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Let me bring in another aspect of the story that takes us into what I feel

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as a confirmation that these light beings are in fact lightning like or plasma beings.

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When we're looking at the dendera tube we're looking we're thinking A it's a light bulb okay

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B it's a plasma tube and that the being who is holding it is a plasma being.

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Third what we're basically looking at and it's its simplest most simplistic symbolic view

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is a person holding a serpent. Not only is this person holding a serpent he appears to be lifting

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the serpent. You can absolutely argue that the tech column that resurrection pillar at the very

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front of the plasma tube is lifting the serpent. There's a very powerful story involving the

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lifting of a serpent and that is the story of Moses who lifted the serpent of healing in the

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wilderness. He raised a bronze serpent and healed the Israelites. Symbolically speaking

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symbolically speaking Moses lifting the serpent and this being in the plasma tube

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at dendera are doing exactly the same thing. They're lifting the serpent.

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So how could this possibly play out? Well what happens when Moses lifts the serpent of healing

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in the wilderness? He manifests a seraphim a celestial being an extraterrestrial being

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an angel. In fact the highest order of angels referred to as seraphim who are called winged

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serpents. I told you the winged serpent was going to be a very important symbol for us

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and here it is coming back into our conversation. When Moses lifts the serpent of healing in the

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wilderness referred to as the nahushetim the serpent of brass he manifests a winged serpent

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or a seraphim. In the Jewish mystical book the Hekelat Tzutardi we learn that the seraphim

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they're walking is like the appearance of a lightning bolt. That means they're made of plasma

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a vision of them is like a vision of a rainbow their faces are like a vision of a bride their

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wings are like the radiance of clouds of glory. Glory means to glow rays to glow multi-colored

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rays that sounds like the auric field of the earth that sounds to me just like these the auric field

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of the human body. It sounds to me like we're talking about a group of beings who are made

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of plasma they're lightning like plasma beings. The king as the pyramids text said becomes a flash

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of lightning he becomes plasma he becomes like these celestial beings. This is so important in

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my research because it carries forward into the Christian mysteries of resurrection. Jesus himself

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likens the secret of eternal life to Moses lifting a serpent of healing in the wilderness and he says

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as Moses lifted the serpent of healing in the wilderness even so must the son of man be lifted

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up so that whoever believes in him will have eternal life. Jesus is equating the secret of

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eternal life with Moses's lifting of the serpent in the wilderness and I am equating Moses's

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lifting of the serpent of healing in the wilderness with the plasma tube at dendera.

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Are we talking about an extraterrestrial science of ascension that is encoded

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on the temple walls in the crypt at dendera in the story of Moses lifting the serpent of healing

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and ultimately manifesting a seraphim and ultimately linking it with the resurrection

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mysteries of Jesus and his transmutation into a being of life. After Jesus's resurrection

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he had the ability to phase back and forth from his celestial throne in a place called

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Sion or Sion which sounds like the sun and manifest to various avatars like Saint Francis

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of Assisi where upon Jesus appears as a seraph as a winged serpent.

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This is all not coincidence. This is all telling us that there is a link between the Egyptian

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mysteries of resurrection and the transmutation of the king into a being of light or lightning

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plasma. Moses lifting the serpent and Jesus identifying the lifting of the serpent as a key

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to eternal life and his own manifestation as a seraph when he manifested or appeared before

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Saint Francis of Assisi. I think that that's what we're looking at when we see scenes of for example

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Horus. I think Horus is also a seraph. Remember in the story after Osiris's resurrection

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he returns as Horus and so when we see scenes of Horus he's portrayed as this bird being a bird

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figure and in this particular scene here from Karnak we actually see Horus standing in front

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of the resurrection pillar the tet pillar that is flanked on either side with the Nahushetan the

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serpent on a pole. That symbol occurs in almost every single temple in upper Egypt. You will see

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the winged serpent or excuse me the the serpent on a pole on either side of the temple gateways

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in the temples of upper Egypt. Ultimately that's the Nahushetan of Moses. That is the symbol

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of the seraphim angels in Judeo-Christian tradition. I think of it as the logo

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of this tribe of celestial beings who are here to assist us in our ascension.

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It originated at Saqqara where it was a symbol for Ptah. So to me this symbol of the serpent on a pole

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the Nahushetan is the symbol for the ascension mysteries. Now how can we connect Horus to the

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seraphim? Well we go to Dendera where we are at looking in the crypt look on the temple walls

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he's portrayed as a blue bird being. On his shoulder is a patch a sort of patch on his shoulder

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is a winged serpent. That is the logo of the seraphim the winged serpents and that tells me

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that Horus possibly is part of this tribe of bird beings angelic beings celestial beings

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who are here to assist us in our ascension. In Judeo-Christian tradition the seraphim are

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portrayed as red or orange because they burn they're called the burning ones because they burn with

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the love of the creator or they're portrayed with six blue wings blue linking them I believe with

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plasma and in this instance here we see the the seraphim with his toroidal shaped body he's spinning

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super high frequency being with the ophanum wheels the winged the red winged disc that we see below

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these are the angels that the Essenes were living with and eyewitness accounts describe them

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as having stream rivulets of molten fire like incandescent bronze or radiance of many brilliant

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colors of exquisitely hues gloriously mingled many exquisite hues brilliant colors of exquisite hues

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gloriously mingled they're describing beings that have rainbow-like colors coming off of them not

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only are they blue but they're they have these rainbow-like colors coming off them just like the

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aurora borealis just like like plasma but I'm very intrigued by the correspondence between these

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blue bird beings these seraphim and what we see on the temple walls of Egypt and representations

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of Horus who's of course considered to be the Egyptian Christ so maybe it's no coincidence that

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Christ himself is surrounded by blue seraphim as well as the reddish orange seraphim these super

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high frequency beings and when we see that the gate of heaven being opened in Christian art at

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last judgment we see an almond shaped gateway the eye of the needle that's opened by the seraphim

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they are the beings that that open this gateway maybe even compose the gateway itself we see Christ

