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In this video, Bulgarian researcher the new
Earth Lady wants to expose the proof that

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the main stream history of the Khmer Empire
gives us a very distorted version of what

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actually happened.

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The reason for such a misleading
representation of history is to create the...

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that first of all, we live in a civilization
which evolves for the better.

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And the second false impression is that the
driving force which caused the demise of

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Empire was simply a byproduct of the alleged
progress which they want us to believe a

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newer more progressive social structure
replaced the older outdated structures.

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The truth is that just a couple of hundred
years ago, there still lived people who were

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fully aware of the older advanced
civilizations on Earth.

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They kept clear written records about those
civilizations and still to some extent abided

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by the universal laws of goodness which they
inherited from those civilizations.

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And that is why they had a society which
surpassed ours in terms of prosperity, art...

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management of natural resources and much much
more.

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The Khmer Empire was just one of the branches
of this worldwide culture and the demise

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of the Khmer Empire was brought about by the
force that be which embarked on destroying

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everything beautiful on Earth and plunging
the human race to the bottom of ignorance

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and misery she believes.

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Another interesting point she suggests about
the Khmer Magaliths are that they show...

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the original stonework which is often
attributed to a lost very ancient...

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widely used up till a couple of hundred years
ago and exactly within the Khmer Magaliths

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we see it de-evolve into brickwork.

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She would like to show us the evidence for
all this and much more.

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Anchor Watt, the mass media and even some so
called history books, she suggests that

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in the year 1859 Henry Mohot discovered the
amazing city that was lost in the jungle and

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they would like to assure us that the locals
who allegedly didn't even know about it and

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this is not even mainstream history.

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Most one of the numerous earlier mentions of
Anchor Watt is taken from this Japanese

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map.

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There was even a Japanese settlement at the
time in Anchor Watt which was dated in 1635.

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Japanese inscriptions are found on the walls
of Anchor Watt further confirming this.

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The people who built the temple complex
commonly known as Anchor Watt belonged to ...

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society.

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It's a sure bet, she suggests, that if you
encountered them now you would call them...

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And since in one of the previous episodes we
saw how the Japanese for all practical

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purposes are Hindus themselves, their close
ties with Anchor Watt isn't surprising at

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all.

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In a couple of rooms of the main temple in
Anchor Watt some of the original wooden doors

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are preserved.

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The floor here is modern but the doors are
original.

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So if the complex was indeed built some
thousand years ago, how comes this wood...

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in this moist and hot tropical environment,
she asks.

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If it was indeed left unattended for
centuries, as they are telling us, it woul...

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away and the bugs would have eaten them a
long time ago.

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Here the original wooden elements, she
claims, can be clearly distinguished from ...

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support because of their decoration.

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Is it possible, she asks, that these wooden
doors were actually made during historic...

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and didn't belong to the original temple?

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She doesn't think so because although there
were minor traces that here and there the

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Hindu temples were later reused as Buddhist
temples.

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It was clearly visible that they were
refashioned without the finest of refineme...

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original builders of the temples displayed.

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And it is out of the question, she claims,
that they could have rebuilt such doors with

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such elaborate carvings.

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The carved doors are most definitely original
and they show that Anchor Watt is not as

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old as they are telling us.

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As you can see, the doors are not found in
deeply hidden protected places.

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They are very close to the outside
environment, which is very hot and humid.

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The way in which some of the Khmer temples,
she states, actually on a couple of them,

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are overgrown with these trees, certainly it
creates a very mystical atmosphere.

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But being mystical should not be confused
with being very old because an actual...

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study of the situation regarding the
overgrown trees also shows evidence, she...

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the full complex was not abandoned a long
time ago as they are trying to convince us,

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but in much more recent times.

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This spectacular species of tree, of which
there are a couple of varieties of them, have

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an unusual lifespan of around 100 years.

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Sometimes they could even live up to 200
years.

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If this complex of temples scattered around
the jungle over a very large area of tens

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of kilometres, if this was abandoned for many
centuries, she states, there should have

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been many generations of such huge trees
which lived and died and their trunks...

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dry.

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She visited Angkor Wat several years ago and
this was not at all what she observed.

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Actually, she continued, only a couple of
numerous temples are overgrown with such...

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trees.

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The fact that, let's say, 80% of these
temples are unaffected speaks for itself a...

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she claimed, they are scattered here and
there in the jungle.

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They are not clustered in one place which is
somehow protected from seeds dropped by

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the trees.

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There is no question of the lack of seeds.

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It is not that the big trees are missing
because they were all removed during...

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They can't be removed so easily because the
roots grow in between the stones and to...

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them you would need to first dismantle the
food building.

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So it's not the case that a couple of decades
ago there were much, much more trees and

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now they are simply cleaned up.

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No, she states, there is no claim that this
is the case and it can't be the case.

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The number of trees is one thing but also
their size.

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There are very few huge and spectacular trees
whereas there are small trees with smaller

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diameters of thickness in their hundreds in
these couple of overgrown temples.

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So this also shows that the place was
abandoned relatively recently within our...

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periods.

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Otherwise we would find around the numerous
dried trunks of huge trees.

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Notice here, she suggests, all the trees are
small.

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Really big, spectacular trees, she claims,
are very, very rare.

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Also in recent years, articles stated
appearing in the media claiming it's urgen...

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trees started destroying Angkor Wat at an
alarming rate.

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So the question is, were they not doing this
for hundreds of years since it was abandoned

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and now we take care of it and all of a
sudden the trees all start going crazy and...

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destroying it at an alarming rate?

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How come the so-called mainstream historians
don't understand that this makes their...

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stories very shaky?

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Stories which have suggested that everything
is very old and lost, forgotten civilizations

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from a long time ago.

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That's why they write sheer nonsense, she
claims, such as the trees that before were

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supporting our city are now destroying it.

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How come before they were all supporting it?

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Well, the way they explain it is, she covered
earlier, that the branches are in between

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the stones and serve as a mesh between them.

