1 00:00:00,000 --> 00:00:16,559 I also believe that mythology makes references to advanced technology. 2 00:00:16,559 --> 00:00:22,920 That when we're in certain books and stories, what they're actually describing is a... 3 00:00:22,920 --> 00:00:25,460 that the ancient world once possessed. 4 00:00:25,460 --> 00:00:29,460 One of the key examples that I focus on, which is actually the logo for my enterprise, 5 00:00:29,460 --> 00:00:32,460 is the pillar of Osiris. 6 00:00:32,460 --> 00:00:36,299 Osiris, of course, is the Egyptian god of resurrection. 7 00:00:36,299 --> 00:00:40,140 He's called the lord of eternity, the lord of the nether world. 8 00:00:40,140 --> 00:00:45,100 In fact, J.M. Barrie's story, Peter Pan, is inspired by the story of Osiris. 9 00:00:45,100 --> 00:00:50,620 Osiris being the king of Netherland, and J.M. Barrie's Peter Pan took everybody to Never 10 00:00:50,620 --> 00:00:54,900 Neverland, which is perhaps another dimensional world. 11 00:00:54,979 --> 00:01:00,100 Osiris's hieroglyph features the tet pillar here, which was called the power pillar to 12 00:01:00,100 --> 00:01:01,100 the Egyptians. 13 00:01:01,100 --> 00:01:06,340 And many of you have probably seen examples from the temple at Dendera of the tet pillar 14 00:01:06,340 --> 00:01:11,859 supporting what appeared to be light bulbs, what appeared to some to be cathode ray... 15 00:01:11,859 --> 00:01:14,359 what appeared to be some to be crooks tubes. 16 00:01:14,359 --> 00:01:19,620 We're not exactly certain what this is, but these tet pillars in the combination with 17 00:01:20,460 --> 00:01:26,180 the serpents in these bulbs are often cited as examples of an advanced pre-flood... 18 00:01:26,180 --> 00:01:32,100 and the technology that once existed, and gives researchers such as Chris Dunn and... 19 00:01:32,100 --> 00:01:37,659 a leg to stand on in their supposition that, hey, those who built the incredible temples 20 00:01:37,659 --> 00:01:42,020 of ancient Egypt possessed technology similar to that that we might even be familiar with 21 00:01:42,020 --> 00:01:43,020 today. 22 00:01:43,020 --> 00:01:49,140 At Dendera, you actually find several color examples of this upstairs that are not widely 23 00:01:49,140 --> 00:01:50,140 shown. 24 00:01:50,140 --> 00:01:55,219 This is another one that appears out back in the temple of Isis at Dendera. 25 00:01:55,219 --> 00:01:59,780 Another key temple site that I've investigated is Abydos, which is called th... 26 00:01:59,780 --> 00:02:00,859 underworld. 27 00:02:00,859 --> 00:02:03,460 This is the shrine of Osiris. 28 00:02:03,460 --> 00:02:09,420 Abydos, which looks like a modern corporate facility, is located where it is because of 29 00:02:09,420 --> 00:02:14,939 a former temple that once existed behind it called the Osirion. 30 00:02:14,939 --> 00:02:20,219 Researchers such as John Anthony West have examined the incredible 100 ton red granite 31 00:02:20,219 --> 00:02:25,620 blocks that we see here at the Osirion, and I have my picture here to reference the... 32 00:02:25,620 --> 00:02:27,719 size of these blocks. 33 00:02:27,719 --> 00:02:32,180 They've concluded this is an example of a pre-flood temple. 34 00:02:32,180 --> 00:02:39,099 The conservative date for the creation of this Osirion is around 10 to 12,000 BC,... 35 00:02:39,099 --> 00:02:44,579 there are other Egyptian researchers, indigenous Egyptian researchers who subscr... 36 00:02:44,580 --> 00:02:49,380 oral tradition in Egypt that tell us that this temple is in fact possibly older than 37 00:02:49,380 --> 00:02:53,380 50,000 years old. 38 00:02:53,380 --> 00:02:58,700 This is John Anthony West, and he has noted that the Osirion, the incredible colossal 39 00:02:58,700 --> 00:03:03,220 red granite blocks at the Osirion, are found at only a couple other places in ancient 40 00:03:03,220 --> 00:03:09,260 Egypt, the Valley Temple beside the Sphinx and the Great Pyramid, and also at the Sphinx 41 00:03:09,260 --> 00:03:10,260 Temple itself. 42 00:03:10,819 --> 00:03:15,659 In fact, I've got a trip with John Anthony West to Egypt in January 2007. 43 00:03:15,659 --> 00:03:18,019 You're all invited to join us if you like. 44 00:03:18,019 --> 00:03:23,379 It's going to be a symbolist tour of Egypt, looking at these temples and looking at... 45 00:03:23,379 --> 00:03:25,939 of advanced ancient technology. 46 00:03:25,939 --> 00:03:30,539 And so here we are again with the Osirion on top, and on the bottom is the Valley Temple 47 00:03:30,539 --> 00:03:35,819 with the incredible colossal red granite blocks. 48 00:03:35,819 --> 00:03:40,539 But when we come back to, and this is me standing beside these, when you're in this 49 00:03:40,539 --> 00:03:47,699 gateway here, which is what these blocks actually composed, it's an incredible... 50 00:03:47,699 --> 00:03:52,659 these stones, as even Dr. Zahi Youas says, these stones speak. 51 00:03:52,659 --> 00:03:53,659 They talk to you. 52 00:03:53,659 --> 00:03:57,159 They are working on you from the cellular level on up. 53 00:03:57,159 --> 00:04:00,139 It's really an incredible experience. 54 00:04:00,139 --> 00:04:05,120 But when we come back to the Osirion, we see etched on the temple wall a very intriguing 55 00:04:05,200 --> 00:04:10,200 scene that actually has what I consider to be a sort of a corporate logo. 56 00:04:10,200 --> 00:04:16,240 Etched onto the wall is this pillar of Osiris symbol, which is actually what we saw in 57 00:04:16,240 --> 00:04:18,639 the hieroglyph just a moment ago. 58 00:04:18,639 --> 00:04:23,939 The Egyptian term for this pillar right here is called the Shudi Pillar, and what Shudi 59 00:04:23,939 --> 00:04:26,800 means is enlightenment pillar. 60 00:04:26,800 --> 00:04:29,720 And we can see that the Egyptians used a form of a pun here. 61 00:04:29,720 --> 00:04:34,180 They have a serpent levitating or hovering in this enlightenment pillar. 62 00:04:34,180 --> 00:04:38,819 This is, of course, is an allegory or later was used as an allegory by the writers of 63 00:04:38,819 --> 00:04:42,620 the Old Testament for the serpent of wisdom. 64 00:04:42,620 --> 00:04:47,620 Inside the temple of Abydos is the shrine of Osiris, and this is where we see the Osiris 65 00:04:47,620 --> 00:04:49,420 device. 66 00:04:49,420 --> 00:04:55,620 And I use the word device intentionally because this clearly looks like some form ... 67 00:04:55,620 --> 00:04:59,500 But when you look up the word device in the dictionary, you find that that word means 68 00:04:59,500 --> 00:05:01,379 an instrument. 69 00:05:01,379 --> 00:05:03,300 It means an appliance. 70 00:05:03,300 --> 00:05:08,620 It means a tool, but it also means a symbol. 71 00:05:08,620 --> 00:05:13,620 So a device is an appliance, an instrument, a tool, and it's also a symbol. 72 00:05:13,620 --> 00:05:17,620 Think of a heraldic device or even a logo. 73 00:05:17,620 --> 00:05:21,500 And so this Osiris device is all of those things. 74 00:05:21,500 --> 00:05:23,500 I believe it is an actual tool. 75 00:05:23,500 --> 00:05:25,420 It is an actual appliance. 