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on a cloud of blue seraphim so they are directly and intimately connected with the resurrected

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Jesus but the point I want to come back to here is that these beings are in their appearance have

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an appearance like lightning or plasma they are plasma beings or I should say what if they are

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plasma beings are they the same beings that we see holding the plasma tubes at dendera are they

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in fact celestial beings that are assisting us in our ascension I believe that they are and one more

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connection when they describe the seraphim as having many colored bodies radiating these glories

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of many different colors these many different hues that takes me to another research specialty

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of mine the rainbow light body of Tibetan Buddhism where they describe our body having the ability

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to be dissolved into rainbow colored light leaving behind hair toe and fingernails so then the body

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accelerates its frequency and manifests as this sort of like plasma globe of rainbow colored light

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they call the rainbow light body what is so mind-blowing about this to me is that

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in Tibetan Buddhism when they show the rainbow light body I'm going to come back here I skipped

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ahead too fast when they show the rainbow light body they show Padmasambhava the Tibetan guru

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that we see here with an assortment of symbols including his resurrection stick

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his golden crown he holds his Vajra at his heart which symbolizes compassion and action

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to the Tibetans and he's got this multi-colored hue this rainbow hue of radiant light coming off

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of his body let's come back to dendera where we see the ascended Ptolemaic king on his

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wormhole shaped resurrection boat his arc of the millions of years he has his crown of wisdom

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his lotus craft his feathered ascension throne his resurrection stick and the key of life these are

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exactly the same symbols that we see in the Tibetan rainbow body illustration the lotus throne

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the resurrection stick the Vajra the crown of glory the golden rays this led me to speculate

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or to surmise to hypothesize really that the Egyptian resurrection mysteries and the Tibetan

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resurrection mysteries are the same thing they're coming probably from the same source an

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otherworldly or extraterrestrial source I believe that source is Ptah not only is there a phonetic

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similarity between the name Padma Sambhava who we see here on the left who came from India to

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Tibet in the eighth century to teach the rainbow light body wasn't the first time it was taught on

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earth but his name Padma means lotus born just like Ptah and the similarity of their symbolism

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also draws this conclusion or this hypothesis that they are teaching exactly the same thing

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Ptah has this resurrection stick his rainbow colored stairway to heaven his light body garment

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there's enough of a correspondence for me to feel very comfortable in suggesting to you

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and this is an original connections that I've made and I say that not out of ego so that you know

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where this information is coming from that the Egyptians don't say this and the Tibetans don't

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say this but I'm asking you to consider that when Ptah is portrayed in this way he's being portrayed

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in his rainbow light body his plasma light body which is the true nature of our being and ultimately

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the object of our ascension so when we see Ptah over and over again with that feathered resurrection

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garment of many colors and his his helmet of salvation his resurrection stick his rainbow

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rings or necklace of immortality rings of gold I am aligning that with what we see in the Tibetan

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rainbow body images with the crown the resurrection stick the Vajra and so forth enough of a

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correspondence for us to hypothesize that there is a a direct link between what the Egyptians are

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showing and what the Tibetans are showing it carries over into the resurrection imagery of

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of Osiris in my opinion as well where the energy pattern of Osiris's Atav crown his green face

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symbolic of rebirth renewal and regeneration all match what we see in the Tibetan rainbow

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light body imagerus I believe as I say that the the the source of both of these teachings is the

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same it's coming from a cosmic source probably Ptah originally although the Tibetans teach that

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this rainbow light body teaching is taught in 13 star systems including our own suggesting that

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there's a whole network of star systems where this rainbow light body teaching is taught

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let's take this forward and look for other examples of plasma beings in ancient Egyptian

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temple imagery and there are several here that are very key examples this one was actually pointed

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out to me by Gary Gilligan who notes that the image on the left depicts Amun the Egyptian god

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Amun in typical form with blue skin yellow kilt and red flat top crown with tall plumes segmented

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into sections of blue red and green he notes that a thin yellow frame separates these sacred colors

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and he compares them to the aurora borealis the northern lights what Gary Gilligan has

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established in his research so there were cataclysms in the ancient world our sky was

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completely different than what we experience today the ancient Egyptians had this sky that was

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filled with plasma and all kinds of incredible shapes and symbols present in that plasma

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that the sun was going crazy effectively not a scientific term but that it was causing these

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extraordinary light shows in our skies and that what he is saying is that the gods including Amun

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especially Amun are really nothing more than a symbolic representation of intense geomagnetic

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storms that dominated the ancient skies I can go along with that I see what he's saying but

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I think he's fallen short here a little bit by saying that the gods basically are just

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the aurora borealis and these geomagnetic anomalies I think the god beings were real that they were

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actually incarnate on earth and that in fact they were plasma beings like the aurora borealis

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as Gilligan points out Amun's epitaphs are completely consistent with an aurora filled sky

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mysterious of form who raised high the sky king of south and the north prince of rays and beams

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of light the flame which sent forth rays of light with mighty splendor living flame king of heaven

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who makes light gifts free passage secret of manifestations sparkling of shape marvelous god

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god rich in forms light was his coming into existence on the first occasion

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so he's saying this is all a description of the aurora borealis I am looking at this same scene

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at Karnak and saying that's a rainbow light being that that that that's a celestial being like

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Padma Sambhava or Pata who who is manifest as a higher frequency being who resembles most

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definitely the aurora borealis but is actually incarnate in human form he's a bioplasma being

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Jay Alfred in his book our invisible bodies alludes to his belief or discusses a physical

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dense earth that he says is gravitationally coupled to a counterpart dark matter earth

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composed of low density plasma this sister earth was co-created or co-created with the physical

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dense earth about 4.6 billion years ago from dark matter components in the embryonic solar system

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plasma life forms evolved on this counterpart earth just like it did on the visible planet

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I'm going with that as a more certainly fantastic but perhaps I think more reasonable explanation

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for what we're seeing here in these temple scenes these are plasma life forms maybe coming from a

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twin earth a plasma like earth where these beings can phase back and forth from their plasma form

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into their physical flesh and blood form and are here to assist us in our transmutation into

