1
00:01:30,000 --> 00:01:42,080
The idea that some ancient civilizations had high technology and engineering, much

2
00:01:42,080 --> 00:01:45,120
as we do today, fascinated me.

3
00:01:45,120 --> 00:01:49,080
So I enlisted the help of British engineer Christopher Dunn.

4
00:01:49,160 --> 00:01:54,160
Before we met in Egypt, I visited him at the Danville Metal Stamping Plant.

5
00:01:54,160 --> 00:02:07,160
OK, we move beyond now what it takes to actually cut something.

6
00:02:07,160 --> 00:02:09,600
How were they checking it?

7
00:02:09,600 --> 00:02:11,640
How were they guiding that tool?

8
00:02:11,640 --> 00:02:16,440
Because obviously they had to have had some metrology instruments.

9
00:02:16,800 --> 00:02:22,800
They had to engage metrology instruments to be able to verify that they were maintaining

10
00:02:22,800 --> 00:02:27,800
parallelism between this surface and the opposing surface right there.

11
00:02:27,800 --> 00:02:36,800
And you just don't get that by line of sight or saying, you know, we'll get Joe on the

12
00:02:36,800 --> 00:02:38,800
job today because he's got really good eyesight.

13
00:02:38,800 --> 00:02:39,800
Yeah.

14
00:02:39,800 --> 00:02:45,800
Now, see, I could go with some of that in small grooves and stuff like you're saying

15
00:02:46,160 --> 00:02:48,160
there, but that one...

16
00:02:48,160 --> 00:02:54,160
I mean, and so basically the conclusion on these artifacts and a lot of the other artifacts

17
00:02:54,160 --> 00:02:59,160
that we look at is, you know, they were using tools that no longer exist.

18
00:02:59,160 --> 00:03:02,160
They're not in the archaeological record anymore.

19
00:03:02,160 --> 00:03:05,160
They do not exist anyway.

20
00:03:05,160 --> 00:03:09,160
And so then the question is, OK, what are the minimum requirements?

21
00:03:09,520 --> 00:03:16,520
What's the minimum tooling level or technology, if you will, to be able to do this?

22
00:03:18,520 --> 00:03:27,520
And this is the most striking example where people just go, whoa, because for you as

23
00:03:27,640 --> 00:03:37,640
an engineer and also an expert machinist, corners, inside corners, mean something to

24
00:03:37,640 --> 00:03:38,640
you, right?

25
00:03:39,120 --> 00:03:40,120
Yeah.

26
00:03:42,120 --> 00:03:47,120
Five-thirty seconds of an inch inside corner on those boxes, top to bottom.

27
00:03:47,120 --> 00:03:49,120
Now, that photographs a little blood.

28
00:03:49,120 --> 00:03:52,120
Now, that's not two pieces coming together.

29
00:03:52,120 --> 00:03:53,120
No.

30
00:03:53,120 --> 00:03:54,120
No.

31
00:03:54,120 --> 00:03:57,120
That's just a square granite fillet.

32
00:03:57,120 --> 00:03:59,120
Solid block.

33
00:03:59,120 --> 00:04:02,120
Consistent all the way down.

34
00:04:02,600 --> 00:04:03,600
Yeah.

35
00:04:05,600 --> 00:04:09,600
And why would they really have to be so precise is what blows my mind.

36
00:04:09,600 --> 00:04:14,600
Now, this is how they would, you know, conventionally they would say this is how they built something

37
00:04:14,600 --> 00:04:15,600
like that.

38
00:04:15,600 --> 00:04:22,600
And then for squaring something off, of course, you know, the way a carbon tool is squared

39
00:04:22,600 --> 00:04:31,600
a frame, obviously measured from corner to corner, which is a low tech compared to a

40
00:04:32,080 --> 00:04:34,080
what we have here.

41
00:04:36,080 --> 00:04:39,080
And you can't verify that with a piece of string.

42
00:04:39,080 --> 00:04:44,080
I mean, you know, that kind of precision, you can't verify with a piece of string.

43
00:04:44,080 --> 00:04:46,080
So that's what we're faced with.

44
00:04:46,080 --> 00:04:47,080
And there's not just one there.

45
00:04:47,080 --> 00:04:49,080
It's not like they got lucky on one box.

46
00:04:49,080 --> 00:04:54,080
There's over twenty of them in this facility, down in the rock tunnels at the Serapion,

47
00:04:54,080 --> 00:04:57,080
near the Saqqara in Egypt.

48
00:04:57,560 --> 00:05:02,560
So I'm back to they had, like you mentioned earlier, they had hundreds and hundreds of

49
00:05:02,560 --> 00:05:07,560
people spending hours and days and months and years doing this stuff.

50
00:05:07,560 --> 00:05:14,560
But let me take you back to the historical information on the Serapion.

51
00:05:14,560 --> 00:05:15,560
Okay.

52
00:05:15,560 --> 00:05:19,560
You know what they were supposed to be using for those boxes?

53
00:05:19,560 --> 00:05:24,560
They were burying the Apis bull, which was a revered animal.

54
00:05:24,560 --> 00:05:25,560
Okay.

55
00:05:26,040 --> 00:05:29,040
The Apis bull's lifespan is supposed to be 28 years.

56
00:05:29,040 --> 00:05:36,040
And they say that when an Apis bull was selected, they would start building his burial tomb.

57
00:05:36,040 --> 00:05:37,040
This is Egyptologists.

58
00:05:37,040 --> 00:05:38,040
Is that what they say?

59
00:05:38,040 --> 00:05:39,040
Okay.

60
00:05:39,040 --> 00:05:42,040
So 28 years.

61
00:05:42,040 --> 00:05:53,040
Now, they've also done some time studies on how fast they can remove granite using the

62
00:05:53,520 --> 00:05:55,520
ancient Egyptian tools.

63
00:05:55,520 --> 00:05:56,520
Okay.

64
00:05:56,520 --> 00:06:03,520
Now, you use the material removal ray of the old methods and the bulls run out by the time.

65
00:06:06,040 --> 00:06:12,040
You know, using the maximum number of workers that you can actually get in the work site.

66
00:06:12,040 --> 00:06:17,040
And you're not talking 28 years, you're talking 50 plus years.

67
00:06:17,040 --> 00:06:19,480
And that's just roughing the bloody thing out.

68
00:06:19,480 --> 00:06:22,480
That's not even lapping it.

69
00:06:23,480 --> 00:06:27,480
So now, we're talking power tools, right?

70
00:06:27,480 --> 00:06:28,480
Exactly.

71
00:06:28,480 --> 00:06:29,480
Okay, right.

72
00:06:29,480 --> 00:06:30,480
Exactly.

73
00:06:30,480 --> 00:06:35,480
From what I'm seeing, I'm looking at that picture and there's tool marks on it.

74
00:06:35,480 --> 00:06:39,920
Anything we machine, though most of what we machine, there are tool marks.

75
00:06:39,920 --> 00:06:43,080
You just don't see them because they're so minute.

76
00:06:43,080 --> 00:06:47,480
But also because of the feed of the tool.

77
00:06:47,480 --> 00:06:50,080
It controls that surface finish.

78
00:06:50,080 --> 00:06:54,480
If you plow down through a piece of any kind of material, you're going to have a rougher

79
00:06:54,480 --> 00:06:56,380
surface.

80
00:06:56,380 --> 00:07:01,800
If you go slower, the feed rate's slower, the RPMs are faster, you're going to have

81
00:07:01,800 --> 00:07:04,240
a nicer, smoother finish.

82
00:07:04,240 --> 00:07:10,360
So this blows me out of the water a little bit because of those tool marks.

83
00:07:10,360 --> 00:07:13,280
That's telling me they wasted no time cutting through this thing.

84
00:07:13,280 --> 00:07:14,280
Okay, it's really bad.

85
00:07:14,280 --> 00:07:16,880
Now, I've been talking lapping and all this.

86
00:07:16,880 --> 00:07:21,960
This is a feed rate of 100,000 per evolution, which it would be difficult to achieve on

87
00:07:21,960 --> 00:07:27,760
aluminum using cowbite tools, let alone in granite.

88
00:07:27,760 --> 00:07:36,120
So basically, what you're looking at is something that is only explained if you consider

89
00:07:36,120 --> 00:07:39,920
non-conventional types of machining.

90
00:07:39,920 --> 00:07:45,980
My first impression was, with very little historical background, that all this was done

91
00:07:46,060 --> 00:07:47,060
by hand.

92
00:07:47,060 --> 00:07:53,580
It was lapping and chiseling and took many hours, days, weeks.

93
00:07:53,580 --> 00:07:57,180
Took a large amount of time.

94
00:07:57,180 --> 00:08:05,180
But after looking at some of the granite that I've seen, I question if it was even feasible

95
00:08:05,180 --> 00:08:06,180
to do by hand.

96
00:08:06,180 --> 00:08:10,980
And it kind of leads me into directions of thinking about the application of machine

97
00:08:10,980 --> 00:08:15,980
tools, for lack of a better, some time ago.

98
00:08:24,980 --> 00:08:33,980
I think all the evidence in Egypt indicates that there was a high civilization in prehistory.

99
00:08:33,980 --> 00:08:40,260
Now, when we look at the tools and the technology available to the ancient Egypt, we have to

100
00:08:40,260 --> 00:08:45,780
consider that the culture that built the pyramid, that built all these other monuments,

101
00:08:45,780 --> 00:08:52,260
was far older, because the tools do not exist for that particular epoch.

102
00:08:54,260 --> 00:08:59,260
It doesn't matter what site you go to in Egypt, whether it's Abou Goura, Bab al-Rouache,

103
00:08:59,260 --> 00:09:03,260
whether you're going to the temples in Upper Egypt.

104
00:09:03,260 --> 00:09:09,260
There's always some signature of technology.

105
00:09:09,260 --> 00:09:15,260
And that signature is actually the machine tools that were used and the marks that they

106
00:09:15,260 --> 00:09:16,260
left in the stone.

107
00:09:16,260 --> 00:09:23,260
And those marks are not just the cutting marks, but the geometry of the stone.

108
00:09:23,260 --> 00:09:33,260
I don't think it's an exaggeration to assume that a culture that has the genius to devise

109
00:09:33,260 --> 00:09:42,260
these wonderful miracles of engineering, limited that expertise and genius with just

110
00:09:42,260 --> 00:09:44,260
the design of the product.

111
00:09:44,260 --> 00:09:49,260
They had to have had the tools to match the job.

112
00:10:03,260 --> 00:10:21,260
According to Chris's theory, the ancients not only had electricity, but they had power

113
00:10:21,260 --> 00:10:23,260
tools as well.

114
00:10:23,260 --> 00:10:33,260
Chris shares my interest in ancient technology, so I had him take me around Giza for a day

115
00:10:33,260 --> 00:10:36,260
to look at things from an engineer's perspective.

116
00:10:36,260 --> 00:10:53,260
One of the great mysteries of the past is the enigma of the colossal cities of the

117
00:10:53,260 --> 00:10:54,260
ancients.

118
00:10:54,260 --> 00:11:05,260
How were they able to quarry and move these giant granite blocks?

119
00:11:05,260 --> 00:11:10,260
Many of these stones are extremely hard and difficult to cut, such as basalt and granite.

120
00:11:10,260 --> 00:11:15,260
How did the Egyptians build these complex geometric wonders?

121
00:11:15,260 --> 00:11:21,260
Did they use brute force or some kind of high technology?

122
00:11:21,260 --> 00:11:34,260
So what we found here on the Giza Plateau is one of these granite blocks that's been

123
00:11:34,260 --> 00:11:37,260
contoured.

