03:02,120 --> 00:03:15,640 message that really adbies in. What was put there for? There's the saying you might be familiar with 23 00:03:15,640 --> 00:03:23,640 as above so below. With that in mind we're going to look at Giza and a couple of different 24 00:03:23,640 --> 00:03:30,760 aspects. We're going to look at it for its properties in its architectural state and then we're going 25 00:03:30,760 --> 00:03:38,600 to look how it works with the constellations and the alignments of the stars in the sky because 26 00:03:38,600 --> 00:03:46,840 that's all part of Giza as we go through here. One of the first questions you have to ask about 27 00:03:46,840 --> 00:03:54,600 Giza is why was Giza constructed? Before we get to the details of how did they lift the stones 28 00:03:54,600 --> 00:04:01,240 and all that we can get caught up in all those details and kind of missed the whole point of this 29 00:04:01,240 --> 00:04:11,560 thing. Obviously we have something here that was an immense project. We can't really do this today. 30 00:04:11,560 --> 00:04:18,680 If we had to put this thing together today we'd have a major problem. I've been there, I've looked at 31 00:04:19,000 --> 00:04:26,840 the evidence, the machining marks and the stone etc. There was a high degree of intelligence and 32 00:04:26,840 --> 00:04:33,400 technology even that went into creating this. But even more than the technology and at end of it 33 00:04:33,400 --> 00:04:42,280 is why were they doing this? Why were they creating such an edifice here? In my study and 34 00:04:42,280 --> 00:04:49,400 what I was really hypothesizing when I went over to Giza in 1997 with John West was that 35 00:04:50,440 --> 00:04:58,760 Giza was a repository, a repository of knowledge of the sciences, mathematics and geometry 36 00:04:59,480 --> 00:05:04,760 and that was of course not my original idea. Many others have proposed this 37 00:05:05,720 --> 00:05:13,560 that it is a repository. But what I'm going to present here tonight is the clear evidence of that. 38 00:05:15,560 --> 00:05:24,360 My work here is not theoretical. This work is all based in mathematics and geometry and everything 39 00:05:24,360 --> 00:05:32,840 I'm going to show you here to be recreated. There's nothing that is not approval. So what they were 40 00:05:33,800 --> 00:05:42,280 doing is they were encoding ancient scientific knowledge, including the measures of the earth 41 00:05:42,280 --> 00:05:49,160 and the heavens using geometry and mathematics. Now what do I mean by the measures of earth and 42 00:05:49,240 --> 00:06:04,600 heavens? Well we know if our whole measuring system is a complex way of measuring and dividing 43 00:06:04,600 --> 00:06:12,920 things and all that. And there's a lot known about the history of measure. There's not very many 44 00:06:13,240 --> 00:06:19,960 people actually have not met anyone in the public domain that can come out and explain to me 45 00:06:20,680 --> 00:06:27,880 where did the measuring system begin? Where's that first answer? Two bit or how did they get that 46 00:06:27,880 --> 00:06:33,640 first number? Where did they come from? I'm going to be able to show you that here very quickly and 47 00:06:33,640 --> 00:06:41,080 very simply actually. So what they were doing as well as measuring the measuring system and 48 00:06:41,080 --> 00:06:48,280 geometry on a ground in the dark contextual monuments there. They were precisely charting 49 00:06:48,280 --> 00:06:58,120 the motions of the 25,920 year processional cycle known as the Great Year. So what we're talking 50 00:06:58,120 --> 00:07:09,480 about is there is a motion that we notice and the academic world will claim that it is a wobble of 51 00:07:09,480 --> 00:07:21,480 our earth's axis that takes 25,920 years to make one rotation. There's a little bit of a problem 52 00:07:21,480 --> 00:07:28,280 with that and Walter Cutton then will be the first one to back him up on this and he's studied 53 00:07:28,280 --> 00:07:38,680 this heavily. There is no data and our measuring capabilities are certainly good enough to be able 54 00:07:38,680 --> 00:07:47,640 to measure this wobble and we can measure the wobble with objects that are beyond our solar system. 55 00:07:47,640 --> 00:07:56,600 No problem. We can see that it takes the constellations of the zodiac actually counterclockwise, 56 00:07:56,600 --> 00:08:07,800 go backwards over a period of 25,000 years to take around a whole cycle. But they cannot measure 57 00:08:07,800 --> 00:08:14,840 that against the sun and the planets. So all of a sudden when we try to measure our wobble against 58 00:08:14,840 --> 00:08:21,400 the sun let's say and if we're wobbling just by ourselves here there should be no problem measuring 59 00:08:21,400 --> 00:08:26,680 that against the sun. We should be going like this and we could say, oh the sun is still in and we're 60 00:08:26,680 --> 00:08:36,200 wobbling. That's not the case. They cannot and there is no data that can show that. That is a huge 61 00:08:36,280 --> 00:08:44,760 problem for the wobble theory of procession and quite frankly it don't work and I'll be able to 62 00:08:44,760 --> 00:08:52,520 show you here an alternative very close to the idea of what they were doing. It would still give us the 63 00:08:52,520 --> 00:08:59,240 image of that wobble but it's coming from another source and they left that and could it 64 00:08:59,320 --> 00:09:07,800 geese this there's a whole map of this motion of our heavens at geese along with the earth measure. 65 00:09:09,160 --> 00:09:16,840 They were also preserving this knowledge there at geese for future generations and they did that 66 00:09:16,840 --> 00:09:21,800 using the stone and these large monuments that's the only thing that could last 67 00:09:22,760 --> 00:09:32,040 over a long period of time. So that's the reason why there's still a large and very difficult 68 00:09:32,040 --> 00:09:39,400 to destroy. I mean they've survived earthquakes and relentless conditions for thousands of years 69 00:09:39,400 --> 00:09:47,880 and they're still there for us to to read and that's what we'll be doing. So so in my book the geese 70 00:09:47,960 --> 00:09:57,320 a template temple grail earth measure the word temple is the root word of template template 71 00:09:57,320 --> 00:10:02,920 comes from the word temple. Now the word grail as it spelled there I probably wish to 72 00:10:02,920 --> 00:10:09,800 I would have spelled it differently but this is the correct way to spell that word in another 73 00:10:09,800 --> 00:10:16,600 ancient spelling of it. If you look at the meaning of the word grail in that form of the 74 00:10:17,480 --> 00:10:29,080 term grail it is step or coordinate. So that is referring to like a coordinate in a charting 75 00:10:29,080 --> 00:10:37,480 system or something. Everybody probably knows what a chart is and we'll get into that and I'll show you 76 00:10:37,560 --> 00:10:49,800 but these words a temple grail can can be read as the template coordinates. So the earth measure 77 00:10:50,680 --> 00:11:04,040 is is part of the information that actually encodes the dimensions and positions of all the pyramids 78 00:11:04,120 --> 00:11:08,600 and all the structures on geese applied to have not just the pyramids we're talking about 79 00:11:10,200 --> 00:11:16,680 the snakes we're talking about the the wall of the crow and some different structures. 80 00:11:20,840 --> 00:11:28,680 This quote here is no testimony is sufficient to establish a miracle unless the testimony be such 81 00:11:28,760 --> 00:11:37,080 a kind that is full-sood would be more miraculous than the fact which endeavors to establish. 82 00:11:37,880 --> 00:11:44,600 So in other words if I'm trying to establish some facts and I put a pile of coincidences in 83 00:11:44,600 --> 00:11:51,800 front of you at what point do you decide this is not coincidences and it has to be more factual 84 00:11:52,760 --> 00:12:00,600 which kind of leads us to this quote right here by Carl Sagan extraordinary claims 85 00:12:01,400 --> 00:12:09,320 require extraordinary evidence. So we're going to look at geese and we're going to demonstrate precisely 86 00:12:10,760 --> 00:12:19,960 how the whole blueprint and design was put together for geese and we're going to begin that with 87 00:12:19,960 --> 00:12:28,840 this satellite image. It's a quick bird satellite image which I obtained is about 10 years after I 88 00:12:28,840 --> 00:12:37,400 started my research on this. I had some very good ideas architecturally speaking of how this design 89 00:12:37,400 --> 00:12:46,840 was put together using numbers and just logic in common sense but I kept stumbling because of the 90 00:12:46,840 --> 00:12:56,200 survey data that was available to the public. There was several discrepancies in one where there was 91 00:12:56,200 --> 00:13:06,440 a discrepancy about the placement of the great pyramid here and of of MENCAR. So it was 10 years 92 00:13:06,440 --> 00:13:14,840 of almost frustration because I knew I had a mathematically beautiful logical way that this was 93 00:13:14,840 --> 00:13:22,280 done but it wasn't a green with the survey people until 2006 when I purchased this quick bird 94 00:13:22,280 --> 00:13:30,520 satellite image that had a very very high degree of detail down to four inches. So what we're looking 95 00:13:30,520 --> 00:13:39,400 at here is a satellite image and by zooming in and using an overlay I used the software called 96 00:13:39,560 --> 00:13:46,120 AutoCAD and we're able to use that building and blueprint design or a lot more than that but 97 00:13:47,160 --> 00:13:58,760 it's a scaled drawing that we can make to full scale using the software. That is where I started my little 98 00:13:59,080 --> 00:14:09,080 journey of discovered here in 1997 when I went over with John I had an idea that just from an 99 00:14:09,080 --> 00:14:17,880 artist's standpoint of how this layout possibly was done and if you look here just proportion 100 00:14:17,880 --> 00:14:24,440 if you're looking at an this direction notice that I have north is to our right over here and 101 00:14:24,520 --> 00:14:30,760 east and west is running an this direction. There's a very good reason for that in that they were 102 00:14:30,760 --> 00:14:37,960 tracking the path of the sun east to west. That was the main point so when we view this that's how 103 00:14:37,960 --> 00:14:46,120 we're going to look at it from the path of the sun goes from east to west. So what we're doing here 104 00:14:46,200 --> 00:14:55,240 is we're looking at a 360 degree panorama from a drone video shot directly above the center 105 00:14:56,840 --> 00:15:05,480 of where I had actually felt that that was the center back in 1997. So now we we turned a little bit 106 00:15:05,480 --> 00:15:12,520 to our right we're going clockwise and we can see over here it's a great pyramid of kufu and this is a 107 00:15:12,600 --> 00:15:19,080 do north this line here is do north. There we're looking now do north in our view. 108 00:15:20,280 --> 00:15:25,640 Turn a little bit more we can see there's there's some satellite pyramids down there. These are all 109 00:15:26,600 --> 00:15:33,960 reproduced exactly in the book I show step by step. Each one of these are put there and why 110 00:15:33,960 --> 00:15:41,480 they're there with their purposes. If we look east now we can see right there's this finks 111 00:15:41,960 --> 00:15:47,960 sitting in a carved out space that they actually carved the stone down around the body 112 00:15:47,960 --> 00:15:55,800 of the things to expose the body which they then carved. This is this finks cause way it's a very 113 00:15:55,800 --> 00:16:03,480 important part of this map and that goes back to the center point of our template here. 114 00:16:04,440 --> 00:16:12,120 Continuing around there's there's some other architectural components to this that 115 00:16:13,000 --> 00:16:18,920 one is down here's hard to see it's called the wall of the crow. It's this immense wall it's like 116 00:16:18,920 --> 00:16:28,440 32 in three quarter feet square and about 650 feet long. Mass of solid blocks just laid up as a wall. 117 00:16:29,400 --> 00:16:34,680 The other temple can cow east is here that's a place another important rule. 118 00:16:36,040 --> 00:16:44,280 And we can see here as we we're almost around we can see this cause way here right here. This is the 119 00:16:44,280 --> 00:16:53,160 cause way to the mancarre or the third smallest pyramid of the three. Each one of the pyramids 120 00:16:53,160 --> 00:17:03,240 has a cause way leading from it. It's just a wide straight paved with stone road. They call 121 00:17:03,240 --> 00:17:09,160 them cause ways but we can show here that they're identifying markers. They're per pointers 122 00:17:09,960 --> 00:17:17,000 and we'll show you how that works but so now we've done a 360 degree circle there we're 123 00:17:17,000 --> 00:17:23,880 looking west again. There's the this is called a plan view by the way in architectural terms. 