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lightning-like or plasma-like beings so that we can then go dwell in this higher dimensional higher

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frequency realm plasma realm where these god beings dwell that's my theory and that's what

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I'm looking at that's how I'm reading these scenes on the temple walls when we're in Egypt

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is taking this incredible work of gary gilligan and the other work that's robert schock is doing

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dr robert schock the thunderbolts or people are also doing work on plasma in the plasma sky I

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I think we've got really solid evidence that in ancient times especially in the times of ancient

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Egypt our sky was very much different than what we're experiencing today the plasma that the

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aurora borealis was seen in much further south or southern regions than it is presently and that

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is a definite inspiration for some of these scenes but that it's also pointing us to the essential

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nature of these beings a moon batah some of these other beings are actually plasma life forms

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that can cross over into our physical world and are coming here in order to assist us in our

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ascension or return to our our plasma like form so that's how I'm reading these temple scenes I'm

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looking at this thinking this these are all of course ascension scenes attunement scenes and

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this one example in this example here this is from metanet habu we see the god amun who we

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looked at just these several examples of where he's portrayed as this sort of rainbow like plasma

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like being standing behind him as a form of patah amun is attuning or gifting the king

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with the secret of the hundreds of thousands of years what this means the way I read this is that

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he is giving him the gift of eternal life he is literally placing those secrets in the palm of

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his hand which is what we see over and over and over again in these ascension stories that the

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gods will assist us in the completion of our ascension by literally putting the ascension

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tablets in the palm of our hands I think this is a plasmaby who is placing into the hands of the

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of the pharaoh and attuning his consciousness with the secrets of eternal life the secrets of the

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hundreds of thousands of years another example of amun who is again transmitting attuning the

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king the pharaoh with the secrets of eternal life if amun is just a is is plasma dancing plasma

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waves coming down from the sky why didn't the egyptians show him that way why did they show

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him as a humanoid form why did they have to anthropomorphize this being just show rays coming

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down they were certainly capable of doing that they do it elsewhere so why not do it here as if

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he's the king is just bathing himself in this in these keys of life the shower of keys of life or

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or a baptismal rays of the aurora borealis now I think what they're portraying is that these are

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actual plasma type beings who come out of a plasma world and are assisting us this is a model here

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of the temple at karnak where we see these many of these incredible scenes of the god amun it was

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continuously built over a period of several thousand years as we enter the karnak temple

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see at the very bottom of the photo there you see these rows of of sphinxes they're actually

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ram-headed sphinxes these are symbolic of the god amun and in between the paws of the

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the ram-headed sphinxes we see the king ramesses who is a son of amun

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beautiful beautiful temple to experience temple at karnak karnak so majestic again built over a

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period of several thousand of years one of the the figures who did some of the major building at

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karnak was queen chetso including the erecting of these obelisks she actually erected four

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of these massive 500 ton sun sticks and at the apex of these sun sticks we see the the queen

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herself had chetso being attuned by amun who's sitting on his ascension throne again suggested

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that amun is in fact a an actual being who could incarnate on earth and in fact that that is

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literally true in the story of queen chetso a star child who became pharaoh married a commoner

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who discovered the secrets of transfiguration in her story she had a brother uh tutmosis

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actually tutmosis the third uh who was they both were the son of of the king tutmosis the first

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and when her father died her brother uh was her cousin rather was due to be uh the king of egypt

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but since he was too young she was appointed as his regent well chetso decided that she herself

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was going to become the new king of egypt and so what she did was something very clever

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is when she went and built her mortuary temple at darryl bahari she told the egyptian people

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an absolutely amazing story uh and that's me at uh chetso's temple sometimes they let me drive the

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drive the disneyland cart that takes us from the parking lot where we put the coach up to

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the temple um just a side note i love going to chetso because that's where we often see the most

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uh the highest number of egyptian kids and they go nuts when they see us they absolutely these

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school kids just they love to take their picture with us it's like they treat us like celebrities

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over there it's so much fun to to play with these kids when we're at darryl bahari

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anyway at this temple chetso tells this story about her divine birth this is the uh takes us

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into the kalanad that tells this birth story of queen chetso where she tells us that her father

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really wasn't tutmos as the first her father was the god amun she tells how the god amun

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superimposed himself on her father and that her that the god amun actually impregnated her mother

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and she goes into this very detailed story about how her light body was crafted by the gods

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that she in fact is a star child who was conceived by amun to become the ruler the divine ruler of

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egypt she was not just semi-divine a demigod like other pharaohs she was a fully divine being

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incarnate on earth a star child the name she chose for herself matkera can be read as

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mot is the ka of ra which translated the true and beautiful manifestation of the sun's divine

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life force a more poetic but still accurate rendition is truth is the soul of the sun

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so here is chetso saying she is a child of amun a hybrid being a star child and furthermore

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she wants us to think of herself as a manifestation of the sun's divine life force

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the sun as we said is plasma so here she is telling us that she is a star child

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and maybe she knows something about the sun as a plasma life form this is carried into the story

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of her vizier her wizard that's what the word vizier means wizard and her consort

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the queen who was a king based on his tomb sentiment discovered the secret of transfiguration

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the more metamorphosis of flesh and blood into a celestial light form and built his own stargate

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in his tomb and discovered the secret of transfiguration the more metamorphosis of flesh and blood into a

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celestial light form and built his own stargate in his tomb complete with a star map that codifies

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the date 9600 bc the date that playdo gave for the collapse of atlantis what an incredible story

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of a commoner who grows up becomes the vizier an architect of the queen he designed her temple at

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darrell bahari and literally learns the secret of transfiguration which are encoded in the walls

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of his tomb here at darrell bahari which unfortunately is still off limits to the public

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but the entire scenes inside this tomb describe his passageway into the celestial beings

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into a celestial being and what is most shocking of all is that they tell that sentiment was

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transfigured into a luminous spirit that the egyptians called the ox spirit and that he in

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fact ascended into the celestial realms so now we've come a long way we've got a little bit