124
00:11:37,260 --> 00:11:48,260
Chris is going to check it with his precision tools to see if there's some indication of

125
00:11:48,260 --> 00:11:52,260
modern machining techniques here on the granite.

126
00:11:52,260 --> 00:11:59,260
What we have here is a prime example of modern machining.

127
00:11:59,260 --> 00:12:06,260
We have a contour, not a true radius, but it's a contour.

128
00:12:06,260 --> 00:12:10,260
And the contour is precise.

129
00:12:10,260 --> 00:12:18,260
If you look at the gauge, the surface gauge, you'll see that there's very little light

130
00:12:18,260 --> 00:12:22,260
that's showing between the interface and the granite.

131
00:12:22,260 --> 00:12:31,260
The gauge is accurate to within one ten thousandths of an inch, which is one twentieth the thickness

132
00:12:31,260 --> 00:12:32,260
of a human hair.

133
00:12:32,260 --> 00:12:33,260
Wow.

134
00:12:33,260 --> 00:12:34,260
Yeah.

135
00:12:34,260 --> 00:12:38,260
It's very uniform, then.

136
00:12:38,260 --> 00:12:39,260
It's very uniform.

137
00:12:39,260 --> 00:12:52,260
There's some imperfections, but probably if I was to estimate how precise it was, I would

138
00:12:52,260 --> 00:12:59,260
say from five thousandths of an inch, which is quite remarkable, really.

139
00:12:59,260 --> 00:13:00,260
Okay, really, yeah.

140
00:13:00,260 --> 00:13:01,260
Yeah.

141
00:13:01,260 --> 00:13:04,260
Over that entire contour.

142
00:13:04,260 --> 00:13:15,260
Now, the features of this stone, you have this radius here that blends into, it's almost

143
00:13:15,260 --> 00:13:20,260
like it goes straight into the blend radius at the face.

144
00:13:20,260 --> 00:13:21,260
Okay.

145
00:13:21,260 --> 00:13:22,260
Okay.

146
00:13:22,260 --> 00:13:28,260
So, obviously, I mean, you know, you look at this, you can't, you can say, there's no

147
00:13:28,260 --> 00:13:31,260
way you could turn it on a lathe to achieve a true radius.

148
00:13:31,260 --> 00:13:41,260
So, they had to have, had a means of replicating that contour with precision over the entire

149
00:13:41,260 --> 00:13:42,260
length of the block.

150
00:13:42,260 --> 00:13:43,260
Okay.

151
00:13:43,260 --> 00:13:44,260
And how would you do that?

152
00:13:44,260 --> 00:13:51,260
Well, today, we would do it with a, like a CNC machine, or we could do it with a, in

153
00:13:51,260 --> 00:13:56,260
the old days, in machine shops, we'd do it with a profiler, where you'd actually follow

154
00:13:56,260 --> 00:14:02,260
a template with a rotating tool or a vibrating tool.

155
00:14:02,260 --> 00:14:03,260
Okay.

156
00:14:03,260 --> 00:14:13,260
And continue that, step it over, and continue that contour with precision right to the

157
00:14:13,260 --> 00:14:14,260
end.

158
00:14:14,260 --> 00:14:24,260
Now, this is where it becomes interesting, because you need to get a really good shot

159
00:14:24,260 --> 00:14:26,260
of this corner.

160
00:14:26,260 --> 00:14:27,260
Okay.

161
00:14:27,260 --> 00:14:36,260
So, now, what we have here is something very, what we recognize in modern manufacturing

162
00:14:36,260 --> 00:14:41,260
as a, actually, it's an engineered or designed feature.

163
00:14:41,260 --> 00:14:53,260
If you want to marry or fit an object with a sharp corner with a face, and also be able

164
00:14:53,260 --> 00:14:59,260
to use a tool to create this, that has greater rigidity and stability.

165
00:14:59,260 --> 00:15:06,260
So, you'd use a larger tool, and this is done with a ball, like a ball radius tool, a ball

166
00:15:06,260 --> 00:15:07,260
end mill.

167
00:15:07,260 --> 00:15:14,260
So, this radius would have been done with a ball end mill, or what we call a ball end

168
00:15:15,260 --> 00:15:24,260
where you have a, the bottom of the tool is actually shaped like a ball, half a ball.

169
00:15:24,260 --> 00:15:31,260
But the really interesting part of that is this relief, the way it comes down.

170
00:15:31,260 --> 00:15:32,260
The undercutting.

171
00:15:32,260 --> 00:15:35,260
Right, the undercutting and this groove right here.

172
00:15:35,260 --> 00:15:41,260
And as you can see, you have the larger radius here, but anything that would fit up against

173
00:15:41,260 --> 00:15:44,260
it could have a smaller radius.

174
00:15:44,260 --> 00:15:45,260
Okay.

175
00:15:45,260 --> 00:15:48,260
So, that is a unique feature.

176
00:15:48,260 --> 00:15:53,260
Now, the other thing is the size of the radius.

177
00:15:53,260 --> 00:15:54,260
Okay.

178
00:15:54,260 --> 00:15:58,260
So, that is going to require another tool.

179
00:15:58,260 --> 00:16:06,260
So, if you were just bashing this out with a Dolarite ball, you wouldn't have this undercutting

180
00:16:06,260 --> 00:16:07,260
like that.

181
00:16:07,260 --> 00:16:12,260
Well, actually, they wouldn't have bashed this out and achieved this.

182
00:16:12,260 --> 00:16:15,260
They could never have bashed this out and achieved this.

183
00:16:15,260 --> 00:16:16,260
No.

184
00:16:16,260 --> 00:16:17,260
No.

185
00:16:17,260 --> 00:16:18,260
No.

186
00:16:18,260 --> 00:16:23,260
There's the, I'm going to melt this, that again.

187
00:16:23,260 --> 00:16:24,260
There, there, nice.

188
00:16:24,260 --> 00:16:29,260
I'm going to melt this forming wax and press it into the corner.

189
00:16:37,260 --> 00:16:44,260
And I, actually, yeah, that looks good.

190
00:16:44,260 --> 00:16:51,260
I've actually done that previously, so that already had the shape of the radius.

191
00:16:51,260 --> 00:16:55,260
So, now you've, okay, now you've got a form, a wax form of the radius, and you can use

192
00:16:55,260 --> 00:16:58,260
that to check the consistency of the radius.

193
00:16:58,260 --> 00:16:59,260
Correct.

194
00:17:00,260 --> 00:17:11,260
And so, if you check this radius, even in this corner, okay, where you have one, two,

195
00:17:11,260 --> 00:17:26,260
three surfaces actually meeting, and if I slide it along that radius, we get the, pretty

196
00:17:26,260 --> 00:17:35,260
much the same radius, except for this flat part, because the, evidently, it came out,

197
00:17:35,260 --> 00:17:40,260
or there's a, I think there must be a larger radius there, but when you get down into

198
00:17:40,260 --> 00:17:45,260
here, let me look at that.

199
00:17:45,260 --> 00:17:46,260
Yeah.

200
00:17:49,260 --> 00:17:55,260
So, you have a consistent radius, and, you know, the question is, for something like

201
00:17:55,260 --> 00:18:04,260
this, why, to get something even remotely close to a perfect radius, it would take

202
00:18:04,260 --> 00:18:12,260
a tremendous amount of time by hand, but then to replicate that along the length of the

203
00:18:12,260 --> 00:18:13,260
block.

204
00:18:13,260 --> 00:18:19,260
Right, to keep it so uniform is just so much effort to do that.

205
00:18:19,260 --> 00:18:20,260
Right.

206
00:18:20,260 --> 00:18:24,260
But if you're using some kind of machining tool, it would happen naturally.

207
00:18:24,260 --> 00:18:26,260
You couldn't do it in the other way.

208
00:18:26,260 --> 00:18:27,260
That is correct.

209
00:18:27,260 --> 00:18:28,260
Yeah.

210
00:18:28,260 --> 00:18:29,260
That is correct.

211
00:18:29,260 --> 00:18:35,260
We have the other half, or not a half, but the portion of the block that has been broken

212
00:18:35,260 --> 00:18:36,260
off.

213
00:18:36,260 --> 00:18:44,260
Evidently, they took the end off, and it doesn't have the same features, but the basic geometry

214
00:18:44,260 --> 00:18:56,260
is the same, and the radius, as you slide it down, radius is fairly close.

215
00:18:56,260 --> 00:19:05,260
There's, obviously, there's going to be some imperfection, but.

216
00:19:05,260 --> 00:19:20,260
That's a precision radius gauge, 1532nds radius.

217
00:19:20,260 --> 00:19:29,260
See, that's incredible.

218
00:19:30,260 --> 00:19:38,260
That speaks volumes, to find something like that on something so ancient.

219
00:19:38,260 --> 00:19:46,260
I would have to use a modern instrument, or a modern gauge, to check its precision.

220
00:19:46,260 --> 00:19:51,260
Well, would a millimeter gauge also, it doesn't matter whether it's inches or millimeters.

221
00:19:51,260 --> 00:19:53,260
No, no, a radius is a radius.

222
00:19:53,260 --> 00:19:54,260
A radius is a radius, right.

223
00:19:54,260 --> 00:20:02,260
And so, you have the whole thing of the pyramid inch, and them using those measurements,

224
00:20:02,260 --> 00:20:04,260
but that's not what you're looking at.

225
00:20:04,260 --> 00:20:09,260
No, no, no, it doesn't matter whether it's inches, millimeters, cubits, whatever, pyramid

226
00:20:09,260 --> 00:20:10,260
inches.

227
00:20:10,260 --> 00:20:12,260
A length is a length, a radius is a radius.

228
00:20:12,260 --> 00:20:15,260
Right, I mean, it's the consistency and accuracy of it.

229
00:20:15,260 --> 00:20:22,260
Of course, you know, this is not quantitative in it, by any means, because for that, you'd

230
00:20:22,260 --> 00:20:29,260
really need to have some measuring instruments to check coordinates on it.

231
00:20:29,260 --> 00:20:39,260
Today, we would use a CMM machine, a computer, I mean, a coordinate measuring machine, and

232
00:20:39,260 --> 00:20:41,260
check it that way.

233
00:20:41,260 --> 00:20:52,260
But, no, of course, you know, the other part of it is that if you had a precise template,

234
00:20:52,260 --> 00:21:00,260
and you fit it to the template, then you could have that, you could create that contour.

235
00:21:00,260 --> 00:21:04,260
The evidence of machine work is in this block, it's in other blocks.

236
00:21:04,260 --> 00:21:08,260
The mountain of evidence that we find is in the Serapin.

237
00:21:08,260 --> 00:21:09,260
Okay.

238
00:21:09,260 --> 00:21:11,260
In those giant granite boxes.

239
00:21:11,260 --> 00:21:17,260
And it's kind of these inside corners that are so difficult to make without machine tools,

240
00:21:17,260 --> 00:21:18,260
right?

241
00:21:18,260 --> 00:21:20,260
I mean, is that kind of what...

242
00:21:20,260 --> 00:21:25,260
Yeah, I mean, this is not done with a dollar I found.

243
00:21:25,260 --> 00:21:28,260
Or a chisel, for that matter.

244
00:21:28,260 --> 00:21:32,260
You wouldn't, no, no, no, not a chisel.

245
00:21:32,260 --> 00:21:33,260
Not a chisel.

246
00:21:33,260 --> 00:21:41,260
So you have to ask yourself, why would they even want some curved piece of granite like

247
00:21:41,260 --> 00:21:46,260
this, and then go through the effort to actually create it?

248
00:21:46,260 --> 00:21:49,260
Well, that's a question that I've asked myself.