124 00:17:23,880 --> 00:17:31,080 It is looking at the directly above looking down at the floor plan. So here are all the 125 00:17:31,880 --> 00:17:37,960 components we got the great pyramid of kufu and I've tried to if you can take notice I've 126 00:17:37,960 --> 00:17:44,200 tried to help a little bit here color coding things. So we're going to have some different colors 127 00:17:44,360 --> 00:17:50,360 for each of the pyramids. Plus the numbers are color coded too so I'll try to explain that as we go 128 00:17:50,360 --> 00:17:58,600 through just to help you visualize some things. So as I was saying before there's our temple it 129 00:17:58,600 --> 00:18:07,080 can cow east here. Here's the wall the crow. Here's the great sphinx. These three satellite pyramids 130 00:18:07,080 --> 00:18:13,000 they call them and there's also three up here and there's another small pyramid right here to the 131 00:18:13,320 --> 00:18:24,520 left of kaffra. Kaffra is the son of kufu and mencara is the son of kaffra. So this is a multi-generational 132 00:18:24,520 --> 00:18:34,680 project that was put together here. Now I'm not going to get into when was it built and all that 133 00:18:34,680 --> 00:18:40,280 there's a lot of good information but I think there's a lot of information that is a little bit 134 00:18:40,280 --> 00:18:48,600 misleading because certainly we can put a foundation in at one point and then many years later come 135 00:18:48,600 --> 00:18:56,600 back and build on it. That's not an impossibility and there's really good evidence for that. 136 00:18:56,600 --> 00:19:02,440 So we're going to start now the blueprint. What were they trying to do these designers and architects? 137 00:19:02,440 --> 00:19:09,960 What were they trying to encode here and how are they going to make this design? If we can see here 138 00:19:10,040 --> 00:19:18,920 there's a very interesting geometric equation. If you want to call that that tells us and the 139 00:19:18,920 --> 00:19:26,120 Egyptians were very well aware of this and they used it in a lot of different ways and actually many 140 00:19:26,120 --> 00:19:35,160 cultures used this design right here. If we take this circle and we divide it by nine in its 141 00:19:35,160 --> 00:19:42,040 diameter so that there are nine units across the diameter one through nine. We draw a circle. 142 00:19:43,080 --> 00:19:48,440 If we do the math and come up with the area that circle and we're not going to do the math because 143 00:19:48,440 --> 00:20:00,200 we don't need to go in all that. The answer is the area is 63.6428. That's how much area is in a circle. 144 00:20:01,080 --> 00:20:09,880 Now if we take a square that is of the same area or the same size units if we go eight square 145 00:20:11,000 --> 00:20:19,800 and make an eight by eight square there the area that square is 64. So there's a very close relationship 146 00:20:19,880 --> 00:20:30,280 to a circle of nine and a square of eight by eight. This is also in many cultures is a concept 147 00:20:30,280 --> 00:20:39,160 of ancient land management and a lot of cities and we're actually plotted out using this very 148 00:20:39,160 --> 00:20:47,960 method many different cultures. So this is very common. Now on our square we've taken 149 00:20:48,920 --> 00:20:56,760 which is called the Lambda sequence. The Lambda sequence was given to us by Plato in his book 150 00:20:56,760 --> 00:21:06,120 to Mayus and he claimed that God used a sequence of numbers the Lambda sequence to create the 151 00:21:06,120 --> 00:21:16,520 cosmic soul that was what Plato says. So those numbers are a doubling and tripling sequence. 152 00:21:17,000 --> 00:21:23,080 We can see the doubling sequence going down the left-hand side here which is just you can see how 153 00:21:23,080 --> 00:21:31,800 that doubles as it goes down and across the top it triples it's a tripling sequence. And again 154 00:21:31,800 --> 00:21:38,600 this brings us right back to one of the first things I dawned on me when I was looking at 155 00:21:38,600 --> 00:21:44,840 into the religions was what do we see at the top corner? We see a one, a two, and a three. 156 00:21:44,920 --> 00:21:52,280 All of which are necessary in that particular placement to to figure this all out. If we go 157 00:21:52,280 --> 00:22:01,240 seven intervals down and we go seven intervals across the top and we go seven intervals up we have 158 00:22:01,240 --> 00:22:06,840 a coordinate system there. So here's where we comes in with the grail the coordinates, the step 159 00:22:06,840 --> 00:22:16,040 or position. This is what they were talking about. This in my opinion is the grail. So within this scale 160 00:22:17,800 --> 00:22:23,560 we can see there's some interesting numbers come up right off the bat. Let's first look down here 161 00:22:24,280 --> 00:22:32,280 that's 186,624 that's very close to speed of light in miles per second. 162 00:22:33,240 --> 00:22:40,360 A pair of the number 432 is very close to our tuning what we tune in instruments. So what we're 163 00:22:40,360 --> 00:22:45,720 kind of looking at here is frequencies. We can imagine this is sound of frequencies. White is just 164 00:22:45,720 --> 00:22:54,360 a very much higher in the frequencies than sound but we can relate right here very quickly. 165 00:22:55,240 --> 00:23:02,520 We can see that this number 432 by the way was a tuning. We now that piano over there is 166 00:23:02,520 --> 00:23:13,960 tuned to 440 cycles per second on herds. In some of the ancient tunings they would use 432 hertz. 167 00:23:14,760 --> 00:23:21,080 Strativarius also designed his violins using 432 hertz. There were a number of 168 00:23:21,720 --> 00:23:29,000 composers, very famous composers, very being one of them, that also composed in 432 hertz. 169 00:23:29,800 --> 00:23:39,320 If we hear the chant of a Buddhist chant in the ohm, ohm, that is chanted at 432 hertz. 170 00:23:39,320 --> 00:23:46,440 Along with really men, it's really the same type of chance using those sound frequencies. 171 00:23:47,160 --> 00:23:54,120 These sound frequencies, I think we all realize this, that sound and frequencies can have an 172 00:23:54,120 --> 00:23:59,560 effect upon your brain. I think everybody would agree with that statement. 173 00:24:01,480 --> 00:24:11,080 So there's the very important connection between sound and light right here. We first look at this. 174 00:24:11,160 --> 00:24:17,640 But if we now take those intervals and we're to divide them into seven intervals in between, 175 00:24:18,680 --> 00:24:27,480 we have a very interesting interval right here that is value, the value between the 176 00:24:27,480 --> 00:24:37,960 432 and a 288 is 144. If we were to divide that by seven, right there, what I just told you is 177 00:24:38,040 --> 00:24:46,680 exactly how they came up with the root cubit and that is in inches. So again, there are these 178 00:24:46,680 --> 00:24:59,160 two numbers, the 288 and the 432. And it's at an angle here to produce that coordinate there, 179 00:24:59,160 --> 00:25:09,800 which is 16 by 21. And that is what Plato gave us as the land of 16 and 27. If we multiply that, 180 00:25:10,760 --> 00:25:21,560 we got 432. And the angle that that creates is known as a 3 4 Pythagorean triangle. In other words, 181 00:25:21,560 --> 00:25:28,600 there's 4 units down the side, 3 across the bottom. And if we were to measure that up, 182 00:25:28,600 --> 00:25:36,040 there would be exactly five of those same units on this angle. That makes that angle a very unique 183 00:25:36,040 --> 00:25:42,520 angle in that all the sides can communicate quite easily with each other because they're all the same 184 00:25:42,520 --> 00:25:51,640 unit value or length. So that angle right there is the angle of our first pyramid that we're going to 185 00:25:51,720 --> 00:26:01,000 place on our chart here on our blueprint. And that's the center pyramid of coffra. Also too, 186 00:26:01,000 --> 00:26:10,600 just to show you here, this is actually a musical scale of 5th intervals. So those are frequencies, 187 00:26:10,600 --> 00:26:21,400 number down here, 256. That piano over there is tuned to a 256 hertz, middle c, 188 00:26:22,280 --> 00:26:30,840 on the piano. So there's a very close reference to music and measure and light and sound all 189 00:26:30,840 --> 00:26:36,600 included in this chart right here. So we're going to take those two numbers. We're going to place 190 00:26:36,600 --> 00:26:45,240 that pyramid of coffra right in our sixth position up 1, 2, 3, 4, 5, 6. And also there is another 191 00:26:45,240 --> 00:26:54,680 coordinate on the chart that puts 432 right at the corner of that pyramid. I meant Cara up here, 192 00:26:54,680 --> 00:27:05,080 we're going to use a dimension of 288 feet to place that one and 432 for that one. So now if we look, 193 00:27:05,080 --> 00:27:11,080 I was mentioning these satellite pyramids down here. I realized that these three pyramids here 194 00:27:11,160 --> 00:27:20,440 were marking divisions of our circle. So this is 11th of our circle. This is 119th of our circle. 195 00:27:20,440 --> 00:27:29,560 And this is 118th of our circle. So that's showing now how we're putting the circle into play. 196 00:27:31,320 --> 00:27:36,760 We're going to do here some very basic geometry and we're going to obtain the angle of the great 197 00:27:36,760 --> 00:27:42,840 pyramid of kufu. We simply done that by with our square and we're going to start over here 198 00:27:42,840 --> 00:27:50,440 in the north east corner and we're going to swing an arc with the compass. Using the center 199 00:27:50,440 --> 00:27:57,240 line, we swing that arc. Then we take our compass point and we put it up here and we measure 200 00:27:57,240 --> 00:28:04,680 across to where these two lines run tangent or touch each other. And when we do that we come up with 201 00:28:04,680 --> 00:28:12,760 this division here. That division, if we take and we're that line intersects our circle, 202 00:28:13,560 --> 00:28:20,680 if we just simply draw a line to the center, that gives us the angle of kufu. When we do that, 203 00:28:21,960 --> 00:28:29,800 this is what's known as the golden cut. And this allows us to divide our square here. We're going 204 00:28:29,800 --> 00:28:38,600 to now divide that into what's called the golden rectangle. And those ratios that are in a 205 00:28:38,600 --> 00:28:51,800 golden rectangle are 1 to 0.618. This is equal to 0.618 of this of this one. So it's a ratio, 206 00:28:51,880 --> 00:28:59,720 the phi ratio. And that same dimension there, that same angle also produces, if you want to 207 00:28:59,720 --> 00:29:09,880 call rise over run. In other words, it rises 4 units high and it goes over here, 3.142857 208 00:29:10,520 --> 00:29:19,320 over this way. Now it's very close to pi 3.14. It's also that fractional number is also 209 00:29:20,280 --> 00:29:30,040 the equivalent of the fraction terms of 227 or 227. The Egyptians were very keen on these two numbers 210 00:29:30,040 --> 00:29:36,440 here by the way. This is basically a blueprint here that I've highlighted all the dimensions 211 00:29:37,160 --> 00:29:45,400 of the different dimensions in between the structures and the sizes of the structures themselves. 