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So now, with an alarming rate, they no longer
serve as this mesh as they were doing for

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hundreds of years and now they become killers
of temples.

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No, she states, not at all.

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The truth is that we can't even properly
maintain them.

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Not so long ago, people used to use them,
people maintained them properly and took

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care of them because they were the boots of
their gods.

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And why do they pay the mainstream historians
to confuse people that the culture of Angkor

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Watt was obliterated in faraway times and not
very recently, she asks.

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Because that would reveal the true colours of
certain modern governments which operate

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under the mask of being humane, she claims.

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While in reality, they destroyed peaceful
societies and thrashed them completely.

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Those on top don't have the right to be
called human.

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They need folks like us, she believes, to do
the dirty work.

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Fools who believe that waging wars can be
justified.

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Even as recent as the age of photography, we
see the real Khmer people dressed as...

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on the carvings of the old

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temples.

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So obviously they belonged to the same
culture.

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They maintained their temples.

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Before the previously mentioned fools, that
means me and you, came and poisoned their

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lives with stupid ideology and of course
everywhere the same pattern unfolded.

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France adopted Cambodia as a protected
country.

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France adopted Cambodia as a protectorate.

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Look at the words adopting.

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That means to take care, as if you adopted a
child.

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Then another very misleading term,
protectorate, again comes from protection.

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And did they have any protection intent in
their minds when they invaded Siam, murdering

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the locals, she suggests, to take control of
the ruins?

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In these modern times, she claims, we, the
arrogant fools, we are free to visit Cambodia

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and feel very good about ourselves by giving
a few cents to the people we have handicapped

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in the name of goodness and progress and
spreading democracy around the world.

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And how wonderful that the people who will
accept these few cents equally believe all

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these lies about progress.

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And that's why they want to send their kids
to modern schools, thus securing a complete

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wipeout of their memory of times when the
Khmer people who were related to their gods

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and built complex monuments which were far
larger than the famous Egyptian pyramids

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combined, not to mention how superior the
Khmer temples are in terms of their elabor...

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A local guide showed her some writing on the
temples and was explaining that these

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were in a language that they no longer
understand at all.

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He said, now we have a completely new
language.

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She asked him when did this radically new
language occur and he said it was created

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between the 19th and 20th century.

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By whom?

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By Juneau.

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By one monk, by one monk, named Juneau.

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The monk, the monk.

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Khmer modern language created.

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Maybe in 20th century.

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This, she claims, seems to be the standard
procurer.

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Once the parasite paradigm engulfs the,
engulfs a culture of goodness,

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one way to suffocate it is, he says, to
create a new language by one man, she says.

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So one man is paid to create a new language
which is later forced onto the population

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by the government and is a very effective way
to disconnect the people from the sources

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of the old knowledge.

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Even if they manage to get hold of some old
books that have escaped destruction,

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they won't be able to understand what it says
due to linguistic problems.

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This tactic, she suggests, wasn't adopted
only in far away exotic places,

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but also, as we will see in future episodes,
in Europe as well.

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So after seeing with her own eyes the sheer
size of the largest complex of temples on...

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along with the level of craftsmanship of the
countless temples and gardens,

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she was left with many questions which have
remained unanswered.

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First of all, let's see how everything was
built.

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Most of it seems, indeed, to be the result of
simple manual work.

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The chisel marks are clearly visible.

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Maybe we could say that this is a similarity
with most of the stones.

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It's not hard to study them. One can find
them in abundance all over the place.

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But yet other stones definitely don't make
sense in that context.

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Just look at this stone, she suggests.

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It's got chisel marks, then on the left side
it looks as if some sort of cast concrete.

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The academic explanation for this, of course,
is that the stone was originally shaped wi...

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and then they started rubbing it like crazy
against another stone

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until both of them became perfectly smooth to
fit each other.

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Here are some examples of how well they fit.

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If somebody would be kind enough to provide a
practical demonstration of something like...

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she would be inclined to believe that by such
a technique of precision stonework

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has been achieved for fitting these types of
stones.

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When we have two perfectly flat surfaces
facing each other,

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maybe that could be achieved by the technique
described,

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namely endless rubbing until we fall off the
ground.

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She's not so unconscious, but as far as these
types of stones,

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she can't wrap her mind around these types of
surfaces, could be the result of rubbing.

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After all, she points out, the lines continue
from one stone to the other.

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Of course, such internal smooth surfaces on
the stones could be achieved by other means,

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which do not require sophisticated
technology.

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But then the question is, why would they make
their lives so difficult, she asks.

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That would be a titanic amount of work, on
which millions of men would need to work f...

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on only smoothing the inside surfaces of the
stones, which are not even visible on the...

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And the question is not only how would they,
but did they,

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because obviously they knew a smarter way of
building, for example casting, she believes.

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The

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They were casting each and every individual
brick, as you can see.

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There are bricks at least in the initial
stages, when it was still in transition fr...

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which we can see were not a standard size.

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What she is referring to is that if they knew
how to cast bricks, polygonal bricks,...

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then why wouldn't they do that with the
bigger stones, she asks.

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Here you can see each and every brick has got
its own original unique matches,

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not only with the neighboring bricks, but
also in the form of columns.

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And shortly we will see they also made
statues, sculptures of them.

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Please have a careful look at this particular
brick.

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What is the strange line in the middle, she
asks.

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Were they about to make two bricks and then
change their mind in the middle of the...

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and how did they do that?

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Although she has no clue what was going on
with this brick,

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she can tell us for sure that there are
similar magnetic stones in Peru and Turkey.

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Some look like they have been glued to each
other, or parts of the full wall is like...

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But how they glued them together is, she is
not sure.

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The

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same situation is found with absolutely huge

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megalithic blocks of the elf castles and
places that are also little connected.

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How does that work, she asks.

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Hopefully she can find out during one of the
upcoming expeditions,

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because she recognizes this as a key point
which needs to be understood.

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If we want to figure out how they managed to
make at least the older impressive megaliths.