249
00:21:49,260 --> 00:21:54,260
And it is the obvious question, is why would they do that?

250
00:21:54,260 --> 00:22:04,260
Because it doesn't resemble anything that would fit with a statue or...

251
00:22:04,260 --> 00:22:07,260
It's obviously for construction.

252
00:22:07,260 --> 00:22:14,260
But in construction, we don't work with this kind of precision.

253
00:22:14,260 --> 00:22:16,260
Okay, yeah, all right.

254
00:22:16,260 --> 00:22:21,260
And there's another piece of evidence that we'll look at down near the Valley Temple,

255
00:22:21,260 --> 00:22:24,260
on the south side of the Valley Temple.

256
00:22:45,260 --> 00:22:50,260
Of the seven wonders of the ancient world, there's only one left.

257
00:22:50,260 --> 00:22:53,260
And that's the great pyramids of Giza.

258
00:22:53,260 --> 00:22:56,260
What secrets do they hold?

259
00:23:01,260 --> 00:23:10,260
And what we see here is basalt paving blocks on the southern side of the pyramid.

260
00:23:10,260 --> 00:23:12,260
But here we find something curious.

261
00:23:12,260 --> 00:23:18,260
We see actually saw marks here in the basalt.

262
00:23:18,260 --> 00:23:27,260
And in fact, this big saw mark here is going far behind inside this block.

263
00:23:27,260 --> 00:23:33,260
I mean, it would appear to be modern sawing.

264
00:23:33,260 --> 00:23:40,260
However, apparently this was done not in modern times, but in ancient times.

265
00:23:40,260 --> 00:23:52,260
And yet, looking at this cut, it must have been made by something like a machine tool and a diamond saw.

266
00:23:52,260 --> 00:23:58,260
This is not something that could have been made with crude tools like copper chisels.

267
00:23:58,260 --> 00:24:00,260
Here we also see saw cuts.

268
00:24:00,260 --> 00:24:08,260
And we can see a saw cut right here along the edge of this basalt block.

269
00:24:08,260 --> 00:24:12,260
This too appears to be done with some kind of a modern tool.

270
00:24:12,260 --> 00:24:16,260
Yet this cut was apparently done in ancient times.

271
00:24:19,260 --> 00:24:23,260
Were modern construction techniques used in the building of the pyramids,

272
00:24:23,260 --> 00:24:27,260
or were they built with stone balls and copper chisels?

273
00:24:29,260 --> 00:24:35,260
Well, we know that there's been cataclysms in history, prehistory.

274
00:24:35,260 --> 00:24:38,260
I don't think that nobody can argue that.

275
00:24:38,260 --> 00:24:49,260
The only thing that argues against it is some of the conventional evidence, archaeological evidence, for the time period of the pyramids.

276
00:24:49,260 --> 00:24:58,260
But if you look into that time period that's ascribed for the building of the pyramids, you don't find the tools.

277
00:24:58,260 --> 00:25:01,260
There are nowhere to be found.

278
00:25:01,260 --> 00:25:04,260
And I believe you have to go back earlier.

279
00:25:04,260 --> 00:25:12,260
There has to be an earlier civilization that suffered a huge cataclysm, totally wiped off the face of the planet.

280
00:25:12,260 --> 00:25:14,260
Okay.

281
00:25:14,260 --> 00:25:19,260
Interesting here, this hole is kind of like the doors of Mount Jibouti.

282
00:25:19,260 --> 00:25:21,260
Mm-hmm.

283
00:25:25,260 --> 00:25:27,260
Yeah, that's cool.

284
00:25:42,260 --> 00:25:49,260
So here at the pyramid of Abu Rawash, not many tourists come to this when it's on top of a mountain

285
00:25:49,260 --> 00:25:56,260
and appears to have been buried in some kind of a

286
00:25:56,260 --> 00:25:59,260
grave or some kind of a grave.

287
00:25:59,260 --> 00:26:02,260
And so this is the pyramid.

288
00:26:02,260 --> 00:26:04,260
And this is the pyramid.

289
00:26:04,260 --> 00:26:06,260
And this is the pyramid.

290
00:26:06,260 --> 00:26:14,260
It's on top of a mountain and appears to have been buried in some kind of a landslide or something.

291
00:26:36,260 --> 00:26:46,260
Yeah, this is like a rock-cut ramp right through a solid mountain.

292
00:26:46,260 --> 00:26:51,260
Yeah, this is like a rock-cut ramp right through a solid mountain.

293
00:26:51,260 --> 00:26:56,260
And then they've lined it with large limestone blocks.

294
00:26:56,260 --> 00:26:59,260
Like the entrance here to a pyramid.

295
00:26:59,260 --> 00:27:01,260
Wow.

296
00:27:02,260 --> 00:27:07,260
One of the alternative theories on building the pyramids,

297
00:27:07,260 --> 00:27:12,260
one that's been proposed by a French chemist named Joseph Davidovitz,

298
00:27:12,260 --> 00:27:16,260
is that the pyramids are actually poured into place.

299
00:27:16,260 --> 00:27:21,260
And the blocks are a form of molecular concrete.

300
00:27:21,260 --> 00:27:27,260
We know that the Egyptians used a form of concrete, the Romans used a form of concrete,

301
00:27:27,260 --> 00:27:30,260
the Mayans used a form of concrete.

302
00:27:30,260 --> 00:27:34,260
And here at Abu Ruwaash, just outside of Giza,

303
00:27:34,260 --> 00:27:39,260
we're also seeing the extensive use of concrete.

304
00:27:46,260 --> 00:27:54,260
There is extensive granite down here inside the pit of the pyramid of Abu Ruwaash.

305
00:27:54,260 --> 00:27:57,260
And granite is not found here at Giza.

306
00:27:57,260 --> 00:28:03,260
So any granite is coming from the Aswan quarries, which are 500 miles to the south.

307
00:28:03,260 --> 00:28:10,260
Chris is saying that there must have been a roof over this giant pit at one time.

308
00:28:10,260 --> 00:28:12,260
You can see part of it.

309
00:28:12,260 --> 00:28:20,260
But there would have been apparently massive stones, lentils spanning this roof.

310
00:28:20,260 --> 00:28:22,260
Must have been huge.

311
00:28:27,260 --> 00:28:55,260
Here's a very interesting granite slab here at Abu Ruwaash.

312
00:28:55,260 --> 00:29:01,260
It shows all the indications of having been cut with a modern saw.

313
00:29:01,260 --> 00:29:12,260
It's been smoothed and you can see, in fact, the saw marks on the block.

314
00:29:12,260 --> 00:29:17,260
Well, you know what, David?

315
00:29:17,260 --> 00:29:24,260
There are certain features to this that really don't lend to the theory that it was sawn.

316
00:29:24,260 --> 00:29:25,260
Really?

317
00:29:25,260 --> 00:29:27,260
Yeah.

318
00:29:27,260 --> 00:29:31,260
You see this cut right here where the cut ends?

319
00:29:31,260 --> 00:29:32,260
Yeah.

320
00:29:32,260 --> 00:29:33,260
Okay.

321
00:29:33,260 --> 00:29:35,260
Well, it's on a radius.

322
00:29:35,260 --> 00:29:37,260
All right.

323
00:29:37,260 --> 00:29:40,260
And it goes this way.

324
00:29:40,260 --> 00:29:42,260
So it's very large radius.

325
00:29:42,260 --> 00:29:43,260
Okay.

326
00:29:43,260 --> 00:29:45,260
It's arcing that way.

327
00:29:45,260 --> 00:29:47,260
It's arcing like that.

328
00:29:47,260 --> 00:29:48,260
All right.

329
00:29:48,260 --> 00:29:51,260
Now, if you're going to be using a saw, you won't get that.

330
00:29:51,260 --> 00:29:52,260
It'll be impossible.

331
00:29:52,260 --> 00:29:53,260
It would be impossible.

332
00:29:53,260 --> 00:30:00,260
If you're sawing from here to here, regardless of what you use, it would be impossible.

333
00:30:00,260 --> 00:30:04,260
Whatever cut that had a radius to it.

334
00:30:04,260 --> 00:30:08,260
Now, the question is, is it a true radius?

335
00:30:08,260 --> 00:30:09,260
What size is it?

336
00:30:09,260 --> 00:30:16,260
Obviously, it's quite huge because, you know, it probably goes up to that radius.

337
00:30:16,260 --> 00:30:22,260
So what kind of a tool would you say would be used to cut that then?

338
00:30:22,260 --> 00:30:34,260
Well, I mean, I've seen similar features in a machine shop.

339
00:30:34,260 --> 00:30:35,260
Okay.

340
00:30:35,260 --> 00:30:36,260
All right.

341
00:30:36,260 --> 00:30:38,260
And that's another feature on this.

342
00:30:38,260 --> 00:30:45,260
If you have a, like a milling cutter, a very large milling cutter, and it's tilted on an angle,

343
00:30:45,260 --> 00:30:51,260
then you're going to cut a large radius on the surface.

344
00:30:51,260 --> 00:30:55,260
Okay.

345
00:30:55,260 --> 00:30:56,260
Actually, you cut it more of an ellipse.

346
00:30:56,260 --> 00:31:02,260
But, you know, if you're covering the area enough, then it's going to appear like a radius.

347
00:31:02,260 --> 00:31:17,260
In fact, there are calculations used in tool and die making that give you the angle, the tilt of your tool

348
00:31:17,260 --> 00:31:23,260
associated with the diameter of the tool that will give you a specific radius.

349
00:31:23,260 --> 00:31:24,260
Okay.

350
00:31:24,260 --> 00:31:25,260
Yeah.

351
00:31:25,260 --> 00:31:29,260
I mean, this is remarkable because it has all those features.

352
00:31:29,260 --> 00:31:41,260
Now, okay, forgetting that, if we come back to this particular object, what tool actually created this?

353
00:31:41,260 --> 00:31:53,260
That to me is, I don't know of any primitive method that would create that.

354
00:31:53,260 --> 00:32:10,260
The, we have a feature right here where evidently there was, it came into a particular area and then it went off track.

355
00:32:10,260 --> 00:32:16,260
So they lifted it up and proceeded on because you've got a ridge there.

356
00:32:16,260 --> 00:32:17,260
Yeah.

357
00:32:17,260 --> 00:32:18,260
Right?

358
00:32:18,260 --> 00:32:19,260
Yeah.

359
00:32:19,260 --> 00:32:20,260
Yeah.

360
00:32:20,260 --> 00:32:21,260
You can see it.

361
00:32:21,260 --> 00:32:22,260
Yeah.

362
00:32:22,260 --> 00:32:23,260
So they were starting to cut it.

363
00:32:23,260 --> 00:32:24,260
Right.

364
00:32:24,260 --> 00:32:25,260
Okay.

365
00:32:25,260 --> 00:32:34,260
But the interesting thing is when you look at the striations on the block, because you can see them right here,

366
00:32:34,260 --> 00:32:42,260
it does appear that it was a tool that was radius.

367
00:32:42,260 --> 00:32:52,260
Well, of course, one could argue that they used a saw that was somehow curved

368
00:32:52,260 --> 00:32:59,260
and, you know, had one fellow on one side, another fellow on the other, and they were just doing this business.

369
00:32:59,260 --> 00:33:05,260
But the problem with that is, how did it create this curve here?

370
00:33:05,260 --> 00:33:07,260
Uh-huh.

371
00:33:07,260 --> 00:33:15,260
And so if we take this straight edge, you'll see that there's light in the center.

372
00:33:15,260 --> 00:33:16,260
Uh-huh. Right.

373
00:33:16,260 --> 00:33:17,260
Okay.