212 00:29:46,360 --> 00:29:51,880 So you don't need to know too much more about this at the moment other than these, there's very 213 00:29:51,880 --> 00:29:58,920 significant numbers in here that have to do with what we're going to be doing. So here's our 214 00:29:58,920 --> 00:30:09,720 architectural design. And these three main pyramids, I guess people might be familiar with Robert 215 00:30:09,880 --> 00:30:18,280 Valle. He's the originator of the Orion correlation theory. In other words, the three belt 216 00:30:18,280 --> 00:30:27,000 stores of Orion are mimicked on a ground by the three pyramids that he's a. I agree with his 217 00:30:27,880 --> 00:30:35,320 determination of that and take it much beyond that initial observation. So what we're going to 218 00:30:35,320 --> 00:30:41,160 do now is we're going to look at the different astronomical aspects of Giza. We'll leave the measure 219 00:30:41,160 --> 00:30:47,480 stuff behind for a while for another another day. But we're going to show here how those three 220 00:30:48,280 --> 00:30:57,800 belt stores in Orion, Almatac, Al-Nalam and Mintaka, a line-hour drawing our design. So with 221 00:30:58,120 --> 00:31:03,960 the layout that we have, our three pyramids, we could match that now to those three belt stores. 222 00:31:04,040 --> 00:31:10,280 And it would scale it and it would be positioned just right so that we can understand how our 223 00:31:10,840 --> 00:31:17,480 template works as we are looking at the stars and up against the background of the stars. 224 00:31:18,280 --> 00:31:27,480 We're also going to be looking at the sphinx. The sphinx is really where these heavens are viewed from. 225 00:31:28,280 --> 00:31:33,800 All of this information is going to have one point of view and that's going to be from the 226 00:31:33,800 --> 00:31:42,680 sphinx and really it's going to be aligned to a certain date too. We're going to align us like a clock. 227 00:31:43,880 --> 00:31:54,280 And the sphinx is the tool that is used to measure and view the heavens. And it's part in the sky 228 00:31:54,360 --> 00:32:02,840 that we're going to be aligning too is Leo, the constellation of Leo. And Leo is a 229 00:32:04,120 --> 00:32:09,880 constellation of the zodiac constellations. And in particular the star regulars, 230 00:32:11,880 --> 00:32:20,760 regulars are regulator. You might give pause for thought here that a lot of the names of these stars 231 00:32:20,840 --> 00:32:29,480 and constellations actually have relevance to their purpose. Why did they point out these particular 232 00:32:29,480 --> 00:32:38,120 stars which so it's the big deal with regulars. Regulus is the regulator and we'll be able to see how 233 00:32:38,120 --> 00:32:47,480 it's movement. We're going to track a circle of its movement from it's point around and see how long 234 00:32:47,560 --> 00:32:52,600 of cycles that these particular stars that are pointing out to us take. And we're going to look at the 235 00:32:52,600 --> 00:33:03,640 geometry that is that this movement is doing here. So we can see here that this is our pyramid, 236 00:33:03,640 --> 00:33:09,480 the great pyramid in that angle. We showed how that was done. And we can see how that relates to the 237 00:33:09,480 --> 00:33:16,920 spiral. That's the Fibonacci spiral that is drawn within our golden rectangle. And we're going to 238 00:33:16,920 --> 00:33:24,040 see this point right here where this diagonal and this diagonal meet right here and it's going to be 239 00:33:24,040 --> 00:33:33,320 in a particular square and that square if we count back on our eight by eight if we go from from our 240 00:33:33,320 --> 00:33:42,520 northeast corner and we count back that is the 21st square. It's also the 44th if you count 241 00:33:43,240 --> 00:33:50,840 in the other direction. But now what I want to do is show you where our spiral was, it was in that 242 00:33:50,840 --> 00:33:56,680 21st square was our center of our spiral. Now we're also going to see how divisions of a circle 243 00:33:57,960 --> 00:34:08,920 work beautifully the geometry works with this spiral. We now see that at 713th of that circle 244 00:34:09,880 --> 00:34:21,320 and 713th of that circle put us right in the center of our 21st square. And we can see how 245 00:34:21,320 --> 00:34:31,560 beautiful that works with the spiral. There's our 713th. There's our concentric and we can see that's 246 00:34:31,560 --> 00:34:38,840 right in the spiral. So there's a reason 13 everybody wonders why 13 is a special number 13. 247 00:34:38,920 --> 00:34:48,760 It's a special number because it embodies to a degree this Fibonacci measurements here. 248 00:34:49,560 --> 00:34:56,840 Okay so it's the 44th if you're counting down from the top or the 21st from the bottom. 249 00:34:56,840 --> 00:35:01,480 Now if I go deeper into this this is all covered in the book I'll quick skip over this but 250 00:35:02,040 --> 00:35:11,320 if we using our land to sequence up here we can see that the divisions between 21 and 251 00:35:12,360 --> 00:35:23,160 27 and 81 there's 54 intervals in between 27 and 81. So we're going to divide this row 252 00:35:24,120 --> 00:35:34,440 up by 54 and down the side here there's 32 divisions here in this so we're going to end up with this square. 253 00:35:35,320 --> 00:35:47,320 So within that square we can see at the center point of if we were to multiply 32 by 54 we get 25 92 254 00:35:47,880 --> 00:35:53,480 that's a very interesting number if we're familiar with procession and the processional numbers 255 00:35:53,720 --> 00:36:03,560 which is 25,920 just added zero to that and we're talking procession. So that is a very 256 00:36:03,560 --> 00:36:09,880 accurate positioning of the sinks that's one of the the numbers that we're going to use to position 257 00:36:09,960 --> 00:36:19,080 the sinks and associate the sinks with procession. So if we look if going from a zero degrees 258 00:36:19,080 --> 00:36:27,880 over here if we go around that is 259.20 degrees right there and it intersects 259 00:36:29,400 --> 00:36:35,320 that's how we place our sinks positioning the sinks. Again here's our 260 00:36:36,280 --> 00:36:42,680 the simple our angle and our spiral and what I'm going to do here is I must show you something 261 00:36:42,680 --> 00:36:48,360 I don't want to get again too involved in it but it's so unbelievable I have a hard time sometimes 262 00:36:48,360 --> 00:36:55,320 getting my own head around it but this is what I'm showing here is like the tilt of the earth is 263 00:36:55,320 --> 00:37:03,240 at a 23 and a half degree angle. So if we draw 23 and a half degree angle there and we go all the 264 00:37:03,240 --> 00:37:09,720 way across the circle with it to keep it simple if we took a string and we laid it around that edge 265 00:37:10,440 --> 00:37:18,040 so that it was just long enough to to where it stopped right there and then we did the same thing 266 00:37:18,040 --> 00:37:25,320 with this spiral if we took a string and we measured from where it starts here and took that 267 00:37:25,320 --> 00:37:33,160 string and cut it there and then we took that string and we moved it back to the center 268 00:37:33,160 --> 00:37:39,800 line of our circle and we laid that string there the string length comes to this point which is 269 00:37:40,360 --> 00:37:50,920 259.2 degrees it's pretty amazing there's a lot more it gives way deeper than what I'm showing here 270 00:37:50,920 --> 00:37:58,200 but this is really significant for anyone who's ever wondered why is our earth tilting at 23 and a half 271 00:37:58,280 --> 00:38:06,440 degrees well there is there's some really interesting science behind all this this is our our satellite image 272 00:38:07,800 --> 00:38:15,400 again shown you right there how that all works and lines up the sphinx and if we look in closer this is just 273 00:38:15,400 --> 00:38:25,240 a zoomed in view of our 21st square and if we notice that when we divide that by 4 our center number 274 00:38:25,320 --> 00:38:33,480 is 2592 which is alluding to processional and processional number it's also if you add up the number 275 00:38:33,480 --> 00:38:41,320 squares in each one of these quarters there's 432 squares in each one of those corners which brings 276 00:38:41,320 --> 00:38:48,920 this back to our original 432 number it's the actual divisions of the square were used to determine 277 00:38:49,080 --> 00:38:57,480 length and width of the specs and position it now also too there's a launch tool here this is 278 00:38:57,480 --> 00:39:07,160 all very precisely placed at Giza too the speed of light is actually encoded in a launch the latitude 279 00:39:07,880 --> 00:39:16,120 of the great pyramid I won't get into that too much in this but that's somewhere I have it either 280 00:39:16,120 --> 00:39:23,080 on a podcast or somewhere you can you can see all that explained this great year of 25 281 00:39:23,080 --> 00:39:30,680 thousand nine hundred twenty years if we divide that by five we get 5184 now that was the angle of 282 00:39:30,680 --> 00:39:38,440 our great pyramid too so this all works together very beautifully it's like a Rubik's cube of numbers 283 00:39:38,440 --> 00:39:42,920 once you appreciate it there's some people that will really appreciate it more than others those 284 00:39:43,080 --> 00:39:49,560 of you a little more a debt that math and geometry but this is a beautiful Rubik's cube of numbers 285 00:39:49,560 --> 00:40:00,600 and that is an understatement but these designers were very precise in what they were doing 286 00:40:00,600 --> 00:40:10,280 here's a quick look a little further on that 23 and a half degrees this was used right here 287 00:40:10,360 --> 00:40:19,800 what they were using this for is to divide to divide our radius by 21 using the Fibonacci sequence 288 00:40:19,800 --> 00:40:26,680 if you see a pair with the Fibonacci sequences and sequence of numbers that starts it's actually 289 00:40:26,760 --> 00:40:37,080 one one and one plus two is three I don't have the two in there I should have it and three plus two is five 290 00:40:37,080 --> 00:40:42,440 three plus five is eight five plus eight is 13 it's set or that's what's known as the Fibonacci 291 00:40:42,440 --> 00:40:48,760 sequence and that relates to our spiral our Fibonacci spiral so what they're showing here is a 292 00:40:48,760 --> 00:41:00,120 connection between the circle and the degrees of a circle and our spiral and it's really how 293 00:41:00,120 --> 00:41:06,840 they measured this when you see it but this down here is our wall the crow this is how the wall the 294 00:41:06,840 --> 00:41:15,320 crow is placed and using this geometry here to point out this Fibonacci series of eight and 13 295 00:41:15,720 --> 00:41:24,440 this explained this wall is 32. I believe it's 7273 feet square looking at the end of it 296 00:41:25,400 --> 00:41:33,400 which which actually is the same number as the circle divided by 11 and degrees 32.7 to some degrees 297 00:41:34,120 --> 00:41:42,920 so they were also encoding a number of degrees in this wall the crow is well but we can also see that 298 00:41:42,920 --> 00:41:51,480 the cause way of mankind is relevant there too that's pointing to the number 13 okay again that's the 299 00:41:51,480 --> 00:42:03,800 measurement there showing the 259.2 degrees there's our sphinx okay it gets a little bit more there's a 300 00:42:03,800 --> 00:42:09,880 little bit more to some of the other we talked about can cowice a little bit there's that temple 301 00:42:09,960 --> 00:42:19,800 they're all done by certain degrees or divisions of the circle drawn up to connect at that 302 00:42:19,800 --> 00:42:27,640 that radius division I'm not going to get too too much into that but I will we covered the cause 303 00:42:27,640 --> 00:42:36,360 