76 00:05:25,420 --> 00:05:32,280 It is also a symbol that was used as the logo for Osiris and his mystery school, the... 77 00:05:32,279 --> 00:05:37,239 school that taught the mysteries of literally eternity. 78 00:05:37,239 --> 00:05:42,159 This is Isis who's cited as the companion of Osiris standing beside Osiris, and you 79 00:05:42,159 --> 00:05:45,519 can clearly see he is not a person. 80 00:05:45,519 --> 00:05:48,119 Osiris is a device. 81 00:05:48,119 --> 00:05:50,479 We might even think of it as a machine. 82 00:05:50,479 --> 00:05:54,979 The question is, what did the Osiris device do? 83 00:05:54,979 --> 00:05:59,039 If it's a tool or appliance, what function did it perform? 84 00:05:59,040 --> 00:06:03,080 Well we learned from Dr. Richard H. Wilkinson from the University of Arizona that the... 85 00:06:03,080 --> 00:06:09,319 also called the Osiris device a tower, spelled T-A-W-E-R. 86 00:06:09,319 --> 00:06:15,680 And what tower meant was the bond between heaven and earth. 87 00:06:15,680 --> 00:06:21,320 So now we learn exactly what the Osiris device did, what function it performed. 88 00:06:21,320 --> 00:06:25,000 It united heaven and earth. 89 00:06:25,000 --> 00:06:29,000 When we look at the Osiris device through Hebrew eyes, we clearly see that it has a 90 00:06:29,000 --> 00:06:32,519 platform that resembles the biblical Ark of the Covenant. 91 00:06:32,519 --> 00:06:37,839 But what's attached to it, and by the way, the Ark of the Covenant was used as a... 92 00:06:37,839 --> 00:06:42,600 Some even think it was some form of a capacitor, an energy device that held the ... 93 00:06:42,600 --> 00:06:45,480 of the Ten Commandments and the manna and other things. 94 00:06:45,480 --> 00:06:51,180 But the Egyptians clearly portrayed it with this enlightenment pillar attached to it. 95 00:06:51,180 --> 00:06:56,519 They referred to Osiris, this device, as the stairway to heaven. 96 00:06:56,519 --> 00:07:03,180 They called it the ladder to God, the backbone of Osiris, always featuring it as... 97 00:07:03,180 --> 00:07:06,340 of a device that linked heaven and earth. 98 00:07:06,340 --> 00:07:11,420 And we've looked at a depiction such as this, a color representation by my artistic... 99 00:07:11,420 --> 00:07:12,420 Mr. Dana Augustine. 100 00:07:12,420 --> 00:07:17,699 We see that they appear to be operating this device almost like they're drilling for oil, 101 00:07:17,699 --> 00:07:22,319 which isn't too wild of a speculation as it turns out. 102 00:07:22,319 --> 00:07:27,779 As I mentioned, part of my quest is to put mythology into the body. 103 00:07:27,779 --> 00:07:33,860 And when we apply the principles of the Osiris device, the bond between heaven and... 104 00:07:33,860 --> 00:07:39,300 we see that it perfectly matches the pattern of a meditating woman. 105 00:07:39,300 --> 00:07:43,300 We're all probably familiar with the seven energy centers that dot the spine, and we 106 00:07:43,300 --> 00:07:47,219 count one, two, three, four, five, six, seven. 107 00:07:47,220 --> 00:07:50,100 All good children go to heaven. 108 00:07:50,100 --> 00:07:58,500 Indeed, I believe our body is an allegory or an analog of this device. 109 00:07:58,500 --> 00:08:04,300 Our human body is in fact the stairway to heaven that many of us are seeking. 110 00:08:04,300 --> 00:08:09,340 And by studying the Osiris device, this tool, this appliance, we can learn a tremendous 111 00:08:09,340 --> 00:08:15,860 amount about our body and how this link between heaven and earth is actually made. 112 00:08:15,860 --> 00:08:20,480 The connection that we want to make tonight with the Osiris device is that Egyptian myth 113 00:08:20,480 --> 00:08:24,960 and legend said that this device could drill holes in space. 114 00:08:24,960 --> 00:08:28,740 Today we call such holes in space stargates. 115 00:08:28,740 --> 00:08:33,820 And one of the things that I seek to do is to look at the human body as an interface 116 00:08:33,820 --> 00:08:41,340 between the earthly realm and the heavenly realms, as the gateway itself for our soul. 117 00:08:41,340 --> 00:08:45,580 Something very interesting and I think quite compelling happens when we go to the temple 118 00:08:45,580 --> 00:08:51,620 of Hathor at Dandera where they provide for us another example, another citation of the 119 00:08:51,620 --> 00:08:53,300 Osiris device. 120 00:08:53,300 --> 00:08:58,220 Here it is in a photograph I took off the temple wall, and this is a line drawing of 121 00:08:58,220 --> 00:09:01,520 this actual temple depiction here. 122 00:09:01,520 --> 00:09:06,700 And what we notice is that Isis and Nephthys are tending or operating the pillar. 123 00:09:06,700 --> 00:09:11,720 Here's the ark platform once again, but now we notice that something new has been added. 124 00:09:11,720 --> 00:09:18,040 They have added what is called the ship of the gods, also known as the bark of the... 125 00:09:18,040 --> 00:09:19,320 of years. 126 00:09:19,320 --> 00:09:25,139 This is the ship that Osiris will ride into eternity, and they have clearly connected 127 00:09:25,139 --> 00:09:29,420 it with this Osiris device. 128 00:09:29,420 --> 00:09:31,420 Here it is in detail. 129 00:09:31,420 --> 00:09:35,860 But now what I want you to do is to compare the shape of that ship of eternity with the 130 00:09:35,860 --> 00:09:39,240 way modern science depicts a wormhole. 131 00:09:39,879 --> 00:09:44,620 And to me, there's a quite compelling comparison to be made here. 132 00:09:44,620 --> 00:09:48,919 And the question that I ask is, is it possible that what the ancient Egyptians a... 133 00:09:48,919 --> 00:09:53,519 us is that the way that Osiris and the other Egyptian gods traveled into the stars for 134 00:09:53,519 --> 00:09:57,580 eternity was through stargates and wormholes. 135 00:09:57,580 --> 00:10:01,200 Now to a traditional Egyptologist, that sounds absolutely ridiculous. 136 00:10:01,200 --> 00:10:05,279 In fact, to a modern technologist, that sounds crazy too. 137 00:10:05,319 --> 00:10:10,959 My take is this, is that if you're interested in designing wormholes and opening gateways 138 00:10:10,959 --> 00:10:14,959 into other dimensions and traveling through millions or billions of light years of space 139 00:10:14,959 --> 00:10:19,120 time by entering the mouth of the wormhole and traveling through it and coming out the 140 00:10:19,120 --> 00:10:23,360 other end as if there's nothing in between, then it would behoove you to go back and take 141 00:10:23,360 --> 00:10:28,199 a look at some of this Egyptian imagery in the text that accompanied it, because it 142 00:10:28,199 --> 00:10:32,439 will give you some incredible insight into the way the Egyptians thought about how we 143 00:10:32,440 --> 00:10:35,560 might be able to travel into the stars. 144 00:10:35,560 --> 00:10:40,840 So again, when you consult Google, here is a traditional image of the way modern science 145 00:10:40,840 --> 00:10:44,200 portrays the wormhole. 146 00:10:44,200 --> 00:10:50,080 Now again, the ancient Egyptians were creating craft with technological skills f... 147 00:10:50,080 --> 00:10:54,440 their time, well beyond or before the time of the invention of the wheel. 