374
00:33:17,260 --> 00:33:19,260
So it's slightly dished out.

375
00:33:19,260 --> 00:33:20,260
It's slightly dished out.

376
00:33:20,260 --> 00:33:35,260
And as you track across the surface, that light does not go away, nor does it change much.

377
00:33:35,260 --> 00:33:36,260
Fascinating.

378
00:33:36,260 --> 00:33:51,260
So, I mean, in the mainstream Egyptology explanations of bashing this out with a stone, using copper chisels,

379
00:33:51,260 --> 00:33:56,260
that would be impossible in your mind to create this.

380
00:33:56,260 --> 00:33:59,260
Well, you wouldn't create something like that, bashing it out.

381
00:33:59,260 --> 00:34:03,260
There have been some experimental tests.

382
00:34:03,260 --> 00:34:12,260
There has been experimental work done where they have cut granite using a copper saw and hand.

383
00:34:12,260 --> 00:34:19,260
But to the extent that they would actually create something like this is quite remarkable.

384
00:34:19,260 --> 00:34:24,260
Not only that, look at this. You know, the size of it. That's quite a large saw.

385
00:34:24,260 --> 00:34:25,260
This is a very interesting block.

386
00:34:25,260 --> 00:34:38,260
I mean, and so in your mind, this is evidence of modern type of machining, advanced machining, but done in ancient times.

387
00:34:38,260 --> 00:34:55,260
I would say that if we were looking for evidence of ancient methods, I wouldn't expect to see this.

388
00:34:55,260 --> 00:35:00,260
If I was in a modern machine shop, this would not surprise me.

389
00:35:00,260 --> 00:35:11,260
You know, with this fascinating block of granite that appears to be sliced by a giant diamond saw,

390
00:35:11,260 --> 00:35:20,260
this is the kind of thing that I'm hoping we're going to find on the Altiplano of the Andes in Peru and Bolivia,

391
00:35:20,260 --> 00:35:23,260
Puma Punku and other sites there.

392
00:35:30,260 --> 00:35:47,260
This is the ancient sun temple of Abu Garab on the edge of the western desert of Saqqara.

393
00:35:47,260 --> 00:36:00,260
This ruined pyramid area once contained an obelisk at the top and all around it are scattered blocks of granite and alabaster.

394
00:36:00,260 --> 00:36:07,260
Here at Abu Garab, there is evidence of ancient machining.

395
00:36:07,260 --> 00:36:12,260
Chris, what do you think about this block here of granite?

396
00:36:12,260 --> 00:36:19,260
Well, as you can see, David, there is a hole that's actually been core drilled,

397
00:36:19,260 --> 00:36:29,260
and it has similar features to the hole and core that Petri described in his book,

398
00:36:29,260 --> 00:36:32,260
Pyramids and Temples of Giza, which I wrote in my book.

399
00:36:32,260 --> 00:36:36,260
And the striations are visible there.

400
00:36:37,260 --> 00:36:42,260
It's very difficult, I mean, it would be difficult to find out if it's actually a spiral,

401
00:36:42,260 --> 00:36:46,260
but if it's anything like the core that is found in the Petri Museum,

402
00:36:46,260 --> 00:36:51,260
then those striations do form a spiral down the entire length of it.

403
00:36:51,260 --> 00:36:57,260
And that would be only done with some modern machining type tool?

404
00:36:57,260 --> 00:37:01,260
That's what I concluded, that it was some kind of sonic core drill.

405
00:37:01,260 --> 00:37:03,260
A sonic core drill, doing that.

406
00:37:03,260 --> 00:37:08,260
And what is the mainstream explanation for a hole like that?

407
00:37:08,260 --> 00:37:15,260
The mainstream explanation for doing this kind of work is to use copper and sand,

408
00:37:15,260 --> 00:37:22,260
and essentially rotate the copper in two directions, with a bow drill.

409
00:37:22,260 --> 00:37:26,260
And is it a hollow copper tube then?

410
00:37:26,260 --> 00:37:31,260
A hollow copper tube attached to a piece of wood,

411
00:37:31,260 --> 00:37:39,260
where you rotate the wood and the copper by wrapping string around it,

412
00:37:39,260 --> 00:37:42,260
and attaching the ends to a piece of wood.

413
00:37:42,260 --> 00:37:43,260
Like a bow and a drill.

414
00:37:43,260 --> 00:37:46,260
Right, and then you just rotate it that way.

415
00:37:46,260 --> 00:37:53,260
The problem with that method though, is that the core in the Petri Museum

416
00:37:53,260 --> 00:37:58,260
shows that the spiral is only in one direction.

417
00:37:58,260 --> 00:38:00,260
Uh-huh, okay.

418
00:38:00,260 --> 00:38:05,260
And also the feed lines, or the feed rate,

419
00:38:05,260 --> 00:38:12,260
that's the distance each striation has, the distance the drill goes in a 360 degree rotation,

420
00:38:12,260 --> 00:38:17,260
is almost one-eighth of an inch, which is an incredible feed rate.

421
00:38:18,260 --> 00:38:22,260
And we see striations here, and like I said,

422
00:38:22,260 --> 00:38:30,260
it's very difficult to really tell whether they are a continuous spiral down the length of it,

423
00:38:30,260 --> 00:38:33,260
but still it's quite interesting.

424
00:38:33,260 --> 00:38:35,260
Yeah.

425
00:38:48,260 --> 00:38:53,260
This is what they call the alabaster altar here at Abu Garab.

426
00:38:53,260 --> 00:39:01,260
It's a curious star shape, made with about four giant slabs of alabaster,

427
00:39:01,260 --> 00:39:06,260
and it also shows some evidence of ancient machining.

428
00:39:06,260 --> 00:39:08,260
Yep.

429
00:39:09,260 --> 00:39:16,260
Well, what we have here is a perfect circle cut into the stone,

430
00:39:16,260 --> 00:39:26,260
and essentially, it looks like what they did is they came down with a core drill in this corner right here,

431
00:39:26,260 --> 00:39:30,260
because you have that machine as a depression.

432
00:39:30,260 --> 00:39:37,260
That would have left a central core, but then what they would have done is

433
00:39:37,260 --> 00:39:46,260
machine this surface into, to meet this feature right here.

434
00:39:46,260 --> 00:39:51,260
So they started out with a hole, and then machine that.

435
00:39:51,260 --> 00:39:56,260
You see the difference in tool marks, or the difference in geometry here.

436
00:39:56,260 --> 00:40:04,260
You have the geometry of this tool, which has a larger radius here,

437
00:40:04,260 --> 00:40:08,260
and then you have the geometry of the drill.

438
00:40:08,260 --> 00:40:15,260
And so they drill that out, knock the core out, and brought this in,

439
00:40:15,260 --> 00:40:27,260
and then cut this onto a radius, and there are one, two, three, four, five, six, seven, eight of these features around the block.

440
00:40:27,260 --> 00:40:32,260
Now, what they were intended for, it's a mystery.

441
00:40:32,260 --> 00:40:38,260
Yeah, yeah. What are the purpose of all this, and even why they would cut this out like this?

442
00:40:38,260 --> 00:40:50,260
And there's another of these features over on that other corner, except that it's not a full circle, it's just like a half a circle.

443
00:40:51,260 --> 00:40:59,260
And so if you were actually doing this with a very slow, laborious hand drilling thing,

444
00:40:59,260 --> 00:41:03,260
you probably wouldn't have, you know, overcut it like this, right?

445
00:41:03,260 --> 00:41:07,260
Well, I mean, I'm not saying that that's necessarily the case,

446
00:41:07,260 --> 00:41:13,260
but the problem that we have with the conventional theory of cutting stone,

447
00:41:13,260 --> 00:41:24,260
such as with, you know, stone and bashing with stone, chisels, or just grinding it with a lot of lapping it,

448
00:41:24,260 --> 00:41:33,260
why, you know, these surfaces are very smooth, okay?

449
00:41:33,260 --> 00:41:42,260
But you'll notice, some of them, the surfaces are smooth, but you'll notice that the alabaster is very brittle.

450
00:41:42,260 --> 00:41:44,260
And it has the crystals in it, yeah.

451
00:41:44,260 --> 00:42:00,260
Yeah, and so this is not a stone that you would actually bash with another stone, to achieve this kind of smoothness, black surface.

452
00:42:00,260 --> 00:42:12,260
But they created this feature as a relief, so that a mating pod or a mating object, something that would fit snugly over the top of it.

453
00:42:12,260 --> 00:42:13,260
Okay.

454
00:42:13,260 --> 00:42:25,260
Because if you follow this surface here, it goes right into this area here, where this radius starts, okay?

455
00:42:25,260 --> 00:42:34,260
So that's the only explanation I have for that, that, you know, this is meaningless, except for clearance.

456
00:42:34,260 --> 00:42:38,260
Clearance, okay, and then other stone blocks then were fitted down in here?

457
00:42:38,260 --> 00:42:39,260
Oh, whatever it was.

458
00:42:39,260 --> 00:42:40,260
Whatever it was?

459
00:42:40,260 --> 00:42:41,260
Stone, yeah.

460
00:42:41,260 --> 00:42:44,260
Okay, out of stone, or even possibly metal parts?

461
00:42:44,260 --> 00:42:50,260
Whatever material that was available in prehistory.

462
00:42:50,260 --> 00:43:07,260
So, you know, this is another example, and there are many of them throughout Egypt, another example of very, very high proficiency in cutting stone, and in my opinion, they had to have had advanced technology.

463
00:43:07,260 --> 00:43:16,260
And here is the other feature right here, where you have that circle, which is actually a half.

464
00:43:16,260 --> 00:43:17,260
Uh-huh.

465
00:43:17,260 --> 00:43:27,260
Okay, and the same kind of features, the same radius here coming into the corner, but this is a sharper radius right here.

466
00:43:27,260 --> 00:43:29,260
So you have a sharp radius there.

467
00:43:29,260 --> 00:43:37,260
And to the life of me, I can't understand why they found these necessary, but obviously they had a need.

468
00:43:37,260 --> 00:43:40,260
I mean, today in manufacturing, we have lots of weird shapes.

469
00:43:40,260 --> 00:43:42,260
Uh-huh.

470
00:43:42,260 --> 00:43:44,260
And there's another one, see?

471
00:43:44,260 --> 00:43:45,260
Yeah.

472
00:43:45,260 --> 00:43:49,260
But they didn't, this is further away from the corner.

473
00:43:49,260 --> 00:43:50,260
From the corner, yeah, right.

474
00:43:50,260 --> 00:43:51,260
Right.

475
00:43:51,260 --> 00:43:54,260
So it's quite fascinating.

476
00:43:54,260 --> 00:44:01,260
So it's clear that they started each of these niches by first coring down here and then cutting away.

477
00:44:01,260 --> 00:44:03,260
Yeah, yeah, yeah.

478
00:44:03,260 --> 00:44:14,260
So evidently, what I would suggest is that whatever, that something fit on top of this thing, and these surfaces are on an angle.

479
00:44:14,260 --> 00:44:22,260
And so whatever fits slipped on here, and they cut this out as a relief.

480
00:44:22,260 --> 00:44:29,260
And so whatever fit on it came into this surface right here.

481
00:44:29,260 --> 00:44:32,260
And so what you have is a relief right there.

482
00:44:32,260 --> 00:44:33,260
That's great.

483
00:44:33,260 --> 00:44:35,260
And now, wow, look at this, you guys.

484
00:44:35,260 --> 00:44:39,260
Here's a saw mark on this circular piece.

485
00:44:39,260 --> 00:44:41,260
Look at that.