221
00:23:28,359 --> 00:23:33,359
A couple of more points which kind of make
her inclined to think that

222
00:23:33,359 --> 00:23:38,359
chiseling stone was used along with casting,

223
00:23:38,359 --> 00:23:43,359
or some sort of softening of the stone, that
are both techniques of the

224
00:23:43,359 --> 00:23:48,359
megalithic and the megalithic.

225
00:23:48,359 --> 00:23:53,359
First of all, at a couple of spots where the
quality of the masonry work was at its...

226
00:23:53,359 --> 00:23:58,359
she noticed a kind of pieces of brick inside
the stone.

227
00:23:58,359 --> 00:24:03,359
The

228
00:24:03,359 --> 00:24:08,359
megalithic

229
00:24:08,359 --> 00:24:13,359
stone

230
00:24:13,359 --> 00:24:18,359
was

231
00:24:18,359 --> 00:24:23,359
used.

232
00:24:23,359 --> 00:24:28,359
There weren't that many of them, she states,
but still,

233
00:24:28,359 --> 00:24:33,359
that could be some sort of supporting
evidence.

234
00:24:33,359 --> 00:24:38,359
This is a huge original stone, but here, here
it's interesting.

235
00:24:38,359 --> 00:24:43,359
It's somewhat different from the rest.

236
00:24:43,359 --> 00:24:48,359
So here it blends

237
00:24:48,359 --> 00:24:53,359
well, but here not so well.

238
00:24:53,359 --> 00:24:58,359
Now let's get back to this particular image,

239
00:24:58,359 --> 00:25:03,359
and have another look at the edge of the
stone.

240
00:25:03,359 --> 00:25:08,359
She receives the impression that it was soft,
and then it hardened here on the spot.

241
00:25:08,359 --> 00:25:13,359
And again, this is a spot where the
megalithic blocks fit each other

242
00:25:13,359 --> 00:25:18,359
with absolute precision, and not at places
where chisel marks are visible.

243
00:25:18,359 --> 00:25:23,359
And the fitting is not that precise.

244
00:25:23,359 --> 00:25:28,359
So that

245
00:25:28,359 --> 00:25:33,359
again makes her inclined to believe that the
technique of casting, or softening,

246
00:25:33,359 --> 00:25:38,359
was used along with the chiseling.

247
00:25:38,359 --> 00:25:43,359
Another

248
00:25:43,359 --> 00:25:48,359
small clue are these holes on the pyramid
that

249
00:25:48,359 --> 00:25:53,359
really don't look chiseled. Rather, they look
as if they were made when the stone

250
00:25:53,359 --> 00:25:58,359
was in a softened state.

251
00:25:58,359 --> 00:26:03,359
Now and then, the art

252
00:26:03,359 --> 00:26:08,359
of this particular kind left an impression
with her.

253
00:26:08,359 --> 00:26:13,359
It looked as if it was kind of way pressed in
with something sharp when the stone was soft.

254
00:26:23,359 --> 00:26:28,359
Now we will delve into

255
00:26:28,359 --> 00:26:33,359
detail about the transition from polygonal
megaliths all the way to

256
00:26:33,359 --> 00:26:38,359
standard bricks, and the standard sizes, she
states.

257
00:26:38,359 --> 00:26:43,359
They were like this. Each and every brick had
a unique size,

258
00:26:43,359 --> 00:26:48,359
and she still has no clue how they cut the
image into the wall.

259
00:26:53,359 --> 00:26:58,359
Here, the nose brick blends so well.

260
00:26:58,359 --> 00:27:03,359
What is particularly informative is that we
can see the gradual evolution.

261
00:27:03,359 --> 00:27:08,359
Like this is between bricks and stones, again
polygonal because each piece is uniquely

262
00:27:08,359 --> 00:27:13,359
shaped, although not very well pronounced,
but still it is, she points out.

263
00:27:13,359 --> 00:27:18,359
Here also, we are on the border between

264
00:27:18,359 --> 00:27:23,359
polygonal bricks and polygonal stones.

265
00:27:23,359 --> 00:27:28,359
Here again, we are in a gray area between
bricks and stones, she believes.

266
00:27:28,359 --> 00:27:33,359
It looks like bricks because they look small
in the photograph, but if you compare them

267
00:27:33,359 --> 00:27:38,359
with the people, they are actually brick
stones.

268
00:27:38,359 --> 00:27:43,359
Here we have some sort of stone art which is
actually cement hard, but

269
00:27:43,359 --> 00:27:48,359
you wouldn't even guess it if it wasn't
falling apart partially, and the bricks

270
00:27:48,359 --> 00:27:53,359
wouldn't have even been exposed, she states,
which is again more proof that

271
00:27:53,359 --> 00:27:58,359
they knew how to make cement or geopolymer,
which looks like stone.

272
00:27:58,359 --> 00:28:03,359
Here again, we are on the border between
brick and stone,

273
00:28:03,359 --> 00:28:08,359
which looks like stone.

274
00:28:08,359 --> 00:28:13,359
Here again, would you call these bricks or
stones, she asks. They are just in between.

275
00:28:13,359 --> 00:28:18,359
At places where the cement batch was well
mixed, it still looks very good,

276
00:28:18,359 --> 00:28:23,359
but at other places where they used a mixture
of lesser strength, the naked truth

277
00:28:23,359 --> 00:28:28,359
about the stone sculptures is exposed, she
states.

278
00:28:33,359 --> 00:28:38,359
There are lots of

279
00:28:38,359 --> 00:28:43,359
evidence that the Camir Magaluf buildings
were not just

280
00:28:43,359 --> 00:28:48,359
local, but was part of a worldwide building
technique, she believes.

281
00:28:48,359 --> 00:28:53,359
The evidence of this are endless, she states,
like the extensive use of

282
00:28:53,359 --> 00:28:58,359
clamps and the polygonal shape of the blocks.

283
00:28:58,359 --> 00:29:03,359
Obviously the approach

284
00:29:03,359 --> 00:29:08,359
that they used also matches that of Egypt and
Peru and so on.