148 00:10:54,440 --> 00:10:59,240 And it has even been suggested that these craft enabled them to cross the earthly... 149 00:10:59,240 --> 00:11:03,159 And so again, it sounds absolutely crazy to suggest that maybe they even had craft 150 00:11:03,159 --> 00:11:06,120 that enabled them to cross the cosmic ocean. 151 00:11:06,120 --> 00:11:08,159 But that's what I'm asking you to consider tonight. 152 00:11:08,159 --> 00:11:13,720 And something else I want you to think about is this comparison between an Egyptian lotus 153 00:11:13,720 --> 00:11:17,240 ship with the shape of a modern wormhole. 154 00:11:17,240 --> 00:11:21,480 How does this correspondence come about? 155 00:11:21,480 --> 00:11:23,860 Who got this idea first? 156 00:11:23,860 --> 00:11:30,019 Is it possible that this is the primordial sacred ship or shape of a wormhole? 157 00:11:30,019 --> 00:11:36,060 And somehow modern science, modern physicists have tapped into this primordial sacred... 158 00:11:36,060 --> 00:11:41,340 Or did they just simply model it after the way the ancient Egyptians presented their 159 00:11:41,340 --> 00:11:42,340 ships? 160 00:11:42,340 --> 00:11:43,340 You see what I'm saying? 161 00:11:43,340 --> 00:11:47,300 I mean, I'm wondering if it's possible that the Egyptian ships that sailed the earthly 162 00:11:47,300 --> 00:11:53,180 Nile were actually modeled after what might even be the original primordial or sacred 163 00:11:53,219 --> 00:11:59,219 design for the ship of the gods that enabled them to sail across the heavenly Nile. 164 00:11:59,219 --> 00:12:03,500 Here's another classic example of what I'm describing from the Egyptian Book of the... 165 00:12:03,500 --> 00:12:10,699 The inscription says, I even I know the hidden ways to the doors of the field of a... 166 00:12:10,699 --> 00:12:13,659 The word a Rue means blessed. 167 00:12:13,659 --> 00:12:20,379 And so what we're seeing here is the God aboard his ship sailing into the field of ... 168 00:12:20,460 --> 00:12:26,939 I think we can take out the word field and put in the word dimension and it's an... 169 00:12:26,939 --> 00:12:30,340 interpretation of what this scene is actually describing. 170 00:12:30,340 --> 00:12:36,299 Because what we see is the God aboard his ship sailing into a gate of stars. 171 00:12:36,299 --> 00:12:40,860 I call that a stargate. 172 00:12:40,860 --> 00:12:47,059 And he just so happens to be sailing upon a ship into this gate of stars or perhaps 173 00:12:47,139 --> 00:12:53,139 even galaxies that very closely resembles the way modern science portrays a similar... 174 00:12:53,139 --> 00:13:00,139 This is NASA's image from 1996 or 1998 of a warp craft entering a wormhole, traveling 175 00:13:01,259 --> 00:13:03,739 into a distant galaxy. 176 00:13:03,739 --> 00:13:08,659 From a mythological or symbolic perspective, this is a penis entering a vagina. 177 00:13:08,659 --> 00:13:11,899 This is also a sperm entering an egg. 178 00:13:11,899 --> 00:13:17,579 The Egyptians had a law, as above, so below, as within, so without. 179 00:13:17,579 --> 00:13:23,220 So it makes perfect sense that the way modern science would portray a warp craft entering 180 00:13:23,220 --> 00:13:28,939 a wormhole would be somehow analogous to the functioning of our body and the very secrets 181 00:13:28,939 --> 00:13:34,659 of creation themselves, a sperm entering an egg. 182 00:13:34,659 --> 00:13:41,659 NASA's image became very important to me because it illustrated the stargater wormh... 183 00:13:42,100 --> 00:13:48,419 When cartoonists want to express the concept of sound or vibration, they use the... 184 00:13:48,419 --> 00:13:49,819 rings. 185 00:13:49,819 --> 00:13:54,459 But it's also important to recognize what the concentric rings in the NASA image illustrate 186 00:13:54,459 --> 00:13:55,459 for us. 187 00:13:55,459 --> 00:14:02,459 It illustrates a three-dimensional concept of a, the 2D diagram of the concentric rings 188 00:14:02,459 --> 00:14:08,740 actually represents a three-dimensional experience of going through a vortex or a... 189 00:14:08,740 --> 00:14:13,100 So anytime I'm in a piece of artwork and now that I'm seeing the two-dimensional image 190 00:14:13,100 --> 00:14:17,180 of the concentric rings, I'm thinking that it actually represents a three-dimensional 191 00:14:17,180 --> 00:14:22,500 experience of entering the mouth of a vortex or a wormhole traveling through the throat 192 00:14:22,500 --> 00:14:29,299 of it and coming out the other end. 193 00:14:29,299 --> 00:14:33,539 Modern science tells us that if we're successful in harnessing the limitless ene... 194 00:14:33,539 --> 00:14:38,259 called the zero-point field, that we're going to be able to create these anti-gravity type 195 00:14:38,259 --> 00:14:43,259 warp drives and create a post-technological civilization. 196 00:14:43,259 --> 00:14:48,580 Understanding the science is literally the bridge to enlightenment. 197 00:14:48,580 --> 00:14:52,740 It's fascinating to me that another way of thinking about this bridge to enlightenment 198 00:14:52,740 --> 00:14:58,100 in its most simplistic form, the way we can symbolize it, is with the circle with the 199 00:14:58,100 --> 00:15:00,379 dot in the center. 200 00:15:00,379 --> 00:15:04,179 Isn't that simply a zero point? 201 00:15:04,179 --> 00:15:07,340 Referencing perhaps the zero-point field? 202 00:15:07,420 --> 00:15:12,139 This symbol also represents the human eye and it most certainly is a component to the 203 00:15:12,139 --> 00:15:14,340 eye that is involved in this. 204 00:15:14,340 --> 00:15:20,060 But what we're actually looking at here is the Egyptian hieroglyph for light, for... 205 00:15:20,060 --> 00:15:21,200 in fact. 206 00:15:21,200 --> 00:15:25,440 And so I find it very interesting that the Egyptian hieroglyph for light and... 207 00:15:25,440 --> 00:15:32,040 correspond so directly to the way NASA portrays a warp craft entering a wormhole. 208 00:15:32,159 --> 00:15:36,719 It's my view that these two images are telling the exact same story. 209 00:15:36,719 --> 00:15:41,559 A craft is entering a stargate or a wormhole. 210 00:15:41,559 --> 00:15:47,240 A craft is entering a gate of stars, a stargate. 211 00:15:47,240 --> 00:15:51,679 And this is why I feel that modern designers or people who research the zero-point field 212 00:15:51,679 --> 00:15:56,839 or are interested in building these warp craft that would ultimately represent the... 213 00:15:56,839 --> 00:16:01,719 of our species can go back to imagery such as this and the teachings that accompany it 214 00:16:01,879 --> 00:16:05,879 and derive tremendous new knowledge from it. 215 00:16:05,879 --> 00:16:09,639 So I focus on the gods and their craft. 216 00:16:09,639 --> 00:16:12,480 And here we have the pharaoh who is sitting upon his craft. 217 00:16:12,480 --> 00:16:15,240 He has his feather on his knee. 218 00:16:15,240 --> 00:16:20,860 This is symbolic of a very important Egyptian concept called mat, which symbolizes cosmic 219 00:16:20,860 --> 00:16:23,360 order or cosmic truth. 220 00:16:23,360 --> 00:16:29,440 Only those whose hearts were light as a feather were able to access the field of t... 221 00:16:29,440 --> 00:16:36,520 And we clearly see this figure aboard his craft entering into this net or this field. 