486
00:44:41,260 --> 00:44:42,260
It's been cut in.

487
00:44:42,260 --> 00:44:44,260
Now, how did they do that?

488
00:44:44,260 --> 00:44:48,260
I think we need to get up on top so that we can examine it more closely.

489
00:44:48,260 --> 00:44:50,260
Basically, you're going to start here.

490
00:44:50,260 --> 00:44:58,260
You're going to reach the top, or the top of the radius, the maximum distance, and then taper out.

491
00:44:58,260 --> 00:45:04,260
So I'm going to insert this rule key, and we'll check it out.

492
00:45:04,260 --> 00:45:09,260
It gets deeper there, and then it gets shallower, and comes back out again.

493
00:45:09,260 --> 00:45:10,260
Yeah.

494
00:45:10,260 --> 00:45:13,260
Right. That's fascinating.

495
00:45:13,260 --> 00:45:16,260
And anything.

496
00:45:16,260 --> 00:45:27,260
Well, with this feature and all the other features that surround us, I am totally convinced that this platform was designed to hold something else.

497
00:45:27,260 --> 00:45:30,260
And then lock it into position.

498
00:45:30,260 --> 00:45:43,260
Because tightening, you know, just this feature alone indicates that they were placing something on there.

499
00:45:43,260 --> 00:45:48,260
And because otherwise, why have it?

500
00:45:49,260 --> 00:45:59,260
I mean, this is a pretty sophisticated and modern engineering way to fit giant blocks or even some kind of machinery or something, right?

501
00:45:59,260 --> 00:46:03,260
Well, it's not sophisticated or even modern.

502
00:46:03,260 --> 00:46:11,260
Modern by our terms, ever since manufacturing first started, it's a common feature.

503
00:46:11,260 --> 00:46:16,260
They use it to attach objects to shafts.

504
00:46:16,260 --> 00:46:21,260
They will cut something like that and then drive a screw in and hold it together.

505
00:46:21,260 --> 00:46:30,260
And of course, there would be, like, say, four of these around this circular thing to attach things.

506
00:46:30,260 --> 00:46:41,260
But then with the other features that indicate that something actually was dropped on here, it all begins to make more sense now.

507
00:46:41,260 --> 00:46:48,260
And do you think that this was also probably cut with like a circular saw, some like, you know, machine tool?

508
00:46:48,260 --> 00:46:55,260
Well, yeah, I mean, I would say with the weight of evidence throughout Egypt, obviously, they were using machine tools.

509
00:46:55,260 --> 00:47:00,260
But this could have been cut with anything, you know, it's very, very simple feature.

510
00:47:00,260 --> 00:47:03,260
And there's not much material to remove there.

511
00:47:03,260 --> 00:47:05,260
OK, sure.

512
00:47:05,260 --> 00:47:10,260
And look at this one here, David.

513
00:47:10,260 --> 00:47:11,260
How did it get here?

514
00:47:11,260 --> 00:47:18,260
It's suspended like a dolmen, but it's actually on that corner right there.

515
00:47:18,260 --> 00:47:21,260
Yeah, it's touching on like three points here, right?

516
00:47:21,260 --> 00:47:22,260
Yeah.

517
00:47:22,260 --> 00:47:23,260
I mean, that's a huge block of limestone, man.

518
00:47:23,260 --> 00:47:24,260
That's huge.

519
00:47:24,260 --> 00:47:27,260
These are weird.

520
00:47:27,260 --> 00:47:30,260
Wow.

521
00:47:30,260 --> 00:47:39,260
So here we have a very curious series of megalithic alabaster bulls.

522
00:47:39,260 --> 00:47:46,260
They have a, you know, a very interesting shape.

523
00:47:46,260 --> 00:47:55,260
This series of megalithic alabaster bulls, they have a, they're scooped out.

524
00:47:55,260 --> 00:48:01,260
There's a hole on one side to let some liquid out.

525
00:48:01,260 --> 00:48:07,260
Each one has these curious, cogged features on it.

526
00:48:07,260 --> 00:48:14,260
The cogged features also have small uniform drill marks going on them.

527
00:48:14,260 --> 00:48:19,260
It almost seems like they're a form for something else to fit over.

528
00:48:19,260 --> 00:48:21,260
What do you think, Chris?

529
00:48:21,260 --> 00:48:23,260
Yeah, I think so.

530
00:48:23,260 --> 00:48:31,260
Looking at these, I would say, and we will take a different view of them,

531
00:48:31,260 --> 00:48:42,260
but what I would suggest is that these were the bases for a column that fit down in here.

532
00:48:42,260 --> 00:48:49,260
And then perhaps the column itself had a hole.

533
00:48:49,260 --> 00:48:52,260
Was it a hollow, a hollow going all the way down?

534
00:48:52,260 --> 00:48:53,260
All the way through it.

535
00:48:53,260 --> 00:48:54,260
Uh-huh.

536
00:48:54,260 --> 00:49:01,260
And then probably it collected water from a gutter above.

537
00:49:01,260 --> 00:49:02,260
Okay.

538
00:49:02,260 --> 00:49:03,260
Okay.

539
00:49:03,260 --> 00:49:07,260
And then the water drained into these bulls and out of that hole.

540
00:49:07,260 --> 00:49:08,260
Okay.

541
00:49:08,260 --> 00:49:09,260
Okay.

542
00:49:09,260 --> 00:49:14,260
Now, there are some of these on the other side of the pyramid that are in situ.

543
00:49:14,260 --> 00:49:15,260
So we could take a look at those.

544
00:49:15,260 --> 00:49:16,260
Okay.

545
00:49:16,260 --> 00:49:19,260
And you think these have actually then been moved here by?

546
00:49:19,260 --> 00:49:20,260
Yeah, yeah.

547
00:49:20,260 --> 00:49:21,260
These have been moved here.

548
00:49:21,260 --> 00:49:26,260
And you will see that clearly when you look at the ones that are in situ.

549
00:49:26,260 --> 00:49:27,260
Okay.

550
00:49:27,260 --> 00:49:28,260
Okay.

551
00:49:28,260 --> 00:49:46,260
Yeah, looking at this west side of the pyramid here at Abu Ghraib, which once had an obelisk

552
00:49:46,260 --> 00:49:55,260
on the top, it appears that this whole pyramid was just destroyed in some giant cataclysm,

553
00:49:56,260 --> 00:49:59,260
some big earthquake that just destroyed it and scattered these blocks around.

554
00:49:59,260 --> 00:50:00,260
Is that what you think?

555
00:50:00,260 --> 00:50:09,260
This is, yeah, essentially what I described earlier in that there was this huge cataclysm.

556
00:50:09,260 --> 00:50:16,260
All these devices, which were finally tuned to the resonance of the planet, and the planet

557
00:50:16,260 --> 00:50:20,260
was overloaded with energy, and they just vibrated apart.

558
00:50:20,260 --> 00:50:24,260
And you can see some of the blocks are cracked.

559
00:50:24,260 --> 00:50:32,260
If we walk around this side right here, there's one actually towards the center of the pyramid,

560
00:50:32,260 --> 00:50:39,260
a huge block of limestone that appears to have been just thrown up and then dropped down and cracked.

561
00:50:39,260 --> 00:50:41,260
Down and squared apart and cracked and stuff.

562
00:50:41,260 --> 00:50:42,260
Yeah.

563
00:50:42,260 --> 00:50:47,260
I mean, and the idea that it would have been just somebody came here and decided to tear

564
00:50:47,260 --> 00:50:50,260
it down, that would have been extremely difficult, right?

565
00:50:50,260 --> 00:50:52,260
I mean, to just bring these blocks down.

566
00:50:52,260 --> 00:51:00,260
Yeah, I mean, they possibly could have tumbled these down, but why pick a block,

567
00:51:00,260 --> 00:51:05,260
tumble it down, and then not use it and leave it here?

568
00:51:05,260 --> 00:51:06,260
Yeah, right.

569
00:51:06,260 --> 00:51:12,260
I mean, if they wanted to quarry and wanted building material, why not take these stones with them?

570
00:51:12,260 --> 00:51:14,260
Why not use the one that you've already tumbled?

571
00:51:14,260 --> 00:51:15,260
Yeah.

572
00:51:15,260 --> 00:51:20,260
And what we have here are hundreds of blocks that have just been thrown off the pyramid.

573
00:51:20,260 --> 00:51:21,260
Throwing away.

574
00:51:21,260 --> 00:51:25,260
So it's more like a natural disaster rather than a man-made destruction.

575
00:51:25,260 --> 00:51:26,260
Yes.

576
00:52:20,260 --> 00:52:41,260
So this is all just cut into solid rock here.

577
00:52:41,260 --> 00:52:42,260
Man.

578
00:52:42,260 --> 00:53:02,260
So these are the...?

579
00:53:02,260 --> 00:53:03,260
Coffins here.

580
00:53:03,260 --> 00:53:04,260
The big coffin and the cover.

581
00:53:04,260 --> 00:53:09,260
And they cover it with the wood to make production for it.

582
00:53:09,260 --> 00:53:10,260
Protection for it.

583
00:53:10,260 --> 00:53:11,260
And here it is.

584
00:53:11,260 --> 00:53:16,260
Here are the giant sarcophagi without the cover.

585
00:53:16,260 --> 00:53:18,260
And that's the lid.

586
00:53:18,260 --> 00:53:20,260
So it's weighing 85 tons.

587
00:53:20,260 --> 00:53:22,260
And how much is this lid weighing?

588
00:53:22,260 --> 00:53:26,260
I think, I think, all the coffin and the cover, they weigh 85 tons.

589
00:53:26,260 --> 00:53:30,260
You have to go down and bring them back.

590
00:53:30,260 --> 00:53:32,260
It's a really strange place.

591
00:53:32,260 --> 00:53:36,260
Okay, so we're deep underground here.

592
00:53:36,260 --> 00:53:42,260
And on either side are these bays.

593
00:53:42,260 --> 00:53:49,260
And in these bays are these giant, huge basalt sarcophagi.

594
00:53:49,260 --> 00:53:54,260
They're incredible with these huge lids.

595
00:53:54,260 --> 00:53:57,260
And then, man, these things, they weigh 85 tons.

596
00:53:57,260 --> 00:54:01,260
The lids weighing like 50 tons.

597
00:54:01,260 --> 00:54:03,260
It's extremely hard.

598
00:54:03,260 --> 00:54:05,260
Basalt.

599
00:54:05,260 --> 00:54:15,260
I mean, how they could move these inside here, it defies exploration, really.

600
00:54:15,260 --> 00:54:23,260
And it's such a cramped, tight area that you can't get a lot of workers in here to do things.

601
00:54:23,260 --> 00:54:25,260
It's amazing.

602
00:54:25,260 --> 00:54:27,260
Man, wow.

603
00:54:27,260 --> 00:54:30,260
Look how this is cut here, too.

604
00:54:30,260 --> 00:54:33,260
You can see how it's suddenly sloping down like that.

605
00:54:33,260 --> 00:54:35,260
Man.

606
00:54:41,260 --> 00:54:42,260
Wow.

607
00:54:42,260 --> 00:54:45,260
How did they make it so smooth and polished?

608
00:54:45,260 --> 00:54:51,260
I think they are very technical workers at this time to make it very, very, very soft.

609
00:54:51,260 --> 00:54:53,260
Wow.

610
00:54:53,260 --> 00:54:59,260
Boy, these edges are really square, too.

611
00:54:59,260 --> 00:55:01,260
This one?

612
00:55:01,260 --> 00:55:05,260
Yeah, here you can see the lid pushed back.

613
00:55:05,260 --> 00:55:09,260
Sarcophagus is open.