285
00:29:08,359 --> 00:29:13,359
First, they would make a hill of stones, an

286
00:29:13,359 --> 00:29:18,359
extremely large one, she believes, and then
they would carve everything out of it.

287
00:29:18,359 --> 00:29:23,359
Do you see this line? First the stones are
placed and then the line was cut

288
00:29:23,359 --> 00:29:28,359
because it curves, and that curvature passes
through a couple of stones.

289
00:29:35,359 --> 00:29:40,359
Here's another illustration. Here the chisel
marks

290
00:29:40,359 --> 00:29:45,359
cross the gap between the stones and they
continue on to the neighboring stones.

291
00:29:45,359 --> 00:29:50,359
And these were the same people building this
type of structure all over the world.

292
00:29:50,359 --> 00:29:55,359
That's why in Egypt and in Turkey and Russia
we see the same technique.

293
00:29:55,359 --> 00:30:00,359
Long lines cut through multiple stones.
That's because they always

294
00:30:00,359 --> 00:30:05,359
use the same technique.

295
00:30:05,359 --> 00:30:10,359
First place all the stones and then do all
the carving or shaping of rooms,

296
00:30:10,359 --> 00:30:15,359
doors, windows and balconies.

297
00:30:15,359 --> 00:30:20,359
And that's exactly how they did it, she
states.

298
00:30:20,359 --> 00:30:25,359
That is the mainstream version and this is
exactly what she saw,

299
00:30:25,359 --> 00:30:30,359
but only in the temples of the older
generation, when people still had the...

300
00:30:30,359 --> 00:30:35,359
with such gigantic proportions. Later, as the
devolution of the brick

301
00:30:35,359 --> 00:30:40,359
occurred, various elements were cast and
placed next to the bricks like

302
00:30:40,359 --> 00:30:45,359
doors, ornamental window borders, columns,
etc. And this culture was

303
00:30:45,359 --> 00:30:50,359
devolving worldwide as the consciousness of
the people was getting lowered.

304
00:31:01,359 --> 00:31:06,359
The structures they were building became
gradually

305
00:31:06,359 --> 00:31:11,359
more and more slender and flimsier. But still
there was a unique technique used all over...

306
00:31:11,359 --> 00:31:16,359
like these are examples from Europe of the
same things.

307
00:31:16,359 --> 00:31:21,359
Figures cast out of cement on the top of the
bricks. Even at the same point we had very

308
00:31:21,359 --> 00:31:26,359
successful stone imitations. And as we slide
further on the timeline

309
00:31:26,359 --> 00:31:31,359
we get nearer and nearer to the current
moment of our glorious history, she thinks.

310
00:31:31,359 --> 00:31:36,359
She talks all about the level of monkeys.

311
00:31:43,359 --> 00:31:48,359
And in a couple of decades we'll be as smart
as Macaques.

312
00:31:51,359 --> 00:31:56,359
Let's see how durable and beautiful our
restoration work is at Agarwood.

313
00:32:01,359 --> 00:32:06,359
Music

314
00:32:06,359 --> 00:32:11,359
Music

315
00:32:11,359 --> 00:32:16,359
Music

316
00:32:16,359 --> 00:32:21,359
Music

317
00:32:21,359 --> 00:32:26,359
Music

318
00:32:26,359 --> 00:32:31,359
Music

319
00:32:31,359 --> 00:32:36,359
If you switch on your radio or the TV,
somebody will be stating about

320
00:32:36,359 --> 00:32:41,359
cutting edge technologies. So how come people
with blunt edges

321
00:32:41,359 --> 00:32:46,359
allegedly a thousand years ago made bricks
that still last while our bricks

322
00:32:46,359 --> 00:32:51,359
left outside in the weather fall apart in a
decade, if not much less, she asks.

323
00:32:56,359 --> 00:33:01,359
Music

324
00:33:01,359 --> 00:33:06,359
Why is there such a lack of correlation
between the cutting edge technologies

325
00:33:06,359 --> 00:33:11,359
and the benefits derived from it for the
common people indeed, she asks.

326
00:33:11,359 --> 00:33:16,359
We have some access to cutting edge
technologies, but they're given to us

327
00:33:16,359 --> 00:33:21,359
only on small amounts. Enough to entice us
from our beautiful life

328
00:33:21,359 --> 00:33:26,359
in houses amongst nature so that we can get
trapped in cities, where we lost

329
00:33:26,359 --> 00:33:31,359
our freedom, she believes, because we can no
longer grow clean food.

330
00:33:31,359 --> 00:33:36,359
Music

331
00:33:36,359 --> 00:33:41,359
Music

332
00:33:41,359 --> 00:33:46,359
The cutting edge technologies all boil down
to a simple process, convincing the people to

333
00:33:46,359 --> 00:33:51,359
install within themselves various devices and
substances, all designed

334
00:33:51,359 --> 00:33:56,359
to connect the human consciousness to a
central hub, which would be capable of

335
00:33:56,359 --> 00:34:01,359
remotely controlling all those who had
voluntarily agreed to become part

336
00:34:01,359 --> 00:34:06,359
of that network, she believes.

337
00:34:06,359 --> 00:34:11,359
That's why the common people

338
00:34:11,360 --> 00:34:16,360
get little or no benefit of the real cutting
edge technologies.

339
00:34:16,360 --> 00:34:21,360
Music

340
00:34:21,360 --> 00:34:26,360
They assume and expect that the technologies
will improve their lives as suggested by t...

341
00:34:26,360 --> 00:34:31,360
but in reality the techniques are introduced
for an entirely different

342
00:34:31,360 --> 00:34:36,360
purpose.

343
00:34:36,360 --> 00:34:41,360
The sheer scale

344
00:34:41,360 --> 00:34:46,360
of the construction of the Khmer Empire
itself makes it clear that we don't really

345
00:34:46,360 --> 00:34:51,360
understand much of what has been going on
there, she states.

346
00:34:51,360 --> 00:34:56,360
Look at this map, she states.

347
00:34:56,360 --> 00:35:01,360
Some of the temples are spread over many
square kilometers.

348
00:35:01,360 --> 00:35:06,360
The building with the main altar in the
middle

349
00:35:06,360 --> 00:35:11,360
who would be the size of a small hill itself,
and then a couple of layers of

350
00:35:11,360 --> 00:35:16,360
walls, all of them covered with elaborate
carvings, even the forests around that

351
00:35:16,360 --> 00:35:21,360
are full of art and sculptures, shrines and
altars, and more walls with carved stone.

352
00:35:21,360 --> 00:35:26,360
Even on the top of the moats, and this is a
very modest one, the bigger ones

353
00:35:26,360 --> 00:35:31,360
simply reach to the horizon, and we are told
that it was all handmade

354
00:35:31,360 --> 00:35:36,360
by a hard-working Cambodians.

355
00:35:36,360 --> 00:35:41,360
Music

356
00:35:41,360 --> 00:35:46,360
She doesn't believe this last statement.

357
00:35:46,360 --> 00:35:51,360
Looking at this historic population of
Cambodia, just imagine they are implying

358
00:35:51,360 --> 00:35:56,360
that in terms of the Khmer Empire, there was
just a couple of hundred thousand people

359
00:35:56,360 --> 00:36:01,360
and they dug out all those lakes, built the
stone mountains, covered them

360
00:36:01,360 --> 00:36:06,360
with quality carvings, and still had so much
time to spare that they even

361
00:36:06,360 --> 00:36:11,360
polished all the blocks of the stone hills
inside.

362
00:36:11,360 --> 00:36:16,360
Music

363
00:36:16,360 --> 00:36:21,360
This of course is laughable, she claims, but
the

364
00:36:21,360 --> 00:36:26,360
situation with the artificially made canals
and bodies of water is quite serious.

365
00:36:26,360 --> 00:36:31,360
Music

366
00:36:31,360 --> 00:36:36,360
Because they are not local to the area of
Angkor Wat,

367
00:36:36,360 --> 00:36:41,360
they spread all through the vast Khmer
Empire.

368
00:36:41,360 --> 00:36:46,360
Angkor Wat is just one of the centers, and
there are

369
00:36:46,360 --> 00:36:51,360
endless other temples with square kilometers
of stone hills and thousands of

370
00:36:51,360 --> 00:36:56,360
elaborate carvings, murals, art, and more
temples.

371
00:36:56,360 --> 00:37:01,360
Music

372
00:37:01,360 --> 00:37:06,360
Music

373
00:37:06,360 --> 00:37:11,360
The canal networks are very wide and are
amazingly straight

374
00:37:11,360 --> 00:37:16,360
which spread outside the Khmer Empire.

375
00:37:16,360 --> 00:37:21,360
This is an example of one canal used right up
to today and is an average width of 60...

376
00:37:21,360 --> 00:37:26,360
Music

377
00:37:26,360 --> 00:37:31,360
This is just an example of the network of
canals. The yellow segment is

378
00:37:31,360 --> 00:37:36,360
only about 25 kilometers long and is
perfectly straight and very deep,

379
00:37:36,360 --> 00:37:41,360
as if made for ships, and it goes all the way
to Vietnam and the neighboring countries a...

380
00:37:41,360 --> 00:37:46,360
Music

381
00:37:46,360 --> 00:37:51,360
Officially, we were told it was built

382
00:37:51,360 --> 00:37:56,360
by the primitive farmers by hand to water
their fields.

383
00:37:56,360 --> 00:38:01,360
Music

384
00:38:01,360 --> 00:38:06,360
But in reality, the farmers are actually
building nowadays, or just

385
00:38:06,360 --> 00:38:11,360
short, irregular segments which connect their
fields to the canals they have inherited.

386
00:38:11,360 --> 00:38:16,360
Music

387
00:38:16,360 --> 00:38:21,360
Farmers can do this perfectly, and it's
within their capacity.

388
00:38:21,360 --> 00:38:26,360
The bigger canals, which are deep and
suspiciously wide and form perfectly

389
00:38:26,360 --> 00:38:31,360
straight lines for dozens of kilometers, for
that you need engineers

390
00:38:31,360 --> 00:38:36,360
to measure it precisely, and then you need
very serious equipment to carry out

391
00:38:36,360 --> 00:38:41,360
the enormous digging work. As usual, all the
soil

392
00:38:41,360 --> 00:38:46,360
that has been taken out from the bigger
canals is nowhere to be found, and it does...

393
00:38:46,360 --> 00:38:51,360
she states.

394
00:38:51,360 --> 00:38:56,360
Music

395
00:38:56,360 --> 00:39:01,360
This network of canals is also interwoven
with the network

396
00:39:01,360 --> 00:39:06,360
of lifelines which allegedly encompass the
full Earth.

397
00:39:06,360 --> 00:39:11,360
Here, on this image,

398
00:39:11,360 --> 00:39:16,360
we see she suggests that they have given a
very interesting name to one of the

399
00:39:16,360 --> 00:39:21,360
minor canals. They call it Sam Reap River, a
very

400
00:39:21,360 --> 00:39:26,360
original name, she continues. For example,
one could name their cat, sign Reap Squirrel,

401
00:39:26,360 --> 00:39:31,360
and then hope that the people around it
wouldn't notice that it's actually a cat.

402
00:39:31,360 --> 00:39:36,360
Music

403
00:39:36,360 --> 00:39:41,360
We compare a modern town on the right,
Tassin, with just a

404
00:39:41,360 --> 00:39:46,360
single temple complex from the time when the
people were still great, she suggests.

405
00:39:46,360 --> 00:39:51,360
Compare not only the size, but also the

406
00:39:51,360 --> 00:39:56,360
precision.

407
00:39:56,360 --> 00:40:01,360
The orderly manner in which the whole complex
has been built, and by the way, she...

408
00:40:01,360 --> 00:40:06,360
we have been discussing only building all
this stuff, but this is just the beginning of

409
00:40:06,360 --> 00:40:11,360
everything. These are Vedic temples, and what
she means is that we can

410
00:40:11,360 --> 00:40:16,360
find out by making parallels with the
functional Vedic temples in India.

411
00:40:16,360 --> 00:40:21,360
Music

412
00:40:21,360 --> 00:40:26,360
She spent time at such a temple, and she
assures us that it needs

413
00:40:26,360 --> 00:40:31,360
a lot of maintenance, because all these
deadies require regular offerings

414
00:40:31,360 --> 00:40:36,360
many times a day.

415
00:40:36,360 --> 00:40:41,360
It is a must, she states.

416
00:40:41,360 --> 00:40:46,360
It's not optional, and that requires lots of
resources.

417
00:40:46,360 --> 00:40:51,360
Not just in terms of labor, but also the
offerings of ghee,

418
00:40:51,360 --> 00:40:56,360
which is purified butter, lots of milk,
yogurt, flowers, and very large

419
00:40:56,360 --> 00:41:01,360
quantities. She can't even imagine how
beautiful these large gardens were

420
00:41:01,360 --> 00:41:06,360
when the temples were in their prime time.

421
00:41:06,360 --> 00:41:11,360
Music

422
00:41:11,360 --> 00:41:16,360
This must have been such a rich and
prosperous culture.

423
00:41:16,360 --> 00:41:21,360
Do you see the shiny, cheap metal jewelry and
paraphernalia this girl is using, she asks?

424
00:41:21,360 --> 00:41:26,360
Music

425
00:41:26,360 --> 00:41:31,360
Well, in the older times, all this was gold,
and not like

426
00:41:31,360 --> 00:41:36,360
our gold, but pure gold, without exception.

427
00:41:36,360 --> 00:41:41,360
Music

428
00:41:41,360 --> 00:41:46,360
She assures us from her experience in India.

429
00:41:46,360 --> 00:41:51,360
Over there, till the present day, every
middle-class family, if you see them, you...

430
00:41:51,360 --> 00:41:56,360
but each and every one, she states, has
buried somewhere in the garden

431
00:41:56,360 --> 00:42:01,360
a minimum of four kilograms of pure gold.

432
00:42:01,360 --> 00:42:06,360
When they get their daughters married, they
give a full jewelry

433
00:42:06,360 --> 00:42:11,360
set-up, top to bottom, with heavy jewelry,
and everything is pure gold.

434
00:42:11,360 --> 00:42:16,360
Otherwise, nobody will take the girl.

435
00:42:16,360 --> 00:42:21,360
Nowadays, she claims the British have
successfully planted and harvested

436
00:42:21,360 --> 00:42:26,360
the seeds of poison and destruction, which
obliterated almost everything

437
00:42:26,360 --> 00:42:31,360
good and holy in India.

438
00:42:31,360 --> 00:42:36,360
The fact that the British destroyed highly
prosperous Vedic kingdoms when they arrive...

439
00:42:36,360 --> 00:42:41,360
is not denied by mainstream history. It is
simply skipped over.

440
00:42:41,360 --> 00:42:46,360
That's why most people are not aware of it.

441
00:42:46,360 --> 00:42:51,360
Music

442
00:42:51,360 --> 00:42:56,360
Music

443
00:42:56,360 --> 00:43:01,360
Music

444
00:43:01,360 --> 00:43:06,360
The situation with the massive network of
canals and lifelines is perplexing.

445
00:43:06,360 --> 00:43:11,360
Here, we can see with special technology,

446
00:43:11,360 --> 00:43:16,360
a structure which looks like some sort of
piece of modern technology,

447
00:43:16,360 --> 00:43:21,360
but is actually underground, one and a half
kilometers long.

448
00:43:21,360 --> 00:43:26,360
Music

449
00:43:26,360 --> 00:43:31,360
She states, she doesn't understand the image
very well,

450
00:43:31,360 --> 00:43:36,360
but if these are tombs, then definitely the
installation below ground, and the tombs

451
00:43:36,360 --> 00:43:41,360
are somehow connected. If this underground
technical-looking installation

452
00:43:41,360 --> 00:43:46,360
was on ground level, the archaeologists would
have concluded with

453
00:43:46,360 --> 00:43:51,360
great certainty that this is a maze for the
concubines of the kingdom to play in,

454
00:43:51,360 --> 00:43:56,360
but since it's buried, they would have to
play another card.

455
00:43:56,360 --> 00:44:01,360
Oh, it's a mystery.

456
00:44:01,360 --> 00:44:06,360
Music

457
00:44:06,360 --> 00:44:11,360
Her personal conclusion, she believes, out of
all this,

458
00:44:11,360 --> 00:44:16,360
we are quite far from understanding much
about who the Khmer people were.

459
00:44:16,360 --> 00:44:21,360
Music

460
00:44:21,360 --> 00:44:26,360
Music

461
00:44:26,360 --> 00:44:31,360
Music

462
00:44:31,360 --> 00:44:36,360
Based on the ruins that she saw,

463
00:44:36,360 --> 00:44:41,360
she would say the Lord of the Khmer was
Shiva.

464
00:44:41,360 --> 00:44:46,360
Although there are deities and depictions of
all other Vedic gods,

465
00:44:46,360 --> 00:44:51,360
definitely the Shiva lingas, or the deities
of Shiva, outnumber them

466
00:44:51,360 --> 00:44:56,360
more, she believes.

467
00:44:56,360 --> 00:45:01,360
Out of all the highly questionable stories,
she states, with which the

468
00:45:01,360 --> 00:45:06,360
archaeologists clog our heads, particularly
distasteful, she finds, are their

469
00:45:06,360 --> 00:45:11,360
wild fantasies about the Khmer's.

470
00:45:11,360 --> 00:45:16,360
Music

471
00:45:16,360 --> 00:45:21,360
King Suryavarman must have built all this
because of wild superstition,

472
00:45:21,360 --> 00:45:26,360
and fear from this and that, she states, or
because he wanted to brag, or because he

473
00:45:26,360 --> 00:45:31,360
wanted to prove himself as this or that.

474
00:45:31,360 --> 00:45:36,360
Music

475
00:45:36,360 --> 00:45:41,360
This effort

476
00:45:41,360 --> 00:45:46,360
to use this impressive splendour of Agarwat,
which inspires

477
00:45:46,360 --> 00:45:51,360
in those who see it, to endorse sick ideas,
to poison people's minds

478
00:45:51,360 --> 00:45:56,360
by subtly and cunningly, that all rulers were
low quality people,

479
00:45:56,360 --> 00:46:01,360
she states, like the ones we have today.
Although in reality,

480
00:46:01,360 --> 00:46:06,360
she doesn't know who and when this amazing
complex of temples was built.

481
00:46:06,360 --> 00:46:11,360
Music

482
00:46:11,360 --> 00:46:16,360
Music

483
00:46:16,360 --> 00:46:21,360
Music

484
00:46:21,360 --> 00:46:26,360
Doesn't it make much more sense to suggest
that if they were self-centred in

485
00:46:26,360 --> 00:46:31,360
vain, they would have built harems and
palaces for their own use, instead of

486
00:46:31,360 --> 00:46:36,360
fashioning all these stone wonders for the
gods? Because that's what the

487
00:46:36,360 --> 00:46:41,360
temples are. They are abodes of the gods.

488
00:46:41,360 --> 00:46:46,360
Music

489
00:46:46,360 --> 00:46:51,360
Why don't they ever say

490
00:46:51,360 --> 00:46:56,360
these temples might have been built by the
righteous king who cared for his subjects,

491
00:46:56,360 --> 00:47:01,360
and that's why he built this paradise, she
believes.

492
00:47:01,360 --> 00:47:06,360
There is also the Vedic literature that makes
claim that there were lots of

493
00:47:06,360 --> 00:47:11,360
righteous and really noble Vedic kings.
That's when the Vedic system

494
00:47:11,360 --> 00:47:16,360
was actually functional, not like nowadays in
India, where we have a pale reflection

495
00:47:16,360 --> 00:47:21,360
rotten from the inside, she states.

496
00:47:21,360 --> 00:47:26,360
Music

497
00:47:26,360 --> 00:47:31,360
Shiva, the lord of the Kamiyas. Who is he,
she asks.

498
00:47:31,360 --> 00:47:36,360
The truth is that he is an aspect of

499
00:47:36,360 --> 00:47:41,360
a personality which is far beyond our scope
of understanding.

500
00:47:41,360 --> 00:47:46,360
Exactly like this small insect, for example,
has got a nervous system.

501
00:47:46,360 --> 00:47:51,360
Some sort of understanding of the environment
of the other creatures around it.

502
00:47:51,360 --> 00:47:56,360
It also feels and understands things to a
certain extent, but does it mean

503
00:47:56,360 --> 00:48:01,360
that it can feel or understand the
complexities of human life the way we...

504
00:48:01,360 --> 00:48:06,360
she asks. No, she states. It can never

505
00:48:06,360 --> 00:48:11,360
do that because it doesn't have the body
which is geared for such a purpose.

506
00:48:11,360 --> 00:48:16,360
If the soul of this insect gets born into a
human body,

507
00:48:16,360 --> 00:48:21,360
then it will be able to understand them. And
in the same way, since Shiva is

508
00:48:21,360 --> 00:48:26,360
an aspect of the supreme all-pervading
consciousness. Some people

509
00:48:26,360 --> 00:48:31,360
call the consciousness of God, for example,
or the supreme God.

510
00:48:31,360 --> 00:48:36,360
We can't comprehend that level of
consciousness with our current human body,...

511
00:48:36,360 --> 00:48:41,360
definitions of Shiva, which we may attempt to
give, may end up being very limited

512
00:48:41,360 --> 00:48:46,360
and partial, she states.

513
00:48:52,360 --> 00:48:57,360
But, yet on the other hand, we can describe
very well with our

514
00:48:57,360 --> 00:49:02,360
human capability the results from worshipping
Shiva.

515
00:49:02,360 --> 00:49:07,360
To describe them using very modern language,

516
00:49:07,360 --> 00:49:12,360
because she noticed by using traditional
terms, leads to misunderstandings due to

517
00:49:12,360 --> 00:49:17,360
such terms often coming from preloaded
religious connotations.

518
00:49:17,360 --> 00:49:22,360
By worshipping Shiva with sincerity,

519
00:49:22,360 --> 00:49:27,360
dedication and a clear understanding of what
you want, you will get

520
00:49:27,360 --> 00:49:32,360
connected to a specific cosmic energy which
will start flowing into your body.

521
00:49:39,360 --> 00:49:44,360
The physical changes they will make will be
rather slow, but the installation

522
00:49:44,360 --> 00:49:49,360
of a new operating system into your psyche
will be much faster.

523
00:49:49,360 --> 00:49:54,360
This operating system will not be like the
new operating systems

524
00:49:54,360 --> 00:49:59,360
that we get for our computers, which are
usually worse than the previous version, s...

525
00:50:03,360 --> 00:50:08,360
The new operating system from Shiva will
simply allow you to perceive

526
00:50:08,360 --> 00:50:13,360
more subtle levels of reality, which are
always there,

527
00:50:13,360 --> 00:50:18,360
but you didn't have the tools to see them.

528
00:50:19,360 --> 00:50:24,360
Hollywood has been brainwashing us for a long
time,

529
00:50:24,360 --> 00:50:29,360
and that spirituality is about believing in
nonsense,

530
00:50:29,360 --> 00:50:34,360
or things that don't have a separate
existence over their own outside of the...

531
00:50:40,360 --> 00:50:45,360
Millions have bought into this propaganda,
and that's why they imagine the spiritual...

532
00:50:45,360 --> 00:50:50,360
as irrational, stupid, ungrounded, believing
in nonsense.

533
00:51:03,360 --> 00:51:08,360
This is a very modern misunderstanding of
ancient spirituality

534
00:51:08,360 --> 00:51:13,360
that was exactly for those who understood our
reality better,

535
00:51:13,360 --> 00:51:18,360
who saw more than the others. And these types
of blessings

536
00:51:18,360 --> 00:51:23,360
were the Chimeric people receiving from
Shiva, their Lord,

537
00:51:23,360 --> 00:51:28,360
and that's why they lived in a society far
superior to ours, she believes.

538
00:51:30,360 --> 00:51:35,360
Perceiving more from the other layers of
existence is not something

539
00:51:35,360 --> 00:51:40,360
disconnected from anything. Perceiving more
from the other layers

540
00:51:40,360 --> 00:51:45,360
of existence is not something disconnected
from anything.

541
00:51:45,360 --> 00:51:50,360
We call practical in our lives, she believes.
Actually, it is the most practical thing

542
00:51:50,360 --> 00:51:55,360
because it can be used in manipulating the
events and circumstances within this very...

543
00:51:55,360 --> 00:52:00,360
that most people nowadays call reality. We
perceive it as a tangible reality.

544
00:52:00,360 --> 00:52:05,360
For the Chimer people, it was only the more
dense portion of reality, she states.

545
00:52:10,360 --> 00:52:15,360
Music

546
00:52:15,360 --> 00:52:20,360
Music

547
00:52:20,360 --> 00:52:25,360
Music

548
00:52:25,360 --> 00:52:30,360
Music

549
00:52:30,360 --> 00:52:35,360
Music

550
00:52:35,360 --> 00:52:40,360
Music

551
00:52:40,360 --> 00:52:45,360
Music

552
00:52:45,360 --> 00:52:50,360
Music

553
00:52:50,360 --> 00:52:55,360
Music

554
00:52:55,360 --> 00:53:00,360
Music

555
00:53:00,360 --> 00:53:05,360
Music

556
00:53:05,360 --> 00:53:10,360
Music

557
00:53:10,360 --> 00:53:15,360
Music

558
00:53:15,360 --> 00:53:20,360
Music

559
00:53:20,360 --> 00:53:25,360
Music

560
00:53:25,360 --> 00:53:30,360
Music

561
00:53:30,360 --> 00:53:35,360
Music

562
00:53:35,360 --> 00:53:40,360
Music

563
00:53:40,360 --> 00:53:45,360
Music

564
00:53:45,360 --> 00:53:50,360
Music

565
00:53:50,360 --> 00:53:55,360
Music

566
00:53:55,360 --> 00:54:00,360
Music

567
00:54:00,360 --> 00:54:05,360
Music

568
00:54:05,360 --> 00:54:10,360
Music

569
00:54:10,360 --> 00:54:15,360
Music

570
00:54:15,360 --> 00:54:20,360
Music

571
00:54:20,360 --> 00:54:25,360
Music

572
00:54:25,360 --> 00:54:30,360
Music

573
00:54:30,360 --> 00:54:35,360
Music

574
00:54:35,360 --> 00:54:40,360
Music

575
00:54:40,360 --> 00:54:45,360
Music

576
00:54:45,360 --> 00:54:50,360
Music

577
00:54:50,360 --> 00:54:55,360
Music

578
00:54:55,360 --> 00:55:00,360
Music

579
00:55:00,360 --> 00:55:05,360
Music

580
00:55:05,360 --> 00:55:10,360
Music

581
00:55:10,360 --> 00:55:15,360
Music

582
00:55:15,360 --> 00:55:20,360
Music

583
00:55:20,360 --> 00:55:25,360
Music

584
00:55:25,360 --> 00:55:30,360
Music

585
00:55:30,360 --> 00:55:35,360
Music

586
00:55:35,360 --> 00:55:40,360
Music

587
00:55:40,360 --> 00:55:45,360
Music

588
00:55:45,360 --> 00:55:50,360
Music

589
00:55:50,360 --> 00:55:55,360
Music

590
00:55:55,360 --> 00:56:00,360
Music

591
00:56:00,360 --> 00:56:05,360
Music

592
00:56:05,360 --> 00:56:10,360
Music

593
00:56:10,360 --> 00:56:15,360
Music

594
00:56:15,360 --> 00:56:20,360
Music

595
00:56:20,360 --> 00:56:25,360
Music

596
00:56:25,360 --> 00:56:30,360
Music

597
00:56:30,360 --> 00:56:35,360
Music

598
00:56:35,360 --> 00:56:40,360
Music

599
00:56:40,360 --> 00:56:45,360
Music

600
00:56:45,360 --> 00:56:50,360
Music

601
00:56:50,360 --> 00:56:55,360
Music

602
00:56:55,360 --> 00:57:00,360
Music

603
00:57:00,360 --> 00:57:05,360
Music

604
00:57:05,360 --> 00:57:10,360
Music

605
00:57:10,360 --> 00:57:15,360
Music

606
00:57:15,360 --> 00:57:20,360
Music

607
00:57:20,360 --> 00:57:25,360
Music

608
00:57:25,360 --> 00:57:30,360
Music

609
00:57:30,360 --> 00:57:35,360
Music

610
00:57:35,360 --> 00:57:40,360
Music

611
00:57:40,360 --> 00:57:45,360
Music

612
00:57:45,360 --> 00:57:50,360
Music

613
00:57:50,360 --> 00:57:55,360
Music

614
00:57:55,360 --> 00:58:00,360
Music

615
00:58:00,360 --> 00:58:05,360
Music

616
00:58:05,360 --> 00:58:10,360
Music

617
00:58:10,360 --> 00:58:15,360
Music

618
00:58:15,360 --> 00:58:20,360
Music

619
00:58:20,360 --> 00:58:25,360
Music

620
00:58:25,360 --> 00:58:30,360
Music

621
00:58:30,360 --> 00:58:35,360
Music

622
00:58:35,360 --> 00:58:40,360
Music

623
00:58:55,360 --> 00:59:00,360
Music