way of from the copper pyramid to cause way was 713 that's the green line right there that's our 304 00:42:36,440 --> 00:42:44,840 cause way for for this pyramid our cause way for mankind we just looked at we saw that that's relative to our 305 00:42:47,000 --> 00:42:54,920 measuring the spiral against the circle now we're going to look at the cause way of the 306 00:42:54,920 --> 00:43:04,920 great pyramid this is really quite interesting and there's a little bit more to it then what I'll show 307 00:43:05,000 --> 00:43:16,120 you here but just basically if we divide that circle by 11 and we continue that division across 308 00:43:17,160 --> 00:43:26,200 in yellow here is the actual cause way for the the great pyramid these blue lines are just relative 309 00:43:26,200 --> 00:43:34,120 lines showing how they obtained those angles for that cause way part of the cause way is the division of 310 00:43:35,080 --> 00:43:42,680 the other up here it's it's at a division of 11 if we can see now we have our square divided by 11 311 00:43:44,600 --> 00:43:55,640 there's a little bit more again to that in that that works with a date but this angle for kufu's 312 00:43:55,640 --> 00:44:08,120 cause way is at a 12.212012 degrees it's a couple interesting things to note there that it is a binary 313 00:44:10,120 --> 00:44:17,640 date right we're just using ones and twos and the sequence of those ones and twos make up the date of 314 00:44:18,440 --> 00:44:28,760 December the 12th month the 21st day of 2012 that was the galactic alignment that everyone 315 00:44:29,400 --> 00:44:37,960 probably familiar with the my and calendar right it was so called ended on this date with a galactic 316 00:44:38,440 --> 00:44:45,400 alignment now as far as the calendars and a galactic alignment go there of course there wasn't an 317 00:44:45,400 --> 00:44:53,960 end to the world on 2012 right well they were doing is they were measuring it's a calendar 318 00:44:53,960 --> 00:45:00,680 calendars continue but what they do this this alignment here on that date it was a very 319 00:45:01,480 --> 00:45:08,520 specific alignment of the galactic alignment so we're going to go and we're going to look again from our 320 00:45:08,520 --> 00:45:16,280 from the sphinx we're going to view now the eastern horizon and that's going to be our point of reference 321 00:45:17,160 --> 00:45:24,760 and to reference that in the sky it's it's component or companion in the sky is Leo 322 00:45:25,640 --> 00:45:29,960 so what happens when we look at the sky from the front of the sphinx is imagine we're going to 323 00:45:29,960 --> 00:45:36,200 sit at the sphinx so we're just going hang out and watch the eastern horizon this is at sunrise 324 00:45:36,840 --> 00:45:43,400 zero zero zero hours now what I did here too this is a stilarium software you can pretty much 325 00:45:44,600 --> 00:45:53,000 any software can do this but what I've done was I eliminated the atmosphere so obviously we can't see 326 00:45:53,080 --> 00:46:00,360 the stars behind the sun so we can just turn that off in stilarium and we can see the stars 327 00:46:00,360 --> 00:46:07,960 that are behind the sun now when we're talking about a galactic alignment this is sunrise 328 00:46:07,960 --> 00:46:14,680 December 21st the winter solstice and there's there's a reason for that and what they're doing 329 00:46:14,680 --> 00:46:21,800 there is once a year when we go around the sun we're going to take a snapshot of that eastern 330 00:46:21,880 --> 00:46:27,560 horizon on that winter solstice because what that does is allows us to eliminate all the 331 00:46:27,560 --> 00:46:35,400 rest of the time when we're moving around the sun we just want to take that measurement and view 332 00:46:35,400 --> 00:46:41,960 from one point and eliminate that that spin so each time we go around we can say oh there we are 333 00:46:41,960 --> 00:46:50,440 lined up again every year so that's what's important about this and it's also the the end of 334 00:46:50,760 --> 00:46:58,120 one season and the transition from the winter back again into spring or rebirth so it's a death 335 00:46:58,120 --> 00:47:13,800 and rebirth just as Christmas is essentially a death and rebirth story and around the the winter solstice 336 00:47:14,680 --> 00:47:20,280 so this all comes into play okay so there's our sun we'll see it right sunrise there's our 337 00:47:20,440 --> 00:47:28,520 sun and there is is the eclptic the eclptic is the path that the sun seems to take as it goes 338 00:47:28,520 --> 00:47:35,560 around actually we're spinning but we view it as the sun moving in the eclptic that's the plane 339 00:47:35,560 --> 00:47:43,320 at all the planets are on this is the other frame of reference the eclptic would be our 340 00:47:43,320 --> 00:47:47,880 frame one frame of reference says we're measuring because what what we're doing is we're measuring 341 00:47:47,960 --> 00:47:54,600 the path of the sun where did the sun how is the sun moving so this is what they were doing 342 00:47:54,600 --> 00:48:01,320 to to measure all this but this galactic plane now can imagine that we're in a big galaxy in the 343 00:48:01,320 --> 00:48:09,240 Milky Way galaxy and that has its plane it's a big spiral and the center of that galactic plane 344 00:48:09,880 --> 00:48:16,760 is directly behind the sun on that date we won't see that galactic alignment again for another 345 00:48:18,440 --> 00:48:25,160 25,900 or so years so this is what we're talking about this great year it takes 346 00:48:26,200 --> 00:48:37,560 essentially 25,920 years to again view the galactic plane and the intersection of the eclptic at sunrise 347 00:48:39,000 --> 00:48:43,560 we'll get a little deeper into that that's actually only half of the cycle because we're seeing 348 00:48:44,520 --> 00:48:52,200 just 180 degrees but the star pattern behind that alignment is a constellation of Ofukius 349 00:48:53,560 --> 00:49:03,560 he is the known as the serpent healer it is the kind of forgotten constellation of the Zodiac 350 00:49:03,560 --> 00:49:13,240 there is 13 constellations in the Zodiac and the just in etymology of the word of Fukius 351 00:49:13,880 --> 00:49:23,080 what we can see right here the PHI is F or we show that in our FI and Fee is that ratio 352 00:49:24,280 --> 00:49:35,240 so even in the word of the constellation that we're aligning with here has this spiral or Fee 353 00:49:35,240 --> 00:49:42,920 or FI in the word itself right there is where that it's actually the foot of Ofukius 354 00:49:43,000 --> 00:49:47,880 he's actually placing his foot if you saw the drawings that they have with the characters 355 00:49:47,880 --> 00:49:56,040 and all in the Zodiac the serpent handlers foot is right there and it rests on the eclptic 356 00:49:57,080 --> 00:50:08,920 and if we draw a line there we can see that that first leg of Ofukius is exactly our 23.5 degree 357 00:50:09,880 --> 00:50:15,400 till this gets much deeper than this but what I'm trying to tell you here is that these 358 00:50:16,120 --> 00:50:22,760 are what's known as asterisms they're the figures that we see in the sky that you know the line 359 00:50:22,760 --> 00:50:31,480 and we're looking at Ofukius here and you know the the big dipper and different constellations 360 00:50:31,560 --> 00:50:39,080 you're familiar with these asterisms are all very precisely laid out using geometry and mapping 361 00:50:39,080 --> 00:50:46,760 this out none of these constellations are just drawn willy nilly and I cover all that I don't know 362 00:50:46,760 --> 00:50:53,960 how much we'll get to here but I better move it I seem to be along winded sometimes but now we're 363 00:50:53,960 --> 00:50:59,640 just zooming out using our stilarium we're looking at that same view but we're just going to look at 364 00:50:59,640 --> 00:51:06,840 in a much broader perspective here and so what we're going to do is we're going to watch the sun 365 00:51:06,840 --> 00:51:13,240 we're going to go back and track the sun at 1,000 year intervals so we're just going to be sitting 366 00:51:13,240 --> 00:51:18,840 there in front of this fangs and we're going to take a snapshot every 1,000 years and see what 367 00:51:19,640 --> 00:51:26,840 movements have transpired in that 1,000 years I can get into this a little bit here but I don't want 368 00:51:27,000 --> 00:51:39,960 to get too buried in it our initial number that we had for a procession of 25 or 25,920 years 369 00:51:40,520 --> 00:51:50,200 is right here now those are like perfect numbers and we can see that these numbers are all very 370 00:51:50,280 --> 00:51:59,400 easily divided there's not a lot of messy fractions and all that so but they allowed us using that 371 00:51:59,400 --> 00:52:09,080 third pyramid and the angles created by that third pyramid they actually showed us exactly how to 372 00:52:09,080 --> 00:52:19,960 obtain the correct number that gets us back to that alignment again and it's actually quite simple 373 00:52:20,200 --> 00:52:30,200 it's just a fraction if we do a little bit of division and subtraction in addition we end up 374 00:52:30,200 --> 00:52:39,480 coming up with this number here 24,447 so we did they showed us that and again this is more stuff 375 00:52:39,480 --> 00:52:47,720 I can show you more depth in a book and some other podcasts and different slideshow I have but 376 00:52:48,680 --> 00:52:55,960 we're going to go back and go back so we went back a thousand years out we took another picture 377 00:52:56,760 --> 00:53:03,160 so this is the year about the year zero or the beginning of the the Gregorian calendar we won't 378 00:53:04,040 --> 00:53:08,920 get it that a little deeper and some further things here but we're just continue back 379 00:53:09,800 --> 00:53:17,720 at one thousand year intervals and we're going to look to see when that alignment happens again 380 00:53:19,080 --> 00:53:26,840 so here we are this is now this alignment here I want to point out here very very important this is this is about 381 00:53:27,560 --> 00:53:38,600 11,900 BC range there's there's a very dramatic climate change around that time around the end of 382 00:53:38,600 --> 00:53:50,920 this is run into the ice age when all the ice caps melted rapidly and we're just curious I was at 383 00:53:50,920 --> 00:54:00,280 least when I was looking at this is that is this geometry somehow related or the climate changes 384 00:54:01,000 --> 00:54:07,720 related to this geometry so I kept looking into this and we'll keep going back now 385 00:54:12,360 --> 00:54:16,600 keep going back there we are coming up on this alignment and in back 386 00:54:17,880 --> 00:54:26,760 there's the next time we have a galactic alignment where now here is our galactic plane it's on a much 387 00:54:26,760 --> 00:54:33,640 different angle than it was before remember before it was very low angle and it was in the 388 00:54:33,640 --> 00:54:43,800 sun was actually over here but now 24,447 BC which we obtained that exact number they gave us this 389 00:54:43,800 --> 00:54:51,000 number that's how I found that alignment was through the numbers not really looking at the astronomy 390 00:54:51,000 --> 00:55:00,360 but so there we have it there's a Ryan and right behind the sun is the galactic center and Orion's club 391 00:55:01,720 --> 00:55:11,560 anyone familiar with Orion he's a hunter Orion the hunter and it is left handy carries a big stick a big 392 00:55:11,560 --> 00:55:19,400 club and in a myth and legends it talks about this club is able to destroy anything he can kill anything 393 00:55:19,480 --> 00:55:30,680 with this mighty club and in his right hand is usually depicted in pictures is a the skin of a lion 394 00:55:32,440 --> 00:55:41,960 obviously he took this lion out and has the skin of the lion in his left hand so some of the 395 00:55:41,960 --> 00:55:53,080 symbology there's might start might start recognizing how this ties together so that was 24,000 years ago 396 00:55:54,200 --> 00:56:06,600 or BC but if we go back