614
00:55:09,260 --> 00:55:16,260
It's been chipped away right here, probably trying to open it.

615
00:55:16,260 --> 00:55:22,260
According to the traditional Egyptologists, these giant boxes were sarcophagi for the

616
00:55:22,260 --> 00:55:28,260
mummified bowls of apis, sacred bowls of ancient Egypt.

617
00:55:28,260 --> 00:55:43,260
Yet the big mystery really is how they could possibly get boxes such gigantic, 85-ton bath salt,

618
00:55:43,260 --> 00:55:47,260
sarcophagi like this in here.

619
00:55:47,260 --> 00:55:52,260
And in theory, just to put a mummified bowl inside.

620
00:55:52,260 --> 00:56:02,260
It's very smooth here, very uniform radius.

621
00:56:02,260 --> 00:56:12,260
It's these inside corners of a box like this that are so difficult to make without modern machinery,

622
00:56:12,260 --> 00:56:15,260
modern machining tools.

623
00:56:15,260 --> 00:56:22,260
According to Chris, it's basically impossible to bash something like this out.

624
00:56:22,260 --> 00:56:33,260
You have to have modern machining tools, modern sonic drills and saws to really make something like that.

625
00:56:33,260 --> 00:56:41,260
Even today, this would be almost impossible to make, even with modern machinery.

626
00:56:45,260 --> 00:56:52,260
Wow, this is just so amazing.

627
00:56:52,260 --> 00:56:59,260
So smooth along the sides of this bath salt.

628
00:56:59,260 --> 00:57:03,260
It's so smoothed out, and then it's been etched here.

629
00:57:03,260 --> 00:57:11,260
Yeah, here you see the edges here of the box, the sarcophagi.

630
00:57:11,260 --> 00:57:23,260
It's all chipped here, probably from crowbars going in to try and lift this 25-ton lid off the top.

631
00:57:23,260 --> 00:57:29,260
It's all bashed in and chipped on this corner.

632
00:57:29,260 --> 00:57:36,260
But otherwise, it's just so smooth, such a perfect corner here.

633
00:57:37,260 --> 00:57:41,260
Wow, it's just really amazing.

634
00:57:41,260 --> 00:57:43,260
Wow.

635
00:57:43,260 --> 00:57:47,260
I'll just see if I can lift this 25-ton lid up a little bit.

636
00:57:47,260 --> 00:57:49,260
There we go.

637
00:57:49,260 --> 00:57:51,260
I can just hold it up for a few seconds.

638
00:57:51,260 --> 00:57:52,260
There.

639
00:57:52,260 --> 00:57:59,260
Oh, that's about it.

640
00:57:59,260 --> 00:58:07,260
This is the 85-ton granite box that's unfinished.

641
00:58:07,260 --> 00:58:09,260
It's still rough.

642
00:58:09,260 --> 00:58:15,260
You can see right here in the corner, but the lid is now on the other side.

643
00:58:15,260 --> 00:58:24,260
So apparently, this was being moved into the Serapium, but in the end, it was just left here.

644
00:58:24,260 --> 00:58:32,260
Some Egyptologists think this was probably being taken out, although others say it was being brought in.

645
00:58:32,260 --> 00:58:38,260
You can see how it barely fits in these tunnels, this giant 85-ton block.

646
00:58:38,260 --> 00:58:49,260
I mean, how even workers could be moving around this while they theoretically moved it in here.

647
00:58:49,260 --> 00:58:53,260
It's really...

648
00:58:53,260 --> 00:58:55,260
It's an enigma.

649
00:58:55,260 --> 00:58:58,260
I mean, how could they do this?

650
00:59:06,260 --> 00:59:09,260
This is amazing.

651
00:59:09,260 --> 00:59:11,260
It was an incredible day.

652
00:59:11,260 --> 00:59:18,260
We still had time to visit the mysterious red pyramid, a pyramid with some sort of chemical residue inside.

653
00:59:19,260 --> 00:59:33,260
All right, now we can move into the main chamber now.

654
00:59:33,260 --> 00:59:36,260
Watch your head.

655
00:59:42,260 --> 00:59:44,260
Wow, look at this corbelled ceiling here.

656
00:59:44,260 --> 00:59:47,260
Oh, man, this is cool.

657
00:59:47,260 --> 00:59:50,260
Oh, wow, that's high.

658
00:59:50,260 --> 00:59:52,260
Similar to the Grand Gallery.

659
00:59:52,260 --> 00:59:55,260
Yeah, it is really similar, isn't it?

660
00:59:55,260 --> 00:59:58,260
It's hot down here, too.

661
00:59:58,260 --> 01:00:00:03,260
So do you think we're actually...

662
01:00:03,260 --> 01:00:05,260
You don't think we're underground here, are we?

663
01:00:05,260 --> 01:00:08,260
We're more at the level of the Giza Plateau?

664
01:00:08,260 --> 01:00:13,260
Actually, yeah, we're not underground, but we're right at the ground level.

665
01:00:13,260 --> 01:00:16,260
Right at the ground level, okay.

666
01:00:17,260 --> 01:00:22,260
Look how perfectly these blocks fit together.

667
01:00:22,260 --> 01:00:26,260
That's incredible masonry.

668
01:00:26,260 --> 01:00:30,260
Man, there's a huge block right here.

669
01:00:30,260 --> 01:00:33,260
Lintel over the door.

670
01:00:46,260 --> 01:01:10,260
So this is the main inner chamber here, huh?

671
01:01:10,260 --> 01:01:18,260
So it's three giant corbelled chambers deep inside the pyramid here.

672
01:01:18,260 --> 01:01:30,260
There's a very strong ammonia smell in here, which would be from perhaps chemicals that were used in here at some time, or would it just be from bat guano or something?

673
01:01:30,260 --> 01:01:38,260
It smells just like ammonia. It doesn't smell like urine, which would have a different smell, but this smells like pure ammonia.

674
01:01:38,260 --> 01:01:41,260
Like pure ammonia, yeah, well, like phosphate or ammonia.

675
01:01:41,260 --> 01:01:47,260
I mean, it's a really strong smell, very strong chemical smell in here.

676
01:01:47,260 --> 01:01:49,260
It's overpowering.

677
01:01:49,260 --> 01:01:51,260
You almost can't stand it.

678
01:01:51,260 --> 01:01:54,260
I mean, you couldn't stay down here very long.

679
01:01:54,260 --> 01:02:09,260
Oh, man.

680
01:02:09,260 --> 01:02:16,260
I know.

681
01:02:16,260 --> 01:02:27,260
Yeah, there's certainly a very strong resonant echoing within these chambers.

682
01:02:27,260 --> 01:02:36,260
It seems as if it's built for resonance and sound.

683
01:02:36,260 --> 01:02:38,260
And she's two chambers away.

684
01:02:38,260 --> 01:02:39,260
Yeah, that's right.

685
01:02:39,260 --> 01:02:41,260
One chamber and then down the passage.

686
01:02:41,260 --> 01:02:43,260
That's right, and then she's down that other passage.

687
01:02:43,260 --> 01:02:44,260
That's wow.

688
01:02:44,260 --> 01:02:48,260
She's just stamping her foot on a wooden platform.

689
01:02:48,260 --> 01:02:56,260
Yeah, that's something.

690
01:02:56,260 --> 01:03:00,260
Sounds like Godzilla's coming.

691
01:03:00,260 --> 01:03:07,260
Here inside the pyramid, too, we can really see how perfect the construction is.

692
01:03:07,260 --> 01:03:15,260
How these massive blocks of limestone are perfectly fitted together.

693
01:03:15,260 --> 01:03:20,260
I mean, couldn't slip a piece of paper or a knife in here.

694
01:03:20,260 --> 01:03:25,260
You see how the joints all come together extremely finely.

695
01:03:25,260 --> 01:03:31,260
I mean, this is really precision construction.

696
01:03:31,260 --> 01:03:49,260
This is the finest kind of megalithic stone masonry that we can find anywhere.

697
01:03:49,260 --> 01:03:52,260
Oh, back on the surface.

698
01:03:52,260 --> 01:03:59,260
Oh, it's night again.

699
01:03:59,260 --> 01:04:09,260
That was quite a trip.

700
01:04:09,260 --> 01:04:30,260
You don't have to be crazy to drive in Cairo, but it helps.

701
01:05:01,260 --> 01:05:04,260
How was the Great Pyramid built?

702
01:05:04,260 --> 01:05:08,260
Was it built by thousands of slaves as a monument to a pharaoh?

703
01:05:08,260 --> 01:05:23,260
Or did it have some other purpose?

704
01:05:23,260 --> 01:05:31,260
Today we will explore a revolutionary new theory on the purpose of the pyramids and how they were built.

705
01:05:31,260 --> 01:05:37,260
Obviously, they reached a point where they said, well, we've got all this energy coming through these things.

706
01:05:37,260 --> 01:05:39,260
Why don't we harness it?

707
01:05:39,260 --> 01:05:43,260
So they built the Great Pyramid and they harnessed some of that energy.

708
01:05:43,260 --> 01:05:50,260
I wanted to explore the subject of the Great Pyramid being some sort of giant machine.

709
01:05:50,260 --> 01:05:55,260
So I arranged to meet with British engineer Christopher Don in Cairo.

710
01:05:55,260 --> 01:06:11,260
The first thing I did was take him to Giza where he could explain to me his theory of the Giza power plant.

711
01:06:11,260 --> 01:06:17,260
In the Giza power plant, I questioned the theory whether the pyramids were actually tombs.

712
01:06:17,260 --> 01:06:26,260
After conducting considerable research, I could not find any evidence that there were any original burials within the pyramids.

713
01:06:26,260 --> 01:06:31,260
Of course, that raises the question, if they were not tombs, what were they used for?

714
01:06:31,260 --> 01:06:38,260
What I did is I examined the Great Pyramid and did a reverse engineering study of it.

715
01:06:38,260 --> 01:06:43,260
What I concluded was that it was actually used to generate energy.

716
01:06:43,260 --> 01:06:48,260
It generated energy in a way that was extremely holistic.

717
01:06:48,260 --> 01:06:53,260
It actually did more than just generate energy.

718
01:06:53,260 --> 01:07:00,260
It relieved the stresses in the earth's plate and it also drove the plate into harmony.

719
01:07:00,260 --> 01:07:05,260
That harmony then possibly could have affected the people in the area,

720
01:07:06,260 --> 01:07:15,260
creating an environment, an acoustic environment that was peaceful and extremely beneficial to their health.

721
01:07:15,260 --> 01:07:22,260
However, what leads me to that conclusion are the details within the Great Pyramid.

722
01:07:22,260 --> 01:07:29,260
What we have is a series of passageways and chambers and shafts.

723
01:07:30,260 --> 01:07:38,260
It was a study of the dimensions and the geometry of these shafts and chambers

724
01:07:38,260 --> 01:07:44,260
and the residual material that were left inside.

725
01:07:44,260 --> 01:07:50,260
Also, the selection of materials in particular areas.

726
01:07:50,260 --> 01:07:56,260
In the Great Pyramid, we have a descending passage that goes down to a bedrock chamber,

727
01:07:56,260 --> 01:08:00,260
about 350 feet from the opening.

728
01:08:00,260 --> 01:08:05,260
Of course, we could talk about the precision of the Great Pyramid and the precision is considerable.

729
01:08:05,260 --> 01:08:12,260
That passageway itself was surveyed by William Flinders Petrie in the 1880s.