222 00:16:36,520 --> 00:16:41,240 This field again is called the field of Uru or the field of the blessed. 223 00:16:41,240 --> 00:16:46,920 And the craft that this figure is portrayed riding is literally the bridge to that field 224 00:16:46,920 --> 00:16:48,920 of eternity. 225 00:16:48,920 --> 00:16:54,000 The field or dimension of the blessed is a sea of intelligent energy that permeates all 226 00:16:54,000 --> 00:16:55,040 of creation. 227 00:16:55,040 --> 00:16:57,000 It is creation. 228 00:16:57,000 --> 00:17:00,559 And what we're learning today is it is conscious. 229 00:17:00,559 --> 00:17:07,240 We are becoming reacquainted with these ancient concepts and beginning to bring th... 230 00:17:07,240 --> 00:17:12,240 our own spiritual reality as well as our technological reality. 231 00:17:12,240 --> 00:17:17,819 Again as I said only souls which weighed less than mat symbolized by the feather were... 232 00:17:17,819 --> 00:17:23,559 to start the long and perilous journey to the blessed Uru, to the field of the blessed, 233 00:17:23,559 --> 00:17:26,400 to exist in pleasure for all eternity. 234 00:17:26,400 --> 00:17:32,000 And the question that goes along with this is that how light hearted am I? 235 00:17:32,000 --> 00:17:33,320 How light hearted am I? 236 00:17:33,320 --> 00:17:38,480 And do I have the eye of light that will enable me to perceive these gateways and t... 237 00:17:38,480 --> 00:17:39,980 enter them? 238 00:17:39,980 --> 00:17:43,800 It's a little bit out of the range of our topic tonight but it's a seed thought I... 239 00:17:43,800 --> 00:17:48,920 to leave you with because it's all about the heart and it's all about developing the... 240 00:17:48,920 --> 00:17:54,600 vision that will enable us to actually build these craft. 241 00:17:54,599 --> 00:17:58,439 The field, the zero point field connects everything in the universe to everything 242 00:17:58,439 --> 00:18:01,799 else like some vast invisible web. 243 00:18:01,799 --> 00:18:06,359 And here in the Egyptian depiction we see the Pharaoh aboard his craft sailing into 244 00:18:06,359 --> 00:18:12,039 this field that could well be the field that connects everything to everything else. 245 00:18:12,039 --> 00:18:16,279 Mind and intelligence are woven into the fabric of the universe says Freeman Dyson ... 246 00:18:16,279 --> 00:18:20,039 is another depiction of the way modern science portrays a wormhole. 247 00:18:20,039 --> 00:18:25,319 They talk about the fabric of the universe, the fabric of the cosmos and the opening 248 00:18:25,319 --> 00:18:34,000 of a serpent rope or a wormhole, the spreading open of the fabric of the universe. 249 00:18:34,000 --> 00:18:38,359 Many of us are familiar with this whole idea of the net of the cosmos, the fabric of the 250 00:18:38,359 --> 00:18:44,399 universe and we have to remember that at one time we thought that the building blocks of 251 00:18:44,399 --> 00:18:49,879 our universe were atoms but then our worldview shifted and we were told that it... 252 00:18:49,880 --> 00:18:53,960 that these were not, the atoms were not fundamental at all but made of protons,... 253 00:18:53,960 --> 00:18:59,280 electrons and then we found out that the protons and neutrons are in turn made of... 254 00:18:59,280 --> 00:19:04,560 deeper still we now learn today that tiny vibrating strings and membranes living in 255 00:19:04,560 --> 00:19:09,040 a space of 10 or 11 dimensions comprises our reality. 256 00:19:09,040 --> 00:19:13,600 And I just find it very interesting that when we go back to the teachings of Osiris, the 257 00:19:13,600 --> 00:19:19,000 Lord of eternity, what do we find but the string that is lifted up and I think that 258 00:19:19,200 --> 00:19:24,640 string is symbolically representative of string theory, that maybe they did have some 259 00:19:24,640 --> 00:19:29,880 awareness of tiny vibrating strings that comprise our reality and what this... 260 00:19:29,880 --> 00:19:36,480 pillar was all about was a technology that enabled us to resonate with this fabric of 261 00:19:36,480 --> 00:19:43,039 creation and ultimately also to open stargates and wormholes. 262 00:19:43,039 --> 00:19:47,160 This for example is how we can describe the bending of space time. 263 00:19:47,160 --> 00:19:52,759 This is an image done by Dana Augustine once again but what I'd like you to do is to... 264 00:19:52,759 --> 00:19:58,800 this image with these drawings here that were rooted out by Laird Scranton, another... 265 00:19:58,800 --> 00:20:03,380 who's looking into the symbolism of the ancient Dagon tribe of Mali. 266 00:20:03,380 --> 00:20:09,440 On the left what we see is a diagram torn from Brian Greene's book, The Elegant... 267 00:20:09,440 --> 00:20:14,360 Brian Greene is sort of the new Carl Sagan, the mainstream physicist who's telling us 268 00:20:14,359 --> 00:20:17,799 what is really the limits of our reality. 269 00:20:17,799 --> 00:20:22,719 And what he's portraying for us here is the fabric of space time tearing and a wormhole 270 00:20:22,719 --> 00:20:25,979 growing. 271 00:20:25,979 --> 00:20:32,299 What we see on the right is the Egyptian hieroglyph to tear and what we notice is t... 272 00:20:32,299 --> 00:20:35,159 exact same symbolism that's being used. 273 00:20:35,159 --> 00:20:39,099 And the question that seems to emerge from this is, you know, what's happening? 274 00:20:39,099 --> 00:20:45,299 Is Brian Greene a reincarnated Egyptian priest who's suddenly remembering all this... 275 00:20:45,299 --> 00:20:53,399 Egyptian symbolism or is modern science tapping into the original sacred primordia... 276 00:20:53,399 --> 00:20:56,179 that the Egyptians seem to have possessed? 277 00:20:56,179 --> 00:21:01,519 I think that that's exactly what's going on, is that the Egyptians had encoded this... 278 00:21:01,519 --> 00:21:07,139 sacred science and modern science is using the same symbolism, even the same language 279 00:21:07,180 --> 00:21:10,220 because they're talking about the same science. 280 00:21:10,220 --> 00:21:16,259 And so in my view, when we see the pharaoh aboard his craft sailing into the net, it 281 00:21:16,259 --> 00:21:20,540 could well be representative of the same concept that modern science presents, of t... 282 00:21:20,540 --> 00:21:26,540 open of space time, the fabric of space time, and the opening of a wormhole. 283 00:21:26,540 --> 00:21:33,660 And again, I believe that these two images are telling the exact same story of a craft 284 00:21:34,019 --> 00:21:40,019 going into a gate of stars or a field or a net of stars. 285 00:21:40,019 --> 00:21:43,259 This is another of my favorite images from ancient Egypt. 286 00:21:43,259 --> 00:21:48,420 It's actually a funerary chest and what we see is a goddess who's sailing aboard her 287 00:21:48,420 --> 00:21:50,320 craft. 288 00:21:50,320 --> 00:21:54,019 We're told that when she's sailing on her craft, she's sailing on the Nile. 289 00:21:54,019 --> 00:22:01,019 That's the traditional Egyptological explanation for this diagram, this drawing. 