even further now we go back to 34,447 BC there's another great alignment here 397 00:56:07,400 --> 00:56:17,160 and that is with our our constellation of Leo and Regulus now this is called a helical rising 398 00:56:17,160 --> 00:56:24,680 a helical rising is nothing more than a body that is coming up on the horizon at the same time as the sun 399 00:56:25,240 --> 00:56:31,080 this is really important here this alignment because now right here this red circle that's our 400 00:56:31,080 --> 00:56:38,680 clip deck now I'm not going to get into that in this presentation but we can show that if we were to 401 00:56:38,680 --> 00:56:47,000 look at the next time that this alignment happens where where Regulus is right behind the sun 402 00:56:47,960 --> 00:57:01,320 on the same alignment it won't happen until the year 17,000 and change so it's about 36,000 years 403 00:57:01,320 --> 00:57:12,600 roughly it'll take that whole circle or cycle to go around a full circle if we waited from that 404 00:57:12,600 --> 00:57:23,800 point for 36,000 years we would come up and see that again but this is extremely important here 405 00:57:23,800 --> 00:57:33,960 in that too that at the same time Regulus is on horizon this is the star serious right here is also 406 00:57:33,960 --> 00:57:42,360 helical rising and if you notice the beautiful positioning of our asterism of Orion is actually 407 00:57:42,840 --> 00:57:52,600 on the horizon beautifully positioned there and this is not by accident believe it's not by accident 408 00:57:52,600 --> 00:57:59,320 it's all very precise and it's really beautiful at its core when you really start understanding 409 00:57:59,320 --> 00:58:07,320 and and simple so again don't be too frazzled if it's a little too deep for you because you'll 410 00:58:07,320 --> 00:58:12,040 be able to pick up some of this hopefully if you can get a recording of this and 411 00:58:12,200 --> 00:58:17,400 you'll be able to get a little bit more the second time around so if we just keep going back 412 00:58:18,120 --> 00:58:32,760 we find that the actual full circle comes around at 52,920 years which is twice our length of our 413 00:58:33,480 --> 00:58:44,680 great year then we see again Ofukius Ofukius in the background so it took 52,054,000 or so years 414 00:58:45,720 --> 00:58:53,240 for that whole alignment to happen again so now what we're going to do we look at this sun now we're 415 00:58:53,240 --> 00:58:58,840 going to take a look at Regulus here a little bit and the zodiac everybody pretty much familiar 416 00:58:58,920 --> 00:59:04,600 with the zodiac and constellations and astrology how they put all the constellations in a circle 417 00:59:05,080 --> 00:59:14,120 this is exactly what we're doing here and this is what's known as the Eclytic grid so technically 418 00:59:14,120 --> 00:59:20,760 the sun would be and that this is the Eclytic instead of looking on edge when we see it from the ground 419 00:59:20,760 --> 00:59:28,760 now we're looking at it center on and looking at a full circle we see the sun here on the 420 00:59:28,840 --> 00:59:37,320 horizon which would be our horizon and we see here is our star Regulus the the way it's charted 421 00:59:37,320 --> 00:59:46,440 here in this particular graphic these are 24 hours of division on our on our Eclytic as the sun 422 00:59:46,440 --> 00:59:55,560 traverses or as our planet spins and the sun seems to go around this is that circle there's the sun 423 00:59:55,960 --> 01:00:00:04,120 there's our cryptic there's Leo or Regulus and Leo now what we've done here is we've aligned 424 01:00:04,120 --> 01:00:13,000 in there's a couple of steps and beautifully elegant steps by the way that that allow us to position 425 01:00:13,720 --> 01:00:21,480 our view so that Regulus is now lined up right here and it really comes from the position of our 426 01:00:21,560 --> 01:00:29,080 sun here and if we look at Polaris we can see Polaris here too and also just to point out a few of the 427 01:00:30,120 --> 01:00:37,160 constellations here of the zodiac this would be Leo this is Virgo this is Libra 428 01:00:38,600 --> 01:00:44,920 Scorpius here's our constellation of a few kies and there's our our leg or 23 and have to 429 01:00:45,480 --> 01:00:51,320 angle touching the Eclytic there's our sun now now that's because we're viewing our sun 430 01:00:52,120 --> 01:00:58,200 we're actually measuring it as it's centered being here but we can see it on our horizon so that's where 431 01:00:58,200 --> 01:01:07,720 the sun is and this angle from 90 degrees here over to here and we draw a line 432 01:01:08,680 --> 01:01:15,640 straight from Polaris through to center to our sun I'll throw this in there too this is just a 433 01:01:15,640 --> 01:01:21,800 little bit of an interesting point but it's all really relative but if we take which known as 434 01:01:21,800 --> 01:01:29,400 the vesica pices you all know what the vesica pices is it's a symbol it's actually technically a 435 01:01:29,480 --> 01:01:39,000 geometrical term of two circles equal size and if you can see we have our main circle here and if we 436 01:01:39,000 --> 01:01:48,600 draw another circle with with its radius touching the radius of our first circle and go around we 437 01:01:48,600 --> 01:01:55,080 create which known as two overlapping circles which is known as the vesica pices that creates this 438 01:01:55,160 --> 01:02:03,240 fish symbol here that we're all familiar with the the the Christ is identified with the fish and 439 01:02:03,240 --> 01:02:11,480 the symbolism of the fish and the vesica pices but if you notice on our drawing here and this is this is 440 01:02:11,480 --> 01:02:21,960 an actual you know snapshot of properly placed stars so there's nothing was moved here this is 441 01:02:22,120 --> 01:02:30,680 an actual mapping a proper mapping of the stars in their placements but if we look here here's our 442 01:02:30,680 --> 01:02:37,960 star serious it's right on a vesica pices which is very interesting when we're looking at this 443 01:02:37,960 --> 01:02:45,160 whole trajectory also here if you can see that's in green it's a little dark there but we copied our 444 01:02:45,160 --> 01:02:54,520 clip that we did the same thing with the same size circle we did we did a vesica pices there and 445 01:02:54,520 --> 01:03:05,480 and as you'll see the import of this and the later here it intersects the sword in of Orion 446 01:03:05,480 --> 01:03:14,760 that's they call is the sword of Orion and within that area there is a star birthing nebula 447 01:03:15,480 --> 01:03:23,400 the great Orion nebula m42 it's one of the most observed points in the sky by astronomers 448 01:03:25,400 --> 01:03:35,640 it's a very unique place as it burns stars we can see in note and it's really a great 449 01:03:36,440 --> 01:03:46,040 some new information about m42 and the stars that had been birthed out of that that's coming to 450 01:03:46,040 --> 01:03:56,280 light and this I think actually proves that the connection between this nebula the star birthing nebula 451 01:03:57,960 --> 01:04:03,000 but as we go around these these constellations these are all the the constellations of the Zodiac 452 01:04:03,960 --> 01:04:12,440 and we used that 713's concentric circle in our original diagram that we did 453 01:04:13,560 --> 01:04:21,160 showing the divisions of 13 how they worked beautiful would aspire remember and in our square was right there 454 01:04:21,960 --> 01:04:32,600 but this circle is how we scaled our our drawing over the Eclitric we took that 713 circle 455 01:04:32,680 --> 01:04:40,280 we made the same size as the Eclitric and these are where all the stars fall in relationship to our 456 01:04:41,000 --> 01:04:48,600 pyramids you can see here's our kufu and kaffra and minkara this is all plotted out we're just 457 01:04:48,600 --> 01:04:56,680 simply laying a picture of the stars over top of our blueprint and this being really important right 458 01:04:56,840 --> 01:05:04,120 here we'll look at Polaris and if we draw a line because remember this alignment happened when we were 459 01:05:04,120 --> 01:05:11,160 on the earth Polaris being our pole and we were looking through the sun which our sun is actually 460 01:05:11,160 --> 01:05:18,600 technically at the center of this diagram and but we see it on the horizon which is here so that angle 461 01:05:18,680 --> 01:05:30,200 right there is extremely important and that angle is 51.27 degrees and that number was calculated 462 01:05:30,200 --> 01:05:37,240 and corrected from our original number of 51.84 which made the angle of our great pyramid 463 01:05:38,280 --> 01:05:42,920 but this is a corrected angle and they showed us how to do this take these less than 464 01:05:43,560 --> 01:05:49,480 perfect numbers and and adjust them slightly to where how nature uses them 465 01:05:51,160 --> 01:05:57,880 it's really quite amazing how this is all integrated okay so there's a Polaris and we can see 466 01:05:57,880 --> 01:06:08,360 now here too is our our 229.2 degrees going through our spanks okay now what I've done here is just 467 01:06:08,520 --> 01:06:16,760 highlighted Leo the constellation of Leo now now I didn't change anything I aligned it just like I 468 01:06:16,760 --> 01:06:28,440 showed you simply using that circle our 713 circle to go on the Eclytic and our spiral falls 469 01:06:29,560 --> 01:06:38,040 in that position just take a look at the constellation of Leo can everybody kind of recognize 470 01:06:38,040 --> 01:06:45,960 and see the geometrical positioning of those stars in relationship to that spiral we can see here 471 01:06:45,960 --> 01:06:55,080 that the head is directly on the center line that again regulates his right on that spiral right here 472 01:06:56,840 --> 01:07:04,840 the body of the spinks is the tail end of the spinks is on that spiral this is essentially 473 01:07:05,560 --> 01:07:13,000 how they put together asterisms these and asterisms are these figures the stick will figures that 474 01:07:13,000 --> 01:07:20,200 they draw imaginary ones that they draw pointing out certain stars and then there's even a 475 01:07:20,200 --> 01:07:26,440 character that goes along with it and these all tell a story and it's a hugely important story 476 01:07:27,000 --> 01:07:33,080 but what they did is they would take from one star to another star and it would draw a line 477 01:07:34,040 --> 01:07:41,160 and it would choose these stars because as we can see there's dots all over the place so they're 478 01:07:41,160 --> 01:07:47,640 going to randomly at from an artist's point of view they're going to pick stars that work 479 01:07:47,640 --> 01:07:54,040 that happen to be near this geometry and they're going to draw a line from that star 480 01:07:55,000 --> 01:08:02,120 and use another star that connects to to literally point out divisions of this circle 481 01:08:02,840 --> 01:08:12,280 and here is several different divisions of our circle there is a division of nine division of 11 482 01:08:12,280 --> 01:08:21,800 and a division of 13 and their color code the white is nine divisions the green is 13 divisions 483 01:08:22,920 --> 01:08:32,040 the blue is 11 divisions and so forth so they were using when they designed this asterism 484 01:08:32,600 --> 01:08:41,480 they chose stars that fell within the geometry of our spiral and also that they could use to 485 01:08:41,480 --> 01:08:50,760 point out different significant positions around this circle there's there's ten pointers in this 486 01:08:50,760 --> 01:08:59,400 constellation or asterism which means that there's nine stars here so remember we had nine and we had 11 487 01:08:59,480 --> 01:09:09,240 and we had 13 so the number of stars in the constellation is also important here in this whole message 488 01:09:10,840 --> 01:09:16,440 I could go around and show you every one of them or like that every one of these were created 489 01:09:17,160 --> 01:09:24,840 very specifically we want time really to do that but I will show you here is