730
01:08:12,260 --> 01:08:20,260
He determined through his measures that the passageway was straight in the constructed portion

731
01:08:20,260 --> 01:08:24,260
to within 20 thousandths of an inch, that's the thickness of a thumbnail,

732
01:08:24,260 --> 01:08:30,260
over the entire length of the chamber, the full 350 feet, it only varied a quarter of an inch.

733
01:08:30,260 --> 01:08:32,260
That is an amazing precision.

734
01:08:32,260 --> 01:08:46,260
The subchamber itself, I am now coming to realize, was actually using hydraulics to cause a pulse generator.

735
01:08:46,260 --> 01:08:51,260
It actually generated a pulse that drove the entire pyramid into harmony.

736
01:08:51,260 --> 01:08:56,260
Of course, moving up into the pyramid, we have the ascending passage

737
01:08:56,260 --> 01:09:04,260
and many unusual features that are found there, such as the granite stone plugs at the end of the passageway.

738
01:09:04,260 --> 01:09:10,260
They don't seem to have any real construction purpose,

739
01:09:10,260 --> 01:09:18,260
while the theory is that they were there to prevent tomb robbers from entering the center of the pyramid.

740
01:09:18,260 --> 01:09:21,260
Really, all they did was attract attention.

741
01:09:21,260 --> 01:09:28,260
Alma Moon, when he chiseled into the Great Pyramid in 812 AD,

742
01:09:28,260 --> 01:09:36,260
did so when he identified those granite plugs and determined that perhaps something may lie behind them.

743
01:09:36,260 --> 01:09:39,260
Sure enough, what lay behind them was a shaft.

744
01:09:39,260 --> 01:09:46,260
He chiseled the limestone around them and a shaft straight up into the heart of the Great Pyramid.

745
01:09:46,260 --> 01:09:52,260
Coming to the end of that small shaft is what they call a grand gallery.

746
01:09:52,260 --> 01:09:57,260
The grand gallery is considered to be an architectural masterpiece.

747
01:09:57,260 --> 01:10:08,260
It consists of cobbled layers, seven cobbled layers, where the gallery actually gets smaller towards the top.

748
01:10:09,260 --> 01:10:15,260
Also, along the side of the grand gallery, we have ramps.

749
01:10:15,260 --> 01:10:23,260
Into the ramps are cut these notches. These notches are cut vertically into the ramps.

750
01:10:23,260 --> 01:10:29,260
There are 27 pairs of these notches.

751
01:10:29,260 --> 01:10:36,260
As you go along the length of the gallery, you come to what has been called the Great Step.

752
01:10:36,260 --> 01:10:45,260
Climbing up the step, you have a horizontal passage, and then through the horizontal passage, a small antechamber.

753
01:10:45,260 --> 01:10:50,260
Then again, another small passage into the King's Chamber.

754
01:10:50,260 --> 01:10:55,260
The King's Chamber complex is the heart of the power plant.

755
01:10:55,260 --> 01:11:04,260
It is constructed solely of granite. It is tuned to a high degree to resonate at 440.

756
01:11:04,260 --> 01:11:13,260
It also emits naturally an F-sharp chord, and this was detected by an acoustic engineer named Tom Danley in 1995.

757
01:11:13,260 --> 01:11:18,260
The chamber is free-standing within the heart of the pyramid.

758
01:11:18,260 --> 01:11:24,260
It is not connected to the core blocks and is free to resonate and vibrate at will.

759
01:11:24,260 --> 01:11:30,260
Overlying the King's Chamber, we have five layers of granite beams.

760
01:11:30,260 --> 01:11:36,260
These granite beams, I speculated in my book, are actually resonating beams.

761
01:11:36,260 --> 01:11:45,260
They are unusually cut. They're cut square and flat on three sides, but the top side is very rough.

762
01:11:45,260 --> 01:11:53,260
The roughness on the top side, I believe, was done in order to tune the beams.

763
01:11:53,260 --> 01:12:17,140
The

764
01:12:17,140 --> 01:12:25,140
chamber, we have a box. I call a box, conventionally it's called a sarcophagus.

765
01:12:25,140 --> 01:12:38,140
However, there have been no mummies, original burials found in any pyramid, and there was nothing found in the Great Pyramid, even when Al Mamoun entered in 812 AD.

766
01:12:38,140 --> 01:12:43,140
So the question is, what were these for?

767
01:12:43,140 --> 01:12:50,140
Also in the chamber are two shafts that lead to the outside of the pyramid on angles.

768
01:12:50,140 --> 01:13:00,140
These shafts, in the northern shaft, they have a 4.8 by 8.4 dimension.

769
01:13:00,140 --> 01:13:08,140
That is suitable for a waveguide in a microwave region, a hydrogen waveguide.

770
01:13:08,140 --> 01:13:14,140
In the southern shaft, the opening is shaped like a horn antenna.

771
01:13:14,140 --> 01:13:25,140
This is quite significant. If you consider that a signal coming into that chamber, if that chamber contained energized hydrogen,

772
01:13:25,140 --> 01:13:34,140
that signal could stimulate the emission of energy, collect that energy, and feed it into the southern shaft.

773
01:13:34,140 --> 01:13:42,140
Other features. Well, we ask the question, if they were using hydrogen, where did they get the hydrogen from?

774
01:13:42,140 --> 01:13:51,140
Well, for that, we go along a very long horizontal passage to what is termed the Queen's Chamber.

775
01:13:51,140 --> 01:13:56,140
In the Queen's Chamber, you have several unusual features.

776
01:13:56,140 --> 01:14:02,140
You have two shafts, similar, but not quite the same.

777
01:14:02,140 --> 01:14:13,140
In the Queen's Chamber, you have a shaft leading from the chamber to the south, and one leading from the chamber to the north.

778
01:14:13,140 --> 01:14:20,140
When early explorers went into the Great Pyramid, they did not detect these shafts.

779
01:14:20,140 --> 01:14:24,140
They wouldn't have known that they were there.

780
01:14:24,140 --> 01:14:37,140
The only reason they were found was because a man in 1872 by the name of Wayman Dixon was in the chamber and detected a crack in the wall.

781
01:14:37,140 --> 01:14:45,140
He pushed a rod through that crack, and he got no resistance on the rod.

782
01:14:45,140 --> 01:14:53,140
So he chiseled away the limestone, and lo and behold, behind that plate was the shafts.

783
01:14:53,140 --> 01:15:03,140
He did the similar thing on the northern face of the chamber, and tapped around and found that there was another shaft there.

784
01:15:03,140 --> 01:15:08,140
Chiseled out the limestone, there it was. These were intentional designs.

785
01:15:08,140 --> 01:15:14,140
They did not cut these shafts and then just put a plug in them at the Queen's Chamber.

786
01:15:14,140 --> 01:15:17,140
They were a part of the original block.

787
01:15:17,140 --> 01:15:23,140
Well, the question is, why? Why did they do that?

788
01:15:23,140 --> 01:15:34,140
In 1993, a German robotics engineer by the name of Rudolf Gansenbrink sent a robot up the southern shaft.

789
01:15:34,140 --> 01:15:41,140
When he got to the end of the shaft, it terminated at what is called a so-called door.

790
01:15:41,140 --> 01:15:48,140
But the question is, was it really a door? And my answer is no, it was not a door.

791
01:15:48,140 --> 01:15:51,140
It was just a plate of limestone.

792
01:15:51,140 --> 01:15:56,140
Through this limestone came two copper fittings.

793
01:15:56,140 --> 01:16:02,140
So these were really mysterious, and why would they put copper fittings at the end of this shaft?

794
01:16:02,140 --> 01:16:07,140
The solution in the Giza Power Plant is that they were actually electrodes,

795
01:16:07,140 --> 01:16:16,140
and determined when the shaft was full of the chemical they were using and mixing to create hydrogen.

796
01:16:16,140 --> 01:16:22,140
Now you might ask, why was the shaft closed at the end?

797
01:16:22,140 --> 01:16:27,140
So we have a shaft that's closed in two places.

798
01:16:27,140 --> 01:16:34,140
Terminated five inches away from the chamber at the bottom and with a plate of limestone at the top.

799
01:16:34,140 --> 01:16:40,140
Certainly it wasn't for the passage of air for people to breathe.

800
01:16:40,140 --> 01:16:49,140
And even though you may ask, why would a mummy or a pharaoh need to breathe if he was dead?

801
01:16:49,140 --> 01:16:54,140
So that was another mysterious question that we had to answer.

802
01:16:54,140 --> 01:17:02,140
So the Giza Power Plant theory actually proposes that both of these shafts contain different chemicals.

803
01:17:02,140 --> 01:17:10,140
A hydrated zinc solution and a diluted hydrochloric acid solution.

804
01:17:10,140 --> 01:17:15,140
These two chemicals, if mixed, would actually boil off hydrogen.

805
01:17:15,140 --> 01:17:25,140
The evidence to support that proposition was found actually on the walls of the shaft and inside the southern shaft.

806
01:17:25,140 --> 01:17:31,140
On the walls of the shaft, early explorers found that they were covered with salt, up to an inch thick.

807
01:17:31,140 --> 01:17:36,140
They subsequently cleaned off the salt, but the salt was there.

808
01:17:36,140 --> 01:17:48,140
And that would be the result of hydrogen gas boiling off and giving up some of the impurities in the gas to the limestone.

809
01:17:51,140 --> 01:17:54,140
So the evidence for hydrogen is there.

810
01:17:55,140 --> 01:18:01,140
The evidence that a liquid was contained in those shafts is very strong.

811
01:18:01,140 --> 01:18:12,140
If you consider that a five inch plate of limestone, a liquid would percolate through it, whereas it would not pass air.

812
01:18:13,140 --> 01:18:16,140
In the east wall is a niche.

813
01:18:16,140 --> 01:18:21,140
The niche is cobbled. I propose that it had an evaporator tower there.

814
01:18:21,140 --> 01:18:30,140
So the chemicals that came into the chamber were actually waked up into this evaporator tower and gave off the hydrogen.

815
01:18:33,140 --> 01:18:36,140
So let's climb along the horizontal passage again.

816
01:18:36,140 --> 01:18:41,140
And we'll go down into, we'll go to the bottom of the Grand Gallery.

817
01:18:41,140 --> 01:18:47,140
The Grand Gallery is 82 inches wide at the bottom and 42 inches wide at the top.

818
01:18:47,140 --> 01:18:49,140
And 28 feet high.

819
01:18:49,140 --> 01:18:52,140
It's quite an impressive masterpiece.

820
01:18:52,140 --> 01:19:02,140
I propose that within the slots, the 27 pair of slots going along the length of the Grand Gallery, were resonators.

821
01:19:02,140 --> 01:19:11,140
A series of resonators that actually coupled with the pyramid drew the vibration and converted it to airborne sound.

822
01:19:13,140 --> 01:19:14,140
At different frequencies.

823
01:19:14,140 --> 01:19:21,140
In other words, at the bottom you would have a larger resonator and stepping up to higher frequencies as you got to the top.

824
01:19:23,140 --> 01:19:29,140
In 1999, I noticed evidence that these resonators actually were there.

825
01:19:29,140 --> 01:19:34,140
And that evidence is on the walls and the ceiling of the Grand Gallery.

826
01:19:34,140 --> 01:19:41,140
Because in the past, in history, there was a disaster, a huge disaster.

827
01:19:41,140 --> 01:19:52,140
And what happened was, I propose that it was either a comet strike or some external force struck the planet.

828
01:19:52,140 --> 01:19:57,140
This caused all this destruction that we find around us.

829
01:19:57,140 --> 01:20:01,140
And what we have talked about as we have gone around the Giza Plateau.

830
01:20:01,140 --> 01:20:07,140
The crack blocks, things thrown and jumbled all over the place.