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further to go but i'm going to take a very quick 10 minute break it's the bottom of the hour

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i'm going to come back at a quarter till the hour so in in nashville right now it's 3 35

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i'm going to come back in 10 minutes i'm going to take you to abidos and we're going to take a look

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at the incredible light body secrets on the temple walls at abidos so thank you all for

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joining me i'll look forward to catching up with you just after the break okay everybody welcome

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back thank you for allowing me to take that quick break i hope you've enjoyed what we presented so

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far it's been a quite a journey going from sakara to darrell bahari to a chet sepp story and now

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we're going to take a journey to abidos abidos the gate of the gods for 3000 years before there

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was a jerusalem or a mecca there was abidos this was a place where the ancient egyptians would

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make pilgrimages to it was believed that at judgment day when osiris would return that he

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would take the souls of the blessed of the just through a portal at abidos into excuse me into

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the field or dimension of the blessed and it was here that the egyptian king sedi built the temple

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of sedi the first at abidos which is what we're looking at here in the egyptian chronology sedi

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is two generations after ekinotin and tutankhamun he is the part of the generals of ancient egypt

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who were appointed to restore order after the ekinotin revolution had spun egypt into chaos

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his temple is in phenomenal condition and it's one of our our favorite places to visit during

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our tours it's very often not included in egyptian tour itineraries because it's it's off the beaten

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track it takes a while to get out there and once you're there you're you're just confronted with

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just this ancient ancient mystery of immense proportions about how sedi was able to utilize

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these ancient transfiguration teachings and i believe he did utilize them because as a matter

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of fact you see something at sedi the first temple that you don't see anywhere else in egypt

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and that something is encoded in this scene in one of the chapels on in the interior of the temple

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where we see sedi kneeling before isis and osiris or excuse me osiris and amun and in between those

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gods is this hieroglyph that we see on the right with the obelisk and the two figures and the

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the hatchet symbol of the netter or the gods this tells us that sedi became a god a man became a god

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he achieved apotheosis now what is extraordinary about this is that his contention as we see here

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on the temple walls that he that he became a god is echoed in the story of ohm sedi a victorian

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era woman named dorothy evie who claimed that she was the reincarnation of a priestess of egypt

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who served king sedi and in fact who had an affair with king sedi and she became impregnated

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by the king and rather than disgrace her priesthood and her king she committed suicide

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breaking king sedi's heart beyond that which is extraordinary dorothy edie after having a

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near-death experience began recalling her life as this priestess of isis at abbados and described

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to archaeologists the way the temple looked in its original form in 1300 bc

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and made significant discoveries at abbados but what is even more significant is that she maintains

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that sedi could phase back into a physical existence and that they could continue and

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did continue their sexual relationship through his ability to harness the life force he called

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sakeb pardon me i didn't realize my phone was going this is a phenomenal story that you can

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follow up on in jonathan cott's book the search for ohm sedi which tells of this extraordinary

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reincarnation story one of the greatest reincarnation stories perhaps ever committed to

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pen and paper and gives us a lot of room to think about to speculate that sedi did in fact

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achieve this transfiguration that enabled him to phase back and forth between the dimensions

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just like the gods could do or just like we are proposing the gods could do so it's no mistake

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or no accident that you will see sedi as we see him here his hand on this door handle opening

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what could be like some kind of an interdimensional doorway to which he's able to

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access the divine realm of these plasma beings or what are evidently plasma beings perhaps who

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dwell in a parallel earth in a in a in a dimension very close to ours that can be accessed

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from certain special places on earth or by humans who know the secret of how to open that door

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these temple scenes combined with the story of dorothy ed suggest that king sedi was one who knew

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these secrets these secrets of ascension and all of the scenes at the temple of sedi

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at abidos ultimately refer to his ascension and the secrets of how he did it it's an exquisite

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temple it's in gorgeous condition and when you visit there you know you're in a place of immense

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secret power one of the fun things we like to do is there's this portal in the ceiling

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and we like to get there at the time of day when the sun's rays are coming in and it's always fun

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to just stand in in those rays and get a picture made it's really a great uh just a great picture

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moment this is my wife claire actually on the first visit that that she made to the temple of sedi

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at abidos and again it's just something we we really enjoy doing this is me i'm in the beam

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sort of my beam me up scotty moment well what was fun about this last tour back in february

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of 18 is that this scene was taken by multiple people from from different perspectives one of

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our guests kathy beckman took this really extraordinary picture um it was really cool

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because it shows my face as you can see just all lit up like i'm some kind of a plasma being

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myself it's fun right um like i can visualize myself as a plasma being through this photo i

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become one with the sun i've become like the sun like a moon and like chet chet said but what was

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really fantastic about this photo is that what people started to see up above the the the doorway

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can you see this sort of illuminated almost figure emerging from the wall

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i'll go back so you can train your eye to it it's just above the doorway it's a what appears to be

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a white robed figure well when we saw that we had all kinds of fun with speculating about who that

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could be what that could be is that in fact some kind of a a white robe figure that is not on the

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wall by the way it's just a manifestation perhaps something of that has to do with the light at

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that moment the camera or maybe you know because people talk about this that the god beings can

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emerge through the temple walls in the king's chamber of the great pyramid i've heard people

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experience that light beings coming through the wall manifesting in photos you saw that image

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earlier of what could have been sec matter patah coming out of the wall and now just for fun

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conversation sake we've got another and the figure seems to match what we see of other images of

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white robed figures at the temple of seti or in the tomb of seti so let's just for fun compare

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this and just ask wow is it is it possible that maybe patah or maybe some other white robed figure

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one of the avatars of abados perhaps came out of the wall temporarily to pay us a visitor just

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to give us a little bit of fun conversation for our webinar here i don't know i i just think it's

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it's it's a really cool photo and it's fun to think that that maybe just maybe these higher

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beings were present with us on this particular tour as they have been elsewhere the the image

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is similar to what we see in some of these cave paintings that a lot of people get really excited

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about is evidence of early examples of extraterrestrial beings you know maybe they're

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always there maybe they are in those temple walls and it's up to us to heighten our sense of