an example of Orion 490 01:09:25,720 --> 01:09:34,040 here's the constellation of Orion here's our M42 Nebula which by the ways on one night of our circle 491 01:09:34,040 --> 01:09:40,200 or three nights of our circle but as you can see here none of these lines were accidental 492 01:09:40,920 --> 01:09:47,720 they were all very well thought out and planned and drawn in a manner as to point specific 493 01:09:47,720 --> 01:10:01,080 out of this circle there are 21 pointers in Orion and 21 was also the number of the square 494 01:10:01,080 --> 01:10:06,680 that we inserted our sphinx in as well it's 21 is a hugely important number in that 495 01:10:08,360 --> 01:10:13,400 really all the measuring system comes from that number I won't get again into too much of that 496 01:10:14,120 --> 01:10:21,400 so here now we're going to look at Orion and our Nebula and we're going to look again on December 497 01:10:21,400 --> 01:10:33,880 21st 2012 and we're going to view our star series and the Nebula of Orion here and we're going to note 498 01:10:33,960 --> 01:10:44,920 that it's 21 degrees in its height of the asmithyl height of the horizon we can also see that it's 499 01:10:44,920 --> 01:10:53,880 exactly 90 degrees of directly above serious and that is the M42 Nebula and if we look here we can 500 01:10:53,880 --> 01:10:59,000 we're going to be tracking the playties as well and if we see this is the playties up here 501 01:10:59,720 --> 01:11:09,160 it is 11 degrees off of being vertical or 90 okay we'll zoom out we're going to do the same thing 502 01:11:09,160 --> 01:11:13,720 we're just going to look at thousand year intervals now we're going to track serious on the horizon 503 01:11:14,600 --> 01:11:21,240 now we've moved okay this is this is the year zero we went back 2000 years okay we we took a picture 504 01:11:21,320 --> 01:11:28,680 at 12 2012 we're going to we're going to view it on a winter solstice again but it's going to be 505 01:11:28,680 --> 01:11:36,200 one that one series is on the horizon and we'll watch how that moves okay we see moved off there 506 01:11:36,200 --> 01:11:44,600 a little bit right now this is the year zero and we can see serious is moved a little 507 01:11:44,680 --> 01:11:52,120 few degrees to the east but also now we want to look back and we can see that the playties now 508 01:11:53,080 --> 01:12:01,800 is 90 degrees above our initial marking point and M42 Nebula has moved nine degrees 509 01:12:02,840 --> 01:12:12,120 so in that 2000 year period the playties is moved 11 degrees and the M42 Nebula has moved 510 01:12:12,200 --> 01:12:20,600 nine degrees now this is all about geometry and the calendars and what we're able to do here is 511 01:12:22,600 --> 01:12:31,240 sync up the calendars the Gregorian calendar the mine calendar and the Hebrew calendar 512 01:12:32,440 --> 01:12:38,280 so we'll go back from the year zero we'll keep looking and we'll keep watching now that red dot 513 01:12:38,440 --> 01:12:47,000 right there is is the Nebula so we'll just track that as we go forward or go backward actually 514 01:12:47,000 --> 01:13:01,160 in time now here we are 5127 years ago in 31 14 BC that was when the mine calendar began a cycle 515 01:13:02,120 --> 01:13:13,160 and if we look here now we can see that our Nebula here is now 33 degrees over and the star 516 01:13:14,840 --> 01:13:22,760 Beetlejuice is right at 90 degrees in Orion and the playties is now 17 degrees so we can see 517 01:13:23,720 --> 01:13:33,160 how they've moved in that 5127 years now if we go back to the next calendar point which 518 01:13:33,160 --> 01:13:44,040 would be the Hebrew calendar which was 5773 years ago from our galactic alignment here's what we see 519 01:13:44,600 --> 01:13:56,600 our galactic plane is exactly 90 degrees to our horizon so it was our galactic plane was very low in 520 01:13:56,600 --> 01:14:06,760 our horizon in 2012 now it has moved up into 90 degree position going backwards excuse me to 521 01:14:07,080 --> 01:14:23,560 30 3760 BC which is 5773 years prior to galactic alignment and at the same time at 10 hours and 33 minutes into 522 01:14:23,560 --> 01:14:33,160 the day we have serious on the horizon and we have a regulus on the horizon as well with Leo so this 523 01:14:33,160 --> 01:14:41,960 is hugely important in it gets way deeper into I can cover here but this is the beginning of the Hebrew 524 01:14:41,960 --> 01:14:49,480 calendar and the reason that that date was stated is because of this geometrical positioning of 525 01:14:49,480 --> 01:14:56,920 the galactic plane it was at 90 degrees so if anyone ever wonders why is the Hebrew calendar 526 01:14:56,920 --> 01:15:05,480 start then this is why it's all about geometry the movement of a position of our relationship 527 01:15:05,480 --> 01:15:14,200 that a galactic plane serious and the playties we just solved the synchronizing of the different 528 01:15:14,200 --> 01:15:24,440 calendars no one in public arena has stepped forward as any kind of answer to how the calendars 529 01:15:24,440 --> 01:15:34,760 were created and I'm simply stating it's just about geometry it's where these bodies were 530 01:15:34,760 --> 01:15:42,760 that were discussing where they were in relationship to each other and the movement of our son 531 01:15:42,760 --> 01:15:43,640 all of that your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer to your answer 532 01:16:12,760 --> 01:16:14,520 in 73 inches. 533 01:16:16,880 --> 01:16:21,760 Yeah, it is, it really is, and maybe you guys are starting to see where we're going with this, 534 01:16:21,760 --> 01:16:25,680 and don't be upset if you're still having a little difficulty, 535 01:16:25,680 --> 01:16:29,080 because it's a lot to take in a short period of time. 536 01:16:31,600 --> 01:16:35,800 But there you go, there's the answer to the calendars. 537 01:16:35,800 --> 01:16:39,040 They're all, they're not different calendars. 538 01:16:39,080 --> 01:16:43,280 They're not separate, segregated, with my calendars, the right one, and yours isn't. 539 01:16:43,280 --> 01:16:49,600 Now, they're all related, intimately related, just like we are. 540 01:16:50,600 --> 01:16:57,960 I am a little bit behind, but we'll go back if we keep going back, we can see the how Orion, 541 01:16:57,960 --> 01:16:59,520 the Nebula is moving there. 542 01:17:01,520 --> 01:17:07,520 And if you notice, it goes back and forth, it keeps doing that, and it goes, 543 01:17:08,080 --> 01:17:10,280 let's see here, here we go. 544 01:17:12,080 --> 01:17:15,080 I did not complete this, but if you look right there, 545 01:17:16,280 --> 01:17:19,000 serious came back to its original point, 546 01:17:20,960 --> 01:17:23,040 and it's moving again across. 547 01:17:26,880 --> 01:17:30,160 So yeah, we'll cut, we'll kind of cut to the chase here a little bit on this. 548 01:17:30,640 --> 01:17:37,240 I do want to get, just point out that at the December 21st, there is an alignment here. 549 01:17:37,240 --> 01:17:44,120 This time, this is a time signature, hours, minute seconds of where Leo is on that date. 550 01:17:44,360 --> 01:17:48,800 Now, we're going to look at Orion, and the importance of the three belt stars, 551 01:17:49,280 --> 01:17:58,680 and these pyramids lining up with the three belt stars, how they did that was they took the grid of eight that we had here, 552 01:17:58,680 --> 01:18:00,200 and they moved it up here. 553 01:18:01,160 --> 01:18:10,680 And now they have, there's 13 across, there's nine here, plus four, gives us 13 total. 554 01:18:11,400 --> 01:18:19,720 And what they did was they made a grid, and this grid is based in the Fibonacci ratio, 555 01:18:19,720 --> 01:18:25,880 and it's a golden rectangle, just like we observed earlier when we were looking at the 556 01:18:25,960 --> 01:18:27,160 spikes in the spirals. 557 01:18:27,720 --> 01:18:33,640 But we're going to create another spiral, and this is, this is the importance of Robert 558 01:18:33,640 --> 01:18:40,920 Bavol's Orion correlation theory that the three pyramids aligned with the belt stars. 559 01:18:41,160 --> 01:18:48,440 Well, when you do that, and you create this spiral within this plan, 560 01:18:49,000 --> 01:18:53,000 we'll now we can look here and see here. 561 01:18:53,640 --> 01:18:55,160 There are the three belt stars. 562 01:18:56,840 --> 01:18:59,560 There was our original nine by nine template. 563 01:19:02,280 --> 01:19:06,520 Now, this is where it starts getting a really beautiful and profound. 564 01:19:07,080 --> 01:19:11,400 If this is time lapse photography of the constellation of Orion, 565 01:19:11,720 --> 01:19:16,360 there are three belt stars that we'll line to. 566 01:19:17,320 --> 01:19:22,440 This time lapse photography allows us to see very dim light that we actually, 567 01:19:22,440 --> 01:19:28,280 if you're in really remote areas, you could see what is known here as Barnard's loop. 568 01:19:29,000 --> 01:19:36,760 That is this spiral that emanates from this M42 nebula. 569 01:19:36,760 --> 01:19:39,720 Right here is our M42 nebula in Orion. 570 01:19:40,520 --> 01:19:41,640 Great Orion nebula. 571 01:19:42,680 --> 01:19:48,120 What we're seeing that red spiral is ionized a hydrogen plasma, which is 572 01:19:49,800 --> 01:19:53,480 partial with a magnetic field or current. 573 01:19:54,440 --> 01:19:56,760 Electricity flows in a spiral. 574 01:19:57,800 --> 01:20:07,800 So what we're looking at here is an electrical ionized hydrogen plasma emanating from our nebula here. 575 01:20:07,880 --> 01:20:13,880 Now notice our spiral that we just drew from a geometrical plan here, 576 01:20:15,160 --> 01:20:20,920 perfectly emulates that path of that Barnard's loop. 577 01:20:21,480 --> 01:20:22,920 That's a Fibonacci spiral. 578 01:20:22,920 --> 01:20:23,800 There's our center. 579 01:20:25,080 --> 01:20:28,920 The stellar nebula is right at that center that spiral, 580 01:20:30,040 --> 01:20:32,200 emanating from M42. 581 01:20:33,160 --> 01:20:38,040 As I understand it, you explained the nebula plane from here. 582 01:20:39,000 --> 01:20:46,840 Our Sun and our Solar System and our actual or whole reality, 583 01:20:47,240 --> 01:20:50,280 it doesn't just right on a planet. 584 01:20:50,280 --> 01:20:52,600 It's really correct. 585 01:20:52,600 --> 01:20:55,480 And it moves, it takes spiral. 586 01:20:57,480 --> 01:21:00,440 Right, this is where this is all coming to. 587 01:21:00,520 --> 01:21:05,480 What that is, that trail right there, just as I say right here, 588 01:21:07,160 --> 01:21:12,520 the spiral creed from a template reproduces Barnard's loop, suggesting a path or 589 01:21:12,520 --> 01:21:21,000 trajectory of stars that are born and then ejected from the nebula, leaving an electrical plasma 590 01:21:21,000 --> 01:21:24,440 trail that we can observe using time lapse photography. 591 01:21:24,440 --> 01:21:28,920 It's the trail from which the stars when they're being birds, they're coming out. 592 01:21:29,080 --> 01:21:33,720 It's a path. And that quite frankly is the path of our Sun. 593 01:21:35,640 --> 01:21:39,800 I know probably might be some academic step would want to question me on that, 594 01:21:39,800 --> 01:21:43,880 but I would love to challenge any of them, any time, any place. 595 01:21:44,920 --> 01:21:49,000 I'm quite confident of this is mathematics and geometry. 596 01:21:49,000 --> 01:21:56,440 And then some, this is not a theoretical thing, I'm postulating. 597 01:21:56,600 --> 01:22:04,680 So to get a little further, we're going to take that spiral and we're going to take another spiral 598 01:22:04,680 --> 01:22:11,000 and we're going to spin it. We're just going to spin it so that it's 153 degrees. 599 01:22:11,000 --> 01:22:17,000 Now, if you could imagine if you were standing in a boat and you wanted to throw a net over the boat, 600 01:22:18,040 --> 01:22:20,680 you would throw it out kind of in a spiral motion. 