290 00:22:02,019 --> 00:22:07,819 But we also have to figure in is the as above so below law, which suggests that she's not 291 00:22:07,819 --> 00:22:11,500 sailing on the earthly Nile when she's aboard her craft. 292 00:22:11,500 --> 00:22:16,480 She's sailing on the heavenly Nile, which is in fact the Milky Way galaxy, the river 293 00:22:16,480 --> 00:22:18,299 of life. 294 00:22:18,299 --> 00:22:23,359 The Egyptians compel us to look at this imagery using the as above so below law an... 295 00:22:23,359 --> 00:22:30,359 only explain this craft by suggesting that she's in fact riding on what we today would 296 00:22:31,459 --> 00:22:34,979 call a wormhole into eternity. 297 00:22:34,979 --> 00:22:39,559 Modern science again tells us that the universe is interconnected by quantum wave... 298 00:22:39,559 --> 00:22:42,039 on into infinity. 299 00:22:42,039 --> 00:22:46,399 Is it possible that that's what she's actually riding on as well as these quantu... 300 00:22:46,399 --> 00:22:49,719 that take us into eternity? 301 00:22:49,720 --> 00:22:54,920 The Egyptian book of the dead and many of the depictions of the Egyptian afterlife 302 00:22:54,920 --> 00:23:01,920 frequently will show us these watery canals and the afterlife that they spend in... 303 00:23:02,640 --> 00:23:06,759 And what we have to remember is that these canals that they're sailing upon are not 304 00:23:06,759 --> 00:23:08,400 earthly canals. 305 00:23:08,400 --> 00:23:09,759 These are the heavenly canals. 306 00:23:09,759 --> 00:23:14,240 These are the heavenly waters that they're sailing upon and when they're sailing, they 307 00:23:14,240 --> 00:23:20,279 are always portrayed sailing in their craft that resembles again the way modern science 308 00:23:20,279 --> 00:23:23,559 portrays wormholes. 309 00:23:23,559 --> 00:23:27,240 A couple more examples, very acute examples of these craft. 310 00:23:27,240 --> 00:23:32,640 And what we notice in this example in particular is that this craft is emerging... 311 00:23:32,640 --> 00:23:38,579 It's a dual headed serpent ship that has a stairway to heaven mounted upon it. 312 00:23:38,579 --> 00:23:44,000 As John Anthony West tells us, we have to look at this imagery such as this is in... 313 00:23:44,000 --> 00:23:47,119 fashion to the way we look at cartoons today. 314 00:23:47,119 --> 00:23:51,779 We have to understand the whole backdrop of what is we're being presented here in order 315 00:23:51,779 --> 00:23:56,000 to get the pun or to get the teaching that's encoded within it. 316 00:23:56,000 --> 00:24:00,299 The teaching that's encoded within this here is that we have a dual headed serpent ship 317 00:24:00,299 --> 00:24:04,839 that is in fact the stairway to heaven. 318 00:24:04,839 --> 00:24:09,720 And again, the comparison is made between the dual headed serpent ship and the traditional 319 00:24:09,720 --> 00:24:13,400 modern image of a wormhole. 320 00:24:13,400 --> 00:24:18,580 The ancient Egyptians tell us that this figure here, Ptah, was the one who was... 321 00:24:18,580 --> 00:24:24,080 for building the craft that the Egyptians sailed into eternity. 322 00:24:24,080 --> 00:24:30,600 I pulled Ptah's business card from E.A. Wally Budge's book, The Gods of the Ancient... 323 00:24:30,600 --> 00:24:35,280 and we find out that Ptah was the architect of heaven and earth, the master craftsman 324 00:24:35,280 --> 00:24:40,280 and working metals, sculptor, designer, and the fashioner of the bodies of men. 325 00:24:40,359 --> 00:24:44,639 He was a blacksmith, sculptor, and mason of the gods. 326 00:24:44,639 --> 00:24:49,839 Now when I look at the detail of Ptah's business card here and I see this double... 327 00:24:49,839 --> 00:24:53,839 and compare it with the modern depiction of a double helix, I think we're looking at 328 00:24:53,839 --> 00:24:56,839 exactly the same thing. 329 00:24:56,839 --> 00:25:01,160 Egyptologists will laugh their ass off at a suggestion such as that because it doesn't 330 00:25:01,160 --> 00:25:05,079 say that anywhere that this is actually the double helix. 331 00:25:05,079 --> 00:25:06,879 But it clearly is. 332 00:25:06,880 --> 00:25:11,880 And when we match that up with the understanding that Ptah is the fashioner o... 333 00:25:11,880 --> 00:25:18,960 of men, we have to at least be open to the possibility that this Egyptian god, Ptah, 334 00:25:18,960 --> 00:25:21,560 knew how to manipulate human DNA. 335 00:25:21,560 --> 00:25:28,560 And again, it's my supposition that he was manipulating DNA in preparation for this body 336 00:25:28,560 --> 00:25:35,200 to interface with the craft that will enable us to sail into eternity. 337 00:25:35,200 --> 00:25:40,080 So here is how we see the full body of Ptah here wearing his bird suit. 338 00:25:40,080 --> 00:25:47,080 He's got his power staff called the Tetpillar, the Uaz, and the Ank altogether. 339 00:25:48,759 --> 00:25:53,759 This was actually found in the tomb of Tutankhamun in 1925. 340 00:25:53,759 --> 00:26:00,759 In the Book of the Amduat, which is called the Book of the Twelve Hours or Twelve Gates, 341 00:26:05,640 --> 00:26:11,920 we see the Egyptian initiate, typically the pharaoh or the high priest, sailing on his 342 00:26:11,920 --> 00:26:13,920 craft into eternity. 343 00:26:13,920 --> 00:26:18,779 And so here we see him, here in the center in his shrine, we see his boat sailing upon 344 00:26:18,779 --> 00:26:22,119 what could be the quantum waves once again. 345 00:26:22,159 --> 00:26:25,559 And when we pull the detail here, it looks like the front of the ship is disappearing 346 00:26:25,559 --> 00:26:29,239 into what could easily be imagined as another dimension. 347 00:26:29,239 --> 00:26:33,919 Again, sailing into eternity. 348 00:26:33,919 --> 00:26:39,139 This craft, this boat, according to the Egyptians, again is called the bark of the... 349 00:26:39,139 --> 00:26:40,599 of years. 350 00:26:40,599 --> 00:26:47,239 And it provides for us an insight into the secret of eternal renewal to the Egyptians. 351 00:26:47,240 --> 00:26:52,240 I believe the secret of eternal renewal has to do with stargates and wormholes. 352 00:26:52,240 --> 00:26:58,400 And this visual code is giving us, I believe, all the evidence that we need to follow that 353 00:26:58,400 --> 00:27:01,480 line of speculation. 354 00:27:01,480 --> 00:27:06,799 The Egyptians told the legend that at the dawn of each new age, the heron, the bird 355 00:27:06,799 --> 00:27:11,160 of light, would emerge from the center of the Milky Way galaxy. 356 00:27:11,160 --> 00:27:13,319 It would climb aboard its craft. 357 00:27:14,079 --> 00:27:20,439 And what we notice is that the craft of the heron almost precisely matches the way... 358 00:27:20,439 --> 00:27:23,700 Stephen Hawking depicts a wormhole. 359 00:27:23,700 --> 00:27:27,559 And we have to ask, is it possible that this bird of light, the Egyptian symbol for the 360 00:27:27,559 --> 00:27:33,319 Messiah, actually came to earth riding upon a wormhole? 361 00:27:33,319 --> 00:27:39,559 In the Egyptian legend, this heron, this being of light, actually, not just a bird,... 