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perception so that we can actually perceive these things really fun to think about

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okay so seti did he in fact know the secret of human transfiguration

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i'm still operating on the premise that he did and continuing my research and one of the places

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where we do research on king seti of course is his tomb which is one of the most incredible

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tombs of all of them in the valley of the kings it is in pristine condition and throughout the

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tomb we see some absolutely stunning depictions of patah patah i'm going to argue is the initiator

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of seti if seti learned the secrets of transfiguration i'm i'm believing suggesting

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that he got them from patah what gives me or prompts me to to come to that line of thinking

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is this image here that's actually in in the temple of seti at abidos where we see seti

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in the tree of life in the sycamore tree kneeling before patah and patah is writing the secrets of

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hundreds of thousands of years into seti's palm while horace is sitting behind him also attuning

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him i i take that pretty literally that that that if seti has the nerve to tell us on his walls that

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he has become a god then he might also have had the the gumption to show us how this might have

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happened and here's that scene where patah is actually writing the secrets of ascension the

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secrets of the hundreds of thousands of years into into the palm of his hand we see these scenes

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elsewhere at carnac for example where seti has himself portrayed with patah once again

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with the secrets of the hundreds of thousands of years the secrets of ascension and seti being led

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in this procession where he is going to receive that that knowledge we also see the another scene

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at carnac you know skip forward here

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my apologies where we see seti once again kneeling in the sycamore tree behind him is the god

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thoth the god of divine magic and alchemy something i want you to think about is you're

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looking at this sycamore tree is that it looks surprisingly or suspiciously like

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a human brain with its dendrites or its nerves the the neurons the the neural network and

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it makes me wonder if in fact what the this temple depiction is is showing us what we're seeing here

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at carnac is this attunement scene where seti is having his consciousness attuned or adjusted

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by thoth what thoth is doing is writing the divine name into that tree we can think of this

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as thoth writing the divine name or reprogramming seti's consciousness and attuning him for his

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ascension as the scene continues you see on the very far left is seti kneeling

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thoth has written that name into his consciousness now seti is holding the name he's kneeling

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within that tree the next figure that we see is the the the cat headed or lion headed goddess

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sekhmet who holds the also the secret of the hundreds of thousands of years seti is kneeling

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receiving the secret of the hundreds of thousands of years from horus both of these god beings are

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are offering him the secret of ascension and we can see that seti is wearing a very very peculiar

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or very powerful looking headpiece this headpiece is actually the clue that tells us that this is his

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illumination or ascension ceremony the name of that headpiece is called the

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chesed cyclet or circlet rather the chesed circlet which chesed means luminous

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and textual evidence for the term luminous can be found in the pyramid text as well as in later

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funerary literature where they denote the radiant appearance of the stellar gods their plasma beings

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and of both and the deceased this crown the circlet appears in conjunction with the with

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the transfiguration of osiris and here is seti once again wearing it at metanet habu suggesting

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to us that his consciousness has been attuned by the gods and he has now received the secrets of

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the luminosity of becoming a plasma being like the gods now returning to the temple of seti at

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abidos we come into one of its seven chapels this is the osiris chapel dedicated to the

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egyptian god of resurrection osiris and on that wall we see what i refer to as the osiris device

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in the story of osiris he is disassembled by his jealous brother seth he's disassembled into 15

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pieces his wife isis searches for and recovers those pieces and reassembles osiris osiris's head

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head is kept at abidos what we're looking at here and what i refer to the osiris device is actually

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the head of osiris this doesn't look like any kind of a human type of a being this is clearly

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some kind of a device and i refer to it as a device because the word device means a sign

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a seal a tool and an appliance and when you ask the question what does the head of osiris do

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as a device you find out that it is the egyptian symbol for the hope for resurrection what that

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means is that it is a resurrection device a resurrection symbol it is the egyptian symbol

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for resurrection just like the cross is the egyptian symbol for or is the christian symbol

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for resurrection this is the egyptian symbol for resurrection and it's the head of osiris

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now what's going on here well here's the way i look at it the ancient egyptians believed that

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osiris was an actual god man he was a great civilizer he traveled the world

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civilizing other cultures and it was on one of those trips after he returned that his brother

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seth tricked him put him into a sarcophagus that exactly fit osiris proportion floatered him down

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the nile he's cut into pieces isis goes and recovers all the pieces and puts them back together

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now osiris is a person but he's also this device how does that work well the the analogy i like

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to make is that i'm i'm a guitar player i play an electric guitar called a gibson les paul and if

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i'm talking with another guitar player and they say hey man what kind of guitar do you play i say

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les paul they know that i'm referring to this specific musical instrument electric guitar

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and they also know that it's named after a jazz musician named les paul who gave his name to that

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instrument or device i think something similar happened with osiris he's both the man osiris

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and he gave his name to this device that has something to do with resurrection what does it

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have to do with resurrection what we're looking at here are scenes by the way from the metropod

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museum of art in new york city this this wall scene is about eight feet long it was hauled off

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the wall at the temple of ramses the second at abados and taken to new york city by j.p morgan

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j.p morgan was the financier of this expedition he had this cut off the wall and returned to new

390
00:50:07,340 --> 00:50:13,820
york and what we're actually looking at here is a a portion of that that whole temple scene

391
00:50:14,620 --> 00:50:22,300
and what we see here accompanying it now is the hieroglyph for the head of osiris the head of

392
00:50:22,300 --> 00:50:29,660
osiris has a serpent on a pole and when that serpent on the pole is placed on top of the middle

393
00:50:29,660 --> 00:50:37,500
glyph the glyph in between the two tet or resurrection pillars it forms the osiris device

394
00:50:37,500 --> 00:50:45,260
so wait a minute haven't we been talking about a serpent on a pole the nihustan of course of

395
00:50:45,260 --> 00:50:51,340
moses this symbol of the seraphim beings the plasma beings

396
00:50:54,300 --> 00:51:03,500
wait is this some kind of resurrection device something that can turn us into plasma beings