601 01:22:21,640 --> 01:22:27,640 And that's kind of the idea if we look and we can see this kind of looks like a net here, 602 01:22:27,640 --> 01:22:33,800 right? We would put the squares and everything. Just imagine we're throwing that in a manner that 603 01:22:33,800 --> 01:22:39,640 when we throw it, we're going to end up at 153 degrees of angle. 604 01:22:40,600 --> 01:22:47,160 There are several spirals involved. There's more than one star bird data that's nebula. 605 01:22:47,240 --> 01:22:53,080 We saw the red is tracking one of our movements. That is our sun path. 606 01:22:53,960 --> 01:22:57,640 These other two that I'm showing you here, the one in the white I just showed you. 607 01:22:58,520 --> 01:23:07,800 And now the one in the blue, this is another spiral. And there's very precise degrees that 608 01:23:07,800 --> 01:23:17,800 they're aligned to here. And these two numbers here are the two different numbers of these 609 01:23:17,800 --> 01:23:27,800 angles of the two different spirals. And if we subtract this number, our 3114, which is a year 3114 BC, 610 01:23:28,360 --> 01:23:35,960 it's also a degree here in our angles. If we subtract that from this number, which is the angle of the 611 01:23:36,040 --> 01:23:46,200 blue spiral, we get 0.5773, just like the height of our great pyramid, just like the year zero 612 01:23:47,160 --> 01:23:53,560 in the Hebrew calendar, counting back from the Galactic Center. And I wish I had about two more hours, 613 01:23:53,560 --> 01:23:58,760 so I could really fill in. And I know you've got a few questions, yes? 614 01:23:59,560 --> 01:24:10,280 I'll start with a question. 10 we get a sum from the data alignments that you have provided 615 01:24:10,280 --> 01:24:15,720 that whoever built and designed the reason why I tell them the pyramids, they must have had 616 01:24:15,720 --> 01:24:22,200 a funnel level understanding the trajectory of the motion of our whole Galactic system, 617 01:24:22,200 --> 01:24:28,040 our whole Galactic sky over and not just our solar system, but the birthing and movement of 618 01:24:28,040 --> 01:24:35,000 our sun, all the placements of the planets in it and the so-called constellations around it, 619 01:24:35,000 --> 01:24:40,680 they're coded in the building of the ease of plateau. Yes, that's exactly right. And it's profound 620 01:24:40,680 --> 01:24:47,640 and is unreal as that sounds. She hit it right on the head there. That's exactly what's going on here. 621 01:24:48,600 --> 01:24:58,280 And the data is here to prove it. I challenge any academic or astrophysicist mathematician 622 01:24:58,280 --> 01:25:03,640 that wants to sit down and go over this with me, I'll be more than happy to do it, more than happy. 623 01:25:07,640 --> 01:25:16,520 You've got that right, exactly. Exactly. Exactly. And this is where this all starts tying into the 624 01:25:16,600 --> 01:25:25,160 UFO, the outer space stuff, right? Well, I can tell you the only description of where these plans 625 01:25:25,720 --> 01:25:35,000 came from is in Egypt. It says in the Temple and Edfoo, it says the plans for the temples template 626 01:25:35,720 --> 01:25:42,840 came down from the heavens in the days of M. Hocep and M. Hocep was a great architect and healer, 627 01:25:43,720 --> 01:25:49,080 physician, brilliant man who helped design the step pyramid of zozer, 628 01:25:50,360 --> 01:26:00,600 predating some of the visa plateau structures. So I'm going to kind of breeze through this. 629 01:26:00,600 --> 01:26:09,800 Here's our numbers for the height of the Great Pyramid. There's our 5773. There's our angle of 630 01:26:10,600 --> 01:26:20,120 our great year divided by five and there is the equivalent to the Gregorian or the Hebrew calendar 631 01:26:20,120 --> 01:26:32,040 in the year 2013. This is just a document where we came up with the pyramid of M. Hocep and the 632 01:26:33,000 --> 01:26:41,000 important angle of that angle adjusted from that. That's really quite intriguing. It's in a book. 633 01:26:41,000 --> 01:26:50,200 All this is in a book. Here is just a breakdown of that. Now we'll start showing us 634 01:26:51,160 --> 01:27:01,960 some of these numbers are spread in inches of feet and if we're different humans, 635 01:27:01,960 --> 01:27:07,960 we don't have an different numbers. So that suggests that the metric system of inches of feet 636 01:27:07,960 --> 01:27:18,040 is all the correct. That is exactly right. Very good point there. So this whole thing was really 637 01:27:18,120 --> 01:27:27,640 based in inches. It starts in inches that are then created into Cubits and stuff and it's a very 638 01:27:27,640 --> 01:27:34,760 in-depth. It's all covered in that book. Yes. All this was put together. I mean, I had a broad sense 639 01:27:34,760 --> 01:27:41,000 of understanding, but the most part was the human eye that's beyond. They're not going to get 640 01:27:41,160 --> 01:27:48,600 out for the majority. I would say, but I can tell you this for a fact. If we all want to 641 01:27:48,600 --> 01:27:57,320 grade school and we started learning this, this would be, this is actually simpler than we're 642 01:27:57,320 --> 01:28:01,800 being taught because they can't even give you answers. They tell you the earth's wobbling. 643 01:28:02,520 --> 01:28:09,240 Well, how come we can't measure it against the sun? There's a whole lot of stuff going on 644 01:28:09,240 --> 01:28:18,040 in academia as good as some of it is. Some of it is just plain not right. And I could prove a lot 645 01:28:18,040 --> 01:28:23,000 of it and I challenge it. Once again, I've been doing this since 2008 and have yet 646 01:28:23,800 --> 01:28:29,480 to have an academic come up and shoot me down and try to disprove what I'm saying. 647 01:28:33,160 --> 01:28:37,800 It started really to concept, really started catching me in 2008 or so. 648 01:28:38,520 --> 01:28:45,880 And then this is just, it's designed in a way to be decoded by someone with little 649 01:28:47,160 --> 01:28:52,920 experience or knowledge. Now, I got to tell you, I'm going to admit to you right now. I have my 650 01:28:52,920 --> 01:28:59,960 high school and school hears it. I was like, I did not pay attention to school. I really didn't 651 01:28:59,960 --> 01:29:06,840 care about school. I didn't go to college. I went to technical school and I had general math. 652 01:29:07,800 --> 01:29:14,040 That's it. General math. I didn't even get into algebra. Talk to me about algebra and I don't 653 01:29:14,040 --> 01:29:21,160 don't go. So what I'm trying to tell you, it's simple. I'm a simple guy. I don't have a big 654 01:29:21,160 --> 01:29:26,600 mathematics background or algebra or calculus none of that. That's pretty to do all of this. 655 01:29:30,120 --> 01:29:34,840 That's a personal thing but I will share it with you. I had a 656 01:29:38,280 --> 01:29:46,840 I was a successful woodworker in 1996. I had a very good business going with I had seven employees. 657 01:29:46,840 --> 01:29:53,960 I was doing work for for very wealthy clients and recognizable projects. 658 01:29:55,000 --> 01:30:04,200 And I lost my daughter. She was 16 years old and I had a profound effect on me that 659 01:30:04,680 --> 01:30:15,160 made me reevaluate everything in my life. I mean, I'm my ideas of success in 1996 was, how is this 660 01:30:15,160 --> 01:30:20,840 guy going to be the best woodworker in the world doing the best woodworking for the best clients? 661 01:30:20,840 --> 01:30:25,640 And I'm going to build this business and I'm going to build some money and I'm going to be successful. 662 01:30:26,520 --> 01:30:37,800 But that one day that changed everything, I believed in. I questioned God. I questioned religions. 663 01:30:37,800 --> 01:30:45,320 I was just totally devastated. And looking into the religions, I finally said, well, who's right here? 664 01:30:45,320 --> 01:30:52,360 Who you know, I was born as a Christian but there's other religions. What makes me think I know 665 01:30:52,360 --> 01:30:57,720 the answer because clearly I was questioning God, you know, I was questioning some things. 666 01:30:58,520 --> 01:31:05,560 And in that study of all the different religions, I came to a realization of a short amount of time 667 01:31:06,120 --> 01:31:11,960 and very logically and using common sense that there's mathematics behind this. There's a Trinity. 668 01:31:13,400 --> 01:31:21,000 So that's how I got started in this. And I figured, if I'm going to get to the bottom of this, 669 01:31:21,000 --> 01:31:26,520 I'm going to go to Egypt, that's where the main core of the religions all were birth from, right? 670 01:31:26,520 --> 01:31:33,240 Egypt, they all come out of Egypt. Well, what is so intriguing about Egypt and why is it related 671 01:31:33,240 --> 01:31:39,720 to these religions? So I went over there and through some unbelievable, this is the time in my life, 672 01:31:39,720 --> 01:31:45,240 I'll share with you here, the experiences were happening to me like you can't believe. 673 01:31:45,320 --> 01:31:52,360 Synchronicity's little thing is just falling into place for me and it's been that way for 21 years. 674 01:31:53,480 --> 01:32:03,080 It's not let up these, it's hard to even explain all the things that happened. But it led me, 675 01:32:03,080 --> 01:32:10,360 and when I went over there with John, it was such a profound event for me. And finding this 676 01:32:11,000 --> 01:32:17,960 architecturally finding this center point that I went over there with the idea in my head already 677 01:32:17,960 --> 01:32:24,760 of that being it, it was just like, I made a promise that the very day that I witnessed the 678 01:32:24,760 --> 01:32:31,400 sphinx and John did it in a dramatic fashion. He pulled the, we were all in a bus, we came from a hotel, 679 01:32:31,400 --> 01:32:39,400 it was daylight, just daybreak. The bus windows were all black, blacked out, we had to get off the bus 680 01:32:40,280 --> 01:32:45,640 and pull the bus away, there was the sphinx in front of us and it was, I mean, it was really incredible. 681 01:32:46,360 --> 01:32:54,680 And it was really emotional for me and that day by no, and this was one of the 682 01:32:55,480 --> 01:33:03,960 synchronistic things that happened there, that day by no, it was completely by chance, I guess, 683 01:33:04,840 --> 01:33:11,480 that day happened to be my daughter's 18th birthday. And it was very profound because we'd 684 01:33:11,480 --> 01:33:17,800 scheduled this trip a year ahead of time not knowing the date and John scheduled the whole thing 685 01:33:17,800 --> 01:33:25,000 and it just happened to be that day. So it was doubly emotional for me and I made a promise on that 686 01:33:25,000 --> 01:33:32,200 day that I was going to search for truth. This was the beginning of my journey and I was 687 01:33:33,160 --> 01:33:40,120 hell bent, I was going to find out the truth. I wanted to know what's going on and I've dedicated my 688 01:33:40,120 --> 01:33:48,600 life since doing exactly that. So I guess I went a little long on that but there's my story. 689 01:33:51,960 --> 01:33:57,880 Correct. I had no, oh I knew at that point when I came home was that the center was where I 690 01:33:57,880 --> 01:34:04,120 thought it was going to be. And I went home and I started with, and I did all this without a computer at 691 01:34:04,120 --> 01:34:11,560 first. All was was a compass and a straight edge and I'm paper and I just kept trying to figure 692 01:34:11,560 --> 01:34:18,040 out, try to figure out and 21 years later this is what we're looking at but I do, I know we're running 693 01:34:18,040 --> 01:34:25,720 late here and I want to try to quickly go through some stuff here but if we look at our view of the 694 01:34:25,720 --> 01:34:33,720 sky again and we were talking about uh, serious which is right here. Here's the Pleiades. If we draw a 695 01:34:33,720 --> 01:34:41,640 line exactly through that and remembering that within our template we had the zodiac and the Leo 696 01:34:43,640 --> 01:34:50,120 if we look right there is that dotted line that goes from serious to the Pleiades and it goes 697 01:34:50,200 --> 01:34:55,160 right through regulars. I mean it's a beautiful map here that we're looking at and it's so precise. 698 01:34:56,360 --> 01:35:00,280 It's pretty overwhelming to me sometimes and I gotta tell you I do do not take these 699 01:35:01,000 --> 01:35:08,520 speaking engagements lightly. This is very profound and humbling for me. What I had discovered here 700 01:35:09,800 --> 01:35:18,040 is it's profound. It affects every one of us. It's not a person here or anywhere in this earth 701 01:35:18,120 --> 01:35:25,720 that this is not effect. There's basically the idea of the constellations and how the the 702 01:35:25,720 --> 01:35:31,800 astorisms are made. Now we're going to back out I'm going to really kind of breeze through some of 703 01:35:31,800 --> 01:35:44,760 this because there's some stuff I want to show you that goes beyond this but for instance there's all 704 01:35:45,240 --> 01:35:52,120 constellations that surround the Orion. This one mono-series will quick hit on this. I just 705 01:35:52,120 --> 01:36:00,360 want to show you this is an example perfect example of an astorism that has the the use it to point out 706 01:36:00,360 --> 01:36:08,200 things. The word mono-series the name of that constellation. If we break that down mono means one 707 01:36:09,160 --> 01:36:16,920 point geometry would be the point of the compass. Ceros has the meaning of plural or more than one. 708 01:36:16,920 --> 01:36:24,360 So if you put that word mono-series together it means more than one center and it's represented usually 709 01:36:24,360 --> 01:36:34,200 in the depictions of the drawings as a unicorn with a spiral horn. Now if we look and we draw a line 710 01:36:34,200 --> 01:36:40,840 on that first part of the astorism that first one points right to the center of our spiral the other 711 01:36:40,840 --> 01:36:49,160 one points to our galactic alignment the sun and the galactic center in our zodiac there. 712 01:36:50,200 --> 01:36:56,120 So right there they're showing mono-series as pointing to two centers. So it's really profound 713 01:36:56,680 --> 01:37:05,320 in that all these constellations have a meaning and a purpose and the astorisms that are in them. 714 01:37:05,320 --> 01:37:10,120 So I'm just going to kind of breeze through I'll show you how these spirals eminate. There's our 715 01:37:11,000 --> 01:37:17,800 our second one. Now our blue spiral here relates to the Pleiades which we can see that spiral comes 716 01:37:17,880 --> 01:37:25,960 right by the Pleiades and the rest of the parts of the astorisms also point at positions of this 717 01:37:26,760 --> 01:37:33,400 geometry. So here's three spirals that we're looking at one is related to the sun and earth 718 01:37:34,120 --> 01:37:45,480 and uh serious and the Pleiades and they were all burped out of this M42 Nebula. So our sun 719 01:37:46,440 --> 01:37:54,760 the star serious and the Pleiades system. What they're telling us here is that they all originated 720 01:37:54,760 --> 01:38:03,240 from that same stellar stellar nebula. So we can show you two that all these astorisms are also 721 01:38:03,240 --> 01:38:11,640 geometrically pointing at significant places. Here are different cultural references as to the 722 01:38:12,520 --> 01:38:20,040 the dates and the alignment here being the Mayan Harshton's, the Mayans talk about the three stars 723 01:38:20,040 --> 01:38:29,560 in Orion would smoke at the middle at the center. That would be the Nebula of Orion. But we have 724 01:38:29,560 --> 01:38:37,880 here Mayan Egyptian Mesopotamian Hindu and Samarion all relating to this dating. Now here's where 725 01:38:37,960 --> 01:38:45,800 it starts to get really interesting and intriguing. What I discovered was that the you know I'm 726 01:38:45,800 --> 01:38:51,320 taking my God. Am I the only one knows the figure and the spout? I you know it's not out in a public 727 01:38:51,320 --> 01:38:59,720 no one has showed this information. But as I developed this more and more I found oh my God 728 01:39:00,600 --> 01:39:08,680 there's plenty of folks that know about this and this this knowledge has been passed down 729 01:39:09,240 --> 01:39:17,160 with with priests and and adeps and through different secret societies and governments and 730 01:39:17,160 --> 01:39:25,960 religious institutions they know this. You bet they know this. They're telling you about it? No. 731 01:39:26,040 --> 01:39:35,800 Why wouldn't they? I heard somebody say why wouldn't they tell us? Well that gets into a whole 732 01:39:35,800 --> 01:39:45,960 deeper subject but maybe maybe we can cover that a little later. That requires a little bit 733 01:39:45,960 --> 01:39:55,240 of going into a little deeper but there is very good reason to a point and to a point I disagree 734 01:39:55,320 --> 01:40:00,760 with the reasons for keeping it secret and that's what I'll continue to show you. But the 735 01:40:00,760 --> 01:40:09,320 information is encoded in several different ways in an architecture and symbolism and encoded in 736 01:40:09,320 --> 01:40:21,320 heraldry and flags they encoded it in paintings and artwork by masters that the men and a renaissance 737 01:40:21,480 --> 01:40:27,240 and when the night's Templars all of a sudden after they spent a little time it came 738 01:40:27,240 --> 01:40:35,240 solum and it's temple doing a little excavating they come up with they become very powerful and they 739 01:40:35,240 --> 01:40:41,880 start building these amazing churches and cathedrals which I as a woodworker have had the pleasure 740 01:40:41,880 --> 01:40:48,440 of working on some of these structures and that was another early point that got me interested in 741 01:40:48,440 --> 01:40:54,600 this working on cathedrals and the Gothic design of churches. This is all part of Partsville of 742 01:40:54,600 --> 01:41:06,120 this geometry. The night's Templar were very well aware of all this. The Catholic Church, it's really 743 01:41:08,120 --> 01:41:15,560 the elite at these at these the tops of the governments and institutions all know this but I'm 744 01:41:15,560 --> 01:41:23,320 going to show you how they did this and I think I'm just going to go and show you one that you're 745 01:41:23,320 --> 01:41:30,440 all going to recognize. So what we've got is a very specific map and it's very precisely plotted 746 01:41:32,760 --> 01:41:39,960 so nothing here is you could say random it is very precise and it's like a fingerprint there's no 747 01:41:39,960 --> 01:41:47,560 other map quite like this it's this is what it is but what some of these masters did these 748 01:41:48,760 --> 01:41:55,000 brilliant minds back in the Renaissance time and when they were doing their paintings they were 749 01:41:55,000 --> 01:42:03,000 all aware of this knowledge but what they would do is they would use this template to compose paintings 750 01:42:03,640 --> 01:42:12,120 all right so when they started out making a painting and these were the schools of like the 751 01:42:12,120 --> 01:42:19,880 school of Athens were you had the the Thakarens and Plato and our Staudle and all these guys they all 752 01:42:19,880 --> 01:42:29,880 knew this oh very well aware of this but in the artwork what I'm going to do now and I can do this 753 01:42:29,880 --> 01:42:35,960 point by point and it'll be abbreviated here because I'm already over on my time I'm going to draw 754 01:42:35,960 --> 01:42:46,040 or plot out a painting a portrait actually and I've done this on many so this is only one example 755 01:42:46,040 --> 01:42:55,720 but one that I thought you'd recognize and so I'll just go and using this geometry I decided from 756 01:42:55,800 --> 01:43:03,160 the artist's point of view we're going to create and compose a portrait of a person so here we just 757 01:43:03,160 --> 01:43:12,280 kind of gave us a little bit of a drawing surface there so what we're going to do here is is all these 758 01:43:13,080 --> 01:43:20,600 we're going to place her eyes using the division of 11 in our circle and there's we're going to use 759 01:43:21,160 --> 01:43:30,680 spiral here this is one 11th of the circle these are 11th divisions of the circle and you can see 760 01:43:30,680 --> 01:43:37,320 there's a lot more geometry going on here than I can really cover but but all these lines are 761 01:43:39,080 --> 01:43:47,480 obtained by the geometry of the template we can see more here how they're all plotted out now it even 762 01:43:47,480 --> 01:43:54,680 gets into the details of the placements of all her fingers this is all done completely with geometry there's no 763 01:43:55,240 --> 01:44:04,280 comparing to another drawing or picture Leonardo da Vinci he knew this this is what what the smile 764 01:44:04,280 --> 01:44:12,440 of Mona Lisa's all about why she had this look why why is this such an important painting this is why 765 01:44:13,400 --> 01:44:21,000 and there's not very many people who have seen this I can tell you your here in the public domain 766 01:44:21,000 --> 01:44:29,480 your your select group of few people who have seen this but if you want to see how precise this is 767 01:44:30,840 --> 01:44:37,720 and if anybody you know we can go much deeper into this and point by point we can we can show exactly 768 01:44:38,440 --> 01:44:44,360 she's telling a story she's telling a story of the path of our son and the movement of the heavens 769 01:44:45,320 --> 01:44:51,240 and what is encoded it Giza okay well we'll sum this up there's a lot of other paintings 770 01:44:51,960 --> 01:45:06,120 that all can be done using this there is the the Vatican flag here's our 51.27 degrees making the 771 01:45:06,200 --> 01:45:20,440 keys to his kingdom there's the original night's Templar cross there's other areas on the plateau 772 01:45:20,440 --> 01:45:27,320 on the survey this is the quarry line that all the blocks that were used to make keys that 773 01:45:27,400 --> 01:45:33,160 built Giza were cut from this line and if you're an artist and with dead 774 01:45:34,040 --> 01:45:42,200 filling using dead space to put more information in that's what they used there 775 01:45:45,560 --> 01:45:50,760 okay we can see that line here I'm just showing you there's more evidence at Giza to show 776 01:45:50,760 --> 01:45:55,800 these spirals and there's a lot more than I'm showing you here there's another one over here 777 01:45:56,760 --> 01:46:03,560 that has to do with Orion so there you go that's that's kind of a condensed version 778 01:46:04,360 --> 01:46:13,960 of a lot of really amazing information that was left to us to all of us at Giza so 779 01:46:15,000 --> 01:46:22,040 the thing that we need to realize is this message that Giza is telling us and it's telling us 780 01:46:22,680 --> 01:46:31,080 that these the motions of our heavens and the great year cycle has seasons within this 781 01:46:31,080 --> 01:46:39,240 within this great year seasons of the great year there are climatic changes at certain points 782 01:46:40,040 --> 01:46:46,040 in this trajectory of our sun as it moves when we get the certain alignments 783 01:46:46,360 --> 01:46:56,840 climatic changes can happen and occur and that's evidence by all this but there's my book it's 784 01:46:56,840 --> 01:47:03,880 available over here by Jennifer there and it's $21 if anybody's interested you sit down and 785 01:47:04,840 --> 01:47:10,520 go through it and I think that is definitely it right 786 01:47:16,440 --> 01:47:27,400 my name is Jan Harzant I'm the executive director for Mufan we are a scientific research 787 01:47:27,400 --> 01:47:32,520 organization that basically collects citing reports from the public and then goes and investigates them 788 01:47:33,160 --> 01:47:39,560 our mission statement as an organization is the scientific study of UFOs for the benefit of humanity 789 01:47:39,560 --> 01:47:45,240 and we have three primary goals we investigate UFO reports we promote research into the UFO 790 01:47:45,240 --> 01:47:50,280 subject and we educate the public on our findings