362 00:27:39,960 --> 00:27:44,319 land on top of the pyramid of human civilization and from its outstretched arm... 363 00:27:44,319 --> 00:27:50,159 light and then deliver a teaching symbolized by the key of life. 364 00:27:50,159 --> 00:27:55,440 What I'm calling your attention to here is that this perch upon which the heron is... 365 00:27:55,440 --> 00:28:00,960 is actually sitting on top of one, two, three pyramids. 366 00:28:00,960 --> 00:28:05,839 And what I ask, is it possible that the three pyramids that that heron is sitting upon are 367 00:28:05,839 --> 00:28:12,639 in fact the three pyramids of Giza? 368 00:28:12,639 --> 00:28:16,720 I like to tease my Christian friends that these are not just three pyramids, these are 369 00:28:16,720 --> 00:28:24,919 actually three crosses, which is something that they don't really like to consider. 370 00:28:24,919 --> 00:28:32,079 And so here is the detail now of the heron atop its perch with the one, two, three... 371 00:28:32,799 --> 00:28:38,759 And the reason I'm going into this is because this is Dr. Zahi Hawass, he's the secretary 372 00:28:38,759 --> 00:28:41,559 general of the Egyptian Antiquities Organization. 373 00:28:41,559 --> 00:28:46,119 I call him the Grand Puba of the Great Pyramid Complex of the Giza Plateau. 374 00:28:46,119 --> 00:28:52,079 In 1999, he had intended to put a golden capstone on top of the pyramid. 375 00:28:52,079 --> 00:28:55,099 He wanted to complete the Great Pyramid. 376 00:28:55,099 --> 00:28:59,759 But the world press went crazy saying that it was too Masonic and so we pulled back on 377 00:28:59,759 --> 00:29:01,119 that initiative. 378 00:29:01,159 --> 00:29:04,079 But here he is presenting the drawing of that golden capstone. 379 00:29:04,079 --> 00:29:05,519 And what do we see? 380 00:29:05,519 --> 00:29:09,719 We see a heron on top of the pyramid. 381 00:29:09,719 --> 00:29:15,599 And this is Zahi Hawass' vision of the completion of the Great Pyramid. 382 00:29:15,599 --> 00:29:21,519 In 2005 in a lecture in Philadelphia, Pennsylvania, Hawass said that I really... 383 00:29:21,519 --> 00:29:29,119 that the secret chamber of Khufu is hidden inside the Great Pyramid. 384 00:29:29,119 --> 00:29:35,319 In 2006, in June of 2006, he came to my hometown Nashville, Tennessee and gave a... 385 00:29:35,319 --> 00:29:42,119 he said, I will open the secret chamber of Khufu at the end of 2006. 386 00:29:42,119 --> 00:29:47,000 Now Hawass himself explains that the Giza Plateau is known by the Egyptians as the 387 00:29:47,000 --> 00:29:49,599 house of Osiris. 388 00:29:49,599 --> 00:29:54,239 And the Giza Pyramid is in fact directly connected with Osiris. 389 00:29:54,359 --> 00:29:59,120 And what I presented to you is evidence that Osiris is not a person. 390 00:29:59,120 --> 00:30:04,759 And so when Hawass is talking about opening this secret tomb inside the pyramid, what 391 00:30:04,759 --> 00:30:08,759 non-traditional Egyptologists, alternative researchers believe is what he's actually 392 00:30:08,759 --> 00:30:17,599 talking about is not the tomb of Khufu, but rather a secret chamber of Osiris. 393 00:30:17,599 --> 00:30:21,720 And what I'm wondering is if it's possible that later this year Zahi Hawass is going 394 00:30:22,200 --> 00:30:27,240 to reveal a secret chamber in the Great Pyramid that is in fact going to be relate... 395 00:30:27,240 --> 00:30:29,839 to Osiris. 396 00:30:29,839 --> 00:30:34,160 Larry Hunter is an Egyptologist who is doing some incredible work on the Giza Plateau 397 00:30:34,160 --> 00:30:35,279 in the late 90s. 398 00:30:35,279 --> 00:30:42,600 He believes that this lost or secret chamber of Khufu or Osiris actually is a 250 foot 399 00:30:42,600 --> 00:30:46,480 tall chamber that's at the base of the Great Pyramid. 400 00:30:47,240 --> 00:30:52,200 Well again, what I'm asking you to consider here is that the revelation of this tomb, 401 00:30:52,200 --> 00:30:56,599 the opening of this secret tomb will undoubtedly have to do with Osiris. 402 00:30:56,599 --> 00:31:02,120 And if it has to do with Osiris, it has to do with stargates and wormholes, because 403 00:31:02,120 --> 00:31:05,039 that's what the Osiris device did. 404 00:31:05,039 --> 00:31:07,759 It was the bond between heaven and earth. 405 00:31:07,759 --> 00:31:12,799 And there are indeed many people who believe that the Great Pyramid is in fact some form 406 00:31:12,799 --> 00:31:16,519 of a stargate device. 407 00:31:16,519 --> 00:31:21,119 If this Egyptian imagery is of interest to you, you might be interested in taking a 408 00:31:21,119 --> 00:31:30,319 look at my DVD set, Egypt, Shadow of Atlantis, because I go into more detail ab... 409 00:31:30,319 --> 00:31:34,299 Now if we're going to open gateways, modern science tells us that in order to do that 410 00:31:34,299 --> 00:31:37,759 we need what's called a particle accelerator. 411 00:31:37,759 --> 00:31:41,359 And I believe I found evidence of an ancient particle accelerator, and that's what I want 412 00:31:41,599 --> 00:31:44,879 to talk about now for the next few minutes. 413 00:31:44,879 --> 00:31:51,119 The Tower of Babel, we're told, was modeled after the ancient cosmic axis, which was 414 00:31:51,119 --> 00:31:53,119 called Meru. 415 00:31:53,119 --> 00:31:54,119 Meru. 416 00:31:54,119 --> 00:32:00,959 Meru is the ladder to heaven, the cosmic axis, the stairway to heaven, and this is ... 417 00:32:00,959 --> 00:32:05,279 of Meru from a second century Chinese manuscript. 418 00:32:05,279 --> 00:32:12,519 Not only was Meru the basis for the Tower of Babel, but Sumer itself was named after 419 00:32:12,519 --> 00:32:13,519 it. 420 00:32:13,519 --> 00:32:14,519 Sumer was called Sumeru. 421 00:32:14,519 --> 00:32:22,960 Meru, of course, is spelled M-E-R-U, and what we saw earlier was this mer device, 422 00:32:22,960 --> 00:32:28,920 spelled M-A-R, that looked like some kind of a, well, it's described as a spade, but 423 00:32:28,920 --> 00:32:31,639 it looked like some kind of a vehicle ascending. 424 00:32:31,680 --> 00:32:37,560 I think the diagram is actually referring to this device right here, the Meru cosmic 425 00:32:37,560 --> 00:32:43,640 axis, again, coming from a second century Chinese manuscript. 426 00:32:43,640 --> 00:32:49,440 This has been a very intriguing diagram to me for a number of years, and when we follow 427 00:32:49,440 --> 00:32:55,200 the more detailed path of it, we see what appears to be almost like a vertebrae system. 428 00:32:55,200 --> 00:33:01,440 It looks strikingly similar to a human vertebrae system, among other things. 429 00:33:01,440 --> 00:33:08,160 At the apex of this Meru pillar is a triangle, or a pyramid, which is symbolic ... 430 00:33:08,160 --> 00:33:13,640 called Shambhala, which was the name of the place where this Meru pillar was originally 431 00:33:13,640 --> 00:33:19,680 located, Meru being the name of the center of Shambhala, and Shambhala being the name 432 00:33:19,680 --> 00:33:26,320 of the place of the, also known as the realm of the immortals, the home of the immortals. 