397
00:51:03,980 --> 00:51:09,820
plasma beings because after all that is how they we are we are thinking of resurrection in

398
00:51:09,820 --> 00:51:15,260
this conversation is that we're talking about the god beings as being plasma beings who came here

399
00:51:15,260 --> 00:51:21,180
to assist us in our resurrection out of earthly flesh the pyramid texts talk about how the king

400
00:51:21,180 --> 00:51:30,220
becomes like lightning and lightning is plasma and lo and behold we have this mysterious obviously

401
00:51:30,220 --> 00:51:38,380
mechanical looking device on the walls of the temple of seti at abidos and of all things it's

402
00:51:38,380 --> 00:51:46,460
got that nihustan serpent on a pole symbol of the seraphim the logo of the seraphim who we also

403
00:51:46,460 --> 00:51:54,860
established are plasma beings it's just getting really really interesting isn't it so i've made

404
00:51:54,940 --> 00:52:00,860
my business i've got dozens of depictions of the osiris device i'm not going to get into all of

405
00:52:00,860 --> 00:52:06,460
them with you today but i am going to tell you that that this device is typically operated by

406
00:52:06,460 --> 00:52:15,100
the divine feminine while it is associated with osiris it's usually isis and her priestesses who

407
00:52:15,100 --> 00:52:22,860
operated or tended this device in this example here we have isis and seti himself is adoring

408
00:52:23,580 --> 00:52:34,780
or anointing the head of osiris excuse me we notice in this scene here that the hands and

409
00:52:34,780 --> 00:52:42,700
faces of isis and seti are chopped off this is because the ancient egyptians believed that this

410
00:52:42,700 --> 00:52:48,220
scene like other temple scenes are magically active as long as they were being portrayed

411
00:52:48,780 --> 00:52:54,460
anointing osiris that anointing continued to go on for eternity the early christians came in and

412
00:52:54,460 --> 00:53:02,460
hacked off their hands and faces to to sever that connection so that now this head is no longer

413
00:53:02,460 --> 00:53:10,300
performing its function its resurrection function and it clearly holds the head of some kind of a

414
00:53:10,300 --> 00:53:17,900
god being it looks to me like a sort of a variation really of hathor in that in that pillar

415
00:53:18,860 --> 00:53:21,420
although it could be some other god being i'm not sure

416
00:53:23,500 --> 00:53:29,820
but isn't it interesting that this serpent on a pole that symbolizes the head of osiris is exactly

417
00:53:29,820 --> 00:53:35,580
what we see in the judaeo-christian tradition is the serpent on the tree of life dispensing this

418
00:53:35,580 --> 00:53:41,740
wisdom to the divine feminine that the judaeo-christian tradition sought to eliminate

419
00:53:43,660 --> 00:53:47,500
there's a whole correspondence that we could make here we're not going to go into detail here but

420
00:53:47,500 --> 00:53:53,580
i'm just going to observe that the serpent on a pole the nahushetan matches the head of osiris

421
00:53:53,580 --> 00:54:00,300
and also of course matches the judaeo-christian concept of the wise serpent of eden in the tree

422
00:54:00,300 --> 00:54:05,180
of knowledge it could be that this tree is in fact the original tree of knowledge

423
00:54:06,620 --> 00:54:13,900
moses knew this in my opinion because in the famous story not only did moses lift the serpent

424
00:54:13,900 --> 00:54:22,060
of healing in the wilderness he also in a famous duel with the magicians of the pharaoh turned his

425
00:54:22,060 --> 00:54:29,020
rod into a serpent i just have to show you i actually got one of these things at the karnak

426
00:54:29,020 --> 00:54:34,300
temple can you see this walking stick i have here it's a it's a it's carved out of a single

427
00:54:34,300 --> 00:54:41,900
piece of sycamore just beautiful and it's got a serpent winding around it and i i just when i

428
00:54:41,900 --> 00:54:46,700
when i'm meditating here at my desk you know i'd sometimes just like to just sit here at my desk

429
00:54:46,700 --> 00:54:54,140
staring at my computer with my chin on this thing thinking golly there's magic in this in this rod

430
00:54:54,140 --> 00:54:59,500
there's the possibility of turning this rod into a living serpent and back into a rod again

431
00:54:59,500 --> 00:55:04,460
just like moses did and i'm not saying i'm thinking i'm like moses or anything but i am

432
00:55:04,460 --> 00:55:09,980
looking at this thinking how would that be possible to transmute one thing into another that's what

433
00:55:09,980 --> 00:55:18,060
the secret of ascension is isn't it it's how do we transmute one thing into another solid liquid

434
00:55:18,060 --> 00:55:25,580
gas plasma they're all interchangeable perhaps is what they're telling us here we can turn one

435
00:55:25,580 --> 00:55:32,220
thing into another well where i'm going with this is that on one of my tours we hired one of the

436
00:55:32,220 --> 00:55:39,180
most spiritual guides in in ancient egypt or in modern egypt who knows the secrets of ancient

437
00:55:39,180 --> 00:55:45,100
egypt and i was talking with them about this osiris resurrection device and he was just like

438
00:55:45,740 --> 00:55:51,980
i can't believe you are saying this first of all he had never heard or studied the osiris

439
00:55:51,980 --> 00:55:57,260
resurrection device and was blown away by that and what he said was his name is emil shaker he

440
00:55:57,260 --> 00:56:03,020
does a lot of tours he said i'm going to take you to abidos and i'm going to prove to you that what

441
00:56:03,020 --> 00:56:13,500
you are saying is true that moses trained at the temple of sedi at abidos and this story of moses

442
00:56:13,500 --> 00:56:21,180
turning a serpent or a rod into a serpent back into a rod again took place at abidos and he's

443
00:56:21,180 --> 00:56:27,020
going to he went on to say that what you are saying will be proven that moses learned about

444
00:56:27,020 --> 00:56:36,700
the secrets of the ark of the covenant at abidos so emil true to his word takes us when we get to

445
00:56:36,700 --> 00:56:45,340
abidos to the scene on the wall where sedi is holding a rod that turns into a serpent