831
01:20:07,140 --> 01:20:12,140
The signs of a cataclysm many thousands of years ago.

832
01:20:14,140 --> 01:20:21,140
Inside the Great Pyramid, the evidence of that cataclysm is around the King's Chamber and the Grand Gallery.

833
01:20:21,140 --> 01:20:30,140
With the use of hydrogen and also if you have the introduction of oxygen after the casing stones are stripped off.

834
01:20:30,140 --> 01:20:36,140
You would probably have the conditions, the right conditions for that hydrogen to explode.

835
01:20:38,140 --> 01:20:42,140
The evidence is inside the chamber.

836
01:20:42,140 --> 01:20:47,140
The walls were actually pushed out over an inch.

837
01:20:47,140 --> 01:20:54,140
The ceiling beams were pushed up and they were cracked.

838
01:20:54,140 --> 01:21:05,140
So what we had was an explosion, walls were pushed out, the ceiling beams lifted slightly, they fell down and cracked along the south side.

839
01:21:06,140 --> 01:21:15,140
Also in that chamber, the sarcophagus or the granite box is a different color than the rest of the granite.

840
01:21:15,140 --> 01:21:18,140
It is a chocolate brown color.

841
01:21:18,140 --> 01:21:23,140
And I propose that that too was a result of this explosion.

842
01:21:23,140 --> 01:21:33,140
That the granite box, originally a pink, aswan granite, was subject to tremendous forces and heat.

843
01:21:33,140 --> 01:21:42,140
And as a result, it's literally cut like in an oven, changing the color of the granite.

844
01:21:43,140 --> 01:21:56,140
If we go back out through the antechamber and onto the Great Step and if we look at the ceiling of the Grand Gallery, we will see the evidence of that explosion.

845
01:21:57,140 --> 01:22:05,140
The walls of the Grand Gallery have the evidence of a tremendous force, tremendous heat.

846
01:22:05,140 --> 01:22:08,140
And I'm not the first one to notice this.

847
01:22:08,140 --> 01:22:13,140
There have been architects and engineers who have been there and say that the walls are vitrified.

848
01:22:13,140 --> 01:22:17,140
The evidence is there to support the Giza power plant theory.

849
01:22:17,140 --> 01:22:21,140
And also the design of the resonators.

850
01:22:21,140 --> 01:22:26,140
Because on the ceiling you have these scorch marks, very, very deep scorch marks.

851
01:22:26,140 --> 01:22:37,140
The scorch marks weren't very visible until the pyramid was closed for a year and they actually cleaned it.

852
01:22:37,140 --> 01:22:42,140
And those scorch marks then became very, very clear.

853
01:22:42,140 --> 01:22:50,140
And what we have are two scorch marks, two pair, or a pair of scorch marks on both sides.

854
01:22:50,140 --> 01:22:52,140
On the ceiling.

855
01:22:52,140 --> 01:23:04,140
Also along the wall there are scorch marks that form a line, or the destruction seems to, the blast pattern seems to form a line down centered with the slots.

856
01:23:05,140 --> 01:23:07,140
So all this evidence comes together.

857
01:23:08,140 --> 01:23:13,140
But to sum it up, let me explain everything and how it worked.

858
01:23:14,140 --> 01:23:16,140
We start out with energy.

859
01:23:16,140 --> 01:23:18,140
That energy is the energy of the earth.

860
01:23:18,140 --> 01:23:24,140
The air, seismic energy, vibration, feeding through the Great Pyramid.

861
01:23:24,140 --> 01:23:31,140
We collect that energy in the Grand Gallery and convert it to airborne sound.

862
01:23:31,140 --> 01:23:47,140
That sound and the natural design, or the design of the Grand Gallery, is such that any sound generated in the Grand Gallery will focus through that small horizontal passage into the King's Chamber.

863
01:23:48,140 --> 01:23:52,140
There the sound actually builds and accumulates.

864
01:23:52,140 --> 01:23:55,140
It affects the hydrogen in the area.

865
01:23:55,140 --> 01:24:02,140
And then you have a microwave signal coming in from the universe.

866
01:24:02,140 --> 01:24:09,140
The signature of the Big Bang is actually a hydrogen signature.

867
01:24:09,140 --> 01:24:12,140
At 21 centimeters.

868
01:24:13,140 --> 01:24:15,140
So there we have it.

869
01:24:15,140 --> 01:24:30,140
The evidence of a sophisticated, intelligent, brilliant society that created energy not in a way that is harmful to the earth or the people that live on it.

870
01:24:30,140 --> 01:24:36,140
But energy that resonated, that was in harmony with the earth.

871
01:24:36,140 --> 01:24:45,140
Generating the energy, they did it with harmony with the earth and drove the earth into harmony.

872
01:24:45,140 --> 01:24:49,140
We've just scratched the surface though.

873
01:24:49,140 --> 01:24:57,140
I believe there is much more that needs to be found and discovered in Egypt about this lost civilization.

874
01:24:57,140 --> 01:25:00,140
We'll keep looking.

875
01:25:01,140 --> 01:25:10,140
Chris's theory that the pyramids were some sort of power plants tied into the resonance of the earth fascinated me.

876
01:25:10,140 --> 01:25:20,140
I then wanted Chris to show me evidence that there had been some sort of explosion that was associated with the pyramids.

877
01:25:20,140 --> 01:25:36,140
So if the pyramids were coupled oscillators and in this cataclysm, some disaster, the pyramids just vibrated until they shook off all this granite.

878
01:25:36,140 --> 01:25:43,140
Then for the later people who came here, the stones were lying just like this.

879
01:25:43,140 --> 01:25:46,140
Just as we see them now.

880
01:25:46,140 --> 01:25:58,140
And then people were trying to quarry and split these stones, but they were already lying here scattered and tumbled like we see them right now, right?

881
01:25:58,140 --> 01:25:59,140
Exactly.

882
01:25:59,140 --> 01:26:07,140
Part of Chris's theory was that the pyramids on the Giza Plateau were driving the earth into harmony.

883
01:26:07,140 --> 01:26:14,140
So, I mean, in your whole theory, why these small pyramids? They're also just mini big ones?

884
01:26:14,140 --> 01:26:16,140
I mean, to do the same thing?

885
01:26:16,140 --> 01:26:22,140
Yeah, basically resonating at a higher frequency, but still doing the same thing.

886
01:26:22,140 --> 01:26:32,140
And the theory is that what they were doing is they were causing for want of a better term, mini earthquakes.

887
01:26:32,140 --> 01:26:35,140
They were creating mini earthquakes?

888
01:26:35,140 --> 01:26:36,140
Mini earthquakes.

889
01:26:36,140 --> 01:26:38,140
To sort of relieve the stress on the earth?

890
01:26:38,140 --> 01:26:40,140
To relieve the stress of the earth.

891
01:26:40,140 --> 01:26:47,140
And so even today we're now talking about, say, the Cascadia Fault in America.

892
01:26:47,140 --> 01:27:00,140
They're speculating now that if they set off mini earthquakes, then you relieve the stress in the plates as one plate presses against the other.

893
01:27:00,140 --> 01:27:10,140
Right now the friction takes over and they build up stress, build up stress, build up stress, and suddenly you've got a 9.0 earthquake.

894
01:27:10,140 --> 01:27:11,140
Okay.

895
01:27:11,140 --> 01:27:12,140
Okay.

896
01:27:12,140 --> 01:27:14,140
And if you can relieve that, but with smaller earthquakes?

897
01:27:14,140 --> 01:27:22,140
If you can relieve that, then you're going click, click, click, mini earthquakes.

898
01:27:22,140 --> 01:27:31,140
Vibration, which actually allows the plates to slide smoothly over each other rather than building up stress.

899
01:27:31,140 --> 01:27:47,140
But in your whole theory of like the Great Pyramid having a maser energy in it, but are these also have some chemical that's put in them or are they just a pure geometric form on the plateau?

900
01:27:47,140 --> 01:27:50,140
Yeah, well the Great Pyramid is different.

901
01:27:50,140 --> 01:27:58,140
And really just the generation of energy is not the prime purpose for the pyramids.

902
01:27:58,140 --> 01:28:12,140
The prime purpose for the pyramids, in my opinion, was to actually create harmony, to drive the planet into harmony and to relieve the stresses of the earth's plates.

903
01:28:12,140 --> 01:28:21,140
Now if you're able to do that, if we could do that, you know, we can generate power for decades, right?

904
01:28:21,140 --> 01:28:24,140
Just from the earth's, the stress of the earth's crust.

905
01:28:24,140 --> 01:28:25,140
Yeah.

906
01:28:25,140 --> 01:28:31,140
The point I'm trying to make, David, is in our society, electricity is king.

907
01:28:31,140 --> 01:28:35,140
Power, energy, we use it for many, many purposes.

908
01:28:35,140 --> 01:28:39,140
And we can sustain a civilization for so long.

909
01:28:39,140 --> 01:28:48,140
And all that, that whole civilization can be wiped out by an earthquake, by a huge uplift in the earth's crust.

910
01:28:48,140 --> 01:28:53,140
Can just totally destroy everything, billions and billions of dollars.

911
01:28:53,140 --> 01:29:04,140
Okay, yeah, right, just the tectonic plate shift that we can't control it now, but if we could control it, we could harness power and these pyramids could do that.

912
01:29:04,140 --> 01:29:08,140
Bingo, you got it, that's it. That's what they were for.

913
01:29:08,140 --> 01:29:10,140
Fascinating, fascinating.

914
01:29:10,140 --> 01:29:24,140
And so you go from, you not only have the smaller pyramids, or the larger pyramids, but you have the different frequencies to match with different frequencies in the earth.

915
01:29:24,140 --> 01:29:30,140
Because the earth is a jumble of frequencies. They detected the hum of the earth in 1998.

916
01:29:31,140 --> 01:29:43,140
And the hum is very, very, really sub-sub frequencies with a whole jumble of different frequencies.

917
01:29:43,140 --> 01:29:50,140
So, you know, the Great Pyramid resonates still in the King's Chamber to 440.

918
01:29:50,140 --> 01:29:56,140
It resonates to an F-sharp chord, as Tom Danley detected in 1995.

919
01:29:56,140 --> 01:29:57,140
Okay.

920
01:29:57,140 --> 01:30:05,140
And my theory is that that energy is still being channeled through the pyramid.

921
01:30:05,140 --> 01:30:06,140
Through the pyramid, right.

922
01:30:06,140 --> 01:30:14,140
And of course the King's Chamber is a structure that's freestanding within the center of the pyramid.

923
01:30:14,140 --> 01:30:19,140
It's not dampened by the walls, it's not connected to the core masonry.

924
01:30:19,140 --> 01:30:25,140
The floor is not dampened because it's suspended on nodes.

925
01:30:25,140 --> 01:30:31,140
The upper relieving chambers, there are five layers of them. Why?

926
01:30:31,140 --> 01:30:32,140
Why? Right, right.

927
01:30:32,140 --> 01:30:37,140
And the whole purpose is harmonics and resonance.

928
01:30:38,140 --> 01:30:44,140
So what we have is a progression. And these were important for the relieving of the earth's stress.

929
01:30:44,140 --> 01:30:47,140
And so was the Great Pyramid.

930
01:30:48,140 --> 01:30:57,140
However, obviously they reached a point where they said, well, we've got all this energy coming through these things, why don't we harness it?

931
01:30:57,140 --> 01:31:01,140
So they built the Great Pyramid and they harnessed some of that energy.

932
01:31:01,140 --> 01:31:06,140
Join us on our next episode where we go to Peru to search for ancient technology.

933
01:32:31,140 --> 01:32:36,140
Thank you for watching!