433 00:33:26,320 --> 00:33:30,519 Now Shambhala is one of those really funny words, because it has within it words we've 434 00:33:30,519 --> 00:33:37,519 already discussed tonight, including Shem, which Sitchin identifies as the shining fiery 435 00:33:37,519 --> 00:33:44,480 stone, specifically the capstone to a pillar, and Sitchin identifies this as the craft of 436 00:33:44,480 --> 00:33:46,839 the Anunnaki. 437 00:33:46,839 --> 00:33:55,680 Shem is the root of our word shaman, and also of Shambhala, the realm of the immortals. 438 00:33:55,680 --> 00:34:00,500 I was researching this whole Shambhala business a number of years ago and giving ... 439 00:34:00,500 --> 00:34:07,180 on it, and a scientist came up to me after this one particular presentation and he said, 440 00:34:07,180 --> 00:34:12,219 I was basically asleep through your presentation until you put up that blueprint. 441 00:34:12,219 --> 00:34:14,860 And I said, what blueprint? 442 00:34:14,860 --> 00:34:20,019 And he went through my slides until he came to this diagram right here. 443 00:34:20,019 --> 00:34:22,500 And he said, that blueprint right there. 444 00:34:22,500 --> 00:34:27,139 And he proceeded to tell me that he designed particle beam weapons for a living, you know, 445 00:34:27,139 --> 00:34:28,460 Star Wars type weapons. 446 00:34:29,420 --> 00:34:34,619 And he said, you realize that this right here is a blueprint for a particle accelerator? 447 00:34:34,619 --> 00:34:36,820 He said, here's the weapon system right here. 448 00:34:36,820 --> 00:34:43,099 It's designed to rotate on this platform, and this is the pulse emanating from the weapon. 449 00:34:43,099 --> 00:34:47,659 The reason why it looks like a sword is because this is in fact a weapon system th... 450 00:34:47,659 --> 00:34:48,659 looking at. 451 00:34:48,659 --> 00:34:54,619 And the question is, what was it doing in a second century Chinese manuscript? 452 00:34:54,619 --> 00:34:59,539 So I took the scientist's bait and I came home and I consulted God, or a form of God, 453 00:34:59,539 --> 00:35:05,380 Google, and I typed in particle accelerator. 454 00:35:05,380 --> 00:35:10,420 And here came Ernest Lawrence's diagram of the particle accelerator that was used in 455 00:35:10,420 --> 00:35:13,219 the splitting of the atom. 456 00:35:13,219 --> 00:35:19,500 And when I compared it with the base of the Meru diagram, I can see exactly what that 457 00:35:19,500 --> 00:35:21,440 scientist was talking about. 458 00:35:21,440 --> 00:35:27,920 There is a pretty interesting correspondence between this modern particle accelerator 459 00:35:27,920 --> 00:35:29,679 and this ancient diagram. 460 00:35:29,679 --> 00:35:33,159 And the question is, how does that happen? 461 00:35:33,159 --> 00:35:39,440 I mean, is it possible that this second century Chinese manuscript featured a... 462 00:35:39,440 --> 00:35:41,840 a particle accelerator? 463 00:35:41,840 --> 00:35:47,019 Just exactly the device that you need in order to open a wormhole in space? 464 00:35:47,039 --> 00:35:51,940 And this diagram again is the model, or possible model, upon which the tower of... 465 00:35:51,940 --> 00:35:53,820 gate, is based. 466 00:35:53,820 --> 00:35:59,119 Paul Davies, writing in Scientific American, says, theorizes that one day we will be able 467 00:35:59,119 --> 00:36:05,860 to build giant space-based particle accelerators that open wormholes. 468 00:36:05,860 --> 00:36:09,059 And when I look at the two, I sort of see a correspondence. 469 00:36:09,059 --> 00:36:15,800 I think that maybe this is in fact a blueprint for an ancient particle... 470 00:36:15,800 --> 00:36:20,539 And it's also a harmonic of the human body as well. 471 00:36:20,539 --> 00:36:23,460 From a spiritual perspective, that's what the body is. 472 00:36:23,460 --> 00:36:30,360 From the soul's perspective, this hunk of flesh is actually a stairway to heaven. 473 00:36:30,360 --> 00:36:35,360 And if we could learn how to manipulate it or operate it properly, there's no telling 474 00:36:35,360 --> 00:36:38,900 what we could actually do. 475 00:36:38,900 --> 00:36:44,160 This looks like a sword, and it's the proverbial sword that is beat into a... 476 00:36:44,159 --> 00:36:48,719 Because with understanding that this is a particle accelerator, we can indeed make 477 00:36:48,719 --> 00:36:51,940 and build incredible weapons of mass destruction. 478 00:36:51,940 --> 00:36:57,179 This is why politicians and military types are so interested in ancient research. 479 00:36:57,179 --> 00:37:00,039 But we can also build weapons of peace. 480 00:37:00,039 --> 00:37:06,019 We can transform our bodies away from swords and the battles between these corrupt and 481 00:37:06,019 --> 00:37:14,519 insane politicians, and transform our bodies instead into instruments of peace that... 482 00:37:14,519 --> 00:37:20,400 transform our planet and enable us to reach out into the stars and become a galactic 483 00:37:20,400 --> 00:37:23,239 civilization. 484 00:37:23,239 --> 00:37:27,860 Here's what the gate really is. 485 00:37:27,860 --> 00:37:30,800 It's the female anatomy. 486 00:37:30,820 --> 00:37:36,680 I think it's quite striking and indeed profound that at the same time that the Ol... 487 00:37:36,680 --> 00:37:42,980 scribes are taking away the Tower of Babel story and the gate and the potential that 488 00:37:42,980 --> 00:37:49,480 we can open the gate, at the same time they did that, they subjugated women, literally 489 00:37:49,480 --> 00:37:54,200 enslaving women and taking away the power of the divine feminine. 490 00:37:54,200 --> 00:37:59,100 There's a connection between the two, a direct correspondence between the two. 491 00:37:59,099 --> 00:38:04,000 I believe that the rise of the divine feminine in our world is going to be the k... 492 00:38:04,000 --> 00:38:11,480 will unlock this consciousness that will open up the gate to heaven once again. 493 00:38:11,480 --> 00:38:14,360 So ladies, you know, let's get busy. 494 00:38:18,139 --> 00:38:23,179 We're told that the Egyptians modeled the pyramids on the primordial mound that rose 495 00:38:23,179 --> 00:38:26,739 out of the waters of the abyss at the time of creation. 496 00:38:26,739 --> 00:38:31,899 And these in fact here are symbolic of the primordial waters rising out of the moment 497 00:38:31,899 --> 00:38:35,239 of creation. 498 00:38:35,239 --> 00:38:39,259 The pagodas of India also model a similar concept. 499 00:38:39,259 --> 00:38:43,879 They were deliberate replicas of Mount Meru. 500 00:38:43,879 --> 00:38:48,059 Like the towers, these mountains were widely envisioned as terraced structures and that's 501 00:38:48,059 --> 00:38:49,059 what we see. 502 00:38:49,059 --> 00:38:53,879 And as the mountain pierced through the heavens, its seven or nine layers correspo... 503 00:38:53,880 --> 00:39:00,519 imaginary sheets of heaven as they're described that lay superimposed over one... 504 00:39:00,519 --> 00:39:06,559 So what we see here is the cosmic pillar Meru piercing these sheets of heaven. 505 00:39:06,559 --> 00:39:11,760 And I think that's a very intriguing description because remember the ancient... 506 00:39:11,760 --> 00:39:20,119 a symbol that meant to tear and it corresponds with the tearing of the fabric... 