446
00:56:47,580 --> 00:56:54,780
that tells me and that emil is and here you see the rod turning into a serpent a serpent

447
00:56:56,540 --> 00:57:03,180
is really pointing us in the right direction here that perhaps king sedi was the pharaoh

448
00:57:03,740 --> 00:57:10,780
during the time of moses and the exodus they believe it could have been sedi or his son

449
00:57:10,780 --> 00:57:17,500
ramesses the second ramesses the great either way it suggests that the story of moses actually

450
00:57:17,500 --> 00:57:26,940
took place at abidos that is a really powerful affirmation here that moses not only learned how

451
00:57:26,940 --> 00:57:32,540
to turn the rod into a serpent and back into a rod but he might have also have learned to lift

452
00:57:32,540 --> 00:57:39,900
the serpent at abidos as well because that is where the head of osiris was housed where this

453
00:57:39,900 --> 00:57:46,140
device was housed that is symbolized by the serpent on a pole exactly the same as the

454
00:57:46,140 --> 00:57:54,540
nahushin of moses actually took this photo at salisbury cathedral and again it connects the

455
00:57:54,540 --> 00:58:01,580
lifting of the serpent with resurrection because no one has ascended into heaven said jesus except

456
00:58:01,580 --> 00:58:07,500
the one who is descended from heaven the son of man and just as moses lifted up the snake in the

457
00:58:07,500 --> 00:58:13,340
wilderness so the son of man must be lifted up that everyone who believes in him may have

458
00:58:13,340 --> 00:58:20,940
eternal life this lifting of the serpent or serpent on a pole has something to do with

459
00:58:20,940 --> 00:58:28,860
resurrection i think it has to do with our transmutation into a plasma life form and i

460
00:58:28,860 --> 00:58:34,700
believe i'm asking you to follow me on this that that serpent on a pole in the head of osiris and

461
00:58:34,700 --> 00:58:41,740
this assembled osiris device is the nahushin of moses that he lifted in the wilderness

462
00:58:42,460 --> 00:58:50,460
and that he made a seraphim manifest from without from within a plasma being emerged from within

463
00:58:50,540 --> 00:58:58,860
this device now isn't it interesting that this fully assembled osiris device

464
00:58:58,860 --> 00:59:08,620
precisely matches a tesla coil with plasma coming out of it the platform the pillar

465
00:59:10,140 --> 00:59:18,700
the plasma device all of it perfectly corresponds with one another a conspiracy theory

466
00:59:19,660 --> 00:59:29,420
who was the financier of nikola tesla j.p. morgan is it possible that j.p. morgan discovered

467
00:59:29,420 --> 00:59:37,660
something at abados turned it over to nikola tesla and tesla and what he turned over what

468
00:59:37,660 --> 00:59:46,860
it had something to do with the osiris device and tesla was able to devise a device from

469
00:59:47,580 --> 00:59:48,380
this depiction

470
00:59:50,780 --> 00:59:56,620
it's just a conspiracy theory i don't have any proof of that but it's very interesting the way

471
00:59:56,620 --> 01:00:00:02,460
the players align and i'm not trying to take anything away from nikola tesla is an absolute

472
01:00:02,460 --> 01:00:10,540
genius but perhaps he received some inspiration in the development of his tesla coil perhaps it

473
01:00:10,620 --> 01:00:19,660
was the same inspiration that moses had and setting ultimately what this device is which is

474
01:00:19,660 --> 01:00:29,660
so profound in my opinion it is the complete arc of the covenant unfortunately many of the arc of

475
01:00:29,660 --> 01:00:35,180
the covenant researchers ask you to consider that what we are looking at in this depiction

476
01:00:35,260 --> 01:00:41,580
is the arc of the covenant and it's true it is part of the arc of the covenant

477
01:00:43,500 --> 01:00:53,500
i got one for my birthday last year the arc of the covenant here it is right no this is not the

478
01:00:53,500 --> 01:01:00,700
arc of the covenant nor is this depiction of the full arc of the covenant it is part of the arc of

479
01:01:00,700 --> 01:01:08,460
the covenant because what a lot of what well what no researchers do and i for some reason was

480
01:01:08,460 --> 01:01:14,620
the first to do was to say well wait a minute the arc of the covenant has several components

481
01:01:16,700 --> 01:01:22,140
it has the rod of erin whose name means enlightenment it has the tablets of the law

482
01:01:22,140 --> 01:01:32,060
it has a flask of mana i was inspired 2012 maybe 2010 to look at those components and say well

483
01:01:32,060 --> 01:01:39,980
wait a minute if you open the arc of the covenant and pull out those components and assemble them

484
01:01:39,980 --> 01:01:52,300
you get the osiris device this resurrection device the box is the platform the tablets are the two

485
01:01:52,300 --> 01:02:00,380
tablets on top of the the rod of enlightenment the rod of erin the correspondence is exact

486
01:02:00,620 --> 01:02:01,340
exact

487
01:02:04,060 --> 01:02:10,300
we know historically that all of these tools or implements were together in the original temple

488
01:02:10,300 --> 01:02:20,300
of solomon then in 700 bc when king joseph butchered the original religion of the jews and

489
01:02:20,300 --> 01:02:28,300
the israelites and the ark was lost when it was returned several of the components the rod

490
01:02:28,940 --> 01:02:36,140
the flask of mana were missing so this is why most arc of the covenant researchers think of the

491
01:02:36,140 --> 01:02:42,620
box as the ark steven spielberg for example completely blew the ark of the covenant and is

492
01:02:42,620 --> 01:02:49,980
in the raiders of the lost ark the fully assembled ark of the covenant with all its components

493
01:02:50,780 --> 01:02:59,180
is the assembled osiris device this is not the ark of the covenant it is part of the ark of the

494
01:02:59,180 --> 01:03:05,340
covenant it does open a portal as portrayed in this incredible scene but it's not until you

495
01:03:05,340 --> 01:03:12,540
assemble the ark of the covenant that you get the real device and what the fully assembled ark of

496
01:03:12,540 --> 01:03:21,980
the covenant is is the throne of christ the throne of the second coming i wrote about this

497
01:03:21,980 --> 01:03:29,500
in my book the judgment day device in images of the second coming you see christ manifesting in

498
01:03:29,500 --> 01:03:41,020
this cloud of light the cloud is always above his throne which is referred to as the adamatia or

499
01:03:41,020 --> 01:03:47,980
throne of the second coming the adamatia has several components the book of love

500
01:03:48,780 --> 01:03:56,380
the ark platform and the cross and several other components that are identical to what we see

501
01:03:56,940 --> 01:04:05,900
in the fully assembled ark of the covenant or the osiris device they're the same thing

502
01:04:06,060 --> 01:04:12,860
and this is absolutely revolutionary in terms of our understanding of what the ark of the covenant

503
01:04:12,860 --> 01:04:21,580
is and especially its role in end time prophecy that says that christ will return on his cloud

504
01:04:22,700 --> 01:04:29,260
and his brother the rainmaker as he's referred to by the ascenes will assemble the ark of the

505
01:04:29,420 --> 01:04:37,020
covenant for him this is the fully assembled ark of the covenant

506
01:04:38,860 --> 01:04:47,900
in christian second coming art that device is also portrayed as a serpent around the tree of life

507
01:04:48,460 --> 01:04:55,660
which is what we see here at montserrat it's a shorthand way of portraying the complete device

508
01:04:55,660 --> 01:05:02,780
because the serpent out of pole is the nahushin and it is the symbol for the head of osiris

509
01:05:02,780 --> 01:05:11,580
the device through which osiris or seti rather comes and goes now in this depiction back here

510
01:05:12,860 --> 01:05:19,100
from montserrat pardon me i got ahead of myself here i'm going to go back hopefully

511
01:05:19,100 --> 01:05:20,540
okay

512
01:05:23,340 --> 01:05:28,940
no i'm not going to go back apologize my computer's frozen up here see if i can go back now no i'm

513
01:05:28,940 --> 01:05:36,540
not able to go i can't there we go pardon me do you see the serpent on the tree and then above

514
01:05:36,540 --> 01:05:44,620
the serpent on the tree we see christ enthroned in this blue orb what if that blue orb is plasma

515
01:05:44,620 --> 01:05:51,980
or what if these blue balls all around him are maybe plasma balls telling us that christ has

516
01:05:51,980 --> 01:05:58,700
ascended to a parallel earth which is kind of the impression we get in christian ascension imagery

517
01:05:59,660 --> 01:06:06,540
i think that's what we're looking at here but where this ultimately goes for me is that this

518
01:06:06,540 --> 01:06:17,260
device actually corresponds with our mystic anatomy and our chakras this head of osiris is

519
01:06:17,260 --> 01:06:24,940
the resurrection pillar it's the stairway to heaven and look how the chakras correspond to this

520
01:06:25,660 --> 01:06:31,820
the lower three chakras become the baser platform the higher three chakras become the latter or

521
01:06:31,820 --> 01:06:37,580
stairway to heaven and we count the seven chakras one two three four five six seven

522
01:06:38,380 --> 01:06:48,380
all good children go to heaven what if this device is is actually within us and that is we

523
01:06:48,380 --> 01:06:57,260
learn to activate our mystic anatomy it begins to cause our transmutation our alchemical

524
01:06:57,260 --> 01:07:04,940
transmutation into a divine plasma being this is what i proposed happened with with sedi

525
01:07:05,500 --> 01:07:11,420
because on the opposite wall in the osiris chapel on the wall opposite

526
01:07:13,260 --> 01:07:23,100
of the osiris device we see this scene where now sedi has transformed into the pillar

527
01:07:23,740 --> 01:07:33,100
we have the wormhole shaped boat attached and now sedi himself has turned into an immortal being

528
01:07:33,100 --> 01:07:42,780
hence his curl curl beard surrounded by this what could be interpreted as a plasma energy field

529
01:07:44,780 --> 01:07:48,860
i believe that what we're looking at here at the temple of sedi

530
01:07:49,500 --> 01:08:01,580
is a device that dematerialized sedi into plasma or had something to do with calling in a being

531
01:08:01,580 --> 01:08:07,900
who could assist him in his transmutation into plasma and it ultimately represents his ability

532
01:08:07,900 --> 01:08:17,100
to phase back and forth in between the dimensions and this is how he's able then to open the door

533
01:08:18,060 --> 01:08:25,660
and come and go how he was able to manifest before dorothy edie or ohm sedi as she was later

534
01:08:25,660 --> 01:08:36,220
called all about are engaging with these plasma beings and in fact learning to utilize plasma

535
01:08:37,020 --> 01:08:44,140
for our ascension opening the door into the celestial realms so when we compare the image

536
01:08:44,140 --> 01:08:51,340
of a moon with his curl beard with sedi and her curl beard you can see where i get this idea that

537
01:08:51,340 --> 01:08:57,580
that sedi has transformed into a different form he's turned into a plasma being and now he can

538
01:08:57,580 --> 01:09:05,660
journey into the celestial realms the dimension of the blessed the gods but he can also starwalk

539
01:09:05,660 --> 01:09:08,380
back and forth in between the realms

540
01:09:20,700 --> 01:09:28,140
so that is my presentation for today i hope you have enjoyed what i've presented

541
01:09:28,860 --> 01:09:34,060
even more i i hope that you will consider joining us on one of our sacred egypt tours to

542
01:09:34,060 --> 01:09:40,860
come and enjoy and explore the many wonders and mysteries of of ancient egypt to remember

543
01:09:41,420 --> 01:09:47,420
aspects of yourself and to assist us and the ultimate mission of all the ascension mysteries

544
01:09:47,420 --> 01:09:54,380
which is to to transform and transmute our planet into a planet of light and our planet of love

545
01:09:55,420 --> 01:10:01,740
so thank you all so much for spending this time with me many blessings to you all and i hope to

546
01:10:01,740 --> 01:10:08,860
look forward to seeing you all on down the road many blessings all