507 00:39:20,400 --> 00:39:25,719 Space time in this case is portrayed as sheets or fabric that can be torn. 508 00:39:25,719 --> 00:39:30,440 And so I think the ancients are clearly leaving us a kind of a message here that t... 509 00:39:30,440 --> 00:39:36,819 about this diagram, this Meru, these Meru stories and myths are about the tearing of 510 00:39:36,819 --> 00:39:46,779 holes in space time and to go back one time to piercing the sheets or veils of heaven. 511 00:39:46,780 --> 00:39:51,100 This is in fact a pagoda that's in San Francisco. 512 00:39:51,100 --> 00:39:52,820 See it at night. 513 00:39:52,820 --> 00:39:57,940 And what we see here then is these are the sheets of space time here potentially, so 514 00:39:57,940 --> 00:39:59,340 what we're describing. 515 00:39:59,340 --> 00:40:04,940 And so here are the sheets again being pierced by the craft up here at the top th... 516 00:40:04,940 --> 00:40:10,620 in fact have been emitted from this vortex generator or stargate generator at the base 517 00:40:10,620 --> 00:40:14,540 of the pillar. 518 00:40:14,539 --> 00:40:21,179 Going back one, what we see at the very bottom is this pagoda here at the base of ... 519 00:40:21,179 --> 00:40:25,340 diagram. 520 00:40:25,340 --> 00:40:29,699 This pagoda and this one are to me strikingly similar. 521 00:40:29,699 --> 00:40:33,940 Does anyone recognize what this is right here? 522 00:40:33,940 --> 00:40:37,340 I'm sorry? 523 00:40:37,340 --> 00:40:40,739 That's right, that's the king's chamber of the great pyramid. 524 00:40:40,859 --> 00:40:48,579 So maybe these stacked slabs here are symbolically equivalent to the sheets of... 525 00:40:48,579 --> 00:40:50,059 are torn open. 526 00:40:50,059 --> 00:40:55,939 And maybe this idea that the great pyramid was a place of ascension or in fact a... 527 00:40:55,939 --> 00:41:01,399 is opening into a more and more real possibility all the time. 528 00:41:01,399 --> 00:41:07,259 This is the cover of Chris Dunn's book, The Giza Power Plant, which he talks about the 529 00:41:07,300 --> 00:41:13,940 Giza pyramid as a massive power plant operated or powered by water and hydrogen. 530 00:41:13,940 --> 00:41:20,100 And what we see in this artistic representation is these concentric rings o... 531 00:41:20,100 --> 00:41:25,260 emitted from the king's chamber that perfectly correspond with the rings of ene... 532 00:41:25,260 --> 00:41:32,460 off of the vortex of the Meru diagram complete with the pagoda down here in a... 533 00:41:32,460 --> 00:41:36,180 position but the same symbolic elements are present. 534 00:41:36,179 --> 00:41:43,179 And I think that there's an interesting correspondence being suggested between the... 535 00:41:44,739 --> 00:41:50,859 A couple of years ago I hired a digital artist named Jack Andrews to render this... 536 00:41:50,859 --> 00:41:53,259 image in 3D for us. 537 00:41:53,259 --> 00:41:54,960 And this is what he came up with. 538 00:41:54,960 --> 00:42:01,960 This is what the platform or the base of the Meru diagram looks like rendered in 3D. 539 00:42:02,840 --> 00:42:07,639 And I did sort of a double-blind with Jack when I asked him to do this for us. 540 00:42:07,639 --> 00:42:10,000 I didn't tell him what he was working on. 541 00:42:10,000 --> 00:42:17,000 I just said, Jack, give me a very accurate or reliable, well not really reliable, but 542 00:42:17,360 --> 00:42:18,800 don't tweak this a lot. 543 00:42:18,800 --> 00:42:21,480 Just tell me what this would actually look like in 3D. 544 00:42:21,480 --> 00:42:22,760 And this is what he sent back. 545 00:42:22,760 --> 00:42:27,240 And it was driving him crazy because he wanted to know, what have you got me worki... 546 00:42:27,240 --> 00:42:28,440 This is really intriguing. 547 00:42:28,440 --> 00:42:31,139 And I just told him, I'll tell you when you're finished. 548 00:42:31,259 --> 00:42:37,619 So I think that it's fairly remarkable that you can take a second century drawing and 549 00:42:37,619 --> 00:42:44,379 render it in 3D using a computer and come up with something that is so profoundly... 550 00:42:44,379 --> 00:42:45,940 appearing. 551 00:42:45,940 --> 00:42:48,019 Here's the very top of it. 552 00:42:48,019 --> 00:42:51,099 Jack said it gave him a lot of difficulty trying to render this in 3D. 553 00:42:51,099 --> 00:42:56,699 He couldn't figure out what this cone actually was. 554 00:42:56,939 --> 00:43:01,960 What I think it is, is the same snow cone or cone that Sitchin thinks is the shemcraft 555 00:43:01,960 --> 00:43:04,219 of the Anunnaki. 556 00:43:04,219 --> 00:43:09,539 And I think that what ultimately the shemcraft of the Anunnaki is, is not an... 557 00:43:09,539 --> 00:43:10,059 module. 558 00:43:10,059 --> 00:43:16,639 I think it's actually a warpcraft. 559 00:43:16,639 --> 00:43:21,079 We notice something very interesting that Sitchin omitted from his drawing is that... 560 00:43:21,079 --> 00:43:26,339 was a pillar that was placed underground underneath this cone-shaped object. 561 00:43:26,340 --> 00:43:30,780 The pillar that's placed underneath the ground is actually this right here, which ... 562 00:43:30,780 --> 00:43:37,980 other than the pillar of Osiris, which is potentially some kind of a particle... 563 00:43:37,980 --> 00:43:42,300 a device the Egyptians said could drill holes in space. 564 00:43:42,300 --> 00:43:50,380 And here it is perfectly present in this diagram. 565 00:43:50,380 --> 00:43:55,340 Back to Jack's drawing of the apex of the Meru diagram. 566 00:43:55,340 --> 00:44:03,300 I think that again, what we're actually seeing in the second century diagram is a... 567 00:44:03,300 --> 00:44:06,820 being spit out of a stargate. 568 00:44:06,820 --> 00:44:13,140 And that in fact, the apex of that diagram and this warpcraft designed by NASA, or... 569 00:44:13,140 --> 00:44:16,900 by NASA, are actually describing the same thing. 570 00:44:16,900 --> 00:44:21,860 And so when we see Anunnaki standing in front of this Meru device that's mounted to the 571 00:44:21,900 --> 00:44:25,579 tower of Babel, the tower of Babel is the gate. 572 00:44:25,579 --> 00:44:27,420 It's the particle accelerator. 573 00:44:27,420 --> 00:44:32,099 And what she's witnessing here is this device right here. 574 00:44:32,099 --> 00:44:35,940 And this pine cone-shaped object at the top here is this right here. 575 00:44:35,940 --> 00:44:41,780 And what it in fact is, is a warpcraft. 576 00:44:41,780 --> 00:44:46,940 And what the Anunnaki possessed was this technology of opening the gates of the gods. 577 00:44:46,940 --> 00:44:50,660 And that's what's buried 20 feet beneath the sands of Baghdad. 578 00:44:51,460 --> 00:44:54,500 It is the secrets of the ancient gates of the Anunnaki. 579 00:44:54,500 --> 00:45:01,500 And if we can get a hold of those, it transforms our civilization and will lead ... 580 00:45:01,500 --> 00:45:04,099 and renewal of our civilization. 581 00:45:04,099 --> 00:45:07,420 The question remains, are we going to actually be privy to that knowledge? 582 00:45:07,420 --> 00:45:11,739 Or will it